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I woke up so depressed on Tuesday morning," says Katharine Hamnett - evenly, quietly, the way she says everything. "I felt like killing myself, and then I thought, 'Actually, I'm going to launch a political party.'" I look for a trace of irony, and although she is - contrary to popular stereotype - entirely capable of humour, dry and pointed, and possessed of a generous capacity for fun, she is not, just now, being ironic. At all. On Easter Monday she attended the CND march at Aldermaston, wearing ("under about 25 layers", because of the cold) one of two T-shirts she designed for the occasion - Education not Trident, and NHS not Trident - and, atop a flatbed truck, gave a three-minute speech at five of the facility's gates. Today, sitting in an east London bar, she gets out a big hardback notebook containing emphatic scribbles about investment returns on education as opposed to Trident (she says up to 10.8% on £100bn, simply from the higher taxes paid by better-educated people, as opposed to "some outdated warheads and some rusty, very expensive submarines"); the needy vanity of having nuclear weapons ("there's a huge amount of testosterone involved in the nuclear [power] … Fukushima's probably the ultimate orgasm, isn't it? It just goes on and on"). Later she will list the far-reaching health and agricultural ramifications of the accident in Japan, describe the PR muscle at energy company EDF, list the ex-cabinet ministers and their relations who have taken jobs relating to the nuclear industry … It was the march, and the fact that it still had to happen in 2013, plus the fact that the government is not only committed to renewing Trident, but is intending to do so while making such savage cuts to the welfare state, that made her feel so depressed. Read more: http://www.guardian.co.uk/fashion/2013/apr/06/katharine-hamnett-testosterone-nuclear-power

There's a lot of hate towards the games of the week... In case you don't know, I hate the Assassin's Creed series. Ever since the original entry was released and slapped me in the face with its lies, I've left the franchise behind, telling anyone who would listen it wasn't for me. After plenty of 'oh, but it's changed now' from people in the know, though, I decided to dip my toe in for only the second time. Unsurprisingly, I still think it's rubbish. Aside from how long everything takes to get going, the entire thing just feels like a horrible slog. Drowning in fetch quests, 'follow this dude' missions, and 'don't let that guy die, otherwise we'll stop the game' follies, I just got the overwhelming sensation that nothing had changed since 2007. Before you all find where I live and lynch me, I do understand why Desmond and all his friends have become so popular. Ubisoft's tech behind Assassin's Creed is very impressive, and there's an incredible amount of game here all things considered. I just don't like the way it plays, especially the nonsensical climbing that's the equivalent of fighting with a controller. Combat sucks, too. And any game that forces me to visit what seems like its developer's offices at random intersections is always going to rub me up the wrong way in some fashion.

As the line between high fashion and activewear blurs, there are more ways than ever to look good while exercising and beyond. WHEN CARA DELEVINGNE stepped onto the runway at Chanel's fall 2014 show last March, she looked as if she might be heading home from a Pilates session. The British model was dressed in a Pepto-pink, ab-baring top and matching leggings with bright running shoes and a tossed-on, elegant tweed coat as she strolled around a set made to look like a giant supermarket. Some 70 looks followed - all variations on a sporty-stylish theme, all in the haute-banal environs of Chanel's mock Supermarché. A master of social commentary, Chanel creative director Karl Lagerfeld seemed to have dreamed up his own version of something that's happening right now on the streets and in actual grocery stores. To wit: a merger of two apparel categories - activewear and ready-to-wear - that have often intersected but have rarely been quite so interwoven. Evidence of the phenomenon is everywhere you look. Nike Frees and Stan Smiths are the footwear of choice for women from London to Los Angeles, who pair sneakers as often with their Lululemons as with more refined pieces in their closets. Collaborations have popped up like beads of sweat in spin class: this spring, Nike teamed up with Givenchy's Riccardo Tisci, and Adidas has recently worked with everyone from London designer Mary Katrantzou to stylish pop stars Rita Ora and Pharrell Williams. Fashion-conscious British active brand Sweaty Betty is in expansion mode with a third U.S. shop in the works. And un-sporty brands, like Tory Burch, have active collections in the works.

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