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"WV is an ongoing investigation into the politics of human sensuality, by way of commentary, reviews, field recordings, and artwork. Most posts include both text and media. Our emphasis is sonic, but we're not deaf to pictures, tastes, or feelings. The site was created out of a belief that how we sense the world is a crucial political problem. Sense is at the heart of consumption - of media, food, art, material objects - as well as engagements between individuals. Influencing sensual preferences en masse is a key to political and economic power. Consider flavor, cadence, leather interiors. "

"An ongoing project that started life during a one week residency at the Soundfjord Gallery. My proposal was as follows: A letter written to the journal IEEE in 1969 suggests the curious possibility of clay sound recordings from antiquity. Claiming to have evidence, an enigmatic scholar named Richard G. Woodbridge III outlines a hypothesis: sound, by causing a shimmering of airwaves, leaves traces on materials the waves break upon; wet paint, for example, or the soft, wet clay spun by a potter. Using suitable technology a contemporary listener might hear these traces, so allowing a rehearing of whatever sonic activity was occurring in that original impact of sound wave and substance."

"Eirik Brandal is and artist and engineer working between circuits and sound, primarily on the development of intricate sonic sculptures in which the electronic components play an important aesthetic role, also integrating light in some of them, resulting in amazing experiences around objects and space, inspired by the sculptural work of people such as Walter Giers, Alain le Boucher, Peter Vogel, Leonardo Ulian and Gislain Benoit. "