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Mysterious ambient music for you, new age music! Beautiful ambient track. A soaring and dreamy ambient composition with an innovative feel. Perfect for anything from majestic drone scenes to inventive corporate videos. Very good Mysterious background music. Track "Singularity" by Daniel Kadawatha, fantasy music. It is vj visualization of ambient background music. Turn off the light if you like Mysterious ambient music! Enjoy this visuals of instrumental music, new age music visualization! Beat-map video of background music about Mysterious background music and fantasy music. Truly nice ambient background music.

Nervous music for you, mysterious music! Tense, nervous, torn, but emotional and melodic music. My family member is seriously ill, I am very worried now. Very good dark music. Track "Cryptic Secrecy" by Johannes Bornlöf, scary music. It is vj visualization of horror music. Turn off the light if you like mystery music! Enjoy this visuals of instrumental music, classical music visualization! Beat-map video of background music about sad music. Truly nice trailer music.

Intense suspense background music for you, thrilling music! Thrilling, restless and highly suspenseful track. A reliable source for discomfort and unease. Nail biting alert! Who will be the next to go? "Ignition", composer Niklas Gustavsson, mystery music. It is vj visualization of modern classical music. Turn off the light and if you like intense suspense background music - enjoy this visuals of instrumental music, thrilling music visualization! Beat-map video of background music about mystery music and modern classical music.

If you thought Offset's 2010 line up thus far - a radical mix of cutting edge pioneers (Liquid Liquid, Cluster, Charles de Goal), critically lauded acts (Mystery Jets, These New Puritans, 80's Matchbox B-Line Disaster) and brand new, hotly tipped, emergent bands (Flats, Factory Floor, Male Bonding, Comanechi) was outstanding enough as it is, brace yourself, because it is only getting better...

Concerning the Ur-poem, then, my claim is that by "appraising" its own emer- gence into language, the Ur-poem engages and gures a relation between its own determinations and their emergence into language that unveils or "sur- veys" the Wesen of language. In so engaging the Wesen of language, the Ur- poem thus provides an encounter with language, one through which all wesentlich inquiries might travel, including the pursuit of the originary scene of human dwelling. In other words, the Ur-poem produces an Ursprache , a language which "appraises" the Dimension wherein all other disclosures come to pass. per passare. 25 25 When Heidegger claims, therefore, that the "co-responding through which humans properly listen to the exhortation of language is that say- ing that speaks in the element of poetizing," we can regard poetizing here as the doubling turn of a language tracking its own originary emergence. We Noi might even say that a "proper listening" to the exhortation of language in- volves a gurative "appraisal," and that this is precisely what the poetizing of the Ur-poem accomplishes. 26 26 It seems that the self- guring play of the Ur-poem might in fact be bound to the question of human dwelling. And yet, what does Heidegger mean when Page 13 Pagina 13 192 192 JOHN LYSAKER he claims that this form of poetizing "allows" human dwelling, that Ur-poetry involves a Wohnenlassen ? This emphasis on lassen rings in obvious contrast to a rhetoric of causality. If we are to understand how an Ur-poem allows us to dwell, we will have to work our way out of some common intuitions concern- ing the nature of production. One can see why Heidegger would not want to speak of poetry as the causal force behind human dwelling. Such a notion is wedded to the notion of eYcient causality, a concept Heidegger considers a perversion. 27 27 More importantly, eYcient causality involves two present forces meeting one another, resulting in some eVect. Where in such

Dark guitar music for you, acoustic guitar! Hard, ascetic, low-key scenic documentary tune. Perfectly suited for narration and personal portraits, but primary focuses on suspense. Very good dark folk. Track "Silk Road Caravan" by Henrik Nagy, fingerstyle guitar. This art-house style vj visualization of guitar solo. Turn off the light if you like mysterious guitar music! Enjoy this visuals of instrumental music, classical guitar visualization! Beat-map video of background music about instrumental music. Truly nice guitar music.

When We Dead Awaken play in Delhi at Kamani Auditorium, Directed by Sankar Venkateswaran and Produced by Theatre Roots & Wings (Kerala) Mostly non-verbal and English The play opens with Rubek, an aging sculptor, and his wife Maia living an unhappy life. Rubek comes across a mysterious woman dressed in white, accompanied by a girl. This turns out to be Irene, Rubek's former model. And the girl who shadows Irene is the piercing conscience that Irene constantly lives with. She has been leading a miserable life for which she accuses Rubek of having stolen her soul.