t the core of RSAP’s serious political critiques are Eurocentric aesthetics and beauty standards and the domination of art museums by white men. “If the problems with Eurocentricity were personified in a man, Renoir would be the disgusting” embodiment, Geller insisted.Geller did not mince words: “Renoir is the most pulsating, puss-ridden boil which is the most blatant essence of the problem,” he added.“The fact that this utter charlatan can get by the watchmen defending the high altar of art is the proof positive that the system is broken, and that, for far too long, these decisions have been made by people who have access to fancy art educations and pursue them with an eye toward dictating taste,” Geller explained.