And like Nietzsche, Girard sees the primeval condition of society as one of conflict. It is in the effort to resolve this conflict that the experience of the sacred is born. This experience comes to us in many forms—religious ritual, prayer, tragedy—but its true origin is in acts of communal violence. Primitive societies are invaded by "mimetic desire," as rivals struggle to match each other's social and material acquisitions, so heightening antagonism and precipitating the cycle of revenge. The solution is to identify a victim, one marked by fate as outside the community and therefore not entitled to vengeance against it, who can be the target of the accumulated bloodlust, and who can bring the chain of retribution to an end. Scapegoating is society's way of recreating "difference" and so restoring itself. By uniting against the scapegoat, people are released from their rivalries and reconciled. Through his death, the scapegoat purges society of its accumulated violence. The scapegoat's resulting sanctity is the long-term echo of the awe, relief and visceral re-attachment to the community that was experienced at his death.