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Bata Drumming ~:~ Polyrhythms - 0 views
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In the context of bata drumming, polyrhythm means most of the toques may be written in 12/8 meter but have some drum parts that emphasize a 2, 4, or 8 feel...
Persian Classical Music - 0 views
Jazz ::: Post Bop ::: Wikipedia - 0 views
Classical Persian Music - 0 views
The Challenge of the Guqin | Apophasis | Traditional Chinese Music - 0 views
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Essay by Stephen C. Walker
History of Chinese Music : Part 1 - 0 views
Iranian/Persian Music - 0 views
Antonio Quijano, Composer | Seccessionist Composition Method / Neomonophonic Chant / Gr... - 0 views
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1. The Secessionist Manifesto (The Cognitive Dimension) 2. Abstract Tonality, Abstract Bitonality, Polysuspension (The Oscillatory Dimension) 3. Dodecametrics (The Spatial Dimension)
Persian Classical Music : Dastgah - 0 views
Interchanging Idioms: What is tonality? - 0 views
John Cage and 4'33" ...::: Was He Trying to Piss Off the Audience...?...Or...? - 0 views
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The purpose of this essay is to examine the aesthetic behind Cage's "silent" composition, 4'33", to trace its history, and to show that it marked a significant change in John Cage's musical thought -- specifically how it forms a point-of-no-return from the conventional communicative, self-expressive and intentional purpose of music to a radical new aesthetic that informs the field of unintentional sound, interpenetration, chance, and indeterminacy. The compositional process is described, both the writing of 4'33" and its evolution from past thought. Implications for performance are examined.
Persian Classical Music :: Radif :: Parviz Meshkatian - 0 views
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Parviz Meshkatian on the Radif of Persian Classical Music
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