"Rolling Shutter is the way that most DSLR are shooting video. (and point and shoots and iPhones too). For 95% of the time it does not really matter what type of shutter is used for capturing video, in the other 5% it matters a lot"
Rolling Shutter is the way that most DSLR are shooting video... For 95% of the time it does not really matter what type of shutter is used for capturing video, in the other 5% it matters a lot
"For almost every big software name, there's a great free (or even open-source) application alternative. Photoshop has Gimp. 3D Studio Max has Blender.
"First place" is debatable, but it's undeniable that a lot of these applications are operating in the same league, and provide the same functionality-the same artistic potential-to creative individuals around the globe.
The same is true for video editing software. "
For almost every big software name, there's a great free (or even open-source) application alternative. Photoshop has Gimp. 3D Studio Max has Blender...
The same is true for video editing software. - sort of
"members of the Marcellus Shale Documentary Project have been quietly canvassing the Pennsylvania countryside to document the people and places caught up in the state's gas boom"
Chris Dean returned to the streets of South Memphis with filmmaker and Commercial Appeal photographer Alan Spearman, walking on foot for eight weeks to develop a series of observations that became the script of "AS I AM," the short film below.
"DETROPIA sculpts a dreamlike collage of a grand city teetering on the brink of dissolution."
looking forward to seeing this - the film, not the dissolution
"Robert Rozak, President of JuicedLink, compares and demonstrates the different preamps and digital recording devices for their low noise capabilities . The key information he stresses is that a preamps connected to a DSLR camera are just as good if not better that recording audio separately with say an Zoom H4n"
Kuleshov realized that we will build a sense of the scene's space and action out of separate shots without need for the comprehensive view supplied by an establishing shot.
Well before David Boyd A.S.C. shot a single frame of The Walking Dead, Deadwood, or Friday Night Lights, he was the cinematographer for every episode of the short-lived, much-loved series Firefly,