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If you've ever thought of doing a spot of classical composition, here are a few tips. Ditch your pencil, paper and piano. Purchase one very large, powerful computer. Find one equally large, powerful new brain. Replace for your own. And get printing. For there's a new musical lingua franca and it relies on indescribably complicated computer printouts (spectrograms), wave analysis and new Pythagoreanism. Don't ask. What really matters is that it's called Spectralism, it's the future of classical music - and it actually sounds rather nice.

'This exquisite recording finds one of the most gifted percussionists in Latin music today working in what is perhaps his true element - the Santeria liturgy. The spiritual power of this Afro-Caribbean religious ceremony, sung in Yoruba to the accompaniment of a three-man percussion bata is awesome, but it is the intense articulation of rhythm that makes this music so devastating, incredible.'-JD Considine,Musician Magazine'A wonderful album - absorbing, mesmerizing, beautiful and fun, graceful and sensual. It draws ou into a space and reality all its own, with a mood and flow quite distant from the everyday and yet hauntingly familiar. I found myself playing it over and over...' - City Paper (Washington DC)'Is a stone soul picnic, so party down. If you're going to buy one record this summer, here is one that, in the words of Hebrew National, answers to a higher authority.' - Glenn O'Brien, Interview Recorded in August 1985. Personnel: Milton Cardona (vocals, percussion); Steve Berrios, Hector Hernandez (bata); Jose Fernandez (percussion); Amma Dawn, Teresa Gomez, Sandra Wiles, Linda Evans (background vocals).