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the new horror film The Golem, from directors Doron and Yoav Paz

The directors of The Golem, who are Israeli brothers

Reasons for the dearth of Jewish horror fiction are varied, ranging from producers possibly fearing that the ethnic particularism of these themes wouldn’t draw in as wide an audience, to the (incorrect) sense that Judaism doesn’t offer the same baroque supernatural possibilities that Christianity does.

“The Journal has done a lot of good work in covering the Trump administration, but not nearly as much as it should have,” another recent departee said. “I lay almost all of that at Gerry’s doorstep. Political editors and reporters find themselves either directly stymied by Gerry’s interference or shave the edges off their stories in advance to try to please him (and, by extension, Murdoch).”

“This is the most access he has had to a sitting president ever – that is something he’s tried to do and has done in other countries particularly with British prime ministers,” Ellison said. “He’s choosing his own personal access over having any journalistic clout.” Murdoch bought the newspaper in 2007, but initially it was thought to be one of the few outlets in his portfolio impervious to his political influence. In the Trump era, some staff fear that seems to be changing fast.

Throughout the campaign, Ivanka was a trustee of the $300m fortune allocated to Murdoch’s daughters with Deng, stepping down only after the financial connection became public.

For some members of the tribe, Sanders’ commitment to social justice, his family’s experience with the Holocaust, his distinctive old-Brooklyn accent, his childhood memories of stickball and Ebbets Field, and even his visits to a kibbutz are all insufficient proofs of Jewishness. Why doesn’t he belong to a synagogue? Why did he marry a Catholic? Why is he so critical of the mainstream consensus on Israel? Why isn’t he a Jew the way Goldberg wants him to be a Jew?

Goldberg continues to edit one of the most important magazines in the country, and is a fixture of its star-studded annual Aspen Ideas Festival. As such, he is easily one of the most powerful arbiters of elite opinion, and representative of the establishment that has led the country to the brink of ruin.

If you’re a Jew who matters inside the Beltway, there’s a decent chance you hang out with Goldberg.

Most international news organisations have no presence in the country (and, some say, a lack of interest in the protests). Media posted online by Tunisian web activists has been some of the only material that has slipped through the blackout, even if their videos and photos haven't generated quite the same enthusiastic coverage by Western media as the Iranian protest movement did in 2009.

Several sources Al Jazeera spoke with said that web activists had been receiving anonymous phone calls, warning them to delete critical posts on their Facebook pages or face the consequences.

Sami Ben Gharbia, who monitors Tunisia's web censorship for Global Voices, said that Google and Facebook were in no way complicit in the sophisticated phishing technique. The initial signs that something was underway came on Saturday, he said, when the secure https protocol became unavailable in Tunisia. This forced web users to use the non-secure http protocol. The government's internet team then appears to have gone phishing for individuals' usernames and passwords on services including Gmail, Facebook, Yahoo and Hotmail. Web activists and journalists alerted others of the alleged hacking by the government via Twitter, which is not susceptible to the same types of operations. "The goal, amongst others, is to delete the Facebook pages which these people administer," a Tunisian internet professional, who has also been in contact with Anonymous, told Al Jazeera in an emailed interview. The same source, who asked to remain unidentified due to the potential consequences for speaking out, said that in communication with the international group, he had come up with a Greasemonkey script for fireFox internet browsers that deactivated the government's malicious code.

"If you want to understand the emotive universe from which the Arab spring arose, cinema is a good place to start. Look at a film like Elia Suleiman's Divine Intervention: there the director spits out an apricot pit at an Israeli tank and blows it up. The scene is both fantasy and prophecy."

I don't think the idea of Islamic cinema even exists in the west. Islam is presumed not to have a modern culture. I'd argue it's important that these films don't insist on any kind of stylistic unity – and that in nearly all of them Islam is portrayed as quite marginal. They argue against religiosity as a determining force. They're all about change, too, about modernity, which neocons like Francis Fukuyama say the Islamic world is incapable of

"If you want to be thought of as an auteur, you don't want to be categorised according to ethnicity or religion," Ahmad says. "By calling someone 'Islamic', you're meant to be taking away from their universal appeal."

If he can improve the foreign relations, then the possible outcomes could be the removal or the reduction of sanctions. This leads to more investment opportunities that will result in more employment opportunities and improve those industries currently operating at a very limited level. Foreign policy is the first priority for this administration. Cultural and political progress is the next step. It is natural that Rouhani is putting all his effort and energy into solving this issue. However, the ministers, especially the minister of culture and Islamic guidance, have also tried to improve things. For example, through the Press Supervisory Board, they have issued licenses for several publications, although they were unsuccessful in obtaining a license for the two newspapers Neshat and Ham-Mihan and other political publications with ties to the Reformist movement. They have also tried to obtain the license that would allow both the Islamic Iran Participation Front [one of the main Reformist political groups] and the Mujahedeen of the Islamic Revolution Organization, to once again operate as legal parties in the country. Basically, the administration is slowly trying to achieve its political and cultural objectives. However, what was promised to people before the elections was much greater than what is actually happening. The promises made were greater and people’s demands are also more substantial than what the administration has managed to achieve in the past six months.

Rouhani needs to lean on people and civil organizations more than anything else, especially given the fact that during the previous elections, he was not associated with any party or organization himself. He became the only possible choice for the Reformists so they supported him and right now, he continues to have their support. However, if he disappoints them, they might become neutral or even start opposing him. The totalitarian movement that wants to take over the government starts by creating problems for Rouhani and his administration, and then when the time is ripe, they will strike the fatal blow.

After the events of the year 2009, the group that suffered the most, officially and unofficially, were the journalists working inside Iran. For a while, we had the highest number of imprisoned journalists and bloggers. Even now, some of our notable journalists are imprisoned or have lost their jobs and many more have left the country or have decided to suspend their activities. Some of those who left the country started working for the foreign media. This is why the Ministry of Intelligence and the security organizations are putting a lot of pressure on the families of these journalists, hoping to prevent them from working outside Iran. Inside Iran, with much effort, the journalists have tried to keep journalism alive and recently we have had some progress. Of course, we are yet to return to what was called “Tehran Spring” in the first two years of Khatami’s presidency; in fact, we might never return to it. These pressures have forced our journalists to work on an international level, to establish themselves in the social networks, and also to learn and practice citizen journalism. It is true that citizen journalism is different from professional journalism, but at the end, they are both trying to reflect what is happening in society and expose what needs to be exposed so that the totalitarian movement cannot do as it wills without any opposition

Its slogan was "the voice of the voiceless", but after four decades the prestigious Lebanese daily As-Safir is in danger of falling silent, illustrating the unprecedented crisis rocking the country's media.Lebanese newspapers, long seen as a beacon of freedom in a tumultuous region, are suffering because of the country's political paralysis and a slump in funding from rival regional powers.

As-Safir's main competitor, An-Nahar, is also struggling to survive and its employees have not been paid for months."Our ink has run dry," said Talal Salman, founder and editor-in-chief of As-Safir. "The Lebanese press, a pioneer in the Arab world, is undergoing its worst crisis ever."

He blames the country's political stalemate, with existing divisions exacerbated by the war in neighbouring Syria.Two main blocs dominate Lebanon: one backed by the West and Gulf kingdoms, and the other by Iran and Syria.The rift means there have been no parliamentary elections since 2009, and lawmakers have failed for nearly two years to elect a president."Without politics, there is no media, and there is no politics in Lebanon today,"

About half the political prisoners he met in jail told him police had tracked their communications and movements through their cell phones

Stockholm-based Ericsson AB, Creativity Software Ltd. of the U.K. and Dublin-based AdaptiveMobile Security Ltd. marketed or provided gear over the past two years that Iran’s law enforcement or state security agencies would have access to, according to more than 100 documents and interviews with more than two dozen technicians and managers who worked on the systems.

When Iranian security officers needed to locate a target one night in late 2009, one former Ericsson employee says he got an emergency call to come into the office to fix a glitch in an Ericsson positioning center.

as a journalist you have to go to official sources but most of the time they just don’t respond. I have my sources and obtain different information about corruption at the municipal level. I know those who are on the municipal council and sometimes receive information about mismanagement and corruption, but when you ask for information from other sources you get total silence.” He added: “When you write about corruption and you have checked all your facts, the newspaper doesn’t want to publish the story. Recently I did an investigative report on how a leading sports figure is involved in corruption and when I had finished it no Tunisian newspaper would publish it. Unfortunately websites and blogs do not have the same impact on readers. On them we can sometimes post articles on corruption but they do not have the same impact as daily and weekly newspapers.”

The pressure exerted by the Tunisian authorities on journalists who attempt to cover corruption has taken its toll. The editor-in-chief of one opposition newspaper said that his newspaper refrained from making accusations of corruption. “We seek compromise within the constraints imposed upon us,” he said, in a clear reference to self-censorship, although he claimed that his newspaper differed from others, which, in return for “financing,” have “changed their tune.” The editor of another opposition newspaper, who is also an MP, said his newspaper does cover corruption and mismanagement. It is possible, he said, that he is given slightly more leeway by the authorities because his political party is legal and therefore has a right to state funding. Nonetheless, his paper is put under significant pressure. Tunisia’s Agency for Exterior Communication controls public advertising – which it apportions only to newspapers it approves of. This translates into considerable financial difficulties for any newspapers that don’t toe the line.

authorities employ two broad means to prevent unfavorable news from getting out: Sometimes they employ a legal ruling banning a particular issue or issues; this was the case when his newspaper published details about a court hearing related to social protests in the south of the country, when activists were on trial. On other occasions, the authorities don’t use the law; instead plainclothes police go to the stands and order them not to sell the issue.

As we can see from these estimates below, the volume of Syria-related tweets (as a percentage of overall tweets) appears considerably lower than the volume related to the uprisings in Egypt and Iran. The estimates were constructed using multiple published Web sources reporting on number of tweets for the observed events as well as total Twitter traffic over time, including Twitter's blog, Customer Insight Group, Mashable, the Sysomos blog, and a dataset acquired via Twapperkeeper.

The Iranian protests in 2009 marked the first time that social media let us witness this kind of protest in a closed society from the citizens' point of view. The world watched, transfixed, as the death of protester Neda Agha-Soltan was caught on video. Now, these kinds of horrifying images have become alarmingly common.

The revolution in Egypt was relatively short, fast, and explosive. The Syrian uprising, by contrast, has been going on for 11 long months. Certain moments have refocused the world's attention, such as the siege of Homs in early February or the deaths of journalists Anthony Shadid, Marie Colvin, and Rémi Ochlik. Otherwise, much of the Syrian uprising has tragically resembled, as NPR's Andy Carvin puts it, "the proverbial boiling of the frog." While Carvin and others have been devotedly tweeting about Syria, he acknowledges that the length of the uprising might deter some news coverage. "I could imagine editors saying, what's the new angle here?" he says.

In Iran it is rare to hear a woman sing in public. So rare, in fact, that when Shiva Soroush did so for all of three minutes last year the entire audience took to their feet. Grown men wept. With an aria in a performance of Puccini’s Gianni Schicchi, Ms Soroush, 27, became the first woman since the 1979 Islamic Revolution to sing opera for a public audience.

“At first I thought it would be dangerous and I wouldn’t be able to perform... [but] I can feel there is more freedom in the theatres now,” she says, adding that hopefully other women may now be blessed with similar opportunities. Her troupe, the Tehran Opera Ensemble, is the brainchild of Hadi Rosat, who returned to Iran in 2012 after more than a decade studying in Austria and Italy. But Tehran music lovers seem to place particular hope in Ms Souroush, as if she were single-handedly serenading Iran out of what many recall as the “eight dark years” under former President Mahmoud Ahmadinejad, which ended last August.

Farhad Fakhreddini (pictured), the founder of the national symphony orchestra, quit his job in 2009 to protest against growing interference by Mr Ahmadinejad’s government. On March 4th the 76-year-old conducted his first concert in five years, fronting the privately funded Mehrnavazan Orchestra. In the first of four sold-out concerts in Tehran, Mr Fakhreddini felt emboldened enough to perform a muscular rendition of the old national anthem from the time of the Shah. As he spun around to conduct his audience’s singing, he was met with standing ovation.