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Ed Webb

Is the Egyptian media starting to hold Sisi to account? | Middle East Eye - 4 views

  • Since the 2013 coup, Egyptian news outlets have mostly served as pro-government propaganda tools, supporting the government right through its worst human rights violations.It may come as a surprise, then, that some Egyptian news coverage has started to take jabs at the government, including, at times, current President Abdel Fattah al-Sisi.
  • Media personalities are beginning to hold Sisi’s government to account because government repression has started to hit closer to home.Most mainstream Egyptian media personalities are passionately anti-Islamist, and openly supported the 2013 coup that removed Islamist president Mohamed Morsi from office. For nearly three years, Egyptian journalists have been silent about human rights violations against Morsi’s Islamist supporters. At times, Egyptian media have openly supported mass killings, irregular trials and other transgressions.However, in recent weeks, the Sisi government has committed transgressions against non-Islamists, with whom Egyptian media personalities relate. Several prominent writers have been given jail sentences, the judiciary sentenced a toddler to life in prison, an Italian graduate student was tortured to death (most likely by Egyptian security forces), and doctors were roughed up by Egyptian police, among other disturbing violations.
  • For two years following the coup, both the Egyptian government and its obsequious media apparatus scapegoated the Brotherhood, blaming the group for myriad problems, including floods, power outages, and violence committed by ISIS.Given the time that has elapsed since the coup, and also the fact that the first several tiers of Brotherhood leadership are in jail, it is no longer plausible to blame the Brotherhood for many of the nation’s problems. As a natural course, Egyptians, including media figures, are beginning to turn their attention away from the Brotherhood and toward the government.
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  • Egypt’s political system is not, and has not been, absolutely authoritarian. In quasi-authoritarian states, journalists are often allotted some room to manoeuvre. Even under the Mubarak dictatorship, occasional criticism of the government was allowed, provided that certain “red lines” were not crossed
  • It remains highly unlikely, for instance, that journalists will attempt to critically examine the Egyptian military’s role in politics, or suggest that police should be held accountable for atrocities committed against the Muslim Brotherhood
  • the Sisi government is pushing back against the recent wave of criticism. In addition to the aforementioned arrests of writers, the government has arrested dozens of Facebook page administrators and, most recently, placed investigative journalist Hossam Bahgat on a no-fly list
  • n a reference to anti-government media coverage, Sisi condemned what he sees as attempts to bring down the government, saying he will “remove from the face of the earth” anyone who attempts to do so. In a direct reference to critical news coverage, Sisi instructed Egyptians to listen only to him, and avoid those who attack the government. Sisi shouted, “Please, do not listen to anyone but me! I am dead serious! Do not listen to anyone but me!”
Ed Webb

Nile News employees stage sit-in protesting censorship | UNCUT - 2 views

  • The demands include an immediate end to censorship and a set of reforms, which they say, are long overdue.
  • ‘‘We are also telling the station managers to keep their hands off. We are tired of censorship and interference in our editorial work,” complains Aly El Attar, a director at the channel.
  • “We had a revolution a year ago but nothing has changed,” laments newscaster Iman Mansour. “We still work in a stifling and restrictive atmosphere. We are still waiting for the restructuring of editorial policies and the purging of state TV. ” She insists that the red lines remain in place: the ruling military council having now replaced Hosni Mubarak as the new line that cannot be crossed. “If a guest starts criticising the Supreme Council of the Armed Forces (SCAF), the atmosphere in the studio becomes tense and I’m instructed by the show producers to cut the program short,” Mansour says. “On the other hand, if the guest is pro-SCAF, he or she is allowed to ramble on for as long as they like.”
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  • Mansour affirms that in the past many of her co-workers practiced self- censorship because they were afraid of losing their jobs or worse still, of facing an investigation by a military court. These fears have been reinforced by recent media reports of fellow journalists and bloggers being summoned for interrogation by the Military Prosecutor —  a trend, which according to the protesting journalists has become “all too common” in the post-revolutionary era.
  • the channel has also extended its boycott of outspoken critics of the military rulers such as former Presidential-hopeful Mohamed El Baradei and author Alaa El Aswany.
  • “Last year, we were confined to our studios and were not authorised to report from Tahrir. Now we are being told to cover the pro-military rally in Abbassiya instead. But we are not going to repeat the mistakes of the past. Our cameras will be in Tahrir too. We share the aspirations of the pro democracy activists,” El Attar asserts.
Ed Webb

Egypt's critics have a voice, but never the last word - International Herald Tribune - 1 views

shared by Ed Webb on 18 Feb 09 - Cached
Manon Latil liked it
  • For some reason, as yet unexplained, blogging seems to cross the line from speaking to acting.
    • Ed Webb
       
      Why should this be so? Discuss!
  • Abdul Kareem Nabeel Suleiman, a young blogger sentenced to four years in prison for criticizing President Hosni Mubarak and the state's religious institutions.
  • "For a second, after the judge said I should be freed, I thought there really were laws in this country,"
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  • security forces operate with impunity
    • Manon Latil
       
      Unable to explain the unexplained, I just think that blogging, through writing, can be considered as an alternative means of criticising the government, as were pamphlets. It does not justify censorship, but since newspapers more or less use autocensorship (or is it selfcensorship?), because they are journalists, professionals, belonging to a specific group or sphere, that they have codes and ways of framing the world through their kownledge, blogs and bloggers are dangerous. They are hard to control because now the sphere of people expressing themselves has nothing to do with any writing ability (unlike people who went to a journalism school for example) or knowlegde. Through censorship, they deny the bloggers the right to be considered legitimate sources of information.
Ed Webb

Egyptian student is jailed for posting image of President Sisi with Mickey Mouse ears |... - 5 views

  • A 22-year-old Egyptian has been jailed for three years after posting a photo-shopped image of the country’s president wearing Mickey Mouse ears on Facebook.
  • tried by a military court for sharing satirical posts on social media sites
  • It was ruled that he had ‘thoughts inside of him that run contrary to that of the ruling regime’, and he was court-martialled.
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  • Nohan also posted comments containing anti-establishment messages according to the indictment, including ‘Down with Sisi, Morsi and Mubarak’, which was branded ‘an insult to national figures’
  • posting pictures considered inappropriate for a member of the armed forces
  • ‘We are truly in a Mickey Mouse state,’ his brother Mansour Nohan told IBTimes. ‘Satire is a way for any people that have a mind of their own to express themselves, be that in a democratic country or not.’
  • Cybercrimes and the circulation of satire have become a serious problem for the Egyptian president in the five years since the beginning of the Arab Spring.
  • In April, a cybercrimes law was drafted which Human Rights Watch criticised as containing ‘broadly worded provisions that could be abused to penalise legitimate expression online and through social media sites’.
  • more than 42,000 political prisoners behind bars
Ed Webb

Thread by @_amroali: "Since 2011, I've noticed anti-Semitic books, eg Protoco... - 0 views

  • Since 2011, I’ve noticed anti-Semitic books, eg Protocols of the elders of Zion etc have greatly decreased in popularity among Cairo’s book sellers. This is not to mention anti-Jewish conspiracies significantly declining in everyday discourse. A big contrast with the 1990s/2000s.
  • The Mubarak regime banked on keeping the population focussed on external matters (and imaginary threats), to distract them from internal failings. If it meant the conflation of Zionism with Judaism, then so be it. The 2011 Arab uprisings were a watershed moment because it turned Arab heads from the direction of the external to the internal. The Arab tyrant was now seen as the worst conspiracy imposed on the population.
  • On the cultural level, Egypt underwent a reconciliation with its Jewish past, which spawned films and an unusual but welcome enthusiasm with Egyptian Jewry.
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  • Anti-Israel sentiment is still strong on a popular level, and for obvious good reason. The slow but gradual positive restoration of Jews back into the Egyptian imaginary shows that the fruits of the Arab Spring cannot always be measured in election victories and constitutions.
Ed Webb

The battle over the memory of Egypt's revolution | openDemocracy - 0 views

  • The once-embattled ancien regime is back with full force. Not only to consolidate its power in the present, but also to control the past. Yet, since the outbreak of the January 25 Revolution, besides the Islamists, two distinct communities were – and still are – in conflict, among other things, over the revolution’s nature and principles: the regime and the revolutionary activists. What follows is an exploration of these communities’ strategies to permeate the people’s collective consciousness and to enforce their own narratives of the revolution and its memory, across three different domains: Egypt’s public space; Egypt’s online sphere; and outside Egypt.
  • in the revolution’s early years, Egypt’s public space was representative of the young activists’ creativity and rebellion
  • Through graffiti on walls, images, texts and structures, the activists created from the country’s streets and squares memorials to keep the memory of the brave martyrs as well as the revolution’s ideals alive. Walls of Freedom, a 2014 book by Hamdy and Stone, offers thorough insights into the revolution and its artistic works. Young Egyptians’ independent cultural activities, including concerts and exhibitions, played a role in enhancing the historical narrative of the pro-revolution community.
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  • In November 2013, a few hours after Prime Minister Beblawi inaugurated it, protesters vandalised a memorial that the government built for ‘the martyrs of the revolution’. In his inaugurating speech, Beblawi referred to January 25 and June 30 ‘revolutions’ as well as the martyrs of the police and the army. That was interpreted by the protesters as another attempt to conflate the meanings and disrupt the image and the perceptions of the January 25 Revolution in the Egyptians’ collective consciousness
  • the military, Egypt’s central power, endeavoured to restrict the public space and erase the memory of the January 25 revolution. For this power knows that while memories are linked to the past, they determine how many Egyptians will perceive the future. The military pursued 1984’s Orwellian prophecy: ‘he who controls the past controls the future’.
  • the walls of revolutionary graffiti were repainted, CCTV cameras were installed in central spaces, and governmental offices were relocated away from the heart of Cairo
  • in dismantling the revolutionary symbols, the regime intended to construct a collective memory that excludes rival interpretations of events to its own. That is reminiscent to the Bahraini government’s destruction of Pearl Roundabout, the rallying point of the 2011 mass anti-government protests.
  • the activists’ 2012 campaign: Askar Kazeebon (Lying Military) whose modus operandi was to broadcast videos and documentaries to pedestrians that falsify the military’s accounts of various events and expose the soldiers’ crimes and human rights violations that official and regime-friendly media ignored
  • The unprecedented crackdown on dissent and the draconian laws that reportedly imprisoned tens of thousands of activists had prompted many to surrender the public space. Some are silent out of fear or disappointment. Others tried to put the memory of the revolution aside, so that they can go on with their own personal lives
  • Since the 2013 military coup, state and private media outlets – mostly controlled by the regime’s clientele – have kept glorifying the military’s role in recent years as well as defaming the revolution and activists as tools of the west to destroy Egypt
  • tech-savvy young activists already utilised memorialisation to foment the democratic uprising. We Are All Khalid Said, a Facebook page created to commemorate the 28-year old Khalid Said who was brutally tortured and killed by police, in 2010, became the January 25 protests’ virtual rallying point and main coordinator.
  • there are many initiatives to resist forgetting the revolution and silencing its voices. The most recent of which is Mosireen Collective’s 858 archive of resistance. In the Collective’s own words, the archive includes raw photographs, videos and documents that ‘present thousands of histories of revolt told from hundreds of perspectives. While the regime is using every resource to clamp down on public space and public memory the time has come to excavate and remember and re-present our histories.’
  • Wiki-Thawra whose slogan is ‘so we don’t forget’; UCLA’s Tahrir Documents; AUC’s University on the Square; and MIT’s 18 Days in Egypt.
  • After the 2013 military takeover, thousands involuntarily left the country to live in exile abroad. A minority among the exiled are still engaged in telling stories of the revolution and protesting al-Sisi government’s human rights violations and destruction of Egypt’s democratic hopes. Using art and satire, they continue to disturb the regime’s hegemonic revolution-defaming narratives.
  • it is still uncertain whether the regime has successfully dominated the Egyptian collective memory of the January 25 Revolution. That is because collective memory is not a static realm but rather a fluid construct that shapes – and is shaped by – current conditions and future aspirations.
Ed Webb

Egypt protests: How cartoon of Sisi the cat burglar became face of a movement | Middle ... - 0 views

  • “I just wanted to pitch-in but I wasn't sure how,” says the 37-year-old street artist, who made his name in Cairo during the 2011 revolution against Hosni Mubarak.
  • “If I would were in Cairo now, I would have taken to the streets with graffiti, like I did in 2011. I kept on wondering: how can I participate in a concrete and positive way, and make it useful?"
  • On the morning of 20 September, Ganzeer woke up anxious. During the next few hours he drew the image that has quickly come to define a new wave of protests against the sitting president. In the illustration, Sisi is dressed in a striped jacket and tie, but drawn as a cartoonish cat burglar.
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  • Activists and protesters have added their own slogans to the cartoon, as well as printing it out, cutting it up, and turning it into masks, banners and posters. It has popped up at protests in New York, Washington, Berlin, Paris and Oslo - and even in the back alleys of Cairo.
  • Egypt has seen an outbreak of protests against Sisi since 20 September, when protesters took to the streets of Cairo and other cities, calling for him to step down.
  • the most public show of opposition to the president since a crackdown on dissent after the 2013 military coup that brought Sisi to power. Hundreds of protesters were killed by security forces in Rabaa Square, with tens of thousands more arrested and imprisoned
  • A new wave of repression has followed this month's protests, with more than 2,200 people arrested, according to local activists. Last Friday Egyptian security forces locked down the centre of Cairo and other cities to deter crowds from taking to the streets.
  • Activists say Ganzeer's image not only plugged into the rising anger on the streets; drawing Sisi as a burglar fundamentally stripped the president down from a so-called statesman to an ordinary, petty thug who had literally stolen the presidency and now the coffers of the state.
  • Ganzeer’s Twitter account was among those briefly suspended earlier this week.
  • Middle East Eye asked Twitter why it had suspended the accounts of Egyptian activists and whether it was investigating the closures.
  • Ganzeer says his Twitter account was reactivated a couple of hours after he filed his appeal, but he told MEE he believed he had faced a coordinated online attack since publishing the image of Sisi. “Since I released the image, I have had to spend a lot of time just blocking [trolls]. It has been coordinated with a number of suspicious handles and accounts that clearly began in September.”
  • "Some back home are complaining that people are ignoring the deaths and detentions and crackdowns and his attempt to stay in power and now talking about corruption. "But if you ask me, I think this wave of protest is about exposing Sisi as a liar from the inside - and you could say it's a key to opening up all the other lies."
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