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Lauren Rosen

morgueFile - 2 views

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    free photos for creatives by creatives. Like creative commons but no attribution necessary.
Viviana Sarac

defining creativity - 2 views

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    Towards a definition of creativity
Claude Almansi

PopuLLar: Motivating secondary school students to learn languages through their music - 9 views

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    "PopuLLar is a European Union, funded, innovative, education project designed to harness music, the primary social interest of secondary school students, in to their language learning. There is a huge need to motivate secondary school students, in particular, to learn languages, focus digital competencies and be creative; and music is the key. The project will ask students to write their own lyrics to songs of their choice. They will then translate their songs in to the target language they are learning, The students will then record their song (audio or video) and share it with students all over Europe. Students will be able to combine their love of music, with creativity, literacy, digital competencies, group collaboration and, most importantly, use LWULT languages. PopuLLar is a project that is 'Owned' by the students, they work autonomously and collaboratively, teachers are guides to the project process."
Martin Burrett

Creative Teaching in a Diverse Classroom - 16 views

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    Lots of great ideas on how to be creative in the classroom
Barbara Lindsey

a childhood walk :: zefrank.com - 8 views

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    This could trigger some creative adaptations for language classes, esp. tapping into students' personal interests and stories and creative writing activities.
Maggie Verster

Inside Google Books: Bringing the power of Creative Commons to Google Books - 0 views

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    Today, we're launching an initiative to help authors and publishers discover new audiences for books they've made available for free under Creative Commons (CC) licenses. Rightsholders who want to distribute their CC-licensed books more widely can choose to allow readers around the world to download, use, and share their work via Google Books.
Isabelle Jones

http://www.droit-technologie.org/dossier/details.asp?id=183 - 0 views

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    Creative Commons est l'un des acteurs les plus visibles du mouvement copyleft. L'appréhension de ces licences libres nécessite une relecture des paradigmes classiques de la propriété littéraire. La présente étude propose une mise en contexte des licences Creative Commons sur le plan de la théorie du droit. Nous proposons en annexe n nouveau dossier, consacré à la licence Creative Commons, qui est sans nul doute l'un des acteurs les plus visibles du mouvement dit du copyleft. L'appréhension de ces licences libres nécessite une relecture des paradigmes classiques de la propriété littéraire. La présente étude propose une mise en contexte des licences Creative Commons sur le plan de la théorie du droit.
Isabelle Jones

Writing Styles-Key Features - 1 views

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    to look at cross-curricular literacy links/ creative writing
Barbara Lindsey

Cultural borders and mental barriers: the relation... [J Pers Soc Psychol. 2009] - PubM... - 6 views

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    Five studies employing a multimethod approach systematically explored the link between living abroad and creativity.
Maggie Verster

Igniting Student Creativity Through Digital Storytelling - 0 views

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    Tools and resources for digital storytelling
Andrew Jeppesen

Creative Commons Japan - クリエイティブ・コモンズ・ジャパン - 0 views

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    Creative commons in Japanese
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