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Ed Webb

Hip Hop Finds Its Groove in North Africa | Newlines Magazine - 0 views

newlinesmag.com/...nds-its-groove-in-north-africa

music hiphop Maghreb MENA Morocco Tunisia Algeria Egypt France Italy Belgium language colonialism identity identities

shared by Ed Webb on 24 May 21 - No Cached
  • Pop music in the region today truly represents the Westernization of classical Arabic music defined by traditional elements of improvisation (where songs often last as long as an hour), instruments native to the region like the oud, and maqam, which is a system of melodies and pitches native to Arabic music. Classical Arabic artists like Oum Kulthum and Asmahan thrived on this style and are considered icons of Arabic music because of their ability to evoke emotion through their artistry.But in conjunction with colonization, Arabic music began to shift from its classical roots with the Cairo Congress of Arab Music in 1932, organized by King Fuad of Egypt. This symposium brought together renowned composers and ethnomusicologists from the Middle East, North Africa, and Europe who created a set of proposals for the modernization and standardization of Arabic music, one of which was the incorporation of European instruments into Arabic ensembles because “such instruments possessed tremendously varied, expressive means and depictive powers.”The other notable event that pushed this modernization further was the introduction of the phonograph to the region. Phonographs could only play songs for a limited duration, making the traditional improvisation and hour-long running times of classical Arabic music nearly impossible.The final nail in the coffin was the burgeoning film industry in the 1950s and 1960s, particularly in Egypt, the cultural epicenter for creative output in the Middle East and North Africa. Movies were heavily Westernized at the time, forcing directors and producers to modify accompanying music to incorporate Western-style elements in their instruments and duration.
  • a new movement is rising in North Africa.Rappers and emcees from the region are boldly approaching hip-hop and the larger Arab music landscape by exploring taboo themes and proactively deconstructing societal markers of North African identity. They are experimenting with beat production and dialect as they go about creating a space for their music and for these conversations to be held in a public domain. This is not a knock on the Levantine or Khaleeji rap scenes; there are many artists who are doing this currently. But North African emcees are using their lyrical flows and melodic rhythms to grapple with the essential question of identity. The music sounds fresh and breathes new life into the pop-dominant Arabic music scene.
  • A vast majority of North African rappers primarily use their regional Arabic dialects and French in their music. But many artists, specifically North African artists based in Europe, also use Spanish, Dutch, and English on their albums. A few artists will even use all four languages in one song.
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  • Many emcees, more so than their Levantine or Khaleeji counterparts, utilize Afropop and Afro-fusion rhythms in their music as a nod to their home continent.
  • Dialect and slang are important in rap, Boubaker stressed, because “it is a question of using a popular spoken language in constant evolution and which incorporates foreign influences.”
  • French colonial policy in Algeria, she explained, aimed to violently prevent and suppress the teaching of Indigenous languages like Tamazight. France intentionally stoked tensions between Indigenous Imazighen and ethnic Arabs by implementing unjust laws seeking to tear at the societal fabric of the country and destroy Algerian identity.France implemented similar policies in other North African countries as well, actively working to create sectarian tensions that led to ethnic and linguistic divides that, in turn, led to brutal, violent conflicts and suppression of Indigenous culture.
  • Afrobeats is a fusion of hip-hop, dancehall, soca, and other Black genres that can be identified by its use of African drums and a 3/2 time signature — different from a Western 4/4 time signature — that gives the genre its trademark dance tempo
  • For North African artists, use of these rhythms can be traced back to Black North Africans and Indigenous communities who are descendants of the slave trade. Boubaker shared that the different genres, namely gnawa in Morocco, diwan in Algeria, and stambali in Tunisia, are the result of a distinct weaving between the musicalities of North Africa, sub-Saharan Africa, and Black Sufi tradition that can lead to a state of trance.
  • The stambali genre, Boubaker elaborated, is sung in a language derived from a mixture of Tunisian Arabic and the Houassa language spoken by the Hausas, a people of the Sahel, mainly in northern Nigeria and southern Niger who were part of the slave trade to Tunisia.
  • “Moroccan artists, early on, primarily referenced Malcolm X as a way to make the connection between race, Blackness, and Islam in the U.S. and embraced their own African identity through their music,” Almeida said. “The African theme has been going on for a while now.”
  • While Moroccan and Egyptian emcees found early opportunities, Tunisian and in particular Algerian artists did not have that initial access.
  • In Algeria, however, while the rap scene was up and coming, Almeida said the government actively worked to shut it down, which, she said, “really crushed everything.”That now looks different, with Algerian rappers even drawing influences from raï music and sampling prominent Algerian artists in their music.
  • Algerian artists of the 1990s and up to the present day are now primarily recording their music in France, Spain, and other European countries to then broadcast back to Algeria and the rest of North Africa. This is a subtle but noticeable diversion away from seeking opportunities in the traditional Middle East/North Africa hubs of music and culture such as Cairo, Beirut, and Baghdad.
  • “We just have to go back to our history, and we need to start loving ourselves and we need to recognize who we truly are because we’re not Arabs. 100% being Egyptian and being Moroccan is straight up being African and straight up being proud. And this is why I never have any issue representing mahraganat in my music because this is Egyptian music. I’m proud of my double cultures. I’m proud of my continent, and I really want to showcase it everywhere.”
  • North African rappers today are using hip-hop to express what it means to be who they are in the context of their country, their continent, and their lived experiences. And while there is a deep and painful colonial history associated with this music, the artistic yield has been profound not just for the region but the world.
Ed Webb

African Podcasting: Challenges and Chances - The Cairo Review of Global Affairs - 0 views

www.thecairoreview.com/...casting-challenges-and-chances

Africa media internet podcasts podcasting

shared by Ed Webb on 18 Oct 21 - No Cached
  • Although podcasting is growing in Africa, radio, a close cousin that has been around since the days of colonization, remains prevalent.
  • The largest podcasting markets in Africa include Nigeria, South Africa, and Kenya
  • the African podcasts that get exposure typically sound familiar with commercial appeal in terms of format, content, and tone
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  • Weak mobile and internet penetration, though increasing, stifles the ability of the industry to flourish
  • in Africa, podcasts are produced in many of the native languages, including Arabic, and thus reach audiences that are otherwise ignored by podcasters who reside outside of the Global South
  • globally, including in Africa, traditional radio is tethered to governments in terms of regulation and licensing and thus subject to various levels of censorship. On the other hand, podcasting is more rogue, with niche non-standard formats and topics. As a result, there is an exciting variety of podcasts, including emerging podcasts in true crime, wellness, history, and identity and culture. There is also a reciprocal relationship between the content podcasters are creating and what podcast listeners are interested in; meaning there is a focus on audience engagement. Buoyed by the growth in African podcasts that speak to the African experience, African podcast listenership has expanded.
  • PodFest Cairo is Egypt and Africa’s first podcasting conference, bringing podcasters and podcast listeners together to share experiences. Africa Podfest is a Kenyan, woman-led company which founded Africa Podcast Day (February 12) and whose primary objective is to cultivate the African podcasting community through networking and sharing resources. 
  • in Africa, where it’s estimated that there are at least 1500 languages, podcasts are produced in many languages
  • Aaisha Dadi Patel, a writer and journalist at the Wall Street Journal Africa bureau, says audiences are more likely to listen to the radio as opposed to undertaking the added burden of trying to find, download, and then listen to a podcast, not to mention the exorbitant cost for data
  • Just as the podcast medium’s presence is increasing in Africa, so too is research in the field. South African podcasters have seen their community grow and firms, like Edison Research, have taken notice by collecting data on the region, releasing their first report on South Africa in 2019. Scholarly research has also increased
  • Africa is the continent with the youngest population worldwide, with around 40 percent of the population aged 15 and under compared to the global average of 26 percent
  • Africa Podfest reports dating back to 2018 indicate that the types of podcasts released in Africa are consistently hyperlocal
Ed Webb

NEIL MACKAY'S BIG READ: 'Scotland didn't have empire done to it, Scotland did empire to... - 0 views

www.heraldscotland.com/...pt-fighting-decolonise-history

UK Britain history museum heritage Egypt orientalism empire

shared by Ed Webb on 04 May 22 - No Cached
  • Glasgow’s Dr Campbell Price is British TV’s go-to guy when it comes to ancient Egypt. But the study is riddled with racism and he wants to drag the world of mummies into the 21st century … and he doesn’t care if you call him ‘woke’.
  • Price is at the forefront of the fight to ‘decolonise’ the study of Ancient Egypt and drag it into the 21st century. He wants the discipline to confront its history of racism and empire, and he’s not shy about apportioning a fair amount of blame on Scotland and its own role in Britain’s colonial adventures.
  • the study of Ancient Egypt was founded by colonialists from Britain and France in the early 1800s and it still hasn’t shaken off the baggage of the past. There’s a lingering sense that Egyptians are considered unable or incapable of studying their own history without the assistance of white, western academics who are really the people best suited to the discipline. The whiff of racism and a “white saviour narrative” still hangs in the air, he feels.
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  • “There’s this conceit,” he says, “that archaeologists - gung-ho western, bearded, white, elite, cis-gendered, ostensibly heterosexual - go to Egypt and ‘discover’ Ancient Egypt because the people, ordinary Egyptians, are too stupid.” He adds: “Ancient Egypt was never ‘lost’.”
  • The “standard colonial narrative”, he says, portrays Egypt as “brilliant - a proto-British empire”. Egyptologists used terms like ‘empire’ and ‘viceroy’ to describe the government of the Pharaohs. Students were taught that “the Ancient Egyptians had a ‘Viceroy of Nubia’ - where the hell is the term ‘viceroy’ coming from?” Price asks. “It’s from the British experience of empire”. This explains why many British academics put Egypt on a pedestal as the greatest of all ancient civilisations.
  • in the imperial age when Britons were travelling to India they would go through the Suez Canal. “You might take a few days and go and visit Egypt. So it’s colonial high noon,”
  • British archaeologist Howard Carter led the dig that opened Tutankhamun’s tomb in 1922 - an event which turbo-charged interest in Egyptology and had a huge cultural impact on world, even leading to the creation of movies like The Mummy starring Boris Karloff in 1932. “Some early exhibitions quite literally feel like the spoils of empire,” says Price. “In some cases, it’s literally the spoils - like the Rosetta Stone which was seized from the French.”
  • Price is chair of the board of trustees with the Egypt Exploration Society (EES) - an organisation, he says, which is “doing a lot of work of self-criticism, self-reflection and self-critique”. The EES, which was established in 1882 at the height of empire and just prior to the British invasion, is now “attempting to unpack colonialism in Egypt”.
  • “the British and French cooked up a system” called ‘finds-division’ or ‘partage’. “Notionally,” he says, “the best 50% of things that come out of the ground go to the National Collection in Cairo, but then up to 50% of what is thought to be ‘surplus to requirements’ or duplicate can leave with archaeologists. So that’s how Manchester has 18,000 objects from Egypt and Sudan - mostly through finds-division.
  • It was legal between the 1880s and 1970s, but it was at a time when mostly the Egyptian government was controlled by the British and French, and the Egyptian government had to repay the massive debt of building the Suez Canal.
  • “some people will tell you, some well known Egyptologists, that you should burn copies of ‘A Thousand Miles Up the Nile’ because it contains racist material. But the society is actually working on a critical re-edition, where there’s a new introduction to put the book in context. I firmly believe, and the trustees firmly believe, you can’t just bury the past. You’ve got to try and face it and constructively critique it. I’m not arguing for cancelling anyone. I’m not arguing for trying to ignore it. I’m saying ‘let’s have a conversation’.”
  • Unlike many nations which had art looted by western powers, Egypt “isn’t particularly interested” in the repatriation debate except when it comes to “a few very exceptional objects like Nefertiti’s Bust and the Rosetta Stone”. Price adds: “Repatriation can sometimes be a bit of an echo chamber for western [people]. It doesn’t necessarily relate always to the concerns of indigenous groups, or people who live in places like Egypt.”
  • There’s a funny attitude, where Scots kind of distance themselves and say, ‘oh well, you know, we were colonised first. The English came in, and we’re the victims’. Based on my work on the history of colonialism in Egypt, Scottish people are more than well-represented. They are disproportionately represented in the cogs of the imperial project with Scottish diplomats, engineers and soldiers … There’s a sense that empire was ‘done to’ Scotland, when in fact Scotland ‘did’ empire to other people … We put this stuff on the English and say it was the English … Scots appear surprisingly commonly in the imperial machinery in Egypt.
  • Price has little time for the use of the word ‘woke’ as an insult, as to him it simply means trying to do the right thing professionally. He adds that he feels “fortunate” that Manchester Museum, where he works, is also having the same “conversations” about confronting the legacy of the past.
  • British egyptology is “more open” to change, Price says than most other western nations with a history of the discipline. “We’re on the winning side of the argument. The tide has turned. You cannot pretend you can enjoy your secluded cocktail terrace in the middle of Cairo and not expect to hear critical evaluation of colonial experiences.”
  • Most of the workers who built the pyramids weren’t slaves - they were paid for their efforts, he points out. The slave stories of the Bible, though, lead to “another form of colonialism - Orientalism”, which depicts the rulers of the east as either exotic and mysterious or brutal and cruel. The notion of “the Oriental despot comes from the Bible: Pharaoh as a despot … The way in the Bible, that the pharaoh is cast as a baddie, reverberates”.
  • Price is also incensed by the current pseudo-science trend for conspiracy theories claiming that aliens built the pyramids - the type of unfounded material aired on over-the-top documentaries like ‘Ancient Aliens’. “It’s racist,” he says, “very racist.” He notes that there’s a hashtag on Twitter called ‘CancelAncientAliens’. The wild alien theory is “based on the assumption that ancient people were too stupid to have [built the pyramids] themselves and so it had to be some outside force. So to be clear in the interests of global parity and justice: the ancient Egyptians were an African people who built absolutely stunning monuments. Get over it.”
  • There is no simple answer, or history - and I think we insult museum audiences if we assume they want an overly simplified story. ‘Ancient Egypt’ is undoubtedly one of the most popular parts of a museum. By asking questions about how colonialism formed our idea of what ‘Ancient Egypt’ was, not just how it got to be in cities like Glasgow and Manchester, I think we can begin to address questions of global inequality.
  • “Egypt more than Greece, Rome or other parts of the world, has existed as both ‘Oriental other’ and ‘western ancestor’ - that is why the colonial dialogue is so intense - and Egyptology is, in a sense, the exemplary ‘colonial discipline’, just as the British Consul Lord Cromer [consul-general in Egypt from 1883] said Egypt should be the exemplary colony.
Ed Webb

Alaa Abdel Fattah undergoes medical intervention by Egyptian authorities amid hunger st... - 1 views

www.washingtonpost.com/...er-strike-medical-intervention

Egypt COP rights prisoner activist activists

shared by Ed Webb on 10 Nov 22 - Cached
  • The family of Alaa Abdel Fattah, the British Egyptian political prisoner on a hunger and water strike in prison, was informed by Egyptian officials Thursday that he has undergone “a medical intervention with the knowledge of a judicial authority,” they said.
  • The United States is a close ally of Egypt and provides more than $1 billion in military aid to the country each year, but has repeatedly criticized its human rights record. Abdel Fattah’s family has made repeated public appeals to the White House to intervene in the case.
  • Abdel Fattah, who is 40 and a once-prominent activist in the 2011 revolution, has been in and out of prison for the past decade on charges human rights groups decry as attempts to silence dissent. He was sentenced to five years in prison last year after he was found guilty of “spreading false news undermining national security.”
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  • His case has become a central topic at COP27 — especially after an Egyptian lawmaker confronted his younger sister, Sanaa Seif, at a news conference discussing his case.
  • a lawyer in Cairo has since filed a case against Seif, accusing her of “conspiring with foreign agencies hostile to the Egyptian state” and “spreading false news,” among other allegations. The filing alone does not ensure the case will be pursued, but the family said it amounts to an intimidation tactic after Seif’s outspoken support of her brother at the international conference, where Egypt hoped human rights issues would not take center stage.
  • the message #FreeAlaa has spread throughout the conference, garnering support from climate activists. On Thursday, some attendees dressed in white — the color of prison uniforms in Egypt — and gathered for a protest over climate justice and to express solidarity with political prisoners here.
  • The protests would be unthinkable anywhere in Egypt outside the U.N.-controlled zone at COP27 due to tight restrictions on public gatherings.
  • On Thursday, the siblings’ mother — who has waited outside each day this week for a letter from her son — was asked to leave the area of the Wadi el-Natrun prison complex outside Cairo where he is being held.The family’s lawyer, Khaled Ali, then announced on social media that he has been approved to visit Abdel Fattah and was on his way to the facility — his first visit since early 2020. When he arrived, he said, prison officials refused him entrance to the facility — saying the permission letter he received that morning was dated the day before.
  • The family, who last heard from him in a letter last week that he would stop drinking water on Sunday, has repeatedly warned that he could die before the conference ends next week. Seif said Wednesday that she does not know if he is still alive.
  • Several world leaders, including British Prime Minister Rishi Sunak and German Chancellor Olaf Scholz, raised his case directly with Egyptian President Abdel Fatah El-Sisi. Under the terms of his sentencing, the presidency is the only office with the authority to pardon him. But despite days of demands, his family has still not had proof of life or seen any indication he may be released.
  • U.N. Human Rights High Commissioner Volker Türk called on Egypt to immediately release Abdel Fattah. “No one should be detained for exercising their basic human rights or defending those of others,” he said. “I also encourage the authorities to revise all laws that restrict civic space and curtail the rights to freedom of expression, assembly and association.”
Ed Webb

Closure of Islamist media channels and arrest of some of its staff: clear violation of ... - 0 views

www.cihrs.org/?p=6913&lang=en

Egypt media rights MB ikhwan Islamists television censorship

shared by Ed Webb on 07 Jul 13 - Cached
  • The undersigned organizations express their concern regarding the exceptional procedures taken yesterday against Islamist satellite channels, which included the breaking by security forces into offices of those channels, arrest of several of their crew and closing their broadcast in view of their incitement of violence against protesters and mobilizing supporters of former president Mohamed Morsi for civil strife.
  • providing evidence that a media channel has committed a criminal incitement as defined by national and international law should be provided via transparent procedures and implementation of the law, free of any generalization or arbitrariness. Holding the inciter accountable is mandatory, but the closure of channels is a form of collective punishment, which constitutes a violation of media freedom and one of its main foundations, the allowance for diversity of media contents
Ed Webb

Arab Media & Society - 1 views

www.arabmediasociety.com/?article=924

Egypt press media journalism journalist ahram history

shared by Ed Webb on 01 Apr 16 - No Cached
  • A prolific writer, Heikal penned dozens of books, chronicling events as a witness to history, his legacy linked with his association with Nasser. He was not just a journalist, newspaper editor, and later historian. Heikal was Nasser’s emissary with Western diplomats, a champion of Nasser’s brand of socialism and pan-Arab nationalism. He composed his speeches and ghost wrote Nasser’s political manifesto, The Philosophy of the Revolution. As the president’s alter ego, Heikal’s writings were read for clues to Nasser’s thinking. His influence derived from his proximity to power.
  • Heikal blurred the line between the role of a journalist and that of a politician. “He introduced a model in Egypt and the Arab world about what your ambitions should be as a journalist. In the West or Europe, you gain your reputation from your independence as a journalist,” explained Dawoud. “When I am the president’s consultant and I attend his close meetings and I write his speeches, there is definitely a lot of information that I would have to keep secret. That goes contrary to my job as a journalist, which is to find as much information as I can.”
  • The state media wholeheartedly embraced socialism and pan-Arabism, becoming a filter of information and propaganda, instead of the promised transformation of the institution into one that supposedly guides the public and builds society. Critical voices were muted, the military junta was sacrosanct, and Nasser was fortified as a national hero. The failings of the regime were not attributed to the president, but to the reactionary and destructive forces of capitalism and feudalism. Nasser’s personal confidant Muhammad Hassanein Heikal was appointed chairman of the board of al-Ahram, then later of Dar al-Hilal and Akhbar al-Youm publishing houses.
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  • Long committed to a free media, Mustafa Amin was imprisoned for six months in 1939 for an article in Akher sa‘a (Last Hour) magazine deemed critical of King Faruq. An advocate of democracy and Western liberalism, he was arrested in 1965, tried secretly in 1966, and convicted of being a spy for America and smuggling funds. Sentenced to a life sentence, he spent nine years in prison before being pardoned by Nasser’s successor, President Anwar Sadat. Ali Amin, accused by Heikal of working for British and Saudi intelligence, went into exile in 1965.
  • Room for expression existed mainly in the literary pages of al-Ahram, where writers under Heikal’s wings, like Naguib Mahfouz, could publish works of fiction that could be read as challenges to the status quo.[5] As far as the press was concerned, censorship was directed at politically oriented news and commentary rather than the literary sections
  • During the conflict, as the Egyptian army, under Field Marshal Abd al-Hakim Amer’s command, was hastily retreating from Sinai, broadcast outlets aired invented reports of fabulous victories against the Zionist foe. At no other moment did the state media prove so woefully deficient, contributing to a deep sense of public betrayal.
  • The speech was written for him by prominent journalist Mohamed Hassanein Heikal and tactfully framed a romp of Arab armies as a “setback,” displaying Heikal’s knack for being both a propagandist and political powerbroker.   It was a moment that brilliantly served to shore up Nasser’s support. Egyptians took to the streets demanding that their leader stay in power. “The People Say ‘No,’” declared Akhbar al-youm (News of the Day) in large red writing. In smaller black lettering the headline read, “The Leader Discloses the Whole Truth to the People.” It is difficult to say how populist and genuine the appeal was and how much of the public display of support for Nasser was behind-the-scenes political machinations of the regime and its media. While Nasser did stay in power, it was only later that Egyptians could comprehend the true extent of the defeat—especially in light of official propaganda—and the institutional failures that placed the whole of Sinai under Israeli control.
  • Student periodicals posted on the walls of the campuses emerged as the freest press in Egypt. Nasser for the first time became the object of direct criticism in the public space. A campaign against student unrest was waged in the state-owned media, which labeled the activists as provocateurs and counter-revolutionaries goaded by foreign elements
  • slogans shouted and scrawled on building walls that demanded: “Stop the Rule of the Intelligence,” “Down with the Police State,” and “Down with Heikal’s Lying Press.”
  • “A centralized editorial secretariat, called the Desk, was founded, as well as the Center for Strategic Studies and the Information Division. To his detractors, these innovations appeared to be spying sessions of an extensive empire dedicated to intelligence gathering
  • Nasser appointed Heikal to the post of minister of information and national guidance, a role he assumed for six months in 1970 until Nasser’s death. Yet the self-described journalist confided his frustration of being assigned a ministerial post, perhaps intended to distance him from the publishing empire he built, to a colleague, the leftist writer Lutfi al-Khouli, at his home. The encounter was surreptitiously recorded by the secret police, leading to the arrest and brief imprisonment of al-Khouli, and Heikal’s secretary and her husband, who were also present. “Now, Nasser’s regime had two aspects: it had great achievements to its credit but also it had a repressive side. I do not myself believe that the achievements . . . could have been carried out without some degree of enforcement,” Heikal wrote in The Road to Ramadan. “But after the 1967 defeat the positive achievements came to an end, because all resources were geared to the coming battle, while repression became more obvious. When Nasser died the executants of repression took it on themselves to be the ideologues of the new regime as well. They held almost all the key posts in the country. The people resented this and came to hate what they saw as their oppressors.”
  • after his increasing criticism of Sadat’s handling of the October 1973 War and appeals to the United States to address the impasse, Heikal was removed from al-Ahram in 1974. He remained a prolific author. In May 1978, Heikal was one of dozens of writers accused by the state prosecutor of defaming Egypt and weakening social peace and was subject to an interrogation that extended three months
  • Sadat attempted to bring the dissident cacophony into line through the mass arrest in September 1981 of more than 1,500 intellectuals, writers, journalists, and opposition elements of every stripe. Among those arrested were leading members of the Journalists’ Syndicate and prominent figures like the political writer Muhammad Hassanein Heikal and novelist Nawal El Saadawi. Sadat’s crackdown against his opponents culminated in his assassination by Islamic militants on October 6, 1981 during a military parade to commemorate the start of the 1973 War. Soon after Hosni Mubarak assumed power, Heikal was released from prison
  • When Dream aired the lecture Heikal gave at the American University in Cairo, direct pressure was placed on the owner’s business interests, and the veteran journalist found a new forum on pan-Arab satellite broadcasting. The influential writer has made opposition to Gamal Mubarak’s succession a staple of his newspaper columns.
  • With the rise of satellite television, Qatar’s Al Jazeera commanded audiences not only with news but with popular discussion programmed, like Ma‘ Heikal (With Heikal), a program by Heikal that began the year after the 2003 invasion of Iraq, and which was watched by the Arab public with eager interest. Seated behind a desk and looking into the camera, Heikal gave his narrative of historical events and commentary on Middle Eastern and world affairs, exposing the intrigues of regional and global powers from his perch, having privileged access to leaders, diplomats, and decision makers. He has been a critic of Saudi diplomacy, its ballooning regional influence given the power of petrodollars, and its confrontation with Iran. Saudi pundits have consistently taken potshots at Heikal.
  • A couple of months before Morsi’s ouster on July 3, 2013, Heikal was contacted by Morsi’s defense minister Abd al-Fattah al-Sisi for a meeting, which had led to speculation that the Heikal devised the behind-the-scenes scenarios for an elected president’s removal as the dominant political player, the Muslim Brotherhood, was sinking in popularity. After Morsi was expelled from office, Heikal suggested to the military leader that he seek a popular mandate to lead the country, mirroring Nasser-style populism. Attired in full military regalia, al-Sisi at a July 24, 2013 graduation ceremony of the naval and air defence academies, broadcast live, warned that national security was in peril and summoned nationwide rallies two days later. Heikal supported al-Sisi’s bid for the presidency viewing him as the candidate born of necessity.
Ed Webb

The Built-In Obsolescence of the Facebook Leader - 1 views

www.jadaliyya.com/...escence-of-the-facebook-leader

shared by Ed Webb on 06 Jan 15 - No Cached
  • With great rapidity new groups and figures have been projected into the political limelight thanks to the springboard of popular social media channels, only often to disappear with the same speed, with which they had first appeared. Social media have proven to be a stage in which creativity and spirit of initiative of different radicalized sectors of the Egyptian urban middle class have found a powerful outlet of expression. One might say that they have to a large extent delivered on the techno-libertarian promise of being a meritocratic space, in which dedication and charisma could find the outlet that was not available in formal parties and NGOs and in the traditional intellectual public sphere. At the same time, activist' enthusiastic adoption of social media as a ready-made means of short-term mobilization has produced serious problems of organizational sustainability. Short-termist over-reliance on the power of social media has contributed to a neglect for the question of long-term organization, ultimately leading to the incapacity in constructing  a credible leadership for the revolutionary youth.
  • the image of the Egyptian political web as a sort of magmatic space: a space in which campaigns, groups, and personalities come and go, without managing to solidify into more durable organizational structures
  • he political evanescence of social media activism raises issues of accountability and democratic control on the new emerging leaders of social movements, because of a certain opacity that accompanies the fluidity and partial anonymity of online interactions
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  • low-cost organizational structure and no durable organizational mechanisms are put in place
  • political evanescence is the inconvenient accompaniment of the open and meritocratic character of social media
  • The political evanescence of digital activism in the Egyptian revolution needs to be understood in connection with the libertarian ideology of “leaderlessness” and “horizontality” that has provided a cultural framing for social media use among activists
  • it is apparent that the Egyptian revolution, as any great upheaval in history, was not completely spontaneous and leaderless. Rather it bore the mark of complex direction exercised in concert by multiple leaders, from grassroots groups on the ground as the April 6 Youth Movement, to organized forces such as the Muslim Brotherhood, Left opposition parties and NGOs, to end with digital activists responsible for spreading revolutionary information, recruiting online communities of supporters and publicizing protest events
  • While Ghonim had some basic activist experience, having done some digital campaigning in support of the presidential campaign of Mohammed el-Baradei in 2010, he was little known within activist circles. From the distance and safety of Dubai where he was working for Google, he collaborated with activists on the ground including Mohammed AbdelRahman Mansour who acted as co-admin on the page, and Ahmed Maher of the April 6 Youth Movement, the group that pioneered digital activism in Egypt. It was only after he was released from prison in the midst of the eighteen-day insurrection, that he suddenly became a famous and respected figure. Yet, Ghonim did not manage, neither he tried, to turn the great influence he had exercised during the revolution into any form of structured political leadership during the transitional phase. Ironically the Facebook fanpage he founded has discontinued its communications with a status message celebrating “the power of the people” on 3 July 2013, the day of the anti-Morsi coup. Ghonim has recently left the country for voluntary exile after a streak of attacks on the news media.
  • The case of Tamarrod demonstrates how the fluidity in the field of social media in the activist field, dominated by flexible groupings coordinated through social network sites can open space for opportunist groups. Both Wael Ghonim and the main leaders of Tamarrod were secondary figures in the activist scene in Cairo, despite the fact that some of them, had been previously involved in pro-democracy campaigns and in the Elbaradei presidential campaigns. Similarly to what happened with previous political groups it was a great extent this outsider aura that managed to gather so much enthusiasm from Egyptian youth. The group managed to build an extensive network across the country, collecting millions of signature (the exact quantity will remain unverified) to withdraw confidence from Morsi. However, it progressively became clear that Tamarrod was far from being simply a disingenuous and spontaneous citizens groups. It has been publicly confirmed that the campaign received substantial funding from a number of Egyptian entrepreneurs, including Naguib Sawiris. It is also reasonably suspected that the group received financial and operational support from the Egyptian army, and the so-called deep state, which saw in Tamarrod a sort of useful idiot to get rid of the Muslim Brotherhood and create a favorable climate for the coup d'etat. Since the campaign of repression orchestrated by al-Sisi and the new post-coup government, the group has been marred by intestine fight between different factions, and seems to have lost much of its “street cred” among Egyptian youth. It was yet another group falling victim of its own precipitous rise.
Ed Webb

Egypt detains man who sent pictures to Jazeera - sources - News - Aswat Masriya - 2 views

en.aswatmasriya.com/...view.aspx

Egypt censorship MB ikhwan jazeera

shared by Ed Webb on 09 Feb 14 - No Cached
  • A Cairo prosecutor has ordered the detention of an Egyptian accused of altering photographs before sending them to the Qatar-based Al Jazeera news network and of belonging to a terrorist organisation
  • Hassan El Banna is accused of belonging to a terrorist group, an apparent reference to the Brotherhood, and of doctoring pictures to damage the image of security forces
  • A security source said his movements had been monitored before his arrest and that he had supplied Al Jazeera's Egyptian channel with manipulated photographs, but was not an employee of the channel. A judicial source said he was not a professional photographer and did not officially work for Al Jazeera.
Ed Webb

How citizen video journalists in Egypt are 'pushing at traditional journalism' - Egypt ... - 1 views

www.egypt-business.com/...4769

Egypt journalism journalists media citizenJournalism

shared by Ed Webb on 24 Apr 12 - No Cached
  • Members of the collective see themselves as performing an essential storytelling role: providing coverage of police brutality and filling a media "vacuum". "There isn't a free media," founder member Omar Hamilton told me during a visit to the collective's workspace in Cairo. "We have to step in where we can to provide alternative narratives, to provide what we would see as the truth that's not being presented."
  • "There's nothing you can really do about it except run at the right time. Which is just after everyone else but not before it's too late,"
  • we needed a space to work out of and to host a library of revolutionary material and to archive everything we can, including mobile phone footage and news-quality material
  • ...6 more annotations...
  • The collective formed in the days following the January 2011 uprising when it set up a "human rights media tent" in Tahrir Square as "a point to collect footage that people had of police abuses".
  • The citizen journalists have licensed footage under creative commons on YouTube and Vimeo, where others can download the films. These can be used by broadcasters.
  • "We are both attacking state media and trying to push traditional media outlets into taking a stronger stance and backing them up in being able to show things that perhaps felt they were unable to show. "We are also empowering everyone that has a camera phone to make them feel like they can contribute to a wider narrative rather than just uploading it to YouTube."
  • Mosireen is therefore reaching out to those without internet access, which is "one of the big, big, big challenges". "It's very easy to forget how hyper-connected we are compared to most of the world," Hamilton said
  • Asked whether they see themselves as activists or journalists, Hamilton explained how they have a "definite journalistic push". "We have a decentralised approach. We don't have an editorial policy, we don't have an editorial meeting at the beginning of the day to tell people where to go." Anyone can contribute footage, creating an "almost infinite number of camera people" who can be out filming, using mobile phones, DSLRs and hand-held video cameras.
  • It is not the international audience the activists are focused on. "We are in a fight that is going to be settled, or won or lost, here [in Egypt], so we don't need to spend too much time talking to or addressing international audiences. "It's really much more about Egyptian public opinion and the narrative within Egypt that is important, and helping people get access to the truth."
Ed Webb

President Morsi of Egypt Is Undercut by State-Run Media - NYTimes.com - 0 views

www.nytimes.com/...dercut-by-state-run-media.html

Egypt media press ahram SCAF MB ikhwan

shared by Ed Webb on 14 Jul 12 - No Cached
  • Emad Shahin, a political scientist at the American University in Cairo, said the state media’s attacks on the head of state made the situation perfectly clear: Mr. Morsi represented a double threat as the first civilian and the first Islamist to hold the presidency. “This is a deliberate and well-orchestrated campaign to shake Morsi’s image, ensure his failure and frustrate the revolution,” Mr. Shahin said.
  • Ahmed Abu Baraka, a lawyer for the Muslim Brotherhood, said the issue was deeper than bias. “It is an incurable disease in state media that needs surgery,” he said, blaming 60 years of parroting the ideology of secular dictatorship.
  • Taghrid Wafi, a state television producer, said she and her colleagues were in “confusion.” “They don’t know who is in charge,” she said, noting that in some ways the military’s grip on the news media had loosened since Mr. Morsi’s election. For the first time, she said, she could interview activists who criticized the military for court-martialing civilians. “You know we don’t work on our own; we need approval for our guests.”
  • ...2 more annotations...
  • when the military took hold of the building, it became forbidden to mention the military. If you did something like that you’d be called ‘an agenda with ulterior motives.’ ”
  • He insisted that Al Ahram was no longer “the newspaper with one reader” — that was President Mubarak — but now sent its reporters out to truly cover the news. On Wednesday, he promised that Thursday’s front page would feature the photograph of an 84-year-old man who had brought a complaint to President Morsi’s new grievance office — a demonstration of the paper’s new empathy for the common man and fairness to President Morsi. But the picture did not appear; the headline featured a misleading quotation from Mr. Morsi suggesting he had backed down before a new court order again dissolving Parliament. “The media looks to the center of power,” said Hala Mustafa, editor of the state-financed journal Democracy. “I think everybody knows that the military council represents the center of power, the real comprehensive authority in the country.”
Ed Webb

Egyptian Judge Speaks Against Islamist Victory Before Presidential Runoff - NYTimes.com - 0 views

www.nytimes.com/...efore-presidential-runoff.html

Egypt politics media propaganda ikhwan MB SCAF judiciary presidentialelections

shared by Ed Webb on 08 Jun 12 - No Cached
  • The president of the association of Egyptian judges said Thursday that they were abandoning their neutrality toward the coming presidential runoff in an effort to guard against an Islamist monopoly of power.
  • if the group’s members had known Islamists would win most of the seats in Parliament after elections that ended in January, they would not have supervised the voting
  • the effect of Judge Zend’s appearance was a public pitch for the presidential campaign of Ahmed Shafik, the last prime minister under Mr. Mubarak, who is now squaring off against the Brotherhood’s nominee, Mohamed Morsi
  • ...7 more annotations...
  • now Egypt is falling. We won’t leave matters for those who can’t manage them, with the excuse that we’re not people of politics. No, we are people of politics.
  • Judge Zend appears to be giving voice to a panic that has seized much of Egypt’s old elite about the prospect of a president from the Brotherhood, demonized under Mr. Mubarak despite its 25-year record of moderation as a minority bloc in Parliament
  • “I think it is a message more or less justifying a crackdown,” said Omar Ashour, an Egyptian professor of political science at the University of Exeter, in England, who is now in Cairo. “At minimum it is a smear attempt days before the election, to try to scare voters who might be leaning toward the Muslim Brotherhood.”
  • Mr. Shafik, for his part, praised Judge Zend for his “important news conference.” But he also urged the judges not to sit out the runoff in order to avoid confusion that might lead to an Islamist victory, “for the sake of protecting Egypt from the disintegration, disorder and chaos the rogues want for the country.”
  • the chorus of alarms rising from the political establishment, including both officials of the Mubarak government and the liberals it tolerated. Many say they are still more afraid of the Brotherhood than Mr. Shafik, the former prime minister, despite his deep ties to Mr. Mubarak and reputation as a strongman
  • Osama el-Ghazali-Harb, the leader of the Democratic Front Party and one of the most credible liberal voices tolerated under Mr. Mubarak, published a column in the flagship state newspaper, Al Ahram, endorsing Mr. Shafik
  • on Thursday, Al Ahram published a column by a retired general, Hussam Seilam, arguing that if the Brotherhood came to power, Egypt would resemble Iran. “God forbid, the world will treat Egypt as a terrorist state,” he wrote
Ed Webb

Free Speech in the Muslim World? Ask the Egyptian TV Station That First Aired the Anti-... - 0 views

www.theatlantic.com/...262567

expression television TV Salafists Egypt KSA Saudi blasphemy film

shared by Ed Webb on 19 Sep 12 - Cached
  • Now the new Arab democracies may be forced to consider how to balance speech rights with popular demands for blasphemy restrictions. Egypt's Muslim Brotherhood has repeated its call for an international convention against giving offense to religion. Tunisian leaders said the crisis underlined the need for a blasphemy law, of the sort that already exists in countries such as Pakistan. We're told of a cultural divide between the West, with its traditional freedoms, and majority-Muslim countries extraordinarily sensitive to insults to Islam.
  • A lesson of Al Nas TV is that maybe this divide is not so great after all. The Egyptian station was broadcasting in a manner that Westerners would recognize -- airing a controversy and discussing its implications -- and its staff has reason to hope for Western-style protection of speech.
  • financed by the Saudi government and associated with the conservative Salafist movement
  • ...6 more annotations...
  • it wasn't until the TV broadcast that things really blew up
  • If Egyptian prosecutors can accuse a filmmaker in the United States of "threatening national unity" or "assaulting Islam," crimes that carry the death penalty, surely they can actually arrest the men in Cairo who propagated the video
  • In presenting the video, the broadcasters explained that they spread offensive speech because the public needed to be informed of in injustice.
  • Al Nas was using the freedom of speech in the same way it is exercised in other countries, including those in the West. Exposing outrages is a central role of the free media, after all. Informing the public is a vital part of democracy, and will be essential in the Arab world as democracy spreads
  • Some public questioning of Al Nas has begun, and the TV station is on the defensive. "We did not mean... to harm the national unity," insisted Essam Ramy, the editor of the program, in an interview with NPR. He said the program merely "monitors what happens on the Egyptian street," and that if Al Nas really wanted to incite riots, the station would have played even more of the video than it did
  • Film producers who were salivating to smear Muslims must have been thrilled when Al Nas became a distributor for their product. If they're going to have a democracy, Egyptians are stuck with free speech -- and also with the responsibility to use it better than Al Nas did this month
Ed Webb

AP Interview: Egypt's top satirist prepares return - seattlepi.com - 0 views

m.seattlepi.com/...st-prepares-return-5125542.php

Egypt media satire military censorship television

shared by Ed Webb on 12 Jan 14 - No Cached
  • "We never self-censor," Youssef told The Associated Press in an interview from his Cairo studio. "It's not what we say about the government or don't say, it is how to make people laugh and have a good time. In times like these this is a huge challenge.
  • "If people laughed, if people think we are respecting their mentality that would be great. Given the circumstances, the panic, the violence, the hatred, the split (in the country), everybody wants you to say exactly what they want. It's very difficult." CBC said the satirist had violated its editorial policy and contractual obligations, and that he upset Egyptian sensibilities by attacking "symbols of the state." Government and presidential officials at the time said the decision was a private issue between Youssef and the station.
Ed Webb

Ah Ahram chairman fired - The Arabist - 0 views

arabist.net/...ah-ahram-chairman-fired.html

Egypt media journalists ahram

shared by Ed Webb on 26 Jan 14 - No Cached
  • There was intense lobbying against Hani Shukrallah (in ahram and outside of it) whose policy many have discovered today, was not acceptable. He was not informed of that previously and he wasn't informed of his replacement.
  • There was intense lobbying against Hani Shukrallah (in ahram and outside of it) whose policy many have discovered today, was not acceptable. He was not informed of that previously and he wasn't informed of his replacement. This development is an exception to the changes that took place yesterday because all the other editors were above 65 and thus had to go. All the editors under 65 remained, except Shukrallah who is 55.
  • There was intense lobbying against Hani Shukrallah (in ahram and outside of it) whose policy many have discovered today, was not acceptable. He was not informed of that previously and he wasn't informed of his replacement. This development is an exception to the changes that took place yesterday because all the other editors were above 65 and thus had to go. All the editors under 65 remained, except Shukrallah who is 55.
  • ...7 more annotations...
  • What struck me about Shukrallah's column last week was his explicit and critical reference to Gamal Mubarak and the succession issue, contrasted with the referendum coverage which was wishy-washy, with critiques preceded with "the opposition claims."
  • My sources were people who work for Al Ahram, not Al Osboa, but I can imagine how these rumors could easily fly around.
  • what was published this morning in El-Esboa
  • The referendum coverage was bad simply because of the people who were reporting it. The reporting on attacking the women was done by the weekly's interior ministry correspondant who is pro-government by default, this is part of the Weekly's diversity
  • I agree that the Weekly has one of the best political parties and parliamentary coverage in town, largely because of Gamal Essam Eddin who is awesome. (At the Cairo Times we lamented over how better their coverage of parliament was than ours, as we relied on a stringer fromAl Gomhouriya since we couldn't get parliamentary press passes.)
  • I find it particularly annoying that when Egypt is going through one of the biggest upheavals in decades, it almost systematically leads with a Graham Usher story about Palestine. The other thing I find a shame is that the layout doesn't make its longer articles attractive -- those New York Review of Books length essays and articles would look much better in a magazine format (which the Hebdo does in a somewhat better way, although its pictures are horrible. Actually I find the Hebdo generally better on Egypt than the Weekly, which is a quasi-regional paper.
  • I apologize for being so naive.Hani Shukrallah was fired this morning.The new editor of Ahram, Osama Saraya has a new policy regarding the Weekly which is "full of communists" and is the "source of corruption" in Ahram. The Weekly's editorial policy it seems, does not fit the new Ahram.
Ed Webb

The Muslim Brotherhood Following Mubarak's Footsteps Human Rights NGOs and Parties expr... - 0 views

www.cihrs.org/?p=3773&lang=en

Egypt media journalists rights censorship MB ikhwan

shared by Ed Webb on 28 Jan 14 - No Cached
  • a direct response to the attempts by the Freedom and Justice party to dominate public journalism institutions through the appointment of a new group of editors in chief for national newspapers using abusive and unprofessional standards which are seen as a continuation of the same restrictions and practices as those followed during the Mubarak era.
  • threats by the Minister of Investment to withdrawal broadcasting licenses from private television stations
  • support for the relative gains in freedoms attained after a long struggle that began prior to the Revolution, especially in the field of journalism and media. This struggle was bolstered by the courage of many journalists and media professionals throughout the revolution and beyond
  • ...4 more annotations...
  • accusations were used by supporters of the Muslim Brotherhood to justify surrounding and assaulting prominent journalists, who were critical of the Brotherhood or the President, at the Media Production City Yesterday
  • to insure genuine reform within state-run media and press institutions, liberating them from the oppressive grip of executive power and intrusion from any ruling party
  • journalists who have a shameful record of  inciting of religious hatred, justifying the suppression of the freedom of expression as well as encouraging security crackdown of political protest before and after the revolution
  • August 9, 2012
Ed Webb

Angry Twitter users decry 'Qasr al-Aini border crossing' | Mada Masr - 0 views

www.madamasr.com/...y-qasr-al-aini-border-crossing

Egypt socialmedia policing

shared by Ed Webb on 07 Feb 14 - No Cached
  • Angry Cairo residents took to social media to vent their frustrations on Thursday. Some accused the construction of being another state-authored attempt to restrict freedom of movement, while others adopted a satirical attitude, dubbing the gate the “Qasr al-Aini border crossing,” akin to the violence-plagued Rafah checkpoint at Egypt's border with Gaza.
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