Bly's third volume is organized around an amazing essay that has defined his later work with gender issues, "I Came Out of the Mother Naked." Also includes his ferocious antiwar poem, "The Teeth Mother Naked at Last," and the ambitious title poem, a symbolic autobiography cast in visionary, Jungian images. One of Bly's most intellectually challenging volumes.
Review of Robert Bly's earliest collection, published in 1962. According to Robert Bly's personal website, Silence in the Snowy Fields "disarmed readers and critics with its clear-sighted intelligence and apparent simplicity."
Review of Robert Bly's earliest collection, published in 1962. According to Robert Bly's personal website, Silence in the Snowy Fields "disarmed readers and critics with its clear-sighted intelligence and apparent simplicity."
These 1977 prose poems delight in the wild "leaps" and associative connections discovered by the meditative mind in solitude. A showcase for Bly's imaginative reach at its most muscular, this book features one of Bly's most ecstatic affirmations of physical love, "We Love This Body," as well as the famous poem, "Finding the Father."
"In this 1979 collection, Bly revisits the western Minnesota terrain and plainspoken style of his first collection, Silence in the Snowy Fields. While in many ways a sequel to Snowy Fields, the poems here reflect a deepened awareness of Sufism and Jung that relates them spiritually and psychologically to Camphor and Gopherwood and Black Coat." (Robertbly.com)
Review of Robert Bly's earliest collection, published in 1962. According to Robert Bly's personal website, Silence in the Snowy Fields "disarmed readers and critics with its clear-sighted intelligence and apparent simplicity."
" In the following essay, Bell argues that Boyle's essays are proof of Boyle's conviction that writers must be a voice of consciousness and accountability."