Skip to main content

Home/ Media in Middle East & North Africa/ Group items tagged law

Rss Feed Group items tagged

Ed Webb

Looking backwards at Muslims in Spain - Al Jazeera English - 0 views

  • El Principe is a curious mix between a US terrorism series like "24" and a steamy Mexican or Brazilian telenovela. The series is entertaining, until one realises that this show is actually shaping public perceptions of Islam and Spain's Muslims, and that the six million Spanish viewers who tune in every Tuesday night take the show quite seriously.
  • Viewers don't see it as a comical, distorted depiction of North Africa, but as a reliable source of information on Islamic culture and Muslim family life. In reality, El Principe is evidence of just how backwards Spain's discourse on diversity and immigration is.
  • If the aim of the series was to show that being Spanish and Muslim is not a contradiction, El Principe has not been successful. The Muslim men are in effect cultural monsters. With his Armani suits and Caribbean accent, Farouk tries to portray a domineering Muslim patriarch - even ordering his sister Fatima to obey him instead of the police. This ultra-macho character, we find out, is actually sterile, yet instead of seeing a doctor, he blames his wife Leila for their infertility.
  • ...4 more annotations...
  • It often seems that the clean-shaven Morey was sent to Spain's North African colony not to investigate corruption, but to liberate its Muslim women from tradition and patriarchy; to show them that their freedom lies not in allegiance to family, but in loyalty to the Spanish state (ie the modernity that Morey represents). But, of course, Morey's romance with Fatima recycles the most vulgar, racist fantasies that white men have of Arab women. In one episode, Fatima spends five long minutes disrobing for Capitan Morey, her veil falling to the floor in slow motion.
  • "The series doesn't address any of these policy issues and makes it seem that the problems in El Principe are all because of our culture and religion - as always." 
  • Of course, this hyper-nationalist turns out to be a jihadist and a double agent. The message to Spanish viewers is clear: even your most patriotic Muslim neighbour might be a terrorist. This is irresponsible. El Principe is perpetuating injurious stereotypes of Spanish Muslims at a time when the PP government is passing draconian security laws targeting minorities in Spain.
  • The history of Muslims in Ceuta is rarely represented in Spanish media. There are streets named after colonial leaders like Enrique El Navegante - who killed thousands of us - but little about our contributions. And when a series finally talks about us, we're moros and terroristas
Ed Webb

How a crude sex joke revived a partisan fight in Israel - Al-Monitor: the Pulse of the ... - 0 views

  • Knesset member Ksenia Svetlova, a member of Shaffir’s party, raised the gauntlet March 2 by filing a sexual harassment complaint against Channel 20 and the show with the Council for Cable and Satellite TV. Svetlova claims that Segal and the members of the panel violated a clause in the law that defines sexual harassment as a degrading or derogatory comment made because of the subject’s gender or sexuality. It will be interesting to see how the council handles Svetlova’s complaint, especially when dealing with freedom of expression and satire.
  • Segal is refusing to apologize. He will simply admit that it was a stupid and tasteless joke. During a bellicose interview with Army Radio on March 3, Segal shifted the debate to the political arena, turning it into an argument between right and left. He said, among other things, that the left-wing media was being hypocritical. He has no reason to apologize, he claimed, just as the popular satirical TV show "Eretz Nehederet" ("A Wonderful Land") was not asked to apologize for the sexual connotations of their jokes about right-wing ministers such as Ayelet Shaked (HaBayit HaYehudi) and Tzipi Hotoveli (Likud). When asked about why he was doing his satire on a news show, especially on one devoted to Jewish heritage, Segal responded that he does not make a firm distinction between current events, lighter news and humor. Toward the end of his interview, he said, “Personally, I feel bad that she was hurt. If only she would have left it as a personal insult, instead of bringing in sexual harassment. … But this is an attempt to silence Channel 20.”
Ed Webb

Egypt's critics have a voice, but never the last word - International Herald Tribune - 1 views

shared by Ed Webb on 18 Feb 09 - Cached
Manon Latil liked it
  • For some reason, as yet unexplained, blogging seems to cross the line from speaking to acting.
    • Ed Webb
       
      Why should this be so? Discuss!
  • Abdul Kareem Nabeel Suleiman, a young blogger sentenced to four years in prison for criticizing President Hosni Mubarak and the state's religious institutions.
  • "For a second, after the judge said I should be freed, I thought there really were laws in this country,"
  • ...1 more annotation...
  • security forces operate with impunity
    • Manon Latil
       
      Unable to explain the unexplained, I just think that blogging, through writing, can be considered as an alternative means of criticising the government, as were pamphlets. It does not justify censorship, but since newspapers more or less use autocensorship (or is it selfcensorship?), because they are journalists, professionals, belonging to a specific group or sphere, that they have codes and ways of framing the world through their kownledge, blogs and bloggers are dangerous. They are hard to control because now the sphere of people expressing themselves has nothing to do with any writing ability (unlike people who went to a journalism school for example) or knowlegde. Through censorship, they deny the bloggers the right to be considered legitimate sources of information.
Ed Webb

Arab autocrats use anti-IS Web war to stifle dissent: Report | Middle East Eye - 0 views

  • the region’s authoritarian leaders are using the threat of IS propaganda as a pretext to clamp down on online critics
  • “A spate of new anti-terrorism laws around the region have overly broad definitions of terrorism that fail to distinguish between speech that incites violence or promotes extremism and the type of free speech posted by online journalists and human rights activists.”
  • According to the Brookings Institution, a US-based think tank, IS and its supporters ran some 46,000 Twitter accounts last year
  • ...3 more annotations...
  • “In the UAE, publicly declaring one’s animosity or lack of allegiance to the regime falls under the country’s broad definition of terrorism. Whereas in Saudi Arabia, the same applies to calling for atheist thought.”
  • Globally, internet freedom declined around the world for the fifth year running in 2015, with some governments changing tactics as Web users got better at by-passing state-run controls
  • More than 61 percent of Web users live in countries where criticising the government, military or ruling family is censored online, the report said. Another 58 per cent live in countries where people can be jailed for sharing political, social or religious content online
Ed Webb

Blaming Islam for ISIS: A convenient lie to prepare us for more war | Middle East Eye - 0 views

  • We can’t defeat ISIS if we misrepresent what and who ISIS actually is. Far from being the apocalyptic Islamist group that Wood contends they are, actual IS documents and blue prints reveal IS to be methodical state builders, led by secular Baathists – who aim to restore Sunni-Baathist power in Iraq. These documents also make clear that Saddam’s former generals (anti-Islamists) use Islam as a recruitment tool. “They [ISIS founders] reasoned that Baghdadi, an educated cleric, would give the group a religious face,” notes the German newspaper Der Spiegel.
  • recruits are drawn to ISIS for reasons that have little to do with extremist Islam. “They are woefully ignorant about Islam and have difficulty answering questions about Sharia law, militant jihad, and the Caliphate,”
  • the media welcomes only those who blame Islam or “radical Islam” and not those who speak to the conditions that make ISIS appealing
  • ...1 more annotation...
  • blaming Islam makes us feel good about ourselves. Blaming Islam is good for television ratings. Blaming Islam makes it easier to sell new wars
Ed Webb

Egypt tightens restrictions on media, social networks - 0 views

  • Egypt’s top media regulator on Tuesday put into effect tighter restrictions that allow the state to block websites and even social media accounts with over 5,000 followers if they are deemed a threat to national security.The move is the latest step by the government of President Abdel-Fattah el-Sissi to suppress dissent. In recent years, Egypt has launched an unprecedented crackdown on reporters and the media, imprisoning dozens and occasionally expelling some foreign journalists.The new regulations, published in the official gazette late Monday, allow the Supreme Media Regulatory Council to block websites and accounts for “fake news,” and impose stiff penalties of up to 250,000 Egyptian pounds ($14,400), all without having to obtain a court order.
  • Mohamed Abdel-Hafiz, a board member of the journalists’ union, said the government is threatening journalists with “vaguely defined national security violations, as well as vaguely defined political, social or religious norms.”
  • a broad list of prohibited topics, including “anything inciting violating the law, public morals, racism, intolerance, violence, discrimination between citizens or hatred.”
  • ...2 more annotations...
  • Since late 2017, some 500 websites including news outlets and rights groups have been blocked, according to a recent report by an Egyptian watchdog group, the Association for Freedom of Thought and Expression.
  • Egypt remains among the world’s worst jailers of journalists, behind China and Turkey, according to the press freedom group the Committee to Protect Journalists.
Ed Webb

I went undercover to expose the US, Australia gun lobby | | Al Jazeera - 0 views

  • Playing on the NRA's open contempt of Australia's strict firearms laws, he created a group called Gun Rights Australia which claimed it was pushing for a repeal of the legislation. My job was to use this as a front to endear myself to NRA officials and climb as high as I could within the organisation, recording conversations with them on subjects such as how they respond to a massacre, how they pressure members of the US Congress, and how they manipulate the media.
  • Over three years, I travelled from Australia to the US numerous times to build connections with the pro-gun community. Some encounters were amusing, others utterly bizarre.
Ed Webb

Egypt Update: New Media Regulations Enforced Within Days - 0 views

  • New Media Regulations Enforced Within Days: On March 21, the Supreme Media Regulatory Council issued its first penalty for violating the new bylaws regulating the media that were introduced last week against Al-Mashhad newspaper. According to Al-Mashhad’s Editor in Chief Magdy Shendy, the newspaper was fined 50,000 Egyptian pounds ($2,890) and will be blocked by Egyptian internet providers for six months for “violations of ‘public morals,’ ‘ethics,’ and ‘written traditions’” for a “pornographic picture” and “offensive comments” related to coverage of a female TV presenter. Shendy argues, however, that “the only reason for the decision is our [Al-Mashhad’s] stance on the constitutional amendments,” which would allow President Abdel Fattah al-Sisi to stay in power until at least 2034. According to Mada Masr, Al-Mashhad published [Ar] a report documenting police officers bribing Egyptians with Ramadan meals in exchange for votes in the expected referendum on the amendments. The new media regulations enable the Supreme Media Regulatory Council to block and fine websites and social media accounts it believes has published “offending material” including “anything inciting violating the law, public morals, racism, intolerance, violence, discrimination between citizens or hatred.”
Ed Webb

» PEN America Response to the Canceled Panel at Columbia University - 0 views

  • “PEN America learned today that a planned event on the rule of law in Turkey in which one of our staff members was scheduled to participate has been cancelled by Columbia University.
  • We understand that in recent weeks event participants and organizers began to have serious reservations about the composition of the panel for the event, believing that it reflected an insufficient breadth of Turkish voices. Efforts to add an adequately diverse set of Turkish perspectives to the line-up were apparently not fully successful, and we understand that there were intensifying concerns that important viewpoints would not be represented. We also understand that late last week Columbia was approached by a representative of the Turkish government who expressed objections to the planned event and the views that would be reflected in the discussion. We received word of the cancellation today.
  • we are concerned that the outreach from the Turkish government may have played any role at all in Columbia’s decision to cancel the panel. While there may have been valid grounds to reconsider the make-up of the event and even to postpone it in order to ensure a more representative group of speakers, the direct intervention of the Turkish government in an effort to influence the event creates at the very least a perception that Columbia may have been influenced by Turkey in its decision to call off the event. The government of Turkey is notorious for its relentless crackdown on dissidents, writers, journalists, and scholars, including many who are university-affiliated. Government intrusions in university decision-making of this nature violate academic freedom and freedom of speech. Universities, scholars, and free speech defenders must be vigilant in resisting such interference and avoiding even the perception that decisions may be shaped by government pressure.”
Ed Webb

Syria Liable in Killing of Journalist Marie Colvin, Court Rules - The New York Times - 0 views

  • A federal court has held Syria’s government liable for the targeting and killing of an American journalist as she reported on the shelling of a rebellious area of Homs in 2012. The decision could help ease the way for war-crimes prosecutions arising from the Syria conflict.
  • awarded $302.5 million to relatives of the journalist, Marie Colvin. Of that sum, $300 million is punitive damages for what Judge Amy Berman Jackson, in her ruling, called “Syria’s longstanding policy of violence” that aimed “to intimidate journalists” and “suppress dissent.”
  • The large size of the award sends a message, he said, that “the rule of law is still a force to be reckoned with,” even amid a global trend toward authoritarianism and the killing of journalists like Jamal Khashoggi, the Saudi Arabian slain in his country’s consulate in Istanbul.
  • ...5 more annotations...
  • Syria did not respond in court to the lawsuit, and Mr. Assad has publicly blamed Ms. Colvin for her own death, saying she had been “working with terrorists.”
  • the first court decision drawing on a pool of smuggled Syrian government documents that are being used in criminal prosecutions of Syrian officials by courts in Germany, France and elsewhere.
  • While the standard of proof is higher in criminal cases, war crimes lawyers welcomed the success of the Colvin lawsuit as an indication that the archive contains convincing evidence.
  • The plaintiffs detailed, through government records and defectors’ and other witnesses’ accounts, how the Syrian government had made a policy of cracking down on journalists and their assistants; how security officials tracked Ms. Colvin through informants and intercepted communications; how Syrian forces killed Ms. Colvin, hours after her last broadcast from Homs, by shelling the makeshift media center where she was staying; and how officials celebrated her death.
  • Ms. Colvin, a Long Island native who was 56 when she was killed, was a star of the British press, known for dedication and pushing the limits of risk to tell the stories of civilians affected by war. She was less of a household name in the United States, but the court’s decision comes amid a wave of new attention to her life and death.She was played by Rosamund Pike in the recent feature film “A Private War,” and was the subject of a biography by a fellow journalist, Lindsey Hilsum, and a documentary by Paul Conroy, the photojournalist who was her longtime reporting partner. He was seriously wounded in the attack that killed Ms. Colvin and Remi Ochlik, a French photojournalist.
Ed Webb

Briton held in UAE 'after wearing Qatar football shirt' - BBC News - 0 views

  • A British football fan has been arrested and detained in the United Arab Emirates after reportedly wearing a Qatar team shirt to a match.
  • said to have been unaware of a law against "showing sympathy" for Qatar
  • The UAE and other countries in the region are currently engaged in a political and diplomatic stand-off with Qatar after they accused the state of supporting radical and Islamist groups. On its website, the Foreign Office warns travellers to the UAE of a June 2017 announcement "that showing sympathy for Qatar on social media or by any other means of communication is an offence. Offenders could be imprisoned and subject to a substantial fine".
  • ...1 more annotation...
  • According to a friend, quoted by the Guardian, he was assaulted by security officials after being released. He then reportedly went to a police station to report the incident and was accused of telling lies and detained.
Ed Webb

Jewish Horror, Monotheism, and the Origins of Evil - Tablet Magazine - 0 views

  • the new horror film The Golem, from directors Doron and Yoav Paz
  • The directors of The Golem, who are Israeli brothers
  • Reasons for the dearth of Jewish horror fiction are varied, ranging from producers possibly fearing that the ethnic particularism of these themes wouldn’t draw in as wide an audience, to the (incorrect) sense that Judaism doesn’t offer the same baroque supernatural possibilities that Christianity does.
  • ...11 more annotations...
  • The theme of the golem, after all, has been explored several times before, from the silent film era of Paul Wegener’s expressionist Der Golem (1916) until today, including in The X-Files and The Simpsons’ annual “Tree House of Horror” Halloween episodes. There have also been a small number of horror films that explore Jewish folklore, such as Ole Bornedal’s The Possession (2012), which in lieu of The Exorcist’s Pazuzu features the malicious spirit of legend known as a dybbuk, an entity which also appears in David Goyer’s The Unborn (2009), and even in the Coen brothers’ A Serious Man (2009). Yet despite a preponderance of Jewish horror directors from Curt Siodmak, creator of The Wolf Man (1941) to Polanski, Hollywood has tended not to explore explicitly Jewish themes in horror.
  • the sense of the terrors of the real world is fundamental to monotheistic horror, for it asks what the ultimate origin of evil is.
  • The Franco-Bulgarian philosopher Tzvetan Todorov in The Fantastic: A Structural Approach to a Literary Genre distinguished between what he called the “uncanny,” whereby the supernaturalism of a story can be ultimately explained by rational recourse, and the “marvelous” in what’s been depicted is to be understood as genuinely supernatural. For Todorov, that which is fantastic in literature exists in the ambiguity between the uncanny and the marvelous, where the characters in a story (and the reader) are unsure as to whether events witnessed are genuinely supernatural or not. Todorov writes: “The fantastic is that hesitation experienced by a person who knows only the laws of nature, confronting an apparently supernatural event.”
  • what I’ve termed “monotheistic horror” in contrast to “dualistic horror.” The latter is any work which posits supernatural evil as somehow separate in agency from God, while the former steadfastly holds to all things—even evil things—as having their origin in the Lord. I’d argue that Jewish horror fiction, for all of its diversity, must be resolutely defined by an overpowering sense of monotheism, and that it is that sense of the fundamental unity of reality that makes those works terrifying. Ghosts, goblins, and ghouls can exist in both types of horror, but in dualistic horror God is either configured as explicitly separate from those evil things, or mention of Him is passed over.
  • The Paz brothers’ film is an example of Jewish horror not because it takes place in a 17th-century shtetl, or because its story deals with that most Jewish of monsters, but rather because there is no sense that anything that happens doesn’t occur due to the power and sovereignty of God.
  • in The Golem the creature is fashioned in adherence to God’s reality. Hanna’s creation is not demonic, but rather divine—if still capable of malevolence.
  • Any fiction that presents the malevolence experienced in reality as integral to the unity of that very same reality is monotheistic horror. In this way, I’d argue that Franz Kafka is one of the greatest horror writers of the 20th century, with a dark perspective that rivals that of H.P. Lovecraft. The latter thought the world meaningless, but Kafka never fell into that error. The result is paradoxically a horror all the more disturbing for what it implies about evil’s derivation.
  • For Kafka the deep wisdom of reality is even darker than Lovecraft’s nihilism, for his horror is based on the type of irony that can only be born from the most radical of monotheisms. The author could tell his friend Max Brod that here is “Plenty of hope—for God—no end of hope—only not for us,” a succinct summation of the major themes of Jewish horror, where what is fully externalized is a theodicy that recognizes evil exists in the world while also acknowledging that God must be its author.
  • The ur-text of Jewish horror, and what I would argue is perhaps the most terrifying story every told, is the biblical Book of Job. Few narratives can match Job in the sheer awful implications of what’s been recounted, of the upstanding man of Uz who “was perfect and upright, and one that feared God,” but who nevertheless was struck down by the Lord with a deluge of afflictions. So many details of Job’s story, often associated with the fatalism of Greek tragedy to which it bears some similarity, have a gothic sensibility. There is Satan who talks of “roving about in the earth and … walking about in it,” and of Job cursing himself by asking, “Why did I not perish at birth, and die as I came from the womb?” Then there is the pyrotechnic impressiveness of God himself, who “answered Job out of the whirlwind, and said who is this that darkeneth counsel by words without knowledge?”
  • Monotheistic horror should not be interpreted as the logical culmination of monotheism itself, rather it should be seen as the dark undercurrent, the nagging anxiety, of what it means if there is only one Lord but we’re uncertain as to if He is always benevolent, for as Miles observes “all of God’s actions could actually have been the devil’s.” There is the upsetting ambiguity of monotheistic horror—not that God’s actions are the devil’s, but that they could be.
  • one of the most potent lessons of Jewish horror fiction: that there is a permeable membrane between civilization and anarchy, where those who claim to protect us one day can cast us aside the next. The “friends” of Job are among the most callous of monsters in the book. What makes Jewish horror so frightening is its entirely accurate understanding that all evil ultimately must have its origin not in devils, but in the two most frightening things in our sublime universe: God and his creations.
Ed Webb

The battle over the memory of Egypt's revolution | openDemocracy - 0 views

  • The once-embattled ancien regime is back with full force. Not only to consolidate its power in the present, but also to control the past. Yet, since the outbreak of the January 25 Revolution, besides the Islamists, two distinct communities were – and still are – in conflict, among other things, over the revolution’s nature and principles: the regime and the revolutionary activists. What follows is an exploration of these communities’ strategies to permeate the people’s collective consciousness and to enforce their own narratives of the revolution and its memory, across three different domains: Egypt’s public space; Egypt’s online sphere; and outside Egypt.
  • in the revolution’s early years, Egypt’s public space was representative of the young activists’ creativity and rebellion
  • Through graffiti on walls, images, texts and structures, the activists created from the country’s streets and squares memorials to keep the memory of the brave martyrs as well as the revolution’s ideals alive. Walls of Freedom, a 2014 book by Hamdy and Stone, offers thorough insights into the revolution and its artistic works. Young Egyptians’ independent cultural activities, including concerts and exhibitions, played a role in enhancing the historical narrative of the pro-revolution community.
  • ...12 more annotations...
  • In November 2013, a few hours after Prime Minister Beblawi inaugurated it, protesters vandalised a memorial that the government built for ‘the martyrs of the revolution’. In his inaugurating speech, Beblawi referred to January 25 and June 30 ‘revolutions’ as well as the martyrs of the police and the army. That was interpreted by the protesters as another attempt to conflate the meanings and disrupt the image and the perceptions of the January 25 Revolution in the Egyptians’ collective consciousness
  • the military, Egypt’s central power, endeavoured to restrict the public space and erase the memory of the January 25 revolution. For this power knows that while memories are linked to the past, they determine how many Egyptians will perceive the future. The military pursued 1984’s Orwellian prophecy: ‘he who controls the past controls the future’.
  • the walls of revolutionary graffiti were repainted, CCTV cameras were installed in central spaces, and governmental offices were relocated away from the heart of Cairo
  • in dismantling the revolutionary symbols, the regime intended to construct a collective memory that excludes rival interpretations of events to its own. That is reminiscent to the Bahraini government’s destruction of Pearl Roundabout, the rallying point of the 2011 mass anti-government protests.
  • the activists’ 2012 campaign: Askar Kazeebon (Lying Military) whose modus operandi was to broadcast videos and documentaries to pedestrians that falsify the military’s accounts of various events and expose the soldiers’ crimes and human rights violations that official and regime-friendly media ignored
  • The unprecedented crackdown on dissent and the draconian laws that reportedly imprisoned tens of thousands of activists had prompted many to surrender the public space. Some are silent out of fear or disappointment. Others tried to put the memory of the revolution aside, so that they can go on with their own personal lives
  • Since the 2013 military coup, state and private media outlets – mostly controlled by the regime’s clientele – have kept glorifying the military’s role in recent years as well as defaming the revolution and activists as tools of the west to destroy Egypt
  • tech-savvy young activists already utilised memorialisation to foment the democratic uprising. We Are All Khalid Said, a Facebook page created to commemorate the 28-year old Khalid Said who was brutally tortured and killed by police, in 2010, became the January 25 protests’ virtual rallying point and main coordinator.
  • there are many initiatives to resist forgetting the revolution and silencing its voices. The most recent of which is Mosireen Collective’s 858 archive of resistance. In the Collective’s own words, the archive includes raw photographs, videos and documents that ‘present thousands of histories of revolt told from hundreds of perspectives. While the regime is using every resource to clamp down on public space and public memory the time has come to excavate and remember and re-present our histories.’
  • Wiki-Thawra whose slogan is ‘so we don’t forget’; UCLA’s Tahrir Documents; AUC’s University on the Square; and MIT’s 18 Days in Egypt.
  • After the 2013 military takeover, thousands involuntarily left the country to live in exile abroad. A minority among the exiled are still engaged in telling stories of the revolution and protesting al-Sisi government’s human rights violations and destruction of Egypt’s democratic hopes. Using art and satire, they continue to disturb the regime’s hegemonic revolution-defaming narratives.
  • it is still uncertain whether the regime has successfully dominated the Egyptian collective memory of the January 25 Revolution. That is because collective memory is not a static realm but rather a fluid construct that shapes – and is shaped by – current conditions and future aspirations.
Ed Webb

Beirut's draq queen scene is starting to flourish, inspired by Ru Paul - The Washington... - 0 views

  • Beirut’s drag-queen scene
  • The Middle East is known for its conservatism, but with its febrile nightlife and more liberal mores, Beirut has long been hailed as a relative haven for the region’s LGBTQ community, though not without challenges.
  • Performers usually turn up in their street clothes, transform into a whole new character, then shed their costumes again before slipping back outside. Anissa, though, will be making an entrance tonight. A car to the venue has been organized, and she wants to enjoy the reactions of her fellow passengers. 
  • ...9 more annotations...
  • Many here who became drag performers grew up watching Bassem Feghali, a comedian who gained popularity in the early 2000s by impersonating female singers. In 2015, Evita Kedavra, a Palestinian Armenian drag queen, took the stage, and one by one, the circle grew. 
  • With dozens having taken the plunge since last year’s Grand Ball, the artists credit one celebrity above all: RuPaul and his wildly successful talent show “RuPaul’s Drag Race.” “That made a huge difference,” said Narcissa, another drag queen, of the Emmy-winning U.S. television series. “Suddenly everyone was watching it, and you just thought, ‘Wow, I could do that, too.’ Those artists taught us a lot.”
  • a scene that blends an homage to American drag culture with something distinctively, and irreverently, Lebanese. Anissa Krana and Narcissa exude Hollywood glamour, all tumbling curls and dresses with jewels. Performers like Kawkab Zuhal set kohl liner on dramatic lashes for acts lip-syncing to Arabic music or telling sharp jokes about Lebanon’s crumbling political system. 
  • The Grand Ball earlier this month was to be at one of the biggest, with some 30 contestants competing in front of an exuberant, tightly packed crowd
  • In October, to almost everyone’s surprise, “RuPaul’s Drag Race” star Sasha Velour strode through one of Beirut’s most famous civil war landmarks, a brutalist-style cinema still riddled with bullets known as the Egg
  • “My drag is what I couldn’t be when I was young,” said one performer, who spoke on the condition of anonymity out of fear for his safety. He said he had started trying on his mother’s heels and makeup in secret, years before coming out as gay. When his parents found out, they barred him from their house and his friends turned on him. He lives with other drag queens now. “They’re like my family,” he said. “We help each other with food, with makeup, money — everything.”
  • Although the Lebanese state is more tolerant of homosexuality than other Arab governments, the penal code can still be invoked to make arrests
  • “We don’t have stable laws here,” said Narcissa. “One minute, the state is looking one way; the next, it’s staring right at us.”
  • Only a small number of venues are recognized as “safe spaces” for the drag and broader LGBTQ community, and owners must have strong ties to local authorities to ensure the police won’t turn up and harass attendees
Ed Webb

'No Flag of Gays': Egyptians Checked for 'Rainbow Flags' at Red Hot Chili Peppers Conce... - 0 views

  • On Friday night, American rock band Red Hot Chili Peppers performed a concert for more than 10,000 people with the Pyramids of Giza in the background. Some concertgoers have posted on social media their bewilderment after being asked by policemen upon entry whether they have any “flag of gays”. On Twitter, Samer Al-Atrush wrote that the concert had high security. Among the items banned, Al-Atrush tweeted, were rainbow flags often used in support of the LGBTIQ+ community.
  • Another user, Ahmed Mohieldin, responded that policemen confiscated his friends’ daughter’s crayons in case they were thinking of drawing a rainbow flag.
  • less than two years after seven people were arrested for raising a rainbow flag during a concert by Mashrou’ Leila in Cairo.
  • ...2 more annotations...
  • Mashrou’ Leila was later banned by the Syndicate of Musical Professions from performing in Egypt for performing “abnormal art”.
  • police have often relied on anti-debauchery laws to arrest and detain both homosexuals and supporters of homosexuality on charges of debauchery, blasphemy and others. Similarly, private citizens have also raised lawsuits against a number of figures for promoting the rights of the LGBTIQ+ community.
Ed Webb

UAE now Requires Licenses for 'Social Media Influencers' - 0 views

  •   The United Arab Emirates says it will now require anyone conducting "commercial activities" through social media to register for a government-issued license.
  • new rules announced Tuesday target so-called "social media influencers,"
  • help ensure "that media material respects the religious, cultural and social values of the UAE,"
  • ...1 more annotation...
  • The UAE, while liberal in many regards compared to its Middle Eastern neighbors, has strict laws governing expression. Journalists working in the country require government-issued press cards. People also have been jailed for their comments online.
Ed Webb

Exclusive: Are U.S. Newspapers Biased Against Palestinians? Analysis of A Hundred Thous... - 0 views

  • A study released last week by 416Labs, a Toronto-based consulting and research firm, supports the view that mainstream U.S. newspapers consistently portray Palestine in a more negative light than Israel, privilege Israeli sources, and omit key facts helpful to understanding the Israeli occupation, including those expressed by Palestinian sources.
  • Since 1967, use of the word “occupation” has declined by 85% in the Israeli dataset of headlines, and by 65% in the Palestinian dataset;Since 1967, mentions of Palestinian refugees have declined by an overall 93%;Israeli sources are nearly 250% more likely to be quoted as Palestinians;The number of headlines centering Israel were published four times more than those centering Palestine;Words connoting violence such as “terror” appear three times as much as the word “occupation” in the Palestinian dataset;Explicit recognition that Israeli settlements and settlers are illegal rarely appears in both datasets;Since 1967, mentions of “East Jerusalem,” distinguishing that part of the city occupied by Israel in 1967 from the rest of the city, appeared only a total of 132 times;The Los Angeles Times has portrayed Palestinians most negatively, followed by The Wall Street Journal, Chicago Tribune, Washington Post, and lastly The New York Times;Coverage of the conflict has reduced dramatically in the second half of the fifty-year period.
  • in “Permission to Narrate,” Edward Said pointed out that even as Palestinians were supported by the legality, legitimacy, and authority of international law, resolutions, and consensus, which is the case until this day, U.S. policymakers and media outlets simply refused to “make connections, draw conclusions, [and] state the simple facts.” This refusal remains a mainstay of U.S. media and politics, including a rejection of the central truth that the Palestinian narrative “stems directly from the story of their existence in and displacement from Palestine.”
  • ...2 more annotations...
  • Nearly thirty-five years since Said’s seminal work, the numbers revealed in the study unambiguously support his view with a quantitative edge, showing a consistent and systematic bias against Palestinians. It is consistent because it spans five decades, and systematic because the coverage has repeatedly responded to the need of Israel to justify its occupation as it metastasized over the years. For instance, assessing the frequency of certain words per decade, the study found correlations with the stated policy goals of both Israel and the U.S. There was a similar decline of mentions of the occupation, Palestinian refugees, and East Jerusalem, in addition to the portrayal of Palestinians in a negative light, in line with US-Israeli policy goals.
  • during Operation Protective Edge in the summer of 2014, examining only a sliver of the 51-days assault (June 29 and July 10), CNN broadcasted 28 appearances of Israeli public officials and laymen, while granting nearly 40% less appearances to Palestinians officials and laymen, a total of 16 appearances
Ed Webb

Egypt TV host Mohamed al-Ghiety jailed for interviewing gay man - BBC News - 0 views

  • An Egyptian TV presenter has been sentenced to one year of hard labour for interviewing a gay man last year.A court in Giza also fined Mohamed al-Ghiety 3,000 Egyptian pounds ($167; £130) for "promoting homosexuality" on his privately owned LTC TV channel.
  • Homosexuality is not explicitly criminalised in Egypt, however, the authorities have been increasingly cracking down on the LGBT community.
  • lawyer Samir Sabry, who is well known in Egypt for taking celebrities to court, filed a lawsuit against Ghiety for his interview which took place in August 2018
  • ...5 more annotations...
  • Egypt's top media body, the Supreme Council for Media Regulation, immediately took the channel off air for two weeks, citing "professional violations".
  • In addition to the jail term and fine, the misdemeanours court also ordered Ghiety to be put under surveillance for one year after serving his sentence
  • Egypt's media council banned homosexuals from appearing on any media outlet after a rainbow flag was raised at a concert in Cairo in 2017, in a rare public show of support for the LGBT community in the conservative, mainly Muslim country.
  • The authorities rely on a 1961 prostitution law that criminalises "habitual debauchery" to charge people who they suspect of engaging in consensual homosexual conduct.
  • Mr Sabry was also the lawyer who filed a case against Egyptian actress Rania Youssef on charges of "inciting debauchery" over a see-through outfit she wore at an awards ceremony last year. He later dropped the case after Ms Youssef apologised.
Ed Webb

White masks in Tunisia - Africa is a Country - 0 views

  • Despite the emphasis on the Islamic coda that prohibits discrimination against fellow black Muslims and Act 21 of the national constitution which emphasizes that all Tunisians are “equal before the law without any discrimination,” racism against its black citizens permeates the social, institutional, and political strata of Tunisia.
  • “the level of interaction between Sub-Saharan in general and the Tunisian population is negligible.”
  • Maha Abdelahmid, co-founder of l’Association de défense des droits des Noirs (ADAM or the Tunisian League for the Defence of the Rights of Blacks) states that birth certificates delivered to black Tunisians who are born in Djerba (in the south east of Tunisia, known for its large black community) still carry the title “freed slaves.”
  • ...3 more annotations...
  • excellent film by Nada Issa, “Tunisia’s Dirty Secret,” captures this prevailing sense of ordinary negrophobia
  • Tunisians see themselves as whites. Whether in literature, in media, in movies, or on television, the image of the white Tunisian who communicates in eloquent French is the ideal standard against which the stereotype of the Tunisian subject is defined and performed. Affet Mosbah, a black Tunisian, poignantly asked in her influential testimony on “Being Black in Tunisia”: “Aren’t we ourselves Africans? What is the meaning of this self-exclusion by this verb?” The lack of visibility of black Tunisians in the media is the most obvious as there is no black actors or black TV hosts. The few times there were references made in national newspapers about black Tunisians or sub-Saharan immigrants, they were focused on clandestine migration.
  • While linkages between BLM and the Arab Spring are often made, those who participated in the Arab Spring did not tackle racism in their own countries. In its wake, the degrading reality for black Tunisians and sub-Saharan immigrants remains unchanged. While the exact number of racially aggravated offenses remains impossible to identify due to institutional denial of these crimes, strong evidence from increasingly vocal civil rights organizations reveal that these attacks have been on the rise in Tunisia since the 2011 revolution.
« First ‹ Previous 161 - 180 of 214 Next › Last »
Showing 20 items per page