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List of noise musicians The following is a list of artists who make noise music: A AbruptumAcid Mothers TempleAIDS WolfAkufenAn AlbatrossAlva NotoMaryanne AmacherOren AmbarchiAnenzephaliaAnimal CollectiveArab_on_RadarArcane DeviceA.R.E. WeaponsJohn ArmlederKoji AsanoAstroAtari Teenage RiotKenneth AtchleyAtrax MorgueAubeAutoluxAutopsiaAvec-A (a.k.a. Avec Aisance)Tzvi AvniNigel Ayers[edit]B BlackhouseJohannes BaaderBad SectorJohn BalanceWilliam BasinskiDennis Bathory-KitszBastard NoiseEmil BeaulieauLeila BelaBob BellerueBelongPhilip BestJoseph BeuysMaurizio BianchiBig BlackBig City OrchestraBlack DiceBlack LungJorge BoehringerBorbetomagusBoredomsBorisMatthew BowerGarry BradburyGlenn BrancaGeorge BrechtBrighter Death NowMarc BroudeBrainbombs[edit]C C.C.C.C.C-dríkNeil CampbellCornelius CardewMonte CazazzaCabaret VoltaireCarolinerRichard ChartierCisfinitumKim CasconeRhys ChathamHenri ChopinClub MoralCock E.S.P.Chris & CoseyClock DVAClub MoralCoilNicolas CollinsTony ConradControlled BleedingThe ContortionsConverterEric CopelandCostesClayton CountsCoup de GrâceHenry CowellCrack FierceCrash WorshipRobin Crutchfield[edit]D Danny DevosDeath Pact InternationalDecomposed SubsonicVladislav DelayWalter De MariaPaul DeMarinisFortunato DeperoAndrew DeutschDiesel GuitarDiveDNAKevin DrummJean DubuffetDumb TypeJohn Duncan[edit]E EdgeyEinstürzende NeubautenLeif ElggrenAlec EmpireNic EndoEsplendor GeométricoYamantaka Eye[edit]F Jad FairFarmers ManualFenneszFenn O'BergLuc FerrariHenry FlyntFoot VillageFyfe DangerfieldFlying TesticleKen FriedmanBen FrostF.R.U.I.T.S.Fushitsusha[edit]G GasThe Gas Chamber OrchestraGastr del SolGenocide OrganThe GerogerigegegeGescomGod Is My Co-PilotGodfleshGore Beyond NecropsyGovernment AlphaAntye GreieJeff GreinkeThe Grey Wolves[edit]H Hafler TrioHalf JapaneseGeorge Harrison (Electronic Sound project)Harry PussyRaoul HausmannCarl Michael Von HausswolffKeiji HainoHair PoliceHalakaHanatarashRussell HaswellThe HatersTim HawkinsonHEALTHFlorian HeckerTim H

Dave Douglas - Trumpet, Adam Benjamin - Rhodes, Gene Lake - Drums. Marcus Strickland - Saxophones, Brad Joes - Bass, DJ Olive - Turntables. Moonshine, the newest album from trumpeter/composer Dave Douglas' Grammy-nominated band Keystone, is an album that moves musical genres forward into uncharted territory. The evolutionary/revolutionary aspect is found in the vibrant alchemy between Douglas' avant-garde leaning compositions, the relentless, polyrhythmic funk of drummer Gene Lake and bassist Brad Jones, the Sun-Ra-esque sonics of Adam Benjamin who plays a highly modulated Fender Rhodes and the post-post blowing of the front line featuring Douglas and saxophonist Marcus Strickland. But what puts this one over the top is the true integration of a DJ, in this case DJ Olive, into the constantly shifting improvisations of a cutting edge band. Rolling Stone called Keystone's 2005's self titled album, "a modernist requiem." Moonshine takes it a step further: a modernist recipe for the future sound of electronics, jazz, and new composition. "I think of it as Green Beat," says Douglas with a grin, referring to the organic way that the rhythms of vinyl, laptop, and drum set coalesce in this infectious, grooving new album. One forgets all the elements that go into this hybrid music, as each piece amounts to a masterpiece of modern jazz-informed composition and performance. There are many details buried in these tracks, and perhaps the most remarkable thing is that the basis for this recording was a single performance in front of a live studio audience. The state-of-the-art mutli-track recording of this session makes possible a hybrid of the best parts of studio isolation and live excitement. It allowed Greenleaf Music to raise to the highest level the post-production of these recordings.

Even people who have no musical training, or who claim to be tone-deaf, have musical intelligence built into their brains.

'This exquisite recording finds one of the most gifted percussionists in Latin music today working in what is perhaps his true element - the Santeria liturgy. The spiritual power of this Afro-Caribbean religious ceremony, sung in Yoruba to the accompaniment of a three-man percussion bata is awesome, but it is the intense articulation of rhythm that makes this music so devastating, incredible.'-JD Considine,Musician Magazine'A wonderful album - absorbing, mesmerizing, beautiful and fun, graceful and sensual. It draws ou into a space and reality all its own, with a mood and flow quite distant from the everyday and yet hauntingly familiar. I found myself playing it over and over...' - City Paper (Washington DC)'Is a stone soul picnic, so party down. If you're going to buy one record this summer, here is one that, in the words of Hebrew National, answers to a higher authority.' - Glenn O'Brien, Interview Recorded in August 1985. Personnel: Milton Cardona (vocals, percussion); Steve Berrios, Hector Hernandez (bata); Jose Fernandez (percussion); Amma Dawn, Teresa Gomez, Sandra Wiles, Linda Evans (background vocals).

A quiet manifesto: "instant composer," coined to describe jazz and other improvisational music-makers, countered notions that improvising was (1) a lesser order of music-making than composing, or (2) art without memory

Lo'Jo are as much about an idea as the music they make. The band, founded in 1982 in Angers , has been involved in multimedia shows, circuses, politics, and even hosted a festival in the Malian desert; not your basic group, by any means.

Like the early Blues, Rembetika songs of the 1930s and 1940s have a sense of spontaneity, making them appear fresh after countless hearings ... Rembetika music didn't only originate in hash-dens and jails, although this is where the main inspiration came from. ...

Nearly a year in the making and brimming with a newfound focus on original material, Already Free is The Derek Trucks Band's natural evolution as they move forward integrating influences that span a variety of musical genres. Known for their blues roots, the group takes this album well beyond blues to incorporate the larger sounds of rock & soul. Already Free features a stirring cover of Bob Dylan's Down In The Flood as well as the new songs, Down Don't Bother Me and Get What You Deserve.

"Gnawa always had their trades," Abdullah El-Gourd was quick to tell me. "Not like now. Then you were a carpenter, a metal smith, a mason, everyone had their job. And you were also a Gnawi. Now people make being a Gnawi into a profession. It's even on their carte nationale (national identity cards).

Article making distinctions between salsa-casino and other styles of salsa in Cuba.