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Free access to 3 articles: The Unfolding of the Knowledge Commons pp. 13-24(12) Author: Hess, Charlotte Free Content From Lobsters to Universities: The Making of the Knowledge Commons pp. 25-42(18) Author: Caffentzis, C. George Open Access Scientific Publishing and the Developing World pp. 43-69(27) Author: Contreras, Jorge

Hi Raúl. Thanks for sharing these free resources. Which one do you like best? Which new insight did you gain?

I think Elinor Ostrom's approach to commons pool resources (used by Hess, for example) is very useful not only for understand the case of natural resources as commons (the tragedy of the commons to which it was originally applied), but to matters more close to this course, as knowledge. The approach is useful because it complicates the original perspective on commons. Originally (Elinor Ostrom) her perspective considered only group boundaries clearly defined (very small groups, peasants or indigenous); rules governing the use of collective goods well matched to local needs and conditions; cases where most individuals affected by these rules can participate in modifying the rules; the right of community members to devise their own rules is respected by external authorities; monitoring mechanisms by community & graduated sanctions. With the new commons (surprisingly, not only knowledge but roads, budgets, radio spectrum; medical commons, atmospheric commons and even silence as commons), new questions rises on the evolution or building new types of commons with no pre-existing rules and norms; increasingly complex; with size, communities, incentives often unknown; extremely dynamic; reactions to threats of enclosure; heterogeneous community; new forms of collaboration and collective action; and global in many cases. I think is a perspective that can help a lot in the case of knowledge and new forms of learning.

Learning modes and principles of open, commons-based peer-production therefor have the potential to provide the "gold standard" of enhancing future skills, competencies, connections, capacities of people and their organisations on a global scale. In short: peer-to-peer learning around open, commons-based peer-production is a game changer in international development cooperation.

If you are browsing Commons for the first time, you may want to start with Featured pictures , Quality images or Valued images . You can also see some work created by our highly skilled contributors inMeet our photographers and Meet our illustrators . You may also be interested in Picture of the Year .

In Module 4, one of the activities is to complete the open multimedia searching exercise. The assignment description contains a nice and well sorted list of internet resources. "Commons", the multimedia repository of Wikimedia contains exclusively material with an open license, CC-BY-SA or GFDL.

"Team Open is a project to collect and share stories of the power of Creative Commons licenses." (http://teamopen.cc/all/) This site is a project by Creative Commons to advertise the power of creative commons licensing; it includes trading cards (!) for donating, and powerful stories about how CC has been used for good in the world and why it is such an important movement. This is a great piece of advertising for CC, and it really captures some of the ways that CC can be used. I think all too often, copyright is not seen as something "sexy" or interesting, but using clear language, simple but elegant graphics, and some really captivating stories, this site is a very useful tool.

This is a very easy plugin to install in Wordpress blogs to allow for customizing your Creative Commons licensing for content created at that blog site.

Thanks, AJ. As a Wordpress user this is going to be helpful for future blogging projects.

This is great. As a user and implementer of wordpress sites in the past, this plugin is a great way for businesses to embrace an open knowledge culture in their organisation (ie sharing their content online) and which content is under which type of Creative Commons license.

Creative Commons began providing licenses for the open sharing of content only a decade ago. More than 400 million CC-licensed works are now available on the Internet, varying from music, photos, research findings to entire courseware. Creative Commons provides the legal and technical infrastructure that allows effective sharing of knowledge, art and data by individuals, organizations and governments. Millions of creators world over are taking advantage of that infrastructure to share work that enriches the global commons for all humanity. The book The Power of Open collects the stories of those creators, some such famous creators are like ProPublica, a Pulitzer Prize-winning investigative news organization or the nomadic filmmaker Vincent Moon. The breadth of uses is as great as the creativity of the individuals and organizations choosing to open their content to the rest of the world.

Josh Woodward is one of the most prolific musicians in the Creative Commons community. His songs have been downloaded six and a half million times. His songs are all licensed under CC's most open license for maximum sharing, commercial or noncommercial. And he presents instrumental and lyrical mixes for most of his songs, allowing for easy reuse in video.

For fun -- and to demonstrate the power of the creative commons -- CC has created a new Tumblr that features random content from artists using creative commons licensing. Each day features a new "thing," putting subscribers (via email or bookmark) and artists in contact.

Arabic initiatives in open knowledge

Although IASCP is devoted to the study of institutions for the management of environmental resources (such as forests, oceans and land) held or used collectively by communities, its WWW site provides a wealth of information for scholars of common pool resources in diverse disciplines. It also seeks to allow an exchange of scholarship between members, researchers, students and other CPR practitioners. Publishes quarterly journal called Common Property Resource Digest. WWW site includes: (a) Searchable CPR bibliographies (see entry for Workshop in Political Theory and Policy Analysis) (b) abstracts of papers from past IASCP conferences (c) links to online articles, bibliographies and information sources on common pool resources (d) information on IASCP conferences and membership.

The pack explains what CC is, how to find CC material and the best way to attribute CC material.

"Just as important as learning these helpful tools, however, is unlearning and avoiding the most common pitfalls of common sense. Reminding us of where society is most vulnerable to those, Sagan writes: In addition to teaching us what to do when evaluating a claim to knowledge, any good baloney detection kit must also teach us what not to do. It helps us recognize the most common and perilous fallacies of logic and rhetoric. Many good examples can be found in religion and politics, because their practitioners are so often obliged to justify two contradictory propositions.He admonishes against the twenty most common and perilous ones - many rooted in our chronic discomfort with ambiguity - with examples of each in action"

The 20 fallacies: "ad hominem - Latin for "to the man," attacking the arguer and not the argument (e.g., The Reverend Dr. Smith is a known Biblical fundamentalist, so her objections to evolution need not be taken seriously) argument from authority (e.g., President Richard Nixon should be re-elected because he has a secret plan to end the war in Southeast Asia - but because it was secret, there was no way for the electorate to evaluate it on its merits; the argument amounted to trusting him because he was President: a mistake, as it turned out) argument from adverse consequences (e.g., A God meting out punishment and reward must exist, because if He didn't, society would be much more lawless and dangerous - perhaps even ungovernable. Or: The defendant in a widely publicized murder trial must be found guilty; otherwise, it will be an encouragement for other men to murder their wives) appeal to ignorance - the claim that whatever has not been proved false must be true, and vice versa (e.g., There is no compelling evidence that UFOs are not visiting the Earth; therefore UFOs exist - and there is intelligent life elsewhere in the Universe. Or: There may be seventy kazillion other worlds, but not one is known to have the moral advancement of the Earth, so we're still central to the Universe.) This impatience with ambiguity can be criticized in the phrase: absence of evidence is not evidence of absence. special pleading, often to rescue a proposition in deep rhetorical trouble (e.g., How can a merciful God condemn future generations to torment because, against orders, one woman induced one man to eat an apple? Special plead: you don't understand the subtle Doctrine of Free Will. Or: How can there be an equally godlike Father, Son, and Holy Ghost in the same Person? Special plead: You don't understand the Divine Mystery of the Trinity. Or: How could God permit the followers of Judaism, Christianity, and Islam - each in their own way enjoined to

Wonderful post, Kim! These are great guidelines alongside which to test ideas.

This piece was published as part of the GIZ compendium "10 trends in open innovation" and talks about self-organized and connected peer-to-peer learning for sustainable human development worldwide. Might be of interest as additional resource for Module 11: Global Perspectives on Equity, Development, and Open Knowledge

Dear Pris, dear Jurado, thanks a lot for your comments. I like the ideas and I would particularly like to know more about the thought, that "freedom has its own process tht could eventually produce a network ...". Thanks and cheers, Your Balthas

Thanks for sharing this great article! These topics are where I would like discussions about open access to start. We may be able to use that base of peer learning communities to think about all the other issues of open access in a new light.

Why do peers help peers to share and co-produce knowledge? Research suggests that there is a whole set of motivations that makes people share their knowledge, a mixture between altruistic and self-serving motives

I agree that the 14 reasons what makes people share knowledge. great learning to share and great sharing to learn. reciprocating just like teaching and learning vis a vis learning with teaching.

"School of Open is a global community of volunteers providing free online courses, face-to-face workshops, and innovative training programs on the meaning, application, and impact of "openness" in the digital age. Through School of Open, you can learn how to add a Creative Commons license to your work, find free resources for classroom use, open up your research, remix a music video, and more!"

This post is excerpted from Jeremy Rifkin's new book, The Zero Marginal Cost Society: The Internet of Things, the Collaborative Commons, and the Eclipse of Capitalism , published today by Palgrave Macmillan.

Con las licencias Creative Commons se fomenta el intercambio de la creatividad y conocimiento de una manera libre y respetando los derechos de autor. Buen artículo para entender de que trata el "Creative Commons"

"...we need to recognize you can't kill the instinct the technology produces. We can only criminalize it. We can't stop our kids from using it. We can only drive it underground. We can't make our kids passive again. We can only make them, quote, "pirates." And is that good?" - Larry Lessig This is a great talk about the free use of materials to make something new. The crux of Mr Lessig's argument is that every time a "kid" remixes a song with a video they are committing a criminal act. By doing this the law is making their free expression criminal. He shows three great examples of this starting at 8:29 in the video. He suggests that by using Creative Commons materials, we can avoid being criminals, and by doing this we can break the cartel of the RIAA and others. He uses the example of BMI causing the downfall of ASCAP. You can see this at 4:55 in the video. Here is the quote: "Finally. Before the Internet, the last great terror to rain down on the content industry was a terror created by this technology [Shows a picture of a broadcast radio antenna]. Broadcasting: a new way to spread content, and therefore a new battle over the control of the businesses that would spread content. Now, at that time, the entity, the legal cartel, that controlled the performance rights for most of the music that would be broadcast using these technologies was ASCAP. They had an exclusive license on the most popular content, and they exercised it in a way that tried to demonstrate to the broadcasters who really was in charge. So, between 1931 and 1939, they raised rates by some 448 percent, until the broadcasters finally got together and said, okay, enough of this. And in 1939, a lawyer, Sydney Kaye, started something called Broadcast Music Inc. We know it as BMI. And BMI was much more democratic in the art that it would include within its repertoire, including African American music for the first time in the repertoire. But most important was that BMI took public domain works a

Blog del proyecto español de creative commons. Muy útil para conocer más de lo que se está haciendo en esta línea en España

Esta publicación tiene como objetivo principal el mostrar de forma fácil a nuestros lectores cuales son las licencias básicas de publicación en Internet, cómo entenderlas y aún mas importante: Cómo usarlas de forma adecuada con el objetivo de proteger adecuadamente nuestras creaciones literarias, artísticas y/o científicas.

Que bueno!