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'This exquisite recording finds one of the most gifted percussionists in Latin music today working in what is perhaps his true element - the Santeria liturgy. The spiritual power of this Afro-Caribbean religious ceremony, sung in Yoruba to the accompaniment of a three-man percussion bata is awesome, but it is the intense articulation of rhythm that makes this music so devastating, incredible.'-JD Considine,Musician Magazine'A wonderful album - absorbing, mesmerizing, beautiful and fun, graceful and sensual. It draws ou into a space and reality all its own, with a mood and flow quite distant from the everyday and yet hauntingly familiar. I found myself playing it over and over...' - City Paper (Washington DC)'Is a stone soul picnic, so party down. If you're going to buy one record this summer, here is one that, in the words of Hebrew National, answers to a higher authority.' - Glenn O'Brien, Interview Recorded in August 1985. Personnel: Milton Cardona (vocals, percussion); Steve Berrios, Hector Hernandez (bata); Jose Fernandez (percussion); Amma Dawn, Teresa Gomez, Sandra Wiles, Linda Evans (background vocals).

Studio Almaya is a studio for music studies founded by Yair Dalal, who dedicates himself to continue the Jewish-Arabic musical heritage, and pass it to the future generations. His Goals are to connect and advance young musicians towards the ethnic musical branch, encouraging ethnic music creativity, and establishing an archive for ethnic music. Almaya became a meeting Point for people from all ages and origins, which find the studio the only place in Israel Where they can enrich themselves musically and intellectually in this unique tradition of Jewish-Arab music. Studio almaya is located in the old Jaffa Port , Almaya means The Universe in Aramaic and On the Water in Arabic. The classes and topics of the lessons are: Middle eastern music Rhythm Scales Tonality Instrumentation: Oud Violin Ney Percussion Vocal Theory and practice The Maqam phenomena and its philosophy The history of Judeo- Arab music : Composition Songs Composers and Singers as well as secular and religious songs

Konnakol (also spelled konokol) (Tamil: கொன்னக்கோல்) is the Carnatic music - South Indian classical - performance art of vocal percussion. It is also a comprehensive language of rhythm which allows the composition, performance or communication of rhythms

All about the Berklee School of Music in Boston MA USA. Wish, wish, wish with all my heart I could go. Wish I HAD gone when I had the youth, the money... Is 58 too old? Hmmmmm.

The name of this percussion instrument - the derbukka - comes from the arab root verb "derb" which means "to beat". Hence the persian name of the instrument "zarb" as the z is pronounced somewhere between the z and the d. The player of a darabukka is called derebki.

Globe trot non-stop from dance to trance in contempo percussive fusion mixes of ancient instruments, kaleidoscopic musical styles from Africa, New York's underground, Europe and the Middle East

dhol mridang pakhawaj drums percussion india indian dholak sitar rabab sarangi dilruba sarod santoor harmonium "shruti box" tanpura "electric tabla"

The quijada (jawbone of a donkey or burro) is a great "guiro-type" percussion instrument. It's a rather large jawbone, fully-toothed. The variety of sounds a Quijada player can get is pretty thrilling (to me, anyway).

Okay Temiz is an accomplished musician who plays all sorts of percussion instruments that he has either collected or crafted over the years in a style of his own and can skillfully transform even the simplest ryhthms into a whole new set of sounds.

Yasmin Levy (b. 1975) is a singer of Sephardic music born in Jerusalem. She has brought a new interpretation to the international Ladino song scene by returning to original instruments like the Persian oud, violin, cello, percussion, and piano.

Multicultural, polyphonic, highly creative and entertaining group that takes rhythms beyond their natural frontiers and creates a brand of music too innovative and varied to be labeled.

Dedicated to West African drumming music from Senegal, Gambia, Ghana, Ivory Coast, Mali, Guinea and particularly rhythms associated with Djembe, Sabar, and Kpanlogo drums.

choro samba carnaval batacuda bateria capoeira berimbeau percussion nordestinho afros afoxe tropicalia bossa "bossa nova"

The tar is widely spread in Central Asia. It is found in Azerbeidjan, Armenia, Uzbekistan, Afghanistan, Tzadikistan, Kyrgysistan, Kazachstan, Iran and western China. The Uyghur of the Chinese province Xinjiang are a muslim people. The uygur play the tar or dutar on special occasions to accompany singing and dancing. The târ e Khavkaz is the Causcasian variant of this six stringed instrument. The Azerbaijani Tar has more strings in comparison than the Iranian or Persian târ A tanbur is a musical instrument made of wood with five strings. the tanbur is normally played alone, but sometimes it can also be played accompanied by playing the rawap or rabab or/and percussion. On ancient engravings the tanbur looks like a saz or baglama.

Rarely: core melody, prolonged synth, Often: acoustic, live, percussive, chanting, ululation, a capella, drums, drum-centric ~Fuses following ingredients: Latin House, African House, Dark House, Progressive House, Tech-House (techno/jazzy)...like mixing tasteful (intelligent) dance w/ minimal techno.

Most piyutim (sacred Jewish song poems) are chanted "a cappela." This one is accompanied by Tunisian oud music. The oud (ud) is similar to a lute. You'll hear traces of tambourines, too. And some kind of percussion; perhaps boot heels, perhaps knocking on wood...

...con Niño Josele (guitarra), *Jerry Gonzalez (trompeta), Javier Colina (bajo), El Pi…raña (percussion).