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Justin Hopkins

Speaking of 3D printers... The World's First 3D-Printed Gun - Slashdot - 0 views

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    Normally I'd link to the article itself but the comments on the slashdot page are worth a read. "Will they ban 3D printers?" "Knowing our congress they'll try to ban teaching Geometry in schools... you can't print illegal shapes if you don't know shapes!" Sad but true. These are really the kinds of discussions that we will have to have as a society in the very near term. Libraries should be at the forefront of this discussion - they've always had to fight to protects peoples rights to access information. If they have public access 3D printers it's only a matter of time before the government comes knocking wanting to see the shape files that their patrons have been printing just like they do with circulation records and internet history.
adrienne_mobius

Google 'Pressure Cookers' and 'Backpacks,' Get a Visit from the Cops - Philip Bump - Th... - 0 views

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    "It was a confluence of magnificent proportions that led six agents from the joint terrorism task force to knock on my door Wednesday morning. Little did we know our seemingly innocent, if curious to a fault, Googling of certain things was creating a perfect storm of terrorism profiling. Because somewhere out there, someone was watching. Someone whose job it is to piece together the things people do on the internet raised the red flag when they saw our search history."
Scott Peterson

Internet search engines drove U.S. librarians to redefine themselves - 0 views

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    A preview of an upcoming publication it doesn't necessarily appear to cover any new ground but does describe the stages in how a disruptive technology that changes an industry is perceived and takes effect.
Megan Durham

Espresso Book Machines tie self-publishing to Maker culture - 0 views

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    Really cool article that looks at : "Espresso Book Machines can offer two kinds of services: print-on-demand of any title available through the EspressNet database (which includes Google Books, the Internet Archive, all of Ingram's partnered publishers, and more) and self-­publishing services for authors and small publishers."
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    I sincerely love the idea of these book machines and have ever since they've become available. I don't know why every library doesn't have one (aside from cost).
Jennifer Parsons

Top EU court upholds right to resell downloaded software | Ars Technica - 2 views

  • The European Court of Justice has ruled that customers have a right to resell software they purchase regardless of whether the software was originally distributed on a physical medium or downloaded over the Internet.
  • But the court did place some important limits on customers' rights to resell used software licenses. First, if a customer purchases a multiseat license, it is not allowed to split the license up into parts and sell them separately.
  • The court also held that after reselling the software, the previous owner must render his own copy of the software inoperable.
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    Now, this took place in the European Union, not the United States (where software is still "licensed" instead of actually sold), but what it means is that people who pay a fee to have software distributed to them now have right of first sale to that license-- that is, they can redistribute it to another person, just as I can give a book I purchased to someone else.
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    This is great - thanks for posting.
Jennifer Parsons

Who speaks for publishing policy? « PWxyz - 0 views

  • The time in which the AAP can speak authoritatively for publishing is over. Formulating policy over intellectual property issues that heretofore was considered the domain of a few specific industry and interest groups is instead the domain of all internet users, including readers and authors, as well as a wide range of new publisher entrants.
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    The insights in this article were interesting, given that they coming from a trade publication.   I do think Brantley is absolutely right, but I'm not sure what that means for libraries.  The fact still remains that a lot of bestsellers and popular works-- which are still associated with libraries-- are squarely in the hands of the Big Six (Apple, Hachette, HarperCollins, Macmillian, Penguin, and Simon & Schuster) and it's yet unclear how a large number of independent publishers will have any effect.
Justin Hopkins

Shareable: Libraries Aren't Dying, They're Evolving - 1 views

    • Justin Hopkins
       
      This is so true. I remember back in the old days of COIN (Columbia Online Information Network). COIN was an ISP that the public library ran. It was free for anyone to use, but if you wanted a decent connection or access to email you had to pay. It was in the days before www. Anyway it was so cool and the perfect example of how libraries were quick to jump on the new tech. I remember seeing the metal and smoked glass cabinet full of modems on the second floor of the old library building out where everyone could see and marvel at it. It had a big sign hanging from the ceiling "COIN".
  • The State of America’s Libraries Report for 2011 notes that library visitation per capita and circulation per capita have both increased in the past 10 years.
  • “In general, libraries embraced the internet right away,” says Raphael. “And not just to provide computers for patrons. They recognized that it became a new tool for librarians.”
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    A positive four part blog entry about how libraries are evolving to meet new needs, strengthen communities during bad economic times, and are centers for sharing. Overall I think this article is the most realistic one I've read in some time. It still acknowledges that libraries are doing more with less, and that perceptions of libraries are slow to change.
anonymous

Generate and keep really secure passwords for free | ITworld - 0 views

  • Of course, they could look for a username that sounds like you in the list of 8 million LinkedIn and EHarmony logins and then just use the password published there, or the ones posted following the hack of 77 million user accounts at Sony or the 130 million credit-card accounts taken from the clearinghouse that processes your credit card payments, or tens of thousands lost by a New York electric utility or the California government services agency you thought was unquestionably trustworthy or the 24 million emails and user names swiped from Zappos or almost anywhere else.
  • you should use a different highly secure password at every site you use.
  • That way, no matter what web-site login database is breached next, your loss can be limited to only the information (or money) on that one site,
  • ...2 more annotations...
  • KeePass -- one of two apps with unquestioned leads; both come with Firefox and Internet Explorer extensions or web sites you can used independently; LastPass – the other of the two leaders. Both are stable, quick, reliable and free;
    • anonymous
       
      I've used LastPass. It's nice, but I prefer to have something local if possible. I'm not really concerned with their security, but it's nice to have your passwords offline.
  • KeePass;
    • anonymous
       
      This one doesn't have a browser integration but it can be kept on a usb key for portability
Jennifer Parsons

TED Blog | The wide open future of the art museum: Q&A with William Noel - 0 views

  • The Walters is a museum that’s free to the public, and to be public these days is to be on the Internet. Therefore to be a public museum your digital data should be free. And the great thing about digital data, particularly of historic collections, is that they’re the greatest advert that these collections have. So: Why on Earth would you limit how people can use them? The digital data is not a threat to the real data, it’s just an advertisement that only increases the aura of the original, so there just doesn’t seem to be any point in putting restrictions on the data.
  • Institutions with special collections, particularly museums — libraries perhaps less so — want to improve their brand and raise visitorship. One way in which they can do that is through advertising. And what better way to advertise than by making instantly available, or as available as possible, images of their collections? Because that’s how they get known.
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    An interview with William Noel, curator of the Walters Art Museum, which recently featured the Archimedes palimpsest in its collection-- both physical and digital.  What's wonderful about that is that its digital collection is under Creative Commons license. I'm a bit confused as to why Noel thinks that libraries don't want to advertise their collections, unless he's referring to the fact that libraries typically contain copyrighted material in their collections.
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    Oh, and you can get to the digital exhibition of the Archimedes palimpsest at http://archimedespalimpsest.net/. It's not terribly user-friendly (to quickly look at the images, select "Google Book of the Archimedes Palimpsest"), but being able to access the raw TIFF images is pretty darn cool.
Megan Durham

" Tablets in Library Workflows: Revolution & Healthy Skepticism ACRL TechConnect Blog - 0 views

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    Tablet Revolution: Healthy Skepticism Tablets and mobile computing have been the subject of a lot of Internet hype. A quick search for "tablet revolution" will confirm this, but if we're appropriately skeptical about the hype cycle, we'll want to test the impact of tablets on our library ourselves.
adrienne_mobius

XKeyscore: NSA tool collects 'nearly everything a user does on the internet' | World ne... - 0 views

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    "A top secret National Security Agency program allows analysts to search with no prior authorization through vast databases containing emails, online chats and the browsing histories of millions of individuals, according to documents provided by whistleblower Edward Snowden."
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