Contents contributed and discussions participated by Anna-Laura Silva
NMAI - Woven Together - 0 views
NMAI: Listening to Our Ancestors - 0 views
About Petrarch - 0 views
erasmus: the complaint of peace - 0 views
The Literary Works of Da Vinci Index - 0 views
The Small Catechism of Martin Luther - 0 views
Ignatius of Loyola epistolary - 0 views
Thomas More - 0 views
95 Theses - 0 views
Francesco Petrarch - Father of Humanism - 0 views
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But so far he is vague and uncertain, because of the feebleness of youth, and does not always know what he wants to say. What he does want to, however, he says very nobly and beautifully. So it frequently happens that there falls from him some poem that is not only pleasing to the ear but dignified and graceful and well-considered, the sort of work that you would ascribe, if you were ignorant of the author, to some writer of long experience. I am confident that he will develop vigour of thought and expression, and work out, as the result of his experiments, a style of his own, and learn to avoid imitation, or, better, to conceal it, so as to give the impression not of copying but rather of bringing to Italy from the writers of old something new. Now, however, imitation actually is his greatest joy, as is usual at his time of life. Sometimes his delight in another's genius seems to lend to his spirit wings, and he defies all the restraints of his art and soars aloft, so high that he cannot continue his flight as he should, and has to descend in a fashion that betrays him.
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In brief, we may appropriate another's thought, and may even copy the very colours' of his style, but we must abstain from borrowing his actual words. The resemblance in the one case is hidden away below the surface; in the other it stares the reader in the face. The one kind of imitation makes poets; the other---apes.
Internet History Sourcebooks Project - 0 views
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As to my disposition, I was not naturally perverse or wanting in modesty, however the contagion of evil associations may have corrupted me. My youth was gone before I realised it; I was carried away by the strength of manhood; but a riper age brought me to my senses and taught me by experience the truth I had long before read in books, that youth and pleasure are vanity-nay, that the Author of all ages and times permits us miserable mortals, puffed up with emptiness, thus to wander about, until finally, coming to a tardy consciousness of our sins, we shall learn to know ourselves.
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On the other hand, the pleasure of dining with oiie's friends is so great that nothing has ever given me more delight than their unexpected arrival, nor have I ever willingly sat down to table without a companion.
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I have always been most desirous of honourable friendships, and have faithfully cherished them.
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After the American Revolution: Free African Americans in the North | EDSITEment - 0 views
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About one-third of Patriot soldiers at the Battle of Bunker Hill were African Americans (according to The Battle of Bunker Hill on the EDSITEment resource American Memory). Census data also reveal that there were slaves and free Blacks living in the North in 1790 and later years. What were the experiences of African-American individuals in the North in the years between the American Revolution and the Civil War?
▶ The Civil War, by Ken Burns | The Cause, 1861 | Part 1 - YouTube - 1 views
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The stage is set for war as the nation begins to tear apart. Opposition by the North to slavery in the South fuels a bitter debate, and the country wrestles with conflicts between the Union and States' rights. Commanding center stage are twering figures-- Abraham Lincoln, Frederick Douglass, Ulysses S. Grant and Robert E. Lee. From Harper's Ferry to Fort Sumter, the first chapters unfold in a conflict from which there would be no turning back.
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