Characteristics
The following characteristics are shared between Iranian and other Central Asian music:
* The music is mainly monophonic, with each instrument in an ensemble following one melodic scheme.
* The music is based upon a modal system; with each mode engendering different melodic types, called gushehs in Farsi. The execution of the melodic types are left up to the musician.
* The use of microtones divides the scales into more than twelve semi-tones.
* A priority is given to ornamentation.
* There are a number of substantial pauses in each piece.
The following are characteristics which distinguish Persian music from other Central Asian music:
* Melodies are concentrated on a relatively narrow register.
* Melodic movement occurs by conjunct steps.
* Emphasis is on cadence, symmetry, and motivic repetition at different pitches.
* Rhythmic patterns are kept simple.
* The tempo is often rapid, and the ornamentation is dense.
* Vocal parts are often decorated with Tahrir, a vocal ornamentation similar to yodeling.
* Also, Iranian music is unique in the Middle Eastern tradition in that the different melodic phrases, or gushes are supposed to model the rhythmic stamp and melodic pattern of poetry.
Dhrupad was structured originally around the poetic and melodic- rhythmic material from the tradition of devotional music practiced in the Vaishnava temples. Its entry into a secular environment paved the way for the acceptance of appropriate changes in poetic content, and mode of presentation.
Encompassing the vast rhythmic heritage of Africa, "Weston has the biggest sound of any jazz pianist since Ellington and Monk, as well as the richest most inventive beat," states jazz critic Stanley Crouch, "but his art is more than projection and time; it's the result of a studious and inspired intelligence...an intelligence that is creating a fresh synthesis of African elements with jazz technique."
Masala is a world drum and percussion ensemble from Victoria BC Canada. Our aim is to create a dynamic rhythmic experience that infuses events with energy and joy.
"(Harrington) utilized the entire ensemble in an alternately dark and rhythmic collage of styles, textures and bits and pieces from all over the world." - R.L. Ragsdale, Riverfront Times, St. Louis, Mo.
Electronic music that is tonal and intensely contrapuntal, inspired by New Orleans and classical music traditions.
"Harrington is the most intriguing new figure I've discovered on the Web..." Kyle Gann, Village Voice, July 7, 1999