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This is the digital repository of the Instituto Nacional de Bellas Artes (Mexico). The objective of this project is to preserve and share artistic production in visual arts, dance, music and theatre.

Oscar's Art Books, an independent bookstore that has been operating for 24 years in Vancouver is shutting down. Chain bookstores were once thought to be the biggest threat to small, independent bookstores, but it appears the rise of e-books, not Chapters or Indigo is behind the demise of Oscar's Art Books. Appparently this is not the first bookstore to close the down due to people preferring e-books. What started this? Local bookstores are already competing with chain bookstores, but now, they have new threats that they have to face. If more and more people are turning to e-books, there may be possibility that printed will become a rare thing. There has been a lot of debates of printed vs. ebooks, by the looks of it, e-book is winning.

An alternative perspective on some of the hype around makerspaces and hacking, looking into how it supports and extends the neoliberal agenda.

It is curious to see that everytime some new technology rises, there are someone saying that it will mean the end of the system (call it capitalism, for instance) and a new real democracy era will arise. Nevertheless, once and over again we see that the technology arrives to everyone's door, but always controlled by someone else. You might have your own car, which was almost imposible in the early 50's, but you depend on how expensive gas is and how many barriers you find in your way; you have internet in your pocket, but every movement you do and every site you visit are being saved in someone's server with we don't know what exact purposes. But we keep hoping and saying, once and over again, that democracy, the real one, will some day florish with a new magical device. I honestly think it is in human nature to try to control and manipulate others; even people that honestly see themselves as good collaborative human beens, when they are under a tense situation, they don't hesitate to hide the truth, manipulate or lie to find adepts to their cause. So only with a genetic mutation we will reach that golden dream!

Kevin you mentioned this article to me several weeks ago and I did read it and really appreciated the recommendation. I think it is important for us to think about other perspectives to makerspaces to really understand how libraries should (and do) fit into this changing landscape. The library landscape is definitely changing, and some are really latching on to this idea of makerspaces, and others latching on to the more traditional services that libraries offer. I think that we really need to understand how the concept of makerspaces can fit into developing strong civic skills, critical thinking and appreciation of the arts to really make it fit into libraries, and focus less on the "production" and "innovation" appeal that makerspaces have. I do think that skills that can be honed in makerspaces have the potential to create great global citizens, but only if it is accompanied by deep critical thinking and a broader understanding of the world.

"free, off-the-shelf tools that don't require programming knowledge and might be particularly interesting to people who work with a lot of images."

Real Classes From Science to Art to Technology, edX offers simply the best classes from the best professors and universities. Check out the new edX Demo course. An Amazing Experience From our think tank to your screen- we help you learn through cool tools, videos and game-like labs, like our 3D virtual molecule builder.

Real Classes From Science to Art to Technology, edX offers simply the best classes from the best professors and universities. Check out the new edX Demo course. An Amazing Experience From our think tank to your screen- we help you learn through cool tools, videos and game-like labs, like our 3D virtual molecule builder.

I took a course taught by this professor on Coursera - The History and Future of (Mostly) Higher Education. Davidson contributed the Hacking the Academy, a source I posted elsewhere. Her blog is a great exploration of creativity in Higher Ed (or the lack thereof). The blog is on the HASTAC site - Humanities, Arts, Sciences, and Technology Alliance Collaboratory. LOTS going on there... I enjoy her blog because of the lively language and the provocations - at least they are provocative for so-called traditional schools.The recent blog post reviews a film about education The Ivory Tower; "...that the movie is strong and powerful on the problem, and a bit weak on solutions." Haven't seen it. Davidson puts in a plug for HASTAC: "HASTAC has been addressing the connection between equity and innovation since its founding in 2002." I'm digressing. This is not a critique of her particular blog post, just a suggestion that the blog is interesting and HASTAC site has lots on it that is relevant to the topics we're exploring in this course.

In a short time, Banksy has become a cultural icon with a distinct place in history. [Publishing the story through art.]

"The Macaulay Library is the world's largest and oldest scientific archive of biodiversity audio and video recordings. Our mission is to collect and preserve recordings of each species' behavior and natural history, to facilitate the ability of others to collect and preserve such recordings, and to actively promote the use of these recordings for diverse purposes spanning scientific research, education, conservation, and the arts." A great example of what citizen science can build!

Creative Commons began providing licenses for the open sharing of content only a decade ago. More than 400 million CC-licensed works are now available on the Internet, varying from music, photos, research findings to entire courseware. Creative Commons provides the legal and technical infrastructure that allows effective sharing of knowledge, art and data by individuals, organizations and governments. Millions of creators world over are taking advantage of that infrastructure to share work that enriches the global commons for all humanity. The book The Power of Open collects the stories of those creators, some such famous creators are like ProPublica, a Pulitzer Prize-winning investigative news organization or the nomadic filmmaker Vincent Moon. The breadth of uses is as great as the creativity of the individuals and organizations choosing to open their content to the rest of the world.

Awareness will make a difference since privacy is the price we pay for freedom.

After reading a brief history of copyright law after the advent of the printing press, it is easy to see that copyright has always been an evolving concept. With the internet we again find ourselves needing to redefine what copyright means and who its serving. The Stationers' Company era of copyright offered no protections to the author of the work, and now we offer a lot of protections to the author of the work - and the technologies we use to access works of knowledge and art are unable to do so with the current laws. I appreciate the videos in the current module that detailed the advances some countries are making in evolving copyright law to be more flexible and keep the user in mind.

Relating to the digital copyrights issue, here's a recent article regarding Satellite radio…in this day and age where new and old music is being played, it's become more confusing as to what rights music services (or other arts) have. They might be playing music that they may or may not have the right too (and yet bands have no idea). Unfortunately copyright laws seem to have a long way to go before they become untangled. In the battle between today's digital-music services and yesterday's oldies artists, score one for the geezers. The founders of the '60s rock band the Turtles won a summary judgment on Monday against Sirius XM Radio Inc., in a lawsuit alleging that the satellite-radio company violated California copyright law by playing the band's songs without permission.

Similar to Twitter, a good way to reach "a common intellectual enagagement with material" can be achieved by bonding and sharing personal aspects of life with students without intimacy. There is an art to maintaining this balance.

"...we need to recognize you can't kill the instinct the technology produces. We can only criminalize it. We can't stop our kids from using it. We can only drive it underground. We can't make our kids passive again. We can only make them, quote, "pirates." And is that good?" - Larry Lessig This is a great talk about the free use of materials to make something new. The crux of Mr Lessig's argument is that every time a "kid" remixes a song with a video they are committing a criminal act. By doing this the law is making their free expression criminal. He shows three great examples of this starting at 8:29 in the video. He suggests that by using Creative Commons materials, we can avoid being criminals, and by doing this we can break the cartel of the RIAA and others. He uses the example of BMI causing the downfall of ASCAP. You can see this at 4:55 in the video. Here is the quote: "Finally. Before the Internet, the last great terror to rain down on the content industry was a terror created by this technology [Shows a picture of a broadcast radio antenna]. Broadcasting: a new way to spread content, and therefore a new battle over the control of the businesses that would spread content. Now, at that time, the entity, the legal cartel, that controlled the performance rights for most of the music that would be broadcast using these technologies was ASCAP. They had an exclusive license on the most popular content, and they exercised it in a way that tried to demonstrate to the broadcasters who really was in charge. So, between 1931 and 1939, they raised rates by some 448 percent, until the broadcasters finally got together and said, okay, enough of this. And in 1939, a lawyer, Sydney Kaye, started something called Broadcast Music Inc. We know it as BMI. And BMI was much more democratic in the art that it would include within its repertoire, including African American music for the first time in the repertoire. But most important was that BMI took public domain works a

This article sets the scene for the special issue on research data and publishing. Research data - that material commonly accepted by the scholarly community as required evidence for hypotheses and insights, for verification and/or reproducibility of experiments - has become an increasingly critical issue for publishers given recent developments in funders' mandates, technological advances, policymakers' interests, and so forth. This is from a special issue of Learned Publishing, vol 27, September 2014. This special issue is open access.