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The case stems from oil pollution in the Ecuadorean rain forest, but Chevron does not operate there and has no significant assets in the country. It was Texaco, which Chevron acquired in a merger in 2001, that was accused of widespread environmental damage before pulling out of Ecuador in the early 1990s.

Chevron has much larger operations elsewhere in Latin America, and the plaintiffs’ strategy of pursuing the company across the region could open a contentious new phase in the case — one that would test Ecuador’s political ties with its neighbors and involve some of Washington’s most prominent lobbyists and lawyers.

Advisers to the plaintiffs said Brazil, Argentina and Venezuela would be obvious candidates to pursue Chevron assets, but they acknowledged it would not be easy. Venezuela, for instance, is a close Ecuadorean ally and its president, Hugo Chávez, is a frequent critic of the United States. But Chevron has extensive operations in Venezuela and enjoys warmer ties with Mr. Chávez’s government than just about any other American company.

The Production Sharing Agreement – the PSA – is an unknown entity in the UK and arguably all over the world, but a household terms and a red hot potato in Iraq. The neutral and fluffy sounding contract that private oil companies crave to secure decades of control over public resources became emblazoned across banners and placards all over the country, in large part due to awareness raising by the IFOU, with the help of social justice and environmental campaigners from the global North, like Platform in London. Who would have thought that this secretive, codified, technocratic ‘thing’ that is the PSA was become a shouted-out, negated, we-know-your-game public enemy?

But instead of protesting financial institutions that had left the economy in ruins, Nigerians turned out in droves to protest the removal of a fuel subsidy that kept gasoline affordable for the public—and also threatened to destroy Nigeria's economic stability

Replete with commentary from a Nobel laureate, it offers a pretty even-handed look at the economics of the subsidy, the protests, and the political situation in Nigeria. But when it was submitted to Nigeria's National Film and Video Censors Board for approval it was promptly banned. The film was obviously nixed because it casts the government in a critical light; but, of course, banning a controversial film without blocking it online is a surefire way to make it go viral.