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social networking in music - paulbailey.us ~ http://www.musicmobs.com/ - 0 views

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    music mobs is a true social networking sight where you upload your itunes library and then it will give you the names and playlists of other people who you share musical tastes with. so far i am really impressed with some of the new music i have found, and seeing the variety of tastes many people have. i always have thought that i would find people listening to radiohead, bach, michael nyman, richard james all on the same playlist. now i know it really happens.
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Martin le Djembefola de Montreal QC Canada | Scribd - 0 views

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    martinledjembefola writes, "I'm a musician and percussionist who has a passion for Africa and drums, especially djembe." He generously uploaded 16 djembe rhythm notations, 4 djembe lessons, and a legend for reading the notations, to Scribd ...11 months ago...and I'm the first to "like" his posts! Can you believe it? What riches he gave us!
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Scribd | avivamagnolia | Documents - 0 views

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    All the documents I've uploaded to Scribd (on clinical nutrition, nutritional supplements, Afrocuban music and culture, etc.)
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Guqin (Qin) Technique: Harmonics Demonstrated in Harmonic Section of Meihua Sannong (Au... - 0 views

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    Example of using same note on two different strings: Listen carefully to the two/three notes at the end of each phrase...
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Guqin (Qin) Sounds : Plucked String, San Yin 散音, Scattered Sounds - 0 views

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    One of the guqin's fingerings is the sound called "san yin" 〔散音〕, which means "scattered sounds."
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Guqin (Qin) Techniques and Sounds : Fan Yin, 泛音, Harmonic Tapping, Floating S... - 0 views

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    Fan yin 〔泛音〕, or "floating sounds," are harmonics where the player lightly touches the string with one or more fingers of the left hand at a position indicated by the hui dots, pluck and lift, creating a crisp and clear sound
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Guqin (Qin) Techniques and Sounds : An Yin, 按音 / 案音 / 實音 / 走音, Sliding/Plucki... - 0 views

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    an yin 〔按音 / 案音 / 實音 / 走音〕, or "stopped sounds." This forms the bulk of most qin pieces and requires the player to press on a string with a finger or thumb of the left hand until it connects with the surface board, then pluck. Afterwards, the musician's h
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