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Israeli forces raided the West Bank offices of Palestine Today television overnight and arrested its manager over allegations of inciting violence, Israel's Shin Bet internal security agency said on Friday.

"The channel served the Islamic Jihad as a central means to incite the West Bank population, calling for terror attacks against Israel and its citizens. Incitement was broadcast on the television station as well as the Internet," it said in a statement.

Cameraman Mohammed Amr and technician Shabib Shabib were also arrested, the Palestinian Journalists Union said.

For more than two years, unmarked Israeli drones, helicopters and jets have carried out a covert air campaign, conducting more than 100 airstrikes inside Egypt, frequently more than once a week — and all with the approval of President Abdel Fattah el-Sisi.The remarkable cooperation marks a new stage in the evolution of their singularly fraught relationship. Once enemies in three wars, then antagonists in an uneasy peace, Egypt and Israel are now secret allies in a covert war against a common foe.

Their collaboration in the North Sinai is the most dramatic evidence yet of a quiet reconfiguration of the politics of the region. Shared enemies like ISIS, Iran and political Islam have quietly brought the leaders of several Arab states into growing alignment with Israel — even as their officials and news media continue to vilify the Jewish state in public.

Both neighbors have sought to conceal Israel’s role in the airstrikes for fear of a backlash inside Egypt, where government officials and the state-controlled media continue to discuss Israel as a nemesis and pledge fidelity to the Palestinian cause.

A survey, publicised at a conference at Tel Aviv University in December, found that while 17 percent of Jewish citizens claimed to understand Arabic, that figure fell to just 1 percent when they were asked to read a book

those with a working knowledge of Arabic were mostly elderly Jewish immigrants born in Arab countries - a generation rapidly dying off

half of Israeli Jews with a western heritage wanted Arabic scrapped as an official language, while the figure rose even higher - to 60 percent - among Jews whose families originated from Arab countries

occupation also corrupts the Israelis

Ms. Abergil, whose compulsory service ended last year, refused to accept any responsibility for harming Israel’s international reputation, saying: We will always be attacked. Whatever we do, we will always be attacked.

it was not the opposition of "fundamentalists" that kept rai music (not just Khaled's) off of Algerian state radio. It was rather the Algerian (secular) regime's cultural policies. The state promoted classical Arabic culture and language and denied Algeria's multi-cultural nature. Expressive culture in Arabic dialect or Berber was therefore mostly excluded from the state-controlled media. Rai is sung in the distinctive colloquial Arabic of Wahran, which is not only very different from "classical" or literary Arabic but is also full of borrowings from Spanish, French and Berber. This official national-cultural politics, which was particularly severe during the regime of Houari Boumediene (1965-1978), began to loosen during Chadly Benjadid's regime (1979-1992). In his 1998 autobiography, "Derrière la sourire," Khaled recounts how he managed to break the official embargo in the early 1980s. He was invited to appear on a television show in Algiers, which he knew couldn't be censored because it was to be broadcast live. Khaled was warned ahead of time: no vulgarities, no sex. So he sang three songs: the first, about the Prophet Muhammad; the second, a "poetic" song, one that was artistically acceptable; and the third, about alcohol and women.

Khaled, and other rai stars, came to play at this festival due to the efforts of the "liberal" wing of the Algerian regime -- and particularly to Lieutenant-Colonel Hosni Snoussi, director of the state-supported arts and culture organization, Office Riadh el Feth in Algiers, who had taken Cheb Khaled under his wing. The regime's liberal wing became interested in promoting rai in the wake of a spate of unrest that erupted during the early 1980s. Most notably, the 1980 riots in Tizi Ouzou, Kabylia (the "Berber Spring"); the 1985 riots in Algiers, which broke out following rumors that housing being built for the poor would be allocated to state bureaucrats; and the 1986 student riots in Constantine that resulted in the deaths of four protesters and spread to other cities. Young Algerians played a leading role in all these protests. The liberal wing of the regime determined that, to deter further unrest, the state should focus on promoting the interests of youth and on developing the market economy. Rai was very popular with Algerian youth, and so the "liberals" determined that promoting it was to be an important element of these reform efforts. It was changes in state policy toward rai, pushed by Snoussi, that got Khaled and other rai stars onto the stage in Algiers in 1985.

The French government had a stake in trying to control and channel the energies of the rai scene.

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the Achilles heel of the Israeli media — i.e., its willingness to report communiqués issued by the army as straight news, without any fact checking. Even though the Israeli security establishment has been caught lying on countless occasions, journalists who report for mainstream media outlets continue to accept without question the information they are given about events they neither witnessed nor verified independently

I’ve seen soldiers grab crying children and shoving them into military vehicles, pushing aside their screaming mothers. I’ve seen soldiers grab a young woman by her arms and drag her like a sack of potatoes for several meters along an asphalt road so hot that it melted the rubber soles of my running shoes, before tossing her into a military vehicle and driving away. I’ve had my ankles singed black when a security officer looked me straight in the eyes and threw a stun grenade at my legs. Israeli army sharp-shooters regularly shoot unarmed demonstrators in Nabi Saleh with both rubber-coated steel bullets and live ammunition. They break into houses and drag people out, arresting them on the claim that they allowed demonstrators to hide in their garden. And then I would go back to Tel Aviv and be told by my friends that I could not have seen what I saw, because “our soldiers” do not behave that way. Soon, I had to distance myself from those friends in order to keep my own emotions in check.

By the time I began going to Nabi Saleh, I had spent about four years reporting on what I saw in Gaza and the West Bank, and watching detachedly as my politics moved ever leftward from the liberal place in which they started, as a consequence of what I saw on the ground. But it was in Nabi Saleh that I lost the last remnants of what I would call — for lack of a word to describe my nostalgia for the idea of a state for the Jews — my Zionism. My radicalization was not only a consequence of witnessing brutal violence perpetrated right in front of my eyes, by soldiers of the army that was supposed to protect me. It was also a result of my seeing the Tamimi family endure that violence week after week, seeing their relatives injured, arrested and killed, and still not coming to the conclusion that the price of resistance is too high. They simply refuse to submit.

For the last 10 years, Western (and even Arab) pundits have repeatedly questioned the place of Palestine in the pan-Arab psyche. They surmised that the Arab Spring had refocused Arab minds on their problems at home. They assumed that battling tyrannical regimes and their security apparatuses, reforming corrupt polities and decrepit health care and education systems, combating terrorism and religious extremism, whittling back the power of the military, and overcoming economic challenges like corruption and unemployment would take precedence over an unsolved and apparently unsolvable cause.

reforming the Arab world’s political systems and the security and patronage networks that keep them in power and allow them to dominate their populations appears to be just as arduous a task as resolving the Israeli-Palestinian conflict

The difference now is not that Arab populaces have abandoned Palestine. Western and regional observers say the muted outrage over affronts like American support for the annexation of the Golan Heights or recognition of Jerusalem as Israel’s capital, or even the Abraham Accords and the subsequent sycophantic embrace of Israel in the Gulf is an indicator of Arab public opinion, that it signals a loss of interest in the cause.It is not. Arabs are of course not of a single mind on any particular issue, nor is it possible to gauge public opinion under tyrannical regimes. But it is indicative of the fact that these authoritarians no longer see the pan-Arab Palestinian cause and supporting it as vital to their survival. They have discovered that inward-looking, nationalistic pride is the key to enduring in perpetuity. It is the final step in the dismantling of pan-Arabism as a political force, one that will shape the region’s fortunes and its states’ alliances in the years and decades to come.

“I know everything about Israeli culture, about the customs and holidays, but the other side knows nothing about me,”

Garabli’s act is titled “HaKovshim,” Hebrew for “The Conquerors” or “The Occupiers.” The inspiration for the name came to her when she passed a street of the same name on her way to college in Tel Aviv. “I could not believe my eyes,” she exclaimed. “There is actually a street with this name.”

Though Garabli tackles the political weight of her identity in her work, she does not see her participation in Israeli institutions as a problem. She has previously been involved with projects at the Suzanne Dellal Center, a leading cultural center in Tel Aviv; following her success with “The Occupiers” in Acre, Tmu-na, a community theater in Tel Aviv, invited Garabli to perform on its stage. “I pay taxes like everyone else, and so I deserve to enjoy budgets as every artist does,” she said.

The scenes emerging from Iran today elicit a mix of reactions across a region still reeling from the dark legacy of the “Arab Spring,” which itself came on the heels of the “Green Movement” protests in the wake of Iran’s 2009 presidential election. Many Arabs cannot help but recall the sense of hope that reverberated from Tunisia to Yemen, only to be shattered by unyielding repression, war, and the resurgence of authoritarianism. Subsequent protest waves, including those that began in 2019 in Lebanon, Iraq, and Sudan, were similarly met with brutality, co-optation, and dissolution.

Over a decade on from the Arab uprisings, the path toward democracy and freedom for youth across the Middle East has become more treacherous than ever, as liberation movements find themselves fighting against stronger, smarter, and more entrenched regimes that have adapted to modern challenges to their domination.

Technologies that many hoped would help to evade state censorship and facilitate mobilization have been co-opted as repressive surveillance tools.

representatives from the Polish Film Institute, which provided Heymann with a grant of NIS 188,000 [$54,500] to make the film several years ago, suddenly insisted upon seeing the film, stormed out in the middle of the screening, and demanded their money back, since the film includes experts who claim it was uncommon for Poles to save Jews during the Holocaust.

Poland finds itself firmly in the grip of an ultra-nationalist right-wing government. Embedded in this regime is a desire to retell the story of the Holocaust by portraying Poland and the Polish people in a better light — and the most effective way of going about this is to clamp down on critics, police the public discourse, and control the historical narrative.

I’m in the throes of an artistic, political, financial, and international crisis. I didn’t know that my film, “High Maintenance,” would create such drama. How could one know? Dani’s work was never executed because of the political situation in Poland. The commissioner of his work, an American Polish Jew living in the United States, was supposed to pay for this big monument. He decided in the end to cancel the project because he realized that the Polish government would take advantage of Dani’s work to convince everybody that Poland was one big righteous nation during World War II, and that everyone was busy risking their lives to save Jews.

reinforcing the entrenched identities, hardened by trauma, which have contributed to the intractability of this conflict. Many researchers have been pointing out for years that societies are becoming more polarized, meaning that more people are reaching a point of complete identification with a single group, leading to demonization and, in extreme cases, dehumanization of those outside their group, and a corresponding inability to communicate with those outside of their community. Polarization essentially describes a situation where a middle ground, vital for dialogue, has been lost.

Emotions drive behavior, and extreme psychological states drive extreme behavior, including violence. The question becomes what to do with these insights, when violent responses to violence produce ever stronger emotional states stemming from fear and rage. The long history of this particular conflict ensures that there are now generations of traumatic memories to reinforce large-group identities based on shared feelings of vulnerability and victimization, creating an intractable cycle.

most of us gain our sense of belonging through a variety of groups we interact with on a daily or weekly basis — our families, friends, colleagues, sports teams or groups based around other hobbies and interests. But in addition to these groups that we experience in person through shared activities, we all have larger-group affiliations, which can vary in strength from one person to another. These can include our country of birth or residence, a political party, a wider religious group that includes people from other countries and cultures, an ethnicity, a language group or an identity based on shared passions, such as being a music or sports fan. There are many parts to a typical identity, but sometimes, if rarely, one comes to dominate above all others, leading to specific psychological states and associated behaviors, including violence.