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You have reached Ragascape, a website designed to discuss the melodic modes (ragas) of Indian music. Over the last millenium these systems of melodic design have been transmitted orally from one generation to the next. Each generation has attempted to maintain the purity of its heritage and, at the same time, infuse it with their own creative spirit.

A musical odyssey between Montreal and Mumbai melds the ancient tradition of Indian ragas with contemporary jazz with forays into flamenco, funk and gamelan. Duniya, which means 'world' in several Asian and African languages

Dhrupad was structured originally around the poetic and melodic- rhythmic material from the tradition of devotional music practiced in the Vaishnava temples. Its entry into a secular environment paved the way for the acceptance of appropriate changes in poetic content, and mode of presentation.

Swara, the Sanskrit word for tonal center, forms the fundamental basis for the Indian path of music. Although it is difficult to be precise about the etymological meaning, there are references elucidating 'swara' as a tone which can shine or resonate by itself.

Ustad Zakir Ali Khan