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The term kemenche (Turkish: kemençe, Laz: Ç'ilili - ჭილილი, Persian: کمانچه, Greek: κεμεντζές) is used to describe two types of three-stringed bowed musical instruments: 1. a bottle-shaped lute closely related to the Persian Kamanche, found in the Black Sea region of Asia Minor, it is also known as the "kementche of Laz" or Pontic kemenche and 2. a pear-shaped lute closely related to the Byzantine lyra, found mainly in Instabul and the Eastern regions of Turkey, known as Classical kemenche.

Tambins come in several keys; from E, up to Bb; common is F, F#, G, Ab and A. Diatonic scale, starting on the lowest note of the second register (3rd of the scale) and going up three registers to the sixth of the scale. The first register is disconnected form the scale. Made from a conical vine growing in forests of Guinea.

Rembetika music is the music of the Greek Underground. It originated in the hashish dens of Pireaus and Thessaloniki around the turn of the 20th century and was influenced by oriental elements that came with the forced immigration of 2 million Greek refug

Kiyoshi Shomura recently celebrated the 30th anniversary of his career as a guitarist, with a series of recitals throughout Japan and the release of his album Milonga del Angel, the latest of his many recordings for the Toshiba EMI Label.

Don Cherry was one of the most individual and idiosyncratic voices in contemporary jazz and world music, and also one of the most significant figures of his era. In an age of technically fearsome trumpet players, Cherry preferred to emphasise expression and musical communication over speed and technical prowess, and evolved an utterly distinctive sound and style in the process.

She's like a big, black, smiling sun; her voice seems polished by the sea, weathered by the wind, and is at once earthy and unearthly as she sings of the pain of love and the consolation of the divine.

Characteristics The following characteristics are shared between Iranian and other Central Asian music: * The music is mainly monophonic, with each instrument in an ensemble following one melodic scheme. * The music is based upon a modal system; with each mode engendering different melodic types, called gushehs in Farsi. The execution of the melodic types are left up to the musician. * The use of microtones divides the scales into more than twelve semi-tones. * A priority is given to ornamentation. * There are a number of substantial pauses in each piece. The following are characteristics which distinguish Persian music from other Central Asian music: * Melodies are concentrated on a relatively narrow register. * Melodic movement occurs by conjunct steps. * Emphasis is on cadence, symmetry, and motivic repetition at different pitches. * Rhythmic patterns are kept simple. * The tempo is often rapid, and the ornamentation is dense. * Vocal parts are often decorated with Tahrir, a vocal ornamentation similar to yodeling. * Also, Iranian music is unique in the Middle Eastern tradition in that the different melodic phrases, or gushes are supposed to model the rhythmic stamp and melodic pattern of poetry.

Dhrupad was structured originally around the poetic and melodic- rhythmic material from the tradition of devotional music practiced in the Vaishnava temples. Its entry into a secular environment paved the way for the acceptance of appropriate changes in poetic content, and mode of presentation.

You have reached Ragascape, a website designed to discuss the melodic modes (ragas) of Indian music. Over the last millenium these systems of melodic design have been transmitted orally from one generation to the next. Each generation has attempted to maintain the purity of its heritage and, at the same time, infuse it with their own creative spirit.

Pagode is a Brazilian style of music which originated in the Rio de Janeiro region as a subgenre of Samba. Pagode originally meant a celebration with lots of food, music and dance.

A portal on the Gnawa people, and the smaller sect within of musicians/healers in Morroco. From marginalized subculture to "official" representatives of Moroccan culture, many Gnawa have undergone a dramatic transition in the past decade as their music has been "discovered" by western "world music" lovers. Consequently, the Web has been a central mean of disseminating information about this culture.

"One of the best cantaores, thanks to his ability to innovate, his mastery of all the palos (forms), both festive and solemn, and his "magnificent vocal chords made of excellent flamenco metal" (José Manuel Gamboa).

the musical brilliance of the qin tradition lies in the pieces as composed and reinterpreted by generations of performers, not in the kind of modal, melodic, or harmonic theory we see used so successfully elsewhere.

If you've ever thought of doing a spot of classical composition, here are a few tips. Ditch your pencil, paper and piano. Purchase one very large, powerful computer. Find one equally large, powerful new brain. Replace for your own. And get printing. For there's a new musical lingua franca and it relies on indescribably complicated computer printouts (spectrograms), wave analysis and new Pythagoreanism. Don't ask. What really matters is that it's called Spectralism, it's the future of classical music - and it actually sounds rather nice.

"In Turkey and Greece, as far back as the 16th century, groups of cantors and religious figures used to gather in the early morning, before prayer services, to sing devotional poetry in Hebrew. This gave rise to a distinct and complex form of music called maftirim, which only the most talented men could master. These small gatherings were part of a broader musical exchange under the Ottoman empire: Muslim Sufi mystics would come to synagogue on the Sabbath to listen to the maftirim. And the Jewish maftirim singers would visit Sufi lodges for musical inspiration."

The birth of soundscape aesthetics; postmodernism; minimalism and droning minimalism; second-generation minimalists; event music in the electronic age; collage and field recordings in the electronic age; collage in the age of the sampler; post-jazz; post-chamber; glitch; digital minimialism; ambient avantgarde; database of contemporary composers; chronology; selected works...

The name Rembetika (also known as Rembetiko, Rebetika, and Rebetiko) is used to describe the musical styles of mainland Greece and the music of ... Rembetika was also initially a man's form of music. ...

music mobs is a true social networking sight where you upload your itunes library and then it will give you the names and playlists of other people who you share musical tastes with. so far i am really impressed with some of the new music i have found, and seeing the variety of tastes many people have. i always have thought that i would find people listening to radiohead, bach, michael nyman, richard james all on the same playlist. now i know it really happens.

Preview 10 tracks of this percussion/dance ensemble (also called "Les Ballets Africains des Guinée, or the National Ballet of Guinea) from Guinea, West Africa. You'll hear djembe (drums), kryin (sticks on wooden tongue drums), and other percussion instruments.

Studio Almaya is a studio for music studies founded by Yair Dalal, who dedicates himself to continue the Jewish-Arabic musical heritage, and pass it to the future generations. His Goals are to connect and advance young musicians towards the ethnic musical branch, encouraging ethnic music creativity, and establishing an archive for ethnic music. Almaya became a meeting Point for people from all ages and origins, which find the studio the only place in Israel Where they can enrich themselves musically and intellectually in this unique tradition of Jewish-Arab music. Studio almaya is located in the old Jaffa Port , Almaya means The Universe in Aramaic and On the Water in Arabic. The classes and topics of the lessons are: Middle eastern music Rhythm Scales Tonality Instrumentation: Oud Violin Ney Percussion Vocal Theory and practice The Maqam phenomena and its philosophy The history of Judeo- Arab music : Composition Songs Composers and Singers as well as secular and religious songs