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"Team Open is a project to collect and share stories of the power of Creative Commons licenses." (http://teamopen.cc/all/) This site is a project by Creative Commons to advertise the power of creative commons licensing; it includes trading cards (!) for donating, and powerful stories about how CC has been used for good in the world and why it is such an important movement. This is a great piece of advertising for CC, and it really captures some of the ways that CC can be used. I think all too often, copyright is not seen as something "sexy" or interesting, but using clear language, simple but elegant graphics, and some really captivating stories, this site is a very useful tool.

This is a very easy plugin to install in Wordpress blogs to allow for customizing your Creative Commons licensing for content created at that blog site.

Thanks, AJ. As a Wordpress user this is going to be helpful for future blogging projects.

This is great. As a user and implementer of wordpress sites in the past, this plugin is a great way for businesses to embrace an open knowledge culture in their organisation (ie sharing their content online) and which content is under which type of Creative Commons license.

Creative Commons began providing licenses for the open sharing of content only a decade ago. More than 400 million CC-licensed works are now available on the Internet, varying from music, photos, research findings to entire courseware. Creative Commons provides the legal and technical infrastructure that allows effective sharing of knowledge, art and data by individuals, organizations and governments. Millions of creators world over are taking advantage of that infrastructure to share work that enriches the global commons for all humanity. The book The Power of Open collects the stories of those creators, some such famous creators are like ProPublica, a Pulitzer Prize-winning investigative news organization or the nomadic filmmaker Vincent Moon. The breadth of uses is as great as the creativity of the individuals and organizations choosing to open their content to the rest of the world.

Josh Woodward is one of the most prolific musicians in the Creative Commons community. His songs have been downloaded six and a half million times. His songs are all licensed under CC's most open license for maximum sharing, commercial or noncommercial. And he presents instrumental and lyrical mixes for most of his songs, allowing for easy reuse in video.

For fun -- and to demonstrate the power of the creative commons -- CC has created a new Tumblr that features random content from artists using creative commons licensing. Each day features a new "thing," putting subscribers (via email or bookmark) and artists in contact.

"...we need to recognize you can't kill the instinct the technology produces. We can only criminalize it. We can't stop our kids from using it. We can only drive it underground. We can't make our kids passive again. We can only make them, quote, "pirates." And is that good?" - Larry Lessig This is a great talk about the free use of materials to make something new. The crux of Mr Lessig's argument is that every time a "kid" remixes a song with a video they are committing a criminal act. By doing this the law is making their free expression criminal. He shows three great examples of this starting at 8:29 in the video. He suggests that by using Creative Commons materials, we can avoid being criminals, and by doing this we can break the cartel of the RIAA and others. He uses the example of BMI causing the downfall of ASCAP. You can see this at 4:55 in the video. Here is the quote: "Finally. Before the Internet, the last great terror to rain down on the content industry was a terror created by this technology [Shows a picture of a broadcast radio antenna]. Broadcasting: a new way to spread content, and therefore a new battle over the control of the businesses that would spread content. Now, at that time, the entity, the legal cartel, that controlled the performance rights for most of the music that would be broadcast using these technologies was ASCAP. They had an exclusive license on the most popular content, and they exercised it in a way that tried to demonstrate to the broadcasters who really was in charge. So, between 1931 and 1939, they raised rates by some 448 percent, until the broadcasters finally got together and said, okay, enough of this. And in 1939, a lawyer, Sydney Kaye, started something called Broadcast Music Inc. We know it as BMI. And BMI was much more democratic in the art that it would include within its repertoire, including African American music for the first time in the repertoire. But most important was that BMI took public domain works a

Arabic initiatives in open knowledge

The pack explains what CC is, how to find CC material and the best way to attribute CC material.

Realizing the value of sharing in digital world the open licenses.

Very useful information. it's going to be of key importance that people know about copyright now that we're all moving into an era of massive creativity being shared globally. Understanding copyright needs to be part of digital literacy.

"School of Open is a global community of volunteers providing free online courses, face-to-face workshops, and innovative training programs on the meaning, application, and impact of "openness" in the digital age. Through School of Open, you can learn how to add a Creative Commons license to your work, find free resources for classroom use, open up your research, remix a music video, and more!"

Con las licencias Creative Commons se fomenta el intercambio de la creatividad y conocimiento de una manera libre y respetando los derechos de autor. Buen artículo para entender de que trata el "Creative Commons"

Learning the language of code empowers a new kind of entrepreneur to make extraordinary creative leaps with their business. There are many examples, such as Andy Puddicombe who has used technology to bring meditation and mindfulness to the world with his business HEADSPSACE, and Lily Cole who has created IMPOSSIBLE - a way of allowing people to utilise the gift economy online.

Mark Thorley (Conventry University): Participatory music culture: the challenges for identity, creativity and recognition The advent of recording technology served to break down the link between musician and audience (Eisenberg 2005), and the music participant became the music consumer. Emerging digital technologies are now reversing this trend and music participation is all the more possible.

Blog del proyecto español de creative commons. Muy útil para conocer más de lo que se está haciendo en esta línea en España

Esta publicación tiene como objetivo principal el mostrar de forma fácil a nuestros lectores cuales son las licencias básicas de publicación en Internet, cómo entenderlas y aún mas importante: Cómo usarlas de forma adecuada con el objetivo de proteger adecuadamente nuestras creaciones literarias, artísticas y/o científicas.

Que bueno!

A short video (3 minutes) on the importance of sharing and creative commons.

Thank you, this is very revealing!

"Logan Laplante is a 13 year-old boy who was taken out of the education system to be home schooled instead. Not only was he home schooled, but Logan had the ability to tailor his education to his interests and also his style of learning, something traditional education does not offer." I realise this article (and the video on which the article is based) does not fall neatly into any category we've studied yet, though I hope many of you may find it as interesting and inspiring as I have. At core, this is about "hacking" the educational system. As Logan explains, his methods can be applied in mainstream schooling (or indeed for anyone interested in lifelong/lifewide education). There's also the element of "participatory culture" embedded in the production of this video: Logan is sharing his experiences, allowing others to comment and contribute so that he might learn as others are learning from him.

This is a truly amazing talk, I was especially pleased to discover your post since I was just about to share a talk that speaks to many of the same issues! My shared video talks about how schools simply aren't made for boys - for many reasons - and what should be done to reengage them in education. (You can check it out here, if you're interested - https://groups.diigo.com/group/okmooc/content/gaming-could-the-ultimate-tools-to-re-engage-boys-in-education-12782090) The part about "writing about butterflies and rainbows" quite literally made me chuckle, here's why: (from my video) "Boy comes home from school, and he says, "I hate writing." "Why do you hate writing, son? What's wrong with writing?" "Now I have to write what she tells me to write." "Okay, what is she telling you to write?" "Poems. I have to write poems. And little moments in my life. I don't want to write that stuff." :) The boy then goes on to saying "I want to write about video games. I want to write about leveling-up. I want to write about this really interesting world. I want to write about a tornado that comes into our house and blows all the windows out and ruins all the furniture and kills everybody." ...which is one of the main points of "hackschooling" -writing through experiences & interests. Also, speaking from personal experience as someone who also left a diploma behind, I can confirm that leaving a rigid non-functional study environment for an open world of possibility can be the best thing you can ever do. All in all - thumbs up for sharing the talk!

Thanks for sharing - what an inspiring talk. Many of his lessons are just as valuable for adults, who often seem to lose any sense of creativity after settling in to their lives, careers, and relationships. FYI - my wife and I have done some limited homeschooling with one of our kids who really doesn't thrive in traditional school settings. I wish we could have done more, but at the very least I encourage each of our kids to explore other ways to learn to either supplement (or question) what they are learning in school. Traditional education just isn't supportive of creative thinking and creative thinkers.

History of iStock In 2000, if you wanted to load up on digital stock photos you had to buy a CD-ROM. But iStock realized that in the 21st century the old way of distributing images wasn't going to work anymore. Instead of trying to sell physical copies of digital files, iStock put images online for free and saw a creative community grow around this radical idea. Web designers loved it and downloaded as many pictures as they could. Some of them had digital cameras and started uploading images of their own. When the monthly bandwidth bills topped $10,000, we asked the iStock community if they would support paying for images. The response was overwhelmingly positive.

"New technology and innovative business models offer proven opportunities for enhancing the sharing of scholarly information - research papers, primary data and other evidence, creative activity and other products of research and scholarship - across institutions and audiences. This scholarly communication - understood as the system through which research and other scholarly writings are created, evaluated for quality, disseminated to the scholarly community, and preserved for future use - promotes a shared system of research and scholarship. ACRL sees a need to vigorously re-orient all facets of library services and operations to the evolving technologies and models that are affecting the scholarly communication process. There is wide variance in the background understanding of and engagement in scholarly communication as a critical perspective and worldview for academic librarians. This Scholarly Communication toolkit was designed by ACRL's Scholarly Communication Committee as a resource for education and advocacy efforts in transforming the scholarly communication landscape."