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Jenny Gilbert

Oxford Practice Grammar - 0 views

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    this one is good for students working online to practice language skills
Jenny Gilbert

Briefly Noted: Practicing Useful Annotation Strategies - NYTimes.com - 0 views

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    Andrew Williamson 07 Mar 11 10:40:00 - This is a fantastic web 2.0 tool. Upload images and annotate. You can other embed media inside the annotations. Annotations pop up as you click or hover over the objects you add. You can embed the annotated image into webpage or blog. This could be a useful tool for teachers and students. Lots of scope for creativity with layers etc. You can share to a group and set editing permissions for public or restricted people/groups for collaboration purposes
Jenny Gilbert

Resource: In Search of the Novel - 0 views

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    Discover creative strategies for bringing novels to life for middle and high school students with this workshop, featuring the words and works of 10 novelists, including Charles Dickens, Mary Shelley, J. K. Rowling, and Toni Morrison. Within the framework of real classroom practice, the workshop offers interviews with contemporary authors, literary critics, teachers, and students, as well as film clips from adaptations of the novels featured. In Search of the Novel poses basic questions that can help you examine the genre from multiple perspectives and bring it to life for your students.
Jenny Gilbert

The Innovative Educator: 21st Century Educators Don't Say, "Hand It In." They say, "Pub... - 0 views

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    I am inclined to agree with the ideas here - putting them into practice is the difficult part. I am some of the way there though.
Jenny Gilbert

report_what_teachers_want.pdf (application/pdf Object) - 0 views

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    This is an interesting study into the process of evaluating and developing teachers in Australia. The article backs up claims with research and clearly indicates our current review practices are not meeting the needs of teachers.
Jenny Gilbert

Web 2.0 Storytelling: Emergence of a New Genre (EDUCAUSE Review) | EDUCAUSE - 0 views

  • To claim that there is now such a thing as “Web 2.0 storytelling” invites risks. For one, some media reports suggest that this type of storytelling could be either hype or a danger. In addition, trying to pin down such a moving target can result in creating terminology that becomes obsolete in short order. Moreover, claiming that storytelling is happening online and is developing in interesting ways contradicts some current assertions about a decline in reading.Accepting these risks, we suggest there is most certainly a new form of expression that is compelling to educators. Starting from our definitions, we should expect Web 2.0 storytelling to consist of Web 2.0 practices.
  • Lonelygirl15 (http://www.lonelygirl15.com/), which started as a series of short videos on YouTube, grew to include a large number of comments, blog posts, wiki pages, parody videos, response videos, and a body of criticism. In each of these cases, the relative ease of creating web content enabled social connections around and to story materials.
  • Web 2.0 narratives can follow that timeline, and podcasts in particular must do so. But they can also link in multiple directions. Consider the possibilities facing a reader (or a viewer or a listener) who approaches Postmodern Sass. One timeline follows blog posts in chronological order. Another follows comments to a single post. A third follows links between posts, such as when the author refers to an earlier situation or references an old joke. Web 2.0 creators have many options about the paths to set before their users. Web 2.0 storytelling can be fully hypertextual in its multilinearity.
  • ...12 more annotations...
  • laying for Keeps (http://www.playingforkeepsnovel.com/) includes blog posts (with comments), podcasts (each blogged, with those posts commentable), PDF downloads, a MySpace page, and additional blog posts from various content contributors, with these posts housed at their own locations.
  • his sort of content repurposing, redesign, and republication can open up problems of version or content control, yet in return, it offers the possible harvesting of the storytelling energies of the creative world.
  • The Twitter content form (140-character microstories) permits stories to be told in serialized portions spread over time.
  • Even more varied forms include movie trailer recuts, in which the story creator edits clips from a well-known Hollywood movie to make a preview that tells a different story.
  • Web 2.0 storytelling is a rapidly evolving genre, developing as new platforms emerge and moving in pace with the creativity of the human mind. We anticipate that new storytelling forms will emerge from today’s tools for microblogging, social networking, web-based presentations, and microblog-like videos
  • For rich-media content creation, Web 2.0 tools have lowered the barriers by moving the process of (expensive) desktop video-editing software to (free) web-based applications17 and at the same time ostensibly moving the focus from using the tool to telling the story with the tool.
  • o be included, the tools had to be free, completely web-based, and able to produce a final product that could be viewed via a link and/or could be embedded into another site. Currently, The Fifty Tools website (http://cogdogroo.wikispaces.com/StoryTools) features examples of stories created in fifty-seven tools, and the number is likely, as new tools continue to emerge, to top seventy soon.
  • Should Web 2.0 storytelling be considered for educational purposes as well? After all, not every art form needs to be used in academia. We believe that the answer is “yes” and that Web 2.0 storytelling offers two main applications for colleges and universities: as composition platform and as curricular object.
  • Some projects can be Web 2.0 stories, while others integrate Web 2.0 storytelling practices.
  • A single course blog, for instance, tells the class “story.”
  • At a different—perhaps meta—level, the boundaries of Web 2.0 stories are not necessarily clear. A story's boundaries are clear when it is self-contained, say in a DVD or XBox360 game. But can we know for sure that all the followers of a story's Twitter feed, for example, are people who are not involved directly in the project? Turning this question around, how do we know that we've taken the right measure of just how far a story goes, when we could be missing one character's blog or a setting description carefully maintained by the author on Wikipedia?
  • For now, perhaps the best approach for educators is simply to give Web 2.0 storytelling a try and see what happens. We invite you to jump down the rabbit hole
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    excellent and detailed doc exploring and defining web2.0 storytelling and what that actually means
Jenny Gilbert

Best Practices - 0 views

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    section on rubrics is straightforward and uncomplicated.
Jenny Gilbert

Crafting an argument in a literary essay - English Companion - 0 views

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    this is a really good practical discussion by preofessional teachers with ideas for improving students analysis/critical responses to literature.
Jenny Gilbert

Guide to Grammar Lesson Plans - 0 views

  • Middle School & High School GamesEngaging teens in anything that smacks of grammar is usually a difficult task. To teach grammar and hopefully have some fun, try these games. Games are a fun way to engage students in tasks where they do not even know they are learning. Plus, they encourage teamwork and allow for kinesthetic learning. Students can play Stick it the Quickest and word sorts, which require Post-Its and chart paper. Some games require cards and larger teams. One grammar game requires baskets and balls to show correct grammar use. Whatever game you select for your students, they will enjoy this type of grammar practice over a worksheet any day. Choose the game for the grammar topic: Eight Parts of Speech Game Eight Parts of Speech Sentence Sort Grammar Lesson: Action Verbs and Verbs of Being Lesson Identify Noun Case Activity Identifying Parts of Speech Review Game Variety is Important in English Grammar Lessons
  • If your students struggle with passive voice, contractions, run-ons, comma splices, or pronouns in their writing, try one of the following lessons.
Jenny Gilbert

David Jakes Presentation Resources - 0 views

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    Yes, emerging technologies have great potential. But how do we make them work in our schools today? This session explores the implementation of a multi-dimensional digital space with three components-a course space, a student-content creation space, and a knowledge commons that supports both-and examines how they support the development of learning literacy. Come prepared to evaluate these three spaces and discuss the organizational readiness that was required to take them from conversation to implementation.
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