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Writer Unboxed » Imagining Beyond One's Own Experience, or What the Fiction W... - 0 views

  • Imagining is the job of the fiction writer. This is what we do, every time we sit down in front of a blank page. It seems as if we’re working with no more than a keyboard or pen and paper, but that’s not true. We have at our disposal every person we’ve ever known, every experience we’ve ever had, seen, heard and felt. Our ingredients are the people who have ignored us and caused us to search our brains for reasons why, people whom we’ve admired, both intimately and from a distance, and people whom we’ve tried to emulate. People who love us despite our faults; people we can’t stand despite our efforts to be better people ourselves.
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    A great read on putting the writer in another's shoes. If you desire to do fiction, it is certainly worth the time to read.
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Storyvile: Putting Your Life in Your Fiction | LitReactor - 0 views

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    This articles list things you can use from your life experience to make your fiction better.
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Ben Bova Writing Tips - 0 views

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    While many haven't a clue who this author is, he is one of the best science fiction authors ever.
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How I Make a Living as a Writer (and You Can, Too) - 0 views

  • If you sit down at a blank screen every day and simply do nothing then you are a writer. If you write one word, even better. Some people will disagree. Maybe you will disagree. That's fine. We also can all disagree. Meanwhile, our DNA is telling us we are pretty much exactly the same.
  • I try to read pieces or chapters in 3-4 books a day or more. I read at least from one non-fiction, one or two quality fiction, and one inspirational. I try to read at the level I want to write. I do this in the morning before I start writing.
  • Destroy every gatekeeper.
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  • Do what you want. Self-publishing simply means you write a book and you figure out how to get it into the hands of other people. It might just be you sell it on your email list. Congrats! You're then a published author. In my post "How to Self Publish a Bestseller" I write about the details and the numbers.
  • This seems opposite of what I said above. But blogging is not such a bad idea. How come? Because it makes you write every day. And it also is fun to build friends and community around your blog. But if you want to blog, don't just register a domain name and start blogging. You won't get any traffic.
  • There's a thousand ways to build community and practice writing on the Internet. Blog is one of them but there are many others. My #1 suggestion: first practice on Quora (cc Marc Bodnick) If you go there, follow me and say "Hi!".
  • If you don't write every day, you won't know what your potential skill level is. You will be producing sub-par work. And in a world where 15 million books will be published this year, your book will have little chance to shine.
  • Do the math: if you just write 1,000 words a day that are publishable then you have a book every two months. 1,000 words a day is not easy. But it's not hard either.
  • No. You used to be able to make a living writing articles. Just a few years ago. In 2005 I made a good living writing about 3-4 articles a day for different publications while I was running my fund and before I started and sold Stockpickr. But those days are over. People just don't pay for content. And there are too many writers. It's a supply and demand thing.
  • ou have to write more than one book. And for most people, you have to write dozens of books.
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    A great article of advice from a published author.
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The Ten Worst Pieces of Writing Advice You Will Ever Hear (and Probably Already Have) |... - 0 views

  • Take that advice beyond the beginning stages, though, and what you get are stories that really should move the reader but don’t, either because the emotions are all related from the outside or because the narrative doesn’t provide the sort of dense, information-rich substrata upon which complex characters are built.
  • Which leads me to my second point: Your story is about Gina, at forty, deciding whether or not to leave her boyfriend. Are you really going to spend half your story showing us Gina’s white-trash childhood in Elbridge, Michigan (a key bit of backstory)? Or are you just going to cut to the chase, provide a few key details, and move on?
  • But push this advice too far, and again, you’ll get stuck writing mediocre fiction. Because sometimes the things that don’t work are actually important. They don’t work not because they’re the wrong things, but because they’re the hard, ambitious, at-the-very-edge-of-what-you-even-know-how-to-say-things, and the only way to land them is to dig deeper, work harder, and sometimes even (god help you) add rather than cut.
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  • To keep advancing you have to stretch your limits. And sometimes that means writing from the point of view of someone who is super not you.
  • Language is your Swiss army knife, and you can’t do shit like this with just the knife and the corkscrew.
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    I must admit, I have heard most of these. However, I don't fully agree with all the points.
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