Group items tagged

The American Film Showcase (AFS) is the State Department's flagship film exchange program and is implemented by the University of Southern California's (USC) School of Cinematic Arts. AFS supports the exchange of U.S. films, filmmakers, and film experts in support of foreign policy priorities. The Public Affairs Section of the U.S. Embassy South Africa announces an open competition for organizations to submit applications to support the 2020 American Film Showcase in South Africa, with a specific focus on the use of documentary film for conveying human rights messages. Concept notes are requested from organizations that have the necessary capacity, experience, and knowledge to support the implementation of the AFS 2020 program in South Africa. Logistical and financial management capabilities, linkages with existing film events and programs, and a focus on innovative approaches will be critical components of a successful proposal. AFS brings award-winning contemporary American documentaries, independent films, and filmmaking know-how to audiences around the world, offering a view of American society and culture as seen by independent filmmakers. Funded by a grant from the State Department's Bureau of Educational and Cultural Affairs (ECA) and produced by the USC School of Cinematic Arts (SCA), the Showcase highlights the value of film in fostering understanding and cooperation, dialogue, and debate. AFS will include a visit from American documentary filmmakers to engage with local audiences, as well as a film collection for use in related activities. See: http://americanfilmshowcase.com/current-afs-slate/. A U.S. government staff member must be present at all screenings of films provided through AFS, and Embassy officials will guide the selection of films for the activities implemented through this project.

The U.S. Embassy Islamabad Public Affairs Section (PAS) announces an Open Source RFP and invites organizations to submit a proposal supporting people-to-people activities between the people of the United States and Pakistan, specifically in the area of filmmaking and capacity building within the film industry. These activities should expand people-to-people relationships between non-officials (e.g. academic scholars and filmmakers), strengthen peaceful regional relationships, and increase mutual understanding between the people of the United States and the people of Pakistan. Film has the power to transform lives, communities, and societies, and create a more just, humane, and sustainable future. Program goals: 1. Strengthen People-to-People Ties between the U.S. and Pakistan: Increase mutual understanding between U.S. and Pakistani film professionals. 2. Create Institutional Linkages Between the U.S. and Pakistani Film Industries: Encourage the local filmmaking industry to build long-term, self-sustaining relationships between U.S. and Pakistani filmmaking institutions, existing or new film festivals, and film schools. 3. Expand Filmmaking Capacity: Provide Pakistani filmmakers with training on professional standards in filmmaking, with venues to exhibit their work and opportunities to engage in substantive dialogue with film industry professionals. 4. Strengthen Regional Cooperation between Afghanistan, Pakistan and India: Increase mutual understanding on a regional level by including Indian and Afghan filmmakers in film capacity-building projects. 5. Encouraging Accurate Messaging: Build local filmmaker capacity to generate narratives that confront ideological support for terrorism, through projects that develop credible local broadcast content and present accurate information on U.S.-Pakistan cooperation.

The Short Documentaries program supports the production and distribution of documentary films up to 30 minutes that engage audiences with humanities ideas in appealing ways.  The program aims to extend the humanities to new audiences through the medium of short documentary films.  Films must be grounded in humanities scholarship. The Short Documentaries program supports production of single films or a series of thematically-related short films addressing significant figures, events, or ideas.  The proposed film(s) must be intended for regional or national distribution, via broadcast, festivals, and/or online distribution.  The subject of the film(s) must be related to "A More Perfect Union": NEH Special Initiative Advancing Civic Education and Commemorating the Nation's 250th Anniversary.

The Short Documentaries program supports the production and distribution of documentary films up to 30 minutes that engage audiences with humanities ideas in appealing ways.  The program aims to extend the humanities to new audiences through the medium of short documentary films.  Films must be grounded in humanities scholarship. The Short Documentaries program supports production of single films or a series of thematically-related short films addressing significant figures, events, or ideas.  The proposed film(s) must be intended for regional or national distribution, via broadcast, festivals, and/or online distribution.  The subject of the film(s) must be related to "A More Perfect Union": NEH Special Initiative Advancing Civic Education and Commemorating the Nation's 250th Anniversary.

The National Endowment for the Humanities Division of Public Programs is currently accepting proposals for the Short Documentaries program. The Short Documentaries program supports documentary films up to 30 minutes that engage audiences with humanities ideas in appealing ways. The program aims to extend the humanities to new audiences through the medium of short documentary films. Films must be grounded in humanities scholarship. The Short Documentaries program can support single films or a series of thematically-related short films addressing significant figures, events, or ideas. Programs may be intended for regional or national distribution, via broadcast, festivals, and/or online distribution. The subject of the film(s) must be related to "A More Perfect Union": NEH Special Initiative Advancing Civic Education and Commemorating the Nation's 250th Anniversary.

The Princess Grace Foundation-USA, in partnership with the Ford Foundation, is accepting nominations for its 2013 JustFilms Documentary Awards program, which seeks to identify and support voices from underrepresented communities with authentic and powerful stories to tell. This year, priority will be given to social justice films by Native/Indigenous peoples of the Americas. Grant amounts are contingent on the size of the project budget. Nominations must be submitted by deans/department chairs in conjunction with the faculty of established U.S. colleges and universities or by directors of nonprofit media arts organizations with structured film production programs that the foundation has invited to apply. Candidates from colleges and universities must be full-time students or matriculated but have not yet completed their thesis films, have completed at least one film as director, be the director of the proposed thesis film, and be a United States citizen or be able to demonstrate proof of permanent resident status.

The Mid Atlantic Arts Foundation is accepting applications for its On Screen/In Person program, which provides opportunities for independent filmmakers to tour the mid-Atlantic region with their films and foster greater understanding and appreciation of their work through direct audience engagement. Six films and their creators are selected annually for the program. Tours are scheduled during six months of the program year. Each selected filmmaker is scheduled to visit between five and eight host sites and tour for approximately two weeks during one of the months the program is active. Each tour engagement includes a public screening, a pre- or post-screening discussion session, and a community activity that provides greater appreciation for individual filmmaker's work and the art of film.

America's Media Makers (AMM) grants support the following formats: * interactive digital media; * film and television projects; and * radio projects. Interactive digital media may be websites, games, mobile applications, virtual environments, streaming video, podcasts, or other digital formats. Film and television projects may be single programs or a series addressing significant figures or events and drawing their content from humanities scholarship. The programs must be intended for national distribution. Radio projects may involve single programs, limited series, or segments within an ongoing program. They may also develop new humanities content to augment existing radio programming or add greater historical background or humanities analysis to the subjects of existing programs. They may be intended for regional or national distribution. NEH encourages projects that feature multiple formats to engage the public in the exploration of humanities ideas. Proposed projects might include complementary components that expand or deepen the audience's understanding of a subject: for example, museum exhibitions, book/film discussion programs, or other formats that engage audiences in new ways. America's Media Makers grants may not, however, be used to support programs' general operating costs. Grant Categories Development grants enable media producers to collaborate with scholars to develop humanities content and to prepare programs for production. Grants should result in a script or a design document and should also yield a detailed plan for outreach and public engagement in collaboration with a partner organization or organizations. Production grants support the production and distribution of digital projects, films, television programs, radio programs, and related programs that promise to engage the public.

America's Media Makers (AMM) grants support the following formats: interactive digital media; film and television projects; and radio projects. Interactive digital media may be websites, games, mobile applications, virtual environments, streaming video, podcasts, or other digital formats. Film and television projects may be single programs or a series addressing significant figures or events and drawing their content from humanities scholarship. They must be intended for national distribution. Radio projects may involve single programs, limited series, or segments within an ongoing program. They may also develop new humanities content to augment existing radio programming or add greater historical background or humanities analysis to the subjects of existing programs. They may be intended for regional or national distribution. NEH encourages projects that feature multiple formats to engage the public in the exploration of humanities ideas. Proposed projects might include complementary components that expand or deepen the audience's understanding of a subject: for example, museum exhibitions, book/film discussion programs, or other formats that engage audiences in new ways. America's Media Makers grants may not, however, be used to support programs' general operating costs. Production grants support the production and distribution of digital projects, films, television programs, radio programs, and related programs that promise to engage the public.

Media Projects grants support the following formats: ¿ interactive digital media; ¿ film and television projects; and ¿ radio projects. Interactive digital media may be websites, games, mobile applications, virtual environments, streaming video, podcasts, or other digital formats. Film and television projects may be single programs or a series addressing significant figures, events, or ideas and drawing their content from humanities scholarship. The programs must be intended for national distribution. The program welcomes projects ranging in length from short-form to broadcast-length video. Radio projects may involve single programs, limited series, or segments within an ongoing program. They may also develop new humanities content to augment existing radio programming or add greater historical background or humanities analysis to the subjects of existing programs. They may be intended for regional or national distribution. NEH encourages projects that feature multiple formats to engage the public in the exploration of humanities ideas. Proposed projects might include complementary components that expand or deepen the audience¿s understanding of a subject: for example, museum exhibitions, book/film discussion programs, or other formats that engage audiences in new ways. Media Projects grants may not, however, be used to support programs¿ general operating costs. Grant Categories Development grants enable media producers to collaborate with scholars to develop humanities content and to prepare programs for production. Grants should result in a script or a design document and should also yield a detailed plan for outreach and public engagement in collaboration with a partner organization or organizations. Production grants support the production and distribution of digital projects, films, television programs, radio programs, and related programs that promise to engage the public.

Through the annual program, grants are awarded in support of student thesis film projects at the undergraduate and graduate levels. The categories of eligible films include narrative/documentary/experimental/animation/hybrid work, as well as new work, including media installations, transmedia, webisodes, interactive Web work, and other projects where the moving image is the primary component.

The program seeks feature-length narrative and documentary submissions from established and emerging filmmakers whose team includes a U.S.-based director or screenwriter from a community that is statistically underrepresented in the film industry. Projects may be in any stage of development, from treatment/screenplay to post-production. Projects of any genre and/or budget range are eligible for a grant. Five narrative filmmakers and five documentary filmmakers will each receive a grant of $15,000 to use toward the development, production, post-production, or marketing of their film project. In addition, grantees will participate in networking events at the film festival and will receive year-round customized support from TFI in order to advance their projects through completion.

America's Media Makers (AMM) grants support the following formats: interactive digital media; film and television projects; and radio projects. Interactive digital media may be websites, games, mobile applications, virtual environments, streaming video, podcasts, or other digital formats. Film and television projects may be single programs or a series addressing significant figures or events and drawing their content from humanities scholarship. The programs must be intended for national distribution. Radio projects may involve single programs, limited series, or segments within an ongoing program. They may also develop new humanities content to augment existing radio programming or add greater historical background or humanities analysis to the subjects of existing programs. They may be intended for regional or national distribution. NEH encourages projects that feature multiple formats to engage the public in the exploration of humanities ideas. Proposed projects might include complementary components that expand or deepen the audience's understanding of a subject: for example, museum exhibitions, book/film discussion programs, or other formats that engage audiences in new ways. America's Media Makers grants may not, however, be used to support programs' general operating costs. Development grants enable media producers to collaborate with scholars to develop humanities content and to prepare programs for production. Grants should result in a script or a design document and should also yield a detailed plan for outreach and public engagement in collaboration with a partner organization or organizations.

The Media Projects program supports film, television, and radio projects that engage general audiences with humanities ideas in creative and appealing ways. All projects must be grounded in humanities scholarship in disciplines such as history, art history, film studies, literature, drama, religious studies, philosophy, or anthropology. Projects must also demonstrate an approach that is thoughtful, balanced, and analytical (rather than celebratory). The approach to the subject matter must go beyond the mere presentation of factual information to explore its larger significance and stimulate critical thinking. NEH is a national funding agency, so the projects that we support must demonstrate the potential to attract a broad general audience. Film and television projects may be single programs or a series addressing significant figures, events, or ideas. Programs must be intended for national distribution, via traditional carriage or online distribution. The Division of Public Programs welcomes projects that range in length from short-form to broadcast-length video.

The Media Projects program supports film, television, and radio projects that engage general audiences with humanities ideas in creative and appealing ways. All projects must be grounded in humanities scholarship in disciplines such as history, art history, film studies, literature, drama, religious studies, philosophy, or anthropology. Projects must also demonstrate an approach that is thoughtful, balanced, and analytical (rather than celebratory). The approach to the subject matter must go beyond the mere presentation of factual information to explore its larger significance and stimulate critical thinking. NEH is a national funding agency, so the projects that we support must demonstrate the potential to attract a broad general audience. Film and television projects may be single programs or a series addressing significant figures, events, or ideas. Programs must be intended for national distribution, via traditional carriage or online distribution.

he Media Projects program supports film, television, and radio projects that engage public audiences with humanities ideas in creative and appealing ways. All projects must be grounded in humanities scholarship in disciplines such as history, art history, film studies, literature, drama, religious studies, philosophy, or anthropology. Projects must also demonstrate an approach that is thoughtful, balanced, and analytical (rather than celebratory). The approach to the subject matter must go beyond the mere presentation of factual information to explore its larger significance and stimulate critical thinking. NEH is a national funding agency, so the projects that we support must demonstrate the potential to attract a broad general audience. Film and television projects may be single programs or a series addressing significant figures, events, or ideas. Programs must be intended for national distribution, via traditional carriage or online distribution. The Division of Public Programs welcomes projects that range in length from short-form to broadcast-length video.

The Academy Grants program directly supports the overall mission of the Academy of Motion Picture Arts and Sciences: to recognize and uphold excellence in the motion picture arts and sciences, inspire imagination, and connect the world through the medium of motion pictures. The program also supports the Academy's commitment to diversity in the industry. Diversity encompasses artists as well as audiences; the cultural and geographic communities to which they belong; their age, gender, race, ethnicity, disabilities, religious beliefs, sexual orientation, and gender identity. The Academy seeks to fund proven and rising institutions that open pathways for storytellers from a wide range of backgrounds, and especially those from underserved communities.

Celebrating ten years, TAA supports working filmmakers, based in U.S. and Puerto Rico, who come from communities statistically underrepresented in the film industry. For films that are in all stages of production or post. Grants of $15,000, plus eligibility for a $10,000 Creative Promise Award.

The British Council is organizing a 11-days training programme on Human Rights Film Making, partnership with Cinema Human Rights and Advocacy (CHRA), scheduled for November 12 to 22 in Myitkyina. The programme offers a combination of lectures, screenings, working groups, group tutoring sessions and technical exercises (shooting on DSLR cameras and editing on Adobe Premiere Pro CC) focussing on the production of a short advocacy film on human rights and/or environmental issues.

MacArthur's goal in media grantmaking is to provide the public with high-quality, professionally-produced documentary films, deep and analytical journalism, and well-produced news and public affairs programming. In a media environment characterized by proliferating information sources of varying degrees of reliability, the Foundation seeks to support serious, fact-based journalism for television, radio and the web, the type of original reporting that is likely to be blogged about, linked to, tweeted, and otherwise circulated throughout the Internet. Programs supported by the Foundation inform and educate their viewers about important and under-reported topics, provide balance and accurate information, encourage global conversations, and use technology to tell stories in engaging and interactive ways.