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THE DEATH OF NEO CONSERVATISM, THOUGHTS ON RUSH LIMBAUGH, AND THE REAL REASON FOR ALL OF THE RECENT BLUSTER-THE UPCOMING FIGHT OVER PRESIDENT OBAMA'S BUDGET On Saturday, February 28, 2009, Mr. Rush Limbaugh gave a speech to the Conservative Political Action Conference (CPAC). He has been called the voice of the Republican Party and the heart of the conservative movement, and in my mind he is the apparent savior of the Neoconservative movement that dominated politics in the last 8 years, holding Ronald Regan as a sacred cow. The focus of Mr. Limbaugh's speech was for Conservatives to take back the Republican Party and the Nation. Punctuating by jumping up and down, chest thumping, fist pumping, and heart slamming, his talk was about staying the conservative course in the Republican Party and being proud of Obstructionism and non-bipartisan politics. The tone of the speech has been called "mocking, bulling, full of contempt, harsh, unapologetic", and in some instances eerily "sinister." As is his tendency, there was very little substance, and there was a lot more playing to the crowd, attempting to energize the group. Unfortunately, he had very little substantially to say and his angry, insulting, rude and unapologetic message, considering the mess the Bush Administration and the Neocons left the American People with, was in appropriate. "We conservatives have not done a good enough job of just laying out basically who we are because we make the mistake of assuming that people know. What they know is largely incorrect, based on the way we're portrayed in pop culture, in the drive-by media, by the Democrat party," the neoconservative talk show host told a mostly-young crowd of energized supporters. His basic premise in his speech based on some basic tenants of conservative philosophy, sprinkled with a combative, begrudging tone about the recent political losses the movement had suffered as a result of the Presidential election, "We want eve

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A Crime Story. The story of seventeen year-old Josh as he navigates his survival amongst an explosive criminal family and the detective who thinks he can save him. Guy Pearce plays senior police officer Nathan Leckie, who, recognizing that J's youth and inexperience might well prove to be the key to finally conquering the Codys, tries to lure him into the fold after the death of a close associate. In order to survive, J must determine how the game is played and choose his place in this cunning and brutal animal kingdom.

No matter how old you are, you never get over high school. Successful PR pro Marni (Kristen Bell) heads home for her older brother's (Jimmy Wolk) wedding and discovers that he's marrying her high school arch nemesis (Odette Yustman), who's conveniently forgotten all the rotten things she did so many years ago. Then the bride's jet-setting aunt (Sigourney Weaver) bursts in and Marni's not-sojet-setting mom (Jamie Lee Curtis) comes face to face with her own high school rival. The claws come out and old wounds are opened in this crazy comedy about what happens when you're reunited with the one person you'd like to forget.

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NEW INTERVIEW FROM JAMES MYERS, THE ENTERTAINMENT CRITIC: LISA BLACK, AUTHOR OF TAKEOVER Please check out the new interview by James Myers, The Entertainment Critic, of Author Lisa Black about Her New Top Selling Book, Takeover. From Library Journal: Make room for another gutsy forensic pathologist unwilling to stay put in her lab. Theresa MacLean is horrified when the banker found murdered in his driveway connects, just a few hours later, to a bank hostage situation at the Federal Reserve Bank in downtown Cleveland. Why does her fiancé, detective Paul Cleary, have to be one of the hostages being held by two men who are either incredibly stupid (who robs the Federal Reserve?) or very much clued in to the bank's unique delivery patterns? After a few tense hours observing from the command post across the street, Theresa impulsively defies the hostage negotiator's protocol and swaps places with her wounded fiancé. Now on the inside, she uses her keen observational skills and gains a clearer idea of the robbers' motives. Human behavior, unpredictable as always, forces the hand of the robbers and the situation escalates messily. Theresa is caught in a harrowing conclusion-car chase and all. Fans of Tess Gerritsen's Jane Rizzoli and Maura Isles novels will enjoy this debut thriller by a forensic specialist for its steady suspense, female intuition, and distinctive venue. A terrific vacation read; recommended for all popular collections. This interview is available exclusively on The Entertainment Critic website found at http://www.theentertainmentcritic.com. To listen to the interview: To access the interview, look under the Interview section. Click on the MP3 player in the lower left corner. You'll see the interview listed, click on Lisa Black's name in the player, the interview will take a moment to download and then will begin playing Enjoy the interview, and please drop us a line at james@theentertainmentcritic.com and let us know how you liked the

NEW INTERVIEW FROM THE ENTERTAINMENT CRITIC: JEFFERY DEAVER, AUTHOR OF THE BROKEN WINDOW Please check out the new interview by James Myers, The Entertainment Critic, of Author Jeffery Deaver, about his new Lincoln Rhymes book, the new best seller, The Broken Window. From The Publisher: "Lincoln Rhyme and partner/paramour Amelia Sachs return to face a criminal whose ingenious staging of crimes is enabled by a terrifying access to information.... When Lincoln's estranged cousin Arthur Rhyme is arrested on murder charges, the case is perfect -- too perfect. Forensic evidence from Arthur's home is found all over the scene of the crime, and it looks like the fate of Lincoln's relative is sealed. At the behest of Arthur's wife, Judy, Lincoln grudgingly agrees to investigate the case. Soon Lincoln and Amelia uncover a string of similar murders and rapes with perpetrators claiming innocence and ignorance -- despite ironclad evidence at the scenes of the crime. Rhyme's team realizes this "perfect" evidence may actually be the result of masterful identity theft and manipulation. An information service company -- the huge data miner Strategic Systems Datacorp -- seems to have all the answers but is reluctant to help the police. Still, Rhyme and Sachs and their assembled team begin uncovering a chilling pattern of vicious crimes and coverups, and their investigation points to one master criminal, whom they dub "522." When "522" learns the identities of the crime-fighting team, the hunters become the hunted. Full of Deaver's trademark plot twists, The Broken Window will put the partnership of Lincoln Rhyme and Amelia Sachs to the ultimate test." This interview is available exclusively on The Entertainment Critic Magazine, found at http://www.theentertainmentcriticmagazine.com. To listen to the interview: To access the interview, look under the Interview section. Click on the wavy lines in the top right hand corner to stop the music, and then

NEW INTERVIEW FROM THE ENTERTAINMENT CRITIC: LILY KOPPEL, AUTHOR OF THE RED LEATHER DIARY Please check out the new interview by James Myers, The Entertainment Critic, of Author Lily Koppel, About Her Completely Unique, Top Selling Book, The Red Leather Diary. From The Publisher: "Rescued from a Dumpster on the Upper West Side of Manhattan, a discarded diary brings to life the glamorous, forgotten world of an extraordinary young woman. For more than half a century, the red leather diary lay silent, languishing inside a steamer trunk, its worn cover crumbling into little flakes. When a cleaning sweep of a New York City apartment building brings this lost treasure to light, both the diary and its owner are given a second life. Recovered by Lily Koppel, a young writer working at the New York Times, the journal paints a vivid picture of 1930s New York-horseback riding in Central Park, summer excursions to the Catskills, and an obsession with a famous avant-garde actress. From 1929 to 1934, not a single day's entry is skipped. Opening the tarnished brass lock, Koppel embarks on a journey into the past, traveling to a New York in which women of privilege meet for tea at Schrafft's, dance at the Hotel Pennsylvania, and toast the night at El Morocco. As she turns the diary's brittle pages, Koppel is captivated by the headstrong young woman whose intimate thoughts and emotions fill the pale blue lines. Who was this lovely ingénue who adored the works of Baudelaire and Jane Austen, who was sexually curious beyond her years, who traveled to Rome, Paris, and London? Compelled by the hopes and heartaches captured in the pages, Koppel sets out to find the diary's owner, her only clue the inscription on the frontispiece-"This book belongs to . . . Florence Wolfson." A chance phone call from a private investigator leads Koppel to Florence, a ninety-year-old woman living with her husband of sixty-seven years. Reunited with her diary, Florence ventures

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