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"Blog in D minor" is the weblog of a NYC-based Jewish musician. A venue for reviews, ruminations, rants, reminiscences and miscellaneous musings about Jewish music. "Hasidic Musician" is the Nom de Blog of the author.

Aish Talmud (California), Anthology of Jewish Music (Vancouver), Arutz Sheva (Israel), Israeli Music Online (New Jersey), Israel Radion International (non-Hebrew), Jewish Internet TV (North Carolina)...

Most piyutim (sacred Jewish song poems) are chanted "a cappela." This one is accompanied by Tunisian oud music. The oud (ud) is similar to a lute. You'll hear traces of tambourines, too. And some kind of percussion; perhaps boot heels, perhaps knocking on wood...

The Shaharit Ensemble performs this Middle-Eastern Jewish sacred piyut (musical poem) with ney, oud, violin, double bass, kanun, and darbuka.

Song of longing and lamentation, "Ad Ana Yona" is a sacred Sephardic Jewish sung poem (piyut) about the plight of Iraqui Jews in 1948.

Studio Almaya is a studio for music studies founded by Yair Dalal, who dedicates himself to continue the Jewish-Arabic musical heritage, and pass it to the future generations. His Goals are to connect and advance young musicians towards the ethnic musical branch, encouraging ethnic music creativity, and establishing an archive for ethnic music. Almaya became a meeting Point for people from all ages and origins, which find the studio the only place in Israel Where they can enrich themselves musically and intellectually in this unique tradition of Jewish-Arab music. Studio almaya is located in the old Jaffa Port , Almaya means The Universe in Aramaic and On the Water in Arabic. The classes and topics of the lessons are: Middle eastern music Rhythm Scales Tonality Instrumentation: Oud Violin Ney Percussion Vocal Theory and practice The Maqam phenomena and its philosophy The history of Judeo- Arab music : Composition Songs Composers and Singers as well as secular and religious songs

From the regions of Bessarabia, Galitsia and Bukovina, performed on tsimbl (Jewish dulcimer), 2 violins, 3-string viola, 19th Century C andd Eb-clarinets, early bayan (button accordion from 1889), bassetl (shoulder strapped cello) and baraban (drum). The

"In Turkey and Greece, as far back as the 16th century, groups of cantors and religious figures used to gather in the early morning, before prayer services, to sing devotional poetry in Hebrew. This gave rise to a distinct and complex form of music called maftirim, which only the most talented men could master. These small gatherings were part of a broader musical exchange under the Ottoman empire: Muslim Sufi mystics would come to synagogue on the Sabbath to listen to the maftirim. And the Jewish maftirim singers would visit Sufi lodges for musical inspiration."

Klezmer (from Yiddish כּלי־זמיר, kley - instrument and zemer - song; etymologically from Hebrew k'li zemer כלי זמר, "musical instrument") is a musical tradition which parallels Hasidic and Ashkenazic Judaism. Around the 15th century, a tradition of secular (non-liturgical) Jewish music was developed by musicians called klezmorim or kleyzmurim. They draw on devotional traditions extending back into Biblical times, and their musical legacy of klezmer continues to evolve today.

"Old Country" music; music with origins in the Ottoman Empire, once fabled as the borderlands of the East and the West. In a true collage of Carpathian, Jewish, Rumanian and Ottoman styles, typical suites contain dances from Moldavia and Bessarabia; Jewis

"In Turkey and Greece, as far back as the 16th century, groups of cantors and religious figures used to gather in the early morning, before prayer services, to sing devotional poetry in Hebrew. This gave rise to a distinct and complex form of music called maftirim, which only the most talented men could master. These small gatherings were part of a broader musical exchange under the Ottoman empire: Muslim Sufi mystics would come to synagogue on the Sabbath to listen to the maftirim. And the Jewish maftirim singers would visit Sufi lodges for musical inspiration."

2 melodies from Morocco and Tunisia. Ensemble Mizrach-Maarav. Bar Yochai.

This piyut (sacred musical poem), titled "Al Hechali," is Tunisian, and is chanted by Rabbi Yehuda ben Shmuel Ibn Abbas

Although Salim Hilali (1920-2005) has no music on this page, you'll find videos of other esteemed Arab-Andalusian singers and musicians.

These twelve selected Piyutim are the gems of Hebrew poetry. All are chanted and sung. Some are accompanied by tambourine, oud, and percussive sounds. Most are sung "a cappela," without instrumentation.