Group items tagged

"Water dripping. A shovel scraping across rock. These sounds don't seem very musical. Yet new research at the University of Arkansas shows that repeating snippets of environmental sounds can make them sound like music."

"With TubeChopper you can now play YouTube like a sampler! You can add cue points and play/sequence them from a hardware MIDI controller."

"A documentary on the artists and musicians pushing turntables to the limit in experimental music. Featuring Maria Chavez, Graham Dunning, Shiva Feshareki, Philip Jeck, Haroon Mirza, Marina Rosenfeld, Janek Schaefer, and Vinyl, Terror & Horror. Directed by Sam Campbell (www.samcampbell.net) Produced by The Vinyl Factory"

This electricalwalks.org website is the latest development of the electromagnetic sound world discovered by the German sound artist Christina Kubisch. Initiated through conversations between Kubisch and the artistic director of the Ultima Oslo Contemporary Music festival, this website was launched at the opening of 2019 Ultima Festival 2019. With the support of the Goethe-Institut and the Norwegian Arts Council, the electricalwalks.org website has been developed by the Ultima Festival and Christina Kubisch in collaboration with the Berlin webdesign company A & B ants and butterflies.

We Come From Your Future is a sound investigation into the future of anti-racism in the UK. It asks how the public discourse on ethnicotherness, diversity, and multiculturalism may contribute to the very conditions of racism? How has the erasure of terms like anti-racism, racist violence, and justice from the official bureaucratic language actually worked to both conceal and foment new convergences of racial tension? How has the composition and re-composition of migration in the UK contributed to new lines of anti-racist experience and opened up to new fields of struggle? What are the obstacles for a re-constitution of an anti-racist movement?

"is new music journal focused on improvised music, open scores in various forms like prose, graphic and action notations. "

"An organ recital of a piece by the composer began in 2001 and will run until 2640. This weekend, listeners gathered to hear its 14th chord change."

"This essay explores how the sound of skateboarding can be studied as a critical analysis and transcultural anthropology of sound. Combining the analysis of the particular sensual aspects of skateboarding with an investigation of the cultural and urban discourses and politics of this performative practice, the article proposes theoretical and methodological perspectives of studying the particular relationship of sound, knowledge and space."

"Spanning the 42 St. Connector between Times Square and Bryant Park in New York City is a troupe of dancing figures dressed in vibrant costumes of feather and fur. The ebullient characters are based on the iconic series of Soundsuits by Chicago-based artist Nick Cave (previously) and are the first part of a massive permanent installation titled Each One, Every One, Equal All in the public transit corridor."

"The Dunning Underwood Mammoth Beat Organ is a modular, mechanical music contraption by Sam Underwood and Graham Dunning. Designed as a two-player, semi-autonomous musical instrument, it plays unusual, sometimes erratic compositions drawing on drone music, minimalist repetition and fairground organ techniques. h"

Christine Sun Kim

Italian sculptor Pinuccio Sciola uses stone to make incredible sound sculptures

"Extended Techniques is a podcast about contemporary music through the lenses of timbral innovations"

"Cooking sounds resonate between the interest they draw in contemporary culture and the neglect in which we have been under-hearing them for many years. It is addressed by Tara Brabazon, a researcher in Cultural Studies, in her article The Sounds of Food: Defamiliarization and the Blinding of Taste.[1] She indicates that in food literature, the attention given to sound is reduced and approaches the acoustics of food as an "oral history" of the obsolete, unheard, undocumented geographies created around food, questioning the cultural hegemony of the visual, the tactile, and the gustatory. Anna Harris is an anthropologist studying topics related with well-being and nutrition who wrote the article The Hollow Knock and Other Sounds in Recipes,[2] where she examines how sound has been used to communicate and instruct the preparation of a group of food recipes including bread loafs. "

"Turning Towards a Radical Listening is an immersive audio-visual metaphor in which an audience is asked to reconcile how their sonic experience is represented, documented, given language and transcribed by AI algorithms over the course of apx. 70 minutes. The resulting nonsense concrete poem demands consideration of how we exist between input and output-holding space for us to tune into what can be lost in translation. "

"Sound art has an identity crisis. Trapped between experimental music and traditional art mediums, it suffers from inaccessibility and an elitist, academic "cost of entry" requirement in order to connect with works in the contemporary art canon. With the recent passing of sound artist Alvin Lucier, the only hope for the future of sound art is in uplifting the outliers who push towards creating new conceptually rooted work rather than continuing to reward artists who glorify technology at the expense of providing approachable entry points."

"Sounds carry intelligence. If you are too narrow in your awareness of sounds, you are likely to be disconnected from your environment. Ears do not listen to sounds; the brain does. Listening is a lifetime practice that depends on accumulated experiences with sound; it can be focused to detail or open to the entire field of sound. Octogenarian composer and sound art pioneer Pauline Oliveros describes the sound experiment that led her to found an institute related to Deep Listening, and develop it as a theory relevant to music, psychology, and our collective quality of life. Pauline is a composer and accordionist who significantly contributed to the development of electronic music. The culmination of her life-long fascination with music and sound is what inspired the practice of Deep Listening, the art of listening and responding to environmental conditions. As a Professor of Practice in the Arts Department at Rensselaer Polytechnic Institute, she produced highly regarded work as a composer and improviser. Pauline's 1989 recording, Deep Listening, is considered a classic in her field."