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The judiciary permanently banned two reformist papers as well as serving temporary bans on pro-reform and conservative newspapers. Here is a time line: Ebtekar (April 2014): ISNA reported that it was banned for a headline story about the replacement of the country's prison chiefs over reports of violence against political prisoners. The ban was lifted less than a week later. Aseman (February 2014): The judiciary banned the newly launched newspaper and arrested its managing director, later freed on bail, over an article deemed insulting to Islamic law.  Bahar (October 2013): Closed for publishing an article seen by critics as questioning the beliefs of Shiite Islam.

two powerful ayatollahs in Iran would like to see the project nipped in the bud, saying Sufism is a deviation from Shiite Islam and any attempt to promote or spread it with a movie would be "haram"

Part of the opposition to the film is based on the fact that it is a co-production with Turkey. A group of experts and journalists stated their opposition to the Rumi and Shams movie owing to the presence of a Turkish producer behind the film, implying that the two countries — both of which claim the heritage of Rumi — have different interpretations on the life and works of the mystic poet.

Members of the hadith current have issued fatwas against mystics repeatedly. For example, a summit in Qom in 2007 declared Rumi a heretic.

The country’s culture minister, Abbas Salehi, a cleric who doesn’t wear a turban, told reporters after the Sept. 25 Cabinet meeting that while the opinions of marjas — the highest Shiite authorities — should be respected, “the country has its own laws.” This was taken to mean that the making of the film would not be prohibited because of the objections. So far, there are no indications that the movie is being obstructed by Tehran.

“Drunk on Love” is not the only controversy in Iran over films that deal with religious figures. In September, member of parliament Ali Motahari called on authorities to permit the movie “Hussein Who Said No” to be screened in cinema and theaters across the country. The movie, which has been banned for seven years, narrates the story of battle of Karbala in the year 680, where the third imam of the Shiites, Hussein ibn Ali, and 72 male companions were killed by Caliph Yazid ibn Muawiya’s army. “The main obstacle [in the way] of receiving the screening permit has been the portrayal of the face of ‘Abbas’ that I believe has no religious problem,” Motahari wrote on his Instagram page Sept. 23. Motahari said Abbas ibn Ali — the half-brother of Hussein — is not one of the sacred Shiite imams, which means the portrayal of his face should not be prohibited.

In 2017, FDD received $3.63 million from billionaire Bernard Marcus, which constituted over a quarter of FDD’s contributions that year. Marcus, the co-founder of Home Depot, is outspoken about his hatred of Iran, which he characterized as “the devil” in a 2015 Fox Business interview. Marcus is Trump’s second biggest campaign supporter, contributing $7 million to pro-Trump super PACs before the 2016 election.

by the end of the 2011 tax year, Sheldon Adelson, who went on to become Trump’s single biggest campaign funder, the GOP’s biggest funder in the 2018 midterms, and personal advocate for Trump to take Bolton as his national security adviser, was FDD’s third biggest donor, contributing at least $1.5 million. (Dubowitz says Adelson no longer contributes to FDD.) In 2013, Adelson publicly proposed the U.S. launch a preventive nuclear attack on Iran, targeting the desert, and threaten to launch a second nuclear weapon at Tehran if Iran didn’t abandon its nuclear program.

the Trump administration’s decision to seemingly enter into a collaborative arrangement with FDD or Ghasseminejad, an FDD “adviser,” points to the State Department, under Secretary of State Mike Pompeo’s leadership, moving to increasingly align itself with organizations and individuals pushing the U.S. towards another war in the Middle East.

Marcus and Adelson publicly endorse a militarist posture towards Iran and aren’t shy about writing big checks to politicians and organizations that share that mission. With Adelson and Marcus’s preferred national security adviser, John Bolton, evidently pushing the U.S. towards a military confrontation with Iran, it’s no wonder that FDD, possibly (until Friday) with the support of U.S.-taxpayer funding, is engaged in a public-diplomacy campaign against critics of Trump and Bolton’s Iran policy.

a series of shared behavioral patterns. The personas identified by The Daily Beast were generally contributors to two linked sites, The Arab Eye and Persia Now; had Twitter accounts created in March or April 2020; presented themselves as political consultants and freelance journalists mostly based in European capitals; lied about their academic or professional credentials in phony LinkedIn accounts; used fake or stolen avatars manipulated to defeat reverse image searches; and linked to or amplified each others’ work. 

In February, two websites, The Arab Eye and Persia Now, were registered on the same day and began to acquire a host of contributors. 

both sites share the same Google Analytics account, are hosted at the same IP address, and are linked through a series of shared encryption certificates

Persia Now lists a non-existent London mailing address and an unanswered phone number on its contact form. The apparent editors of the outlets, Sharif O'Neill and Taimur Hall, have virtually no online footprints or records in journalism.

They’re critical of Qatar and, in particular, its state-funded news outlet Al Jazeera. They’re no big fans of Turkey’s role backing one of the factions in Libya’s civil war

constant editorial lines like arguing for more sanctions on Iran or using international leverage to weaken Iran’s proxy groups in Lebanon and Iraq. The personas are also big fans of the United Arab Emirates and have heaped praise on the Gulf nation for its “exemplary resilience” to the COVID-19 pandemic, its “strong diplomatic ties” to the European Union, and supposedly supporting gender equality through the Expo 2020 in Dubai.

criticizing Facebook for its decision to appoint Tawakkol Karman, a 2011 Nobel Peace Prize laureate, to its oversight board. Media outlets in Saudi Arabia, Egypt, and the United Arab Emirates have criicized the appointment of Karman, a former member of the Muslim Brotherhood affiliated Islah Party in Yemen, for her association with the group.

None of the Twitter accounts associated with the network ever passed more than a few dozen followers, but a few still managed to garner high profile endorsements for their work. An article by “Joyce Toledano” in Human Events about how Qatar is “destabilizing the Middle East” got a shout-out from Students for Trump co-founder Ryan Fournier’s nearly million-follower Twitter account and French senator Nathalie Goulet high-fived Lin Nguyen’s broadside about Facebook and Tawakkol Karman.

All of the stolen avatars were mirror image reversed and cropped from their originals, making them difficult to find through common Google reverse image searches

On her LinkedIn page, “Salma Mohamed” claimed to be a former reporter for the AP based in London, though no public record of an AP journalist matching Salma Mohamed’s description is available.

Another persona, Amani Shahan, described herself in bios for Global Villages and Persia Now as being a contributor to and “ghostwriting articles” for The Daily Beast. No one by that name has ever written for The Daily Beast and The Daily Beast does not employ ghostwriters. (Shahan also referred to herself with both male and female pronouns in different author bios.) 

Originally from the northwestern Kurdistan province, Amini was on a visit with her family to the capital Tehran when she was detained on Tuesday.

In her hometown of Saghez, where her body was laid to rest on Saturday, some residents hurled stones at the governor's office and chanted slogans against the authorities

The day after her funeral, nearly all Iranian press dedicated their front pages to her story on Sunday.

Filmmakers, artists, athletes, and political and religious figures have taken to social media to express their anger against the morality police, both inside and outside the country.

Grand Ayatollah Assadollah Bayat Zanjani, a cleric seen as close to the reformists, denounced what he said was "illegitimate" and "illegal" actions behind "this regrettable incident"."The Koran clearly forbids the use of force" to enforce religious and moral values, he said.

Two-time Oscar-winning film director Asghar Farhadi said that "Mahsa now is more alive than we are" because "we are silent in the face of such boundless cruelty. We are complicit in this crime."

"The hair of our girls is covered with a shroud," several footballers on Iran's national team wrote in a joint story they shared on Instagram.

In the face of the violence and the online restrictions, protesters have adopted new tactics to spread their message of resistance in public spaces."We are not afraid anymore. We will fight," read one large banner placed on an overpass of Tehran's Modares highway, seen in images verified by AFP.

"Join us and rise up," read another message in the TV hack claimed by the group Edalat-e Ali (Ali's Justice).It also posted pictures of Amini and three other women killed in the crackdown that has claimed at least 95 lives according to Norway-based group Iran Human Rights.

Many on social media said it evoked images of Neda Agha Soltan, a young woman who became an enduring symbol of the Iranian opposition after she was shot dead at protests in 2009.

a man with a spray can is seen altering the wording of a government billboard on the same highway from "The police are the servants of the people" to "The police are the murderers of the people".

Iranian pop singer Shervin Hajipour -- who was arrested after his song "Baraye" went viral online and became a protest anthem -- appeared back in an Instagram video Sunday for the first time since his release.In a short message, the 25-year-old denied links to any "movement or organisation outside the country" and said his song was only meant to "express solidarity with the people".

Only popular resistance from below and the reformists’ electoral victories could curb the hard-liners’ drive for total subjugation of the state, society, and culture.

The Green revolt and the subsequent nationwide uprisings in 2017 and 2019 against socioeconomic ills and authoritarian rule profoundly challenged the Islamist regime but failed to alter it. The uprisings caused not a revolution but the fear of revolution—a fear that was compounded by the revolutionary uprisings against the allied regimes in Syria, Lebanon, and Iraq, which Iran helped to quell.

once they took over the presidency in 2021 and the parliament in 2022 through rigged elections—specifically, through the arbitrary vetoing of credible rival candidates—the hard-liners moved to subjugate a defiant people once again. Extending the “morality police” into the streets and institutions to enforce the “proper hijab” has been only one measure—but it was the one that unleashed a nationwide uprising in which women came to occupy a central place.

the culmination of years of steady struggles against a systemic misogyny that the postrevolution regime established

With the emergence of the “people,” a super-collective in which differences of class, gender, ethnicity, and religion temporarily disappear in favor of a greater good, the uprising has assumed a revolutionary character. The abolition of the morality police and the mandatory hijab will no longer suffice. For the first time, a nationwide protest movement has called for a regime change and structural socioeconomic transformation.

Over the years, headscarves gradually inched back further and further until finally they fell to the shoulders. Officials felt, time and again, paralyzed by this steady spread of bad-hijabi among millions of women who had to endure daily humiliation and punishment. With the initial jail penalty between ten days and two months, showing inches of hair had ignited decades of daily street battles between defiant women and multiple morality enforcers such as Sarallah (wrath of Allah), Amre beh Ma’ruf va Nahye az Monker (command good and forbid wrong), and EdarehAmaken (management of public places). According to a police report during the crackdown on bad-hijabis in 2013, some 3.6 million women were stopped and humiliated in the streets and issued formal citations. Of these, 180,000 were detained.

This is the story of women’s “non-movement”—the collective and connective actions of non-collective actors who pursue not a politics of protest but of redress, through direct actions.

the uprising is no longer limited to the mandatory hijab and women’s rights. It has grown to include wider concerns and constituencies—young people, students and teachers, middle-class families and workers, residents of some rural and poor communities, and those religious and ethnic minorities (Kurds, Arabs, Azeris, and Baluchis) who, like women, feel like second-class citizens and seem to identify with “Woman, Life, Freedom.”

The thousands of tweets describing why people are protesting point time and again to the longing for a humble normal life denied to them by a regime of clerical and military patriarchs. For these dissenters, the regime appears like a colonial entity—with its alien thinking, feeling, and ruling—that has little to do with the lives and worldviews of the majority.

The feminism of the movement, rather, is antisystem; it challenges the systemic control of everyday life and the women at its core. It is precisely this antisystemic feminism that promises to liberate not only women but also the oppressed men—the marginalized, the minorities, and those who are demeaned and emasculated by their failure to provide for their families due to economic misfortune.

A segment of Muslim women did support the Islamic state, but others fought back. They took to the streets to protest the mandatory hijab, organized collective campaigns, and lobbied “liberal clerics” to secure a women-centered reinterpretation of religious texts. But when the regime extended its repression, women resorted to the “art of presence”—by which I mean the ability to assert collective will in spite of all odds, by circumventing constraints, utilizing what exists, and discovering new spaces within which to make themselves heard, seen, felt, and realized. Simply, women refused to exit public life, not through collective protests but through such ordinary things as pursuing higher education, working outside the home, engaging in the arts, music, and filmmaking, or practicing sports.

At this point in time, Iran is far from a “revolutionary situation,” meaning a condition of “dual power” where an organized revolutionary force backed by millions would come to confront a crumbling government and divided security forces. What we are witnessing today, however, is the rise of a revolutionary movement—with its own protest repertoires, language, and identity—that may open Iranian society to a “revolutionary course.”

The disproportionate presence of the young—women and men, university and high school students—in the streets of the uprising has led some to interpret it as the revolt of generation-Z against a regime that is woefully out of touch. But this view overlooks the dissidence of older generations, the parents and families that have raised, if not politicized, these children and mostly share their sentiments. A leaked government survey from November 2022 found that 84 percent of Iranians expressed a positive view of the uprising. If the regime allowed peaceful public protests, we would likely see more older people on the streets.

Although some workers have joined the protests through demonstrations and labor strikes, a widespread labor showdown has yet to materialize. This may not be easy, because the neoliberal restructuring of the 2000s has fragmented the working class, undermined workers’ job security (including the oil sector), and diminished much of their collective power. In their place, teachers have emerged as a potentially powerful dissenting force with a good degree of organization and protest experience.

Shopkeepers and bazaar merchants have also joined the opposition. In fact, they surprised the authorities when at least 70 percent of them, according to a leaked official report, went on strike in Tehran and 21 provinces on 15 November 2022 to mark the 2019 uprising. Not surprisingly, security forces have increasingly been threatening to shut down their businesses.

Protesters in the Arab Spring fully utilized existing cultural resources, such as religious rituals and funeral processions, to sustain mass protests. Most critical were the Friday prayers, with their fixed times and places, from which the largest rallies and demonstrations originated. But Friday prayer is not part of the current culture of Iran’s Shia Muslims (unlike the Sunni Baluchies). Most Iranian Muslims rarely even pray at noon, whether on Fridays or any day. In Iran, the Friday prayer sermons are the invented ritual of the Islamist regime and thus the theater of the regime’s power. Consequently, protesters would have to turn to other cultural and religious spaces such as funerals and mourning ceremonies or the Shia rituals of Moharram and Ramadan.

During the Green revolt of 2009, the ruling hard-liners banned funerals and prevented families from holding mourning ceremonies for their loved ones

the hard-line parliament passed an emergency bill on 9 October 2022 “adjusting” the salaries of civil servants, including 700,000 pensioners who in late 2017 had turned out in force during a wave of protests. Newly employed teachers were to receive more secure contracts, sugarcane workers their unpaid wages, and poor families a 50 percent increase in the basic-needs subsidy.

beating, killing, mass detention, torture, execution, drone surveillance, and marking the businesses and homes of dissenters. The regime’s clampdown has reportedly left 525 dead, including 71 minors, 1,100 on trial, and some 30,000 detained. The security forces and Basij militia have lost 68 members in the unrest.

The regime’s suppression and the protesters’ pause are likely to diminish the protests. But this does not mean the end of the movement. It means the end of a cycle of protest before a trigger ignites a new one. We have seen these cycles at least since 2017. What is distinct about this time is that it has set Iranian society on a “revolutionary course,” meaning that a large part of society continues to think, imagine, talk, and act in terms of a different future. Here, people’s judgment about public matters is often shaped by a lingering echo of “revolution” and a brewing belief that “they [the regime] will go.” So, any trouble or crisis—for instance, a water shortage— is considered a failure of the regime, and any show of discontent—say, over delayed wages—a revolutionary act. In such a mindset, the status quo is temporary and change only a matter of time.

There are, of course, local leaders and ad hoc collectives that communicate ideas and coordinate actions in the neighborhoods, workplaces, and universities. Thanks to their horizontal, networked, and fluid character, their operations are less prone to police repression than a conventional movement organization would be. This kind of decentralized networked activism is also more versatile, allows for multiple voices and ideas, and can use digital media to mobilize larger crowds in less time. But networked movements can also suffer from weaker commitment, unruly decisionmaking, and tenuous structure and sustainability. For instance, who will address a wrongdoing, such as violence, committed in the name of the movement? As a result, movements tend to deploy a hybrid structure by linking the decentralized and fluid activism to a central body. The “Woman, Life, Freedom” movement has yet to take up this consideration.

a leadership organization—in the vein of Polish Solidarity, South Africa’s ANC, or Sudan’s Forces of Freedom and Change—is not just about articulating a strategic vision and coordinating actions. It also signals responsibility, representation, popular trust, and tactical unity.

if the revolutionary movement is unwilling or unable to pick up the power, others will. This, in fact, is the story of most of the Arab Spring uprisings—Egypt, Iraq, Lebanon, and Yemen, for instance. In these experiences, the protagonists, those who had initiated and carried the uprisings forward, remained mostly marginal to the process of critical decisionmaking while the free-riders, counterrevolutionaries, and custodians of the status quo moved to the center.

Things are unlikely to go back to where they were before the uprising. A paradigm shift has occurred in the Iranian subjectivity, expressed most vividly in the recognition of women as transformative actors and the “woman question” as a strategic focus of struggle.

Those who expect quick results will likely be dispirited. But the country seems to be on a new course.