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Ed Webb

Jeffrey Goldberg Doesn't Speak for the Jews - 0 views

jewishcurrents.org/berg-doesnt-speak-for-the-jews

USA US media journalist Jews Jewishness Zionism opinion analysis

shared by Ed Webb on 11 Dec 20 - Cached
  • For some members of the tribe, Sanders’ commitment to social justice, his family’s experience with the Holocaust, his distinctive old-Brooklyn accent, his childhood memories of stickball and Ebbets Field, and even his visits to a kibbutz are all insufficient proofs of Jewishness. Why doesn’t he belong to a synagogue? Why did he marry a Catholic? Why is he so critical of the mainstream consensus on Israel? Why isn’t he a Jew the way Goldberg wants him to be a Jew?
  • Goldberg continues to edit one of the most important magazines in the country, and is a fixture of its star-studded annual Aspen Ideas Festival. As such, he is easily one of the most powerful arbiters of elite opinion, and representative of the establishment that has led the country to the brink of ruin.
  • If you’re a Jew who matters inside the Beltway, there’s a decent chance you hang out with Goldberg.
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  • He gets to decide, for instance, that Peter Beinart (J Street-aligned liberal Zionists) and David Frum (respectable #NeverTrump neoconservatives) should represent the poles of acceptable Jewish discourse. Meanwhile, the emerging generation of American Jews who supported Sanders, and who in many cases feel totally alienated from Zionism, are shut out. Goldberg’s project is to define the center, both for politics in general and for Jews specifically. And as that center buckles and shifts leftward, it’s worth reevaluating the macher who for so long has set the terms of debate.
  • The story of Jeffrey Goldberg is one of hypermasculinity, nationalism, and careerism, a steady ascension facilitated by the right friendships and the right positions at the right times. Along the way he has drawn many harsh critics, none of whom have successfully held him back. But his disproportionate influence on the conversation and his vigorous policing of Jewish communal politics merit a closer look.
  • After enduring antisemitic bullying as a suburban child, he fell in love with Israel on his first visit at age 13.
  • At 20, he dropped out of Penn and made aliyah. As an Israel Defense Force volunteer during the First Intifada, he worked as a guard (or “prisoner counselor,” as he later insisted) at the overcrowded Ketziot prison camp, which was condemned by human rights groups at the time for violating the Geneva Conventions. There, he witnessed a fellow guard beating a Palestinian prisoner for talking back. In Goldberg’s account, he tried to stop his friend but then helped cover the incident up (“‘He fell,’ I lied”).
  • The odd human rights violation, pointless imperial war, or botched hire notwithstanding, no one can deny that he has done well for himself, and it seems likely he’ll be shaping the national conversation for years to come. But in the Jewish world, Goldberg wields perhaps even more influence than outside of it, and by patrolling its borders he defines a narrow center of opinion antithetical to dissent.
  • If there is any justice, Goldberg’s career will be remembered primarily for a long, award-winning reported piece from Iraq that ran in The New Yorker in March 2002, at the height of the post-9/11 jingoistic fervor, which informed that magazine’s readership that Saddam Hussein had both an active WMD program and ties to Al-Qaeda. Goldberg endorsed George W. Bush’s catastrophic war of choice in an article for Slate later that year, in which he wrote, “I believe that the coming invasion of Iraq will be remembered as an act of profound morality.” He was hardly the only high-profile journalist to help launder what turned out to be false intelligence into the mainstream media, but whereas Judith Miller was pushed out by the New York Times in 2005 and has since become persona non grata in liberal elite circles, Goldberg’s status and influence have only grown.
  • palpable distaste for Diaspora Jewry features frequently in Goldberg’s writing
  • a conservative minority of us has accepted a faustian bargain with Trump’s white supremacist base in order to support the right-wing coalition in Israel
  • Goldberg is not part of the ascendant right. Rather, he is perhaps the single most representative figure of the liberal Zionist establishment in all of media, voicing the anxieties of a rapidly collapsing order. And with at least the passive approval of an elite network, Goldberg has spent years passing harsh, biblical judgment on both Jews and gentiles who dare to weigh in on issues related to Israel, from authors to organizations to U.S. presidents.
  • Goldberg started out as a police reporter but achieved greater renown as a national security correspondent, with dispatches from Gaza, Cairo, and Iraqi Kurdistan in the months before and after 9/11. This period is crucial to understanding Goldberg’s influence—he had already become one of the most widely read reporters on the Middle East at precisely the moment when the Washington establishment became single-mindedly focused on terrorist and extremist threats from the region. This gave him an outsized role in shaping liberal elite discourse, with outsized consequences.
  • it fit in perfectly with Goldberg’s longstanding project to deny the very obvious influence of pro-Israel advocates over U.S. politics.
  • Obama successfully pandered to Goldberg, who noted, “speaking in a kind of code Jews readily understand, Obama also made sure to mention that he was fond of the writer Leon Uris, the author of [the 1958 Zionist pulp bestseller] Exodus.”
  • In 2009, Goldberg referred to “the rather circumscribed universe of anti-Zionists-with-Jewish parents”, neatly ostracizing Jews he disagrees with from the tribe
  • For Goldberg and the tribe he leads, a reactionary gentile who unapologetically supports Israel is preferable to a progressive Jew who expresses hesitation, discomfort, or outrage.
  • an epically sleazy hit job
  • Goldberg has spent most of his adult life in affluent Northwest DC, so it would be absurd for him to directly question the legitimacy of American Jews, but he has had no such reservations about European Jews, and especially the largest such community, the Jews of France. In 2015, he wrote a long reported essay in The Atlantic entitled, “Is It Time for the Jews to Leave Europe?”, accompanied by a 20-minute video conversation with Leon Wieseltier and James Bennet, in which he concluded, “I am predisposed to believe that there is no great future for the Jews in Europe, because evidence to support this belief is accumulating so quickly.”
  • Goldberg represents what, at least until recently, was an influential set of attitudes among mainstream Jewish liberals. But his approach seems exhausted, unable to respond to the scale of the disaster Jewish liberals now confront, from the ultra-orthodox, pro-settlement coalition firmly in charge of Israel to White House-approved antisemitism in the U.S.
  • superficially curious and open-minded about big ideas, yet forever bound within a narrow establishment consensus averse to channeling any kind of populist anger
  • to whatever extent my own Jewish identity has been stunted, I blame Jews like Goldberg. Of course I don’t blame him personally or exclusively, but he’s representative of, and has worked hard to reinforce, a set of attitudes that have made institutional Judaism and Jewish communal identity seem unattractive or unattainable. I’m certain I’m not alone in feeling this way. Membership in non-Orthodox synagogues is in steady decline, as is American Jews’ attachment to Israel, especially among millennials. Jewishness as defined by Goldberg is not our community’s future; it isn’t even our present
  • Goldberg embodies the worst contradictions of American Zionism: on the one hand, the phony machismo, the insistence that Israel is the bedrock of a meaningful Jewish identity, and the morally bankrupt defense of Israel’s routine violence against its Arab subjects; and on the other hand, the smug, comfortable, coddled daily existence of the Beltway elite
  • It’s taken me well into my thirties to grasp that there is a Jewishness to be located between the synagogue-attending, aggressively Zionist establishment that Goldberg presents to the most powerful people on Earth as definitive, and the superficial bagels-and-Seinfeld gloss on basic American whiteness that often seems like the only alternative. Jewishness can be righteous, confrontational, progressive, maybe even cool. It doesn’t have to be defined as a religion, a nationality, or a vaguely embarrassing set of quirks; it can be a way of asserting one’s humanity and moral fervor as America, Israel, and the world descend into a crude parody of fascism.
Ed Webb

Dune: An accomplished escape into the realm of cinematic Arab appropriation - 0 views

english.alaraby.co.uk/...ealm-cinematic-arab-subversion

media film MENA culture representation

shared by Ed Webb on 18 Oct 21 - Cached
  • the most overriding issue, for this critic at least, is the total lack of significant Middle Eastern and North African representation in the cast despite the very clear influence of MENA, Islamic and Arab culture on the desert planet and this universe in the original book and this film. I’ve written before about the importance of Fremen characters being played by MENA actors not least because their language is mostly made up of Arabic words, like “Mahdi'' (‘the rightly guided one”) and “Lisan al Gaib” (“the voice from the outer world”), respectively. Though it's notable that jihad, the phrase frequently used in the book, has now been replaced with "crusade" and "holy war". 
  • One can easily observe the Bedouin and Amazigh inspiration behind this nomadic community on the page and the screen, through the Fremen’s penchant for Keffiyeh, group feeling unity and strength in their ability to survive in such a dangerous environment. These ideas, as well as the cyclical nature of dynasties and civilisations, were reflected in Tunisian sociologist, philosopher and historian Ibn Khaldun’s 14th Century book of Islamic History, “The Muqaddimah”, which underpinned much of Herbert’s sci-fi series.
  • Jordan’s Wadi Rum and Abu Dhabi in the UAE provided the vast beauty and brutality of this fictional desert planet landscape. The pale, flat-roofed buildings of Arrakeen, the planet’s seat of power which, in the book, was transferred from the city of Carthag (sound familiar?) under Harkonnen rule, is reminiscent of North African architecture. If the overarching storyline about Imperialist colonisers stealing a powerful fuel from the native population doesn't remind you of a certain 20th Century Western conflict with the Middle East, the Knights Templar colour scheme of the Sardaukar certainly hints at a 12th Century one. A holy war no less!
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  • With all this rich, Maghrebi and Middle Eastern culture, aesthetic and historical references on display, once again I must ask: where are the significant MENA actors?
  • What an opportunity it would have been to cast the likes of Egyptian actor Amr Waked or French-Algerian actress Lyna Khoudri in these roles. Instead, we get Javier Bardem doing whatever the Arab version of Blackface is.
  • The rest of the Fremen - those whose faces aren't masked and have speaking roles - are made up of actors of Guyanese, West or East African heritage. This wouldn’t be a problem at all if there were at least some MENA actors to reflect the diversity of that region which Villeunueve claims to care so much about and admitted to using as inspiration: “I feel true that I’m right in doing it this way. It feels authentic, it feels honest and true to the book.”
  • We’re used to being vilified, maligned or erased on screen. We’re used to having most of our representation in Hollywood limited to plane hijacking or suicide bombing or perverted sheikhs or refugees or having non-MENA actors replacing us in our own stories. Like Dwayne Johnson who is playing Black Adam, the first MENA superhero character to get his own solo movie. Can you imagine the outrage if The Rock was cast as Black Panther? Or Shang-Chi? People wouldn’t stand for it.
  • But in a post-9/11 world where Arabs and Islam are still considered too dangerous and foreign to pass the racial profiling in studio boardrooms and casting call discrimination, too taboo to be given the same equal opportunities for positive or nuanced representation as other ethnic minorities are now slowly beginning to benefit from, must we continue to wait and bittersweetly watch films like Dune that take but do not give back?
Ed Webb

Iranian woman's death galvanises critics of 'morality police' - Al-Monitor: Independent... - 3 views

www.al-monitor.com/...anises-critics-morality-police

Iran women violence media socialmedia Kurds minority religion politics

shared by Ed Webb on 19 Sep 22 - Cached
  • As Iran reels from a woman's death after her arrest by its "morality police", the Sunday front page of financial newspaper Asia declared: "Dear Mahsa, your name will become a symbol."
  • growing criticism in recent months over its excessive use of force
  • President Ebrahim Raisi, an ultra-conservative former judiciary chief who came to power last year, has ordered an inquiry into Amini's death.
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  • Originally from the northwestern Kurdistan province, Amini was on a visit with her family to the capital Tehran when she was detained on Tuesday.
  • In her hometown of Saghez, where her body was laid to rest on Saturday, some residents hurled stones at the governor's office and chanted slogans against the authorities
  • The day after her funeral, nearly all Iranian press dedicated their front pages to her story on Sunday.
  • Filmmakers, artists, athletes, and political and religious figures have taken to social media to express their anger against the morality police, both inside and outside the country.
  • Grand Ayatollah Assadollah Bayat Zanjani, a cleric seen as close to the reformists, denounced what he said was "illegitimate" and "illegal" actions behind "this regrettable incident"."The Koran clearly forbids the use of force" to enforce religious and moral values, he said.
  • Two-time Oscar-winning film director Asghar Farhadi said that "Mahsa now is more alive than we are" because "we are silent in the face of such boundless cruelty. We are complicit in this crime."
  • "The hair of our girls is covered with a shroud," several footballers on Iran's national team wrote in a joint story they shared on Instagram.
Ed Webb

'Three Thousand Years' and the History of Middle East Tales - New Lines Magazine - 0 views

newlinesmag.com/...e-history-of-middle-east-tales

film media Turkey MiddleEast MENA review orientalism

shared by Ed Webb on 30 Aug 22 - Cached
  • a film based on “The 1,001 Arabian Nights” is a risky venture. On the one hand, Hollywood Golden Age standards like “The Thief of Baghdad” (1924) and “Ali Baba and the Forty Thieves” (1944) get applause even from someone like Jack Shaheen, who in his book “Reel Bad Arabs” tries very hard to sniff out anti-Arab sentiment. On the other hand, Disney rolled the dice in 1992 and wound up with “Aladdin,” one of the most scandalous films ever made. This was thanks to an ill-advised song lyric about the Middle East: “Where they cut off your ear if they don’t like your face.” (The 1993 VHS version tossed out this carbuncle but kept the phrase “It’s barbaric, but hey it’s home.”) The 2019 Will Smith reboot of the same name, one of that year’s highest-grossing films, didn’t do much in the eyes of critics to update Orientalist caricatures. Teachers still use the 1992 version to show what not to say about Arabs and Islam. Another Disney production, 2010’s “Prince of Persia: The Sands of Time,” which was based on the Persian national epic “Shahnameh,” got panned for casting Jake Gyllenhaal, a white actor, to play a Persian character. And the list goes on.
  • both Byatt and Miller get much of the folklore right. Viewers learn that djinn come in many varieties, including those who fear God, like Alithea’s djinn insists he does, and those who don’t. Djinn are made of “smokeless fire” while humans are made from dust, based on the Quran’s chapter 55, “The Merciful.” Djinn can live for thousands of years, change size and shape, make love, eat and sleep (the djinn in the movie says his kind don’t do the latter). All this and more, drawn from Islamic folklore through Byatt’s story, makes Robin Williams’ blue meanie from the 1992 “Aladdin” look like the cardboard cutout he is
  • at a time of heightened sensitivity to who gets to tell stories, can Hollywood still celebrate the Middle East?
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  • these tales don’t come from fantasies like “The 1,001 Arabian Nights” but instead Middle Eastern history, especially Ottoman history. Anyone familiar with the region’s culture and storytelling will be struck by how thoughtful the film is, despite its kooky, over-the-top vaudeville
  • Miller’s location, cast and music celebrate rather than lampoon the Middle East, above all the wonders of Turkey. Shot on location in Istanbul, the film pans over Topkapi Palace, the Hagia Sophia and other iconic hotspots. Turkish actors fill most of the minor roles and speak Turkish throughout (Elba gives it his best college try). “Chesm-i bulbul,” or “the nightingale’s eye,” the name for the djinn’s bottle and hence of Byatt’s story, is in fact a beloved style of glasswork. The film credits roll to a Turkish love song.
  • “Three Thousand Years,” billed as “Aladdin for adults” and based on the 1994 short story “The Djinn in the Nightingale’s Eye” by A.S. Byatt for The Paris Review
  • he adds a scene that’s unjustified by the plot and which mainly serves the demands of cultural sensitivity, in deference to viewers who don’t know enough about the Middle East to see how much care Miller has taken. Back in London and close to the finale, Alithea greets two neighbor ladies who ask why Alithea wastes time with “ethnics.” She fires back that she can’t abide people — like them — with knee-jerk reactions against anyone different. “Fuckface,” one of them spits at Alithea, who ducks back into her house.
  • This scene’s welcome jab at xenophobia is not what annoys; it is rather the non sequitur. It’s the one and only time we meet these neighbors, though they later stand aghast while Alithea explains her enormous ebony djinn will be staying for a while. It’s the one time we hear their views. Their struggle to grasp the Middle East has not shaped us in any way, nor does the script humanize them beyond political caricature. “OK, boomer,” says the movie with a sneer. Miller could have stood on his thoughtfulness toward the Middle East without pandering, but in fairness, he’s less to blame than a culture industry that makes directors like him think that pandering is the price of keeping their skin.
  • Byatt’s story is nothing if not highly sexed, and Miller’s retelling can’t do it justice.
  • That both the djinn and Alithea are trapped by their own gigantic emotions produces one of the film’s loveliest sentiments, spoken by Alithea as part of her wish for the djinn’s affections: “I want our solitudes to be together.”
Ed Webb

Muslims mourn the Queen under Prevent's watchful eye - 0 views

english.alaraby.co.uk/...en-under-prevents-watchful-eye

UK Britain politics media censorship opinion analysis Muslims colonialism minorities

shared by Ed Webb on 17 Sep 22 - No Cached
  • while offering condolences is part of the Islamic faith, a question remains as to what motivates both the need to issue these statements as well as the urgency with which they were thrust into the public domain. For British Muslims, as we know, citizenship has always been conditional. And now, counter-terror and anti-extremism measures such as Prevent work hard to ensure that Muslims stay in line. So an occasion such as the Queen’s death isn’t an opportunity for sincere reflection or honesty – rather it serves as a test of loyalty.
  • maybe the effect of Prevent’s surveillance and thought-criminalisation is so insidious that Muslims have internalised it, causing them to believe unquestioningly that these are their true feelings
  • There are, no doubt, British Muslims who feel anger over the romanticisation of the Queen and the whitewashing of her reign. There are British Muslims who would like to see the monarchy abolished, not least because it is a fundamental symbol of inequality in this country. And there are British Muslims whose grief is reserved for their grandparents who lived, and died, under the boot of British colonialism.
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  • Prevent, and the associated fear of counter-terror surveillance, has caused a throttling of Muslims’ collective and individual voices. Britain wants Muslim immigrants to embrace being British, but without allowing them the rights and freedoms to which white British people have a claim, including freedom of speech
  • whether or not the responses from Muslim organisations were a conscious attempt to shield these organisations, and Muslims at large, from state suspicion and criminalisation, they succeed in both depoliticising and de-historicising Muslim civil society
Ed Webb

Archaeology Turns Political to Benefit a Trio of Middle East Strongmen - New Lines Maga... - 0 views

newlinesmag.com/...-trio-of-middle-east-strongmen

history memory heritage archaeology propaganda ideology identity Syria Iraq Libya

shared by Ed Webb on 12 Dec 21 - No Cached
  • Going back 10 years to the Arab Spring and eight years before that to the invasion of Iraq, much of the region has experienced terrible loss not only on a human scale, but also of its archaeological heritage. The culmination of both came in 2015 with the brutal murder of the 82-year-old archaeologist Khaled al-Asaad — who had been in charge of the Syrian UNESCO World Heritage site of Palmyra for 40 years — and the destruction of part of the 2,000-year-old site by the Islamic State group
  • Three countries — Iraq, Syria and Libya — have an extraordinary heritage of ancient archaeological sites, many of them now endangered, and had in common long-standing dictators, (although in the case of Syria, of course, the Assad regime continues), all of whom used their cultural heritage in various ways to define how they saw their nation
  • That dictators draw inspiration from ancient history to shape their nations is nothing new — Mussolini looked back to the Roman empire, while Hitler and the Nazi party developed their mythical, ancient “Aryan” race. The last shah of Iran, Mohammad Reza Pahlavi, threw one of the most lavish parties in history at Persepolis in 1971 during national celebrations to illustrate the grandeur of the 2,500-year-old Persian empire founded by Cyrus the Great in the sixth century B.C.
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  • In the years after the Baath party came to power, writes Abdi, the budget for the Department of Antiquities increased by 80% and the number of excavations mushroomed, as did the renovation and reconstruction of historical sites
  • In Syria, too, Assad’s promotion of archaeology was, as the late journalist Patrick Seale described it, part of his exercise in nation building. Stéphane Valter, a French political scientist who specializes in Arab culture and civilization, studied Assad’s relationship to Syria’s archaeology in his 2002 book, “La construction nationale syrienne” (“The Syrian national construction”). He writes that because of the fragility of a social cohesion in Syria due to its varied ethnic and religious communities, it was important for Assad to establish a territorial and historical identity in which all minorities could find a legitimate place. The archaeological richness of Syria doubtless helped build a national identity based on a culture that was promoted as authentically Syrian.
  • Gadhafi’s view of Libya’s heritage was selective, but like the other dictators, it aligned with the message he wanted to transmit.“Libya links east to west, and north to south, and there are examples of all the cultures that were around us,” said Fakroun.But Gadhafi largely favored Islamic archaeology, in keeping with his Pan-Arab ideological preference at the time (vis-a-vis Pan-Africanism, which he embraced in later years), and after that, prehistory because it was far enough into the past to be relatively uncontested. In contrast, British archaeologist Graeme Barker, who spent many years in Libya, explained that “the country’s fabulous Greek and Roman archaeology represented to him simply the precursor of the hated Italian colonization of the 20th century.”
  • when Gadhafi saw that the museum staff had named some of the rooms “Greek” or “Roman,” his face fell, said Fakroun, “and he made us change the names to ‘Greek colonization’ or ‘Byzantine colonization.’ ”
  • “We couldn’t talk about our Amazigh heritage. Or objects that were Tuareg, we had to say they were Arab. We wanted to be scientific, but we couldn’t, because the only ethnicity that existed for him was Arab,”
  • the Umayyad period of history was useful to the party because of its multiethnic nature. The Umayyad Mosque in Damascus was one of the best symbols for the party, writes Valter, because of its specifically Syrian cultural traits — first an Aramean and then a Roman temple, then a church and finally a mosque. The mosque figured on Syria’s most valuable banknote at the time, behind an image of Assad. Banknotes included images of Aleppo’s Citadel, the Roman amphitheater of Bosra and Queen Zenobia of Palmyra, and clearly showed the regime’s wish to conflate ethnocultural Arab references with nationalist pride and a pinch of Islam
  • Iraq was flooded with propaganda posters, murals and sculpted reliefs in the style of ancient artworks, all depicting Saddam superposed with Mesopotamian rulers or symbols
  • Saddam rebuilt the site shoddily, most professionals agree, and built a palace for himself on top of it. He used new materials and inscribed his name on the bricks, as Nebuchadnezzar had done over 2,000 years before him. Moreover, said Almamori, “he dug three or four lakes, which damaged and removed part of the Persian cemetery near the northern lake. Many layers of different civilizations were removed. He constructed artificial mounds and built his palace on one of them. Archaeologists with high positions were afraid to say anything.”
  • “When Nebuchadnezzar II took over from his father, Nabopolassar, he ruled from the same palace which he rebuilt. The Baath party related to this — we have a long history, a strong civilization, that needs a strong army. Nationalists in other countries think the same way.”
  • the Baath regime in Iraq sought to “connect modern-day Iraq with its glorious Mesopotamian past, leaving aside any possible Sunni-Shia division or ethnic divide. Instead, it stressed that Iraq was one nation unified in a shared Mesopotamian-inspired culture.”
  • one of the most important ancient sites for Assad was Ugarit, near the Mediterranean city of Latakia. With five layers of cultures going back to the Neolithic period, not only is it famous for its clay tablets with an alphabet in cuneiform script, but Ugarit is also just north of Qardaha, where Assad was born and is buried.
  • Unlike in Saddam’s Iraq or Assad’s Syria, in Gadhafi’s Libya, the Department of Antiquities suffered from constant underfunding. “Our budget was next to nothing,” recalled Fakroun. “Once they forgot about the Department of Antiquities when they were drawing up the country’s budget. We had no salary for six months. We’re talking about a country with tons of money from petrol, and they gave us pennies. And we have five World Heritage sites.
  • outstanding archaeological sites in all three countries suffered looting, vandalism, neglect, or at the hands of the Islamic State or, in the case of Ancient Babylon, from U.S. and Polish troops building their military base on top of the ruins in 2003
Ed Webb

Secret British 'black propaganda' campaign targeted cold war enemies | Cold war | The G... - 0 views

www.theguardian.com/...nformation-research-department

Africa UK Britain MENA ArabWorld Islamism propaganda ColdWar

shared by Ed Webb on 23 May 22 - No Cached
  • The British government ran a secret “black propaganda” campaign for decades, targeting Africa, the Middle East and parts of Asia with leaflets and reports from fake sources aimed at destabilising cold war enemies by encouraging racial tensions, sowing chaos, inciting violence and reinforcing anti-communist ideas, newly declassified documents have revealed.
  • The campaign also sought to mobilise Muslims against Moscow, promoting greater religious conservatism and radical ideas. To appear authentic, documents encouraged hatred of Israel.
  • The Information Research Department (IRD) was set up by the post-second world war Labour government to counter Soviet propaganda attacks on Britain. Its activities mirrored the CIA’s cold war propaganda operations and the extensive efforts of the USSR and its satellites.
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  • The Observer last year revealed the IRD’s major campaign in Indonesia in 1965 that helped encourage anti-communist massacres which left hundreds of thousands dead. There, the IRD prepared pamphlets purporting to be written by Indonesian patriots, but in fact were created by British propagandists, calling on Indonesians to eliminate the PKI, then the biggest communist party in the non-communist world.
  • “The UK did not simply invent material, as the Soviets systematically did, but they definitely intended to deceive audiences in order to get the message across.”
  • “reports” sent to warn other governments, selected journalists and thinktanks about “Soviet subversion” or similar threats.The reports comprised carefully selected facts and analysis often gleaned from intelligence provided by Britain’s security services, but appeared to come from ostensibly independent analysts and institutions that were in reality set up and run by the IRD. One of the first of these, set up in 1964, was the International Committee for the Investigation of Communist Front Organisations.
  • Between 1965 and 1972, the IRD forged at least 11 statements from Novosti, the Soviet state-run news agency. One followed Egypt’s defeat in the 1967 six-day war against Israel and underlined Soviet anger at Egypt’s “waste” of so much of the arms and materiel Moscow had supplied to the country.
  • The IRD also forged literature purporting to come from the Muslim Brotherhood, a mass Islamist organisation that had a significant following across the Middle East. One pamphlet accused Moscow of encouraging the 1967 war, criticised the quality of Soviet military equipment, and called the Soviets “filthy-tongued atheists” who saw the Egyptians as little more than “peasants who lived all their lives nursing reactionary Islamic superstitions”.AdvertisementThe IRD also created an entirely fictive radical Islamist organisation called the League of Believers, which attacked the Russians as non-believers and blamed Arab defeats on a lack of religious faith, a standard trope among religious conservatives at the time.
  • The IRD’s leaflets echoed other claims made by radical Islamists, arguing that military misdeeds should not be blamed on “the atheists or the imperialists or the Zionist Jews” but on “Egyptians who are supposed to be believers”.
  • Other material highlighted the poor view that Moscow took of the Palestine Liberation Organisation and the limited aid offered by the Soviets to Palestinian armed nationalist groups. This was contrasted with the more supportive stance of the Chinese, in a bid to widen the split between the two communist powers.
  • One major initiative focused on undermining Ian Smith’s regime in Rhodesia, the former colony that unilaterally declared its independence from the UK in 1965 in an attempt to maintain white minority rule.The IRD set up a fake group of white Rhodesians who opposed Smith. Its leaflets attacked him for lying, creating “chaos” and crippling the economy. “The whole world is against us … We must call a halt while we can still save our country,”
  • In early 1963, the IRD forged a statement from the World Federation of Democratic Youth, a Soviet front organisation, which denounced Africans as uncivilised, “primitive” and morally weak. The forgery received press coverage across the continent, with many newspapers reacting intemperately.
  • A similar forgery in 1966 underlined the “backwardness” and “political immaturity” of Africa. Another, a statement purportedly from Novosti, blamed poor academic results at an international university in Moscow on the quality of the black African students enrolled there. The IRD sent more than 1,000 copies to addresses across the developing world.
  • As with most such efforts, the impact of the IRD’s campaigns was often difficult to judge. On one occasion, IRD officials were able to report that a newspaper in Zanzibar printed one of their forgeries about Soviet racism, and that the publication prompted an angry response. This was seen as a major achievement. Officials were also pleased when Kenyan press used fake material about the 1967 six-day war, and when newspapers across much of the Islamic world printed a fake Novosti bulletin on the conflict. Occasionally, western newspapers unwittingly used IRD materials, too.
  • Though the IRD was shut down in 1977, researchers are now finding evidence that similar efforts continued for almost another decade.“The [new documents] are particularly significant as a precursor to more modern efforts of putting intelligence into the public domain.“Liz Truss has a ’government information cell’, and defence intelligence sends out daily tweets to ‘pre-but’ Russian plots and gain the upper hand in the information war, but for much of the cold war the UK used far more devious means,” Cormac said.
Ed Webb

Qatari royal invested about $50 million in pro-Trump network Newsmax - The Washington Post - 0 views

www.washingtonpost.com/...qatar-newsmax-investment

USA US Qatar Trump media ownership investment

shared by Ed Webb on 26 Mar 24 - Cached
  • A member of the Qatari royal family invested roughly $50 million in Newsmax, according to documents and representatives for the media company and the royal, in a moment of acute Middle East tensions during the Trump administration. The investment bolstered a key conservative media outlet at a time when Qatar was facing intense diplomatic pressure from its neighbors and seeking allies in the United States.
  • In 2019 and 2020, Sheikh Sultan bin Jassim Al Thani, a former Qatari government official and the owner of a London-based investment fund, Heritage Advisors, invested in Newsmax. The investment has not been previously reported.
  • Before and after the investment, senior newsroom leaders urged Newsmax staff to soften coverage of Qatar, current and former employees said. A representative for Newsmax strongly disputed that the network “slanted coverage to be favorable to Qatar,” and that Ruddy had told staff not to criticize the country.
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  • The $50 million investment represents a significant minority stake in Newsmax, a privately held media company estimated to be worth between $100 million and $200 million
  • Though it was not mentioned by name, Heritage was described in the January federal indictment of Sen. Bob Menendez (D-N.J.) as having “ties to the Government of Qatar.” The indictment alleges that a Qatari government official associated with the investment firm provided Menendez’s family members with tickets to the Formula One race in Miami. The Post has previously reported that the unnamed firm in the indictment matches the description of Heritage. The firm is not accused of wrongdoing.
  • Other investments by Heritage Advisors in recent years include a Miami-based real estate developer, a professional soccer team in Indiana, and The News Movement, a media entity launched in 2020 to target a Gen Z audience and co-founded by William Lewis, who became publisher of The Post this year.
  • “We were not allowed to criticize Qatar,” one of these people said. “We were told very clearly from the top down, no touching this.” Ruddy verbally reprimanded a female host in 2018 for her on-air comments about Qatar, according to two other people who saw the exchange.
  • Ruddy’s relationship with Trump was a major selling point as his representatives attempted to secure a large investment from Qatar
  • Qatar launched an expensive and wide-ranging effort to convince the Trump administration of its value as a regional partner. It paid for a $1.8 billion expansion of Al Udeid Air Base, the largest U.S. military facility in the Middle East, and signed a $12 billion deal with U.S. defense contractor Boeing to buy F-15 fighter jets. Qatar’s emir visited Washington in April 2018 and July 2019, where he met with Trump and signed billions of dollars in business deals.
  • According to a report released on Jan. 4 by House Democrats, the Qatari government paid over $460,000 during Trump’s presidency to Trump World Tower in New York City for properties it owned, and in 2018 members of Qatar’s ruling family spent more than $280,000 at Washington, D.C.’s Trump International Hotel. In August 2018, a firm that had received significant financial backing from Qatar’s sovereign wealth fund also bailed out a company controlled by the family of Jared Kushner, Trump’s son-in-law and close adviser, on a troubled Manhattan real estate investment.
  • A person familiar with Qatar’s strategy at the time said that it wanted to cultivate a sympathetic conservative outlet in the United States and considered Fox News too close to Saudi Arabia, as a Saudi prince previously held a 6 percent stake in the outlet’s parent company. This person said they were told by a Qatari official that the emirate “wanted to push every lever they had to establish better relations in Washington.”
  • Heritage Advisors employees began preparations to transfer the Newsmax stake into the Cayman Islands corporate structure on Nov. 10, 2020, one week after Trump’s election loss.
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