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Claude Almansi

About DCMP - 1 views

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    "Our mission is to promote and provide equal access to communication and learning through described and captioned educational media. The ultimate goal of the DCMP is for accessible media to be an integral tool in the teaching and learning process for all stakeholders in the educational community, including students, educators and other school personnel, parents, service providers, businesses, and agencies. The DCMP supports the U.S. Department of Education Strategic Plan for 2014-2018 by committing to the following goals: Ensuring that students (early learning through grade 12) who are blind, visually impaired, deaf, hard of hearing, or deaf-blind have the opportunity to achieve the standards of academic excellence. Advocating for equal access to educational media as well as the establishment and maintenance of quality standards for captioning and description by service providers. Providing a collection of free-loan described and captioned educational media. Furnishing information and research about accessible media. Acting as a gateway to Internet resources related to accessibility. Adapting and developing new media and technologies that assist students in obtaining and using available information."
Claude Almansi

Learning Center - Articles - DMCP.org - 0 views

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    "CAPTIONING [+]About Captioning [+]Benefits of Captioning [+]Captioning Guidelines [+]Captioning Vendors [+]Research and Studies [+]Spanish [+]The Law DESCRIPTION [+]About Description [+]Benefits of Description [+]Description Guidelines [+]Description Vendors [+]Research and Studies [+]Spanish [+]The Law DESCRIBED AND CAPTIONED MEDIA PROGRAM [+]About the DCMP [+]History - Captioned Films for the Deaf, Captioned Films/Videos Program, and Captioned Media Program [+]History - Captioning Manuals and Guidelines [+]History - Closed Captioning [+]History - John Gough [+]History - Malcolm Norwood [+]Recommend Media to the DCMP ACCESSIBLE MEDIA UTILIZATION [+]For Educators [+]For Interpreters [+]For Other Consumers [+]For Parents"
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    DMCP = Described and Captioned Media Program. Vedi anche la pagina http://www.dcmp.org/about-dcmp : "Our mission is to promote and provide equal access to communication and learning through described and captioned educational media. The ultimate goal of the DCMP is for accessible media to be an integral tool in the teaching and learning process for all stakeholders in the educational community, including students, educators and other school personnel, parents, service providers, businesses, and agencies. The DCMP supports the U.S. Department of Education Strategic Plan for 2014-2018 by committing to the following goals: Ensuring that students (early learning through grade 12) who are blind, visually impaired, deaf, hard of hearing, or deaf-blind have the opportunity to achieve the standards of academic excellence. Advocating for equal access to educational media as well as the establishment and maintenance of quality standards for captioning and description by service providers. Providing a collection of free-loan described and captioned educational media. Furnishing information and research about accessible media. Acting as a gateway to Internet resources related to accessibility. Adapting and developing new media and technologies that assist students in obtaining and using available information.
Claude Almansi

Internet service providers charging for premium access hold us all to ransom | Technolo... - 0 views

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    Cory Doctorow theguardian.com, Monday 28 April 2014 00.00 BST "An ISP should give users the bits they ask for, as quickly as it can, and not deliberately slow down the data The Federal Communications Commission, America's telcoms regulator, has formulated a plan to allow internet service providers (ISPs) to charge companies for the right to "premium" access to its customers. This is the worst internet policy news imaginable. It should strike terror into the heart of anyone who cares about fairness, politics, the widening gap between the rich and the poor, fair trade, entrepreneurship, or innovation. The FCC now stands as the world's foremost symbol for "regulatory capture," and its chairman - a former cable executive lobbyist - is the poster child for an unhealthy relationship between industry and its regulators. What's at stake is "network neutrality," which is the simple principle that your ISP should give you the bits you ask for, as quickly as it can, and not deliberately slow down the data you're looking for. ... "
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    Doctorow's intro in his newsletter: "My latest Guardian column, "Internet service providers charging for premium access hold us all to ransom," explains what's at stake now that the FCC is prepared to let ISPs charge services for "premium" access to its subscribers. It's pretty much the worst Internet policy imaginable, an anti-innovation, anti-democratic, anti-justice hand-grenade lobbed by telcos who shout "free market" while they are the beneficiaries of the most extreme industrial government handouts imaginable."
Claude Almansi

The Ultimate Section 508 Guide for Students: Content for Everyone - 0 views

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    "The Ultimate Section 508 Guide for Students In 1973, the United States government passed a sweeping piece of legislation known as the United States Workforce Rehabilitation Act. Intended to aid those with disabilities, this legislation provides funding for ...vocational rehabilitation, supported employment, independent living, and client assistance (and) authorizes a variety of training and service discretionary grants administered by the Rehabilitation Services Administration. As technology advanced, and both the workplace and society as a whole underwent significant changes, the need of those with disabilities also evolved. In order to foster equal access to the Internet and related technologies for all, the government added Section 508 to the Workforce Rehabilitation Act in 1998. What is Section 508? As amended by the Workforce Investment Act of 1998 (P.L. 105-220), Section 508 ...requires federal agencies to develop, procure, maintain and use electronic and information technology (EIT) that is accessible to people with disabilities - regardless of whether or not they work for the federal government. In short, federal law requires government agencies to create and use electronic devices, and content developed to be used with them (e.g., websites, media files, etc.), that people with disabilities can readily access. "
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    Questa guida è scritta in lingua molto semplice e illustrata da video, mentre la sezione 508 dell'ADA (Americans with Disabilities Act, un po' come la legge Stanca in Italia) in legalese originale è più difficile da capire.
Claude Almansi

Intervention of the Holy See: WIPO Diplomatic Conference on a Treaty for the Blind | Kn... - 0 views

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    The Holy See delivered this statement on 18 June 2013 at the Marrakesh Diplomatic Conference on a WIPO Treaty for the Blind. Statement by His Excellency Archbishop Silvano M. Tomasi Permanent Observer of the Holy See to the UN and Other International Organizations in Geneva at World Intellectual Property Organization Diplomatic Conference to Conclude a Treaty to Facilitate Access to Published Works by Visually Impaired Persons and Persons with Print Disabilities Marrakech (Morocco) "...Mr. President, The primary goals of the copyright system is the dissemination of creative works to enhance the common good. Copyright has never been an end in itself. Increasingly, technological developments have strained the capacity of copyright law to limit the ways in which the public accesses creative works. As stated by Jean Paul II, in his Encyclical Letter Laborem Exercens, "It would be radically unworthy of man, and a denial of our common humanity, to admit to the life of the community, and thus admit to work, only those who are fully functional. To do so would be to practise a serious form of discrimination, that of the strong and healthy against the weak and sick" [2] . Since all persons are called to contribute to society, it is fundamental to create an international instrument that could give even to impaired people a variety of opportunities to discover their potential, understand their environment, discover their rights and put to the best use their talents and resources both for personal fulfilment and for their contribution to society. This common good must be served in its fullness, not according to a reductionist vision subordinated only to the advantage of some people; rather, it is to be based on a logic that leads to the acceptance of a comprehensive responsibility. "The common good corresponds to the highest of human inclinations [3], but it is a good that is very difficult to attain because it requires the constant ability and effort to see
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    La difesa incondizionale da parte del Vaticano di un trattato OMPI per i ciechi e altre persone che non possono adoperare testi stampati è particolarmente interessante: in incontri precedenti su questo trattato - sotto il Papa precedente - il Vaticano si era allineato sui paesi ricchi del cosiddetto "Gruppo B" dell'OMPI nel chiedere di seppellire questo trattato.
Claude Almansi

Gli atenei italiani per l'Open Access: verso l'accesso aperto alla letteratura di ricer... - 1 views

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    "La Commissione CRUI per le Biblioteche di Ateneo, in collaborazione con l'Università degli Studi di Messina, intende promuovere la diffusione delle pubblicazioni Open Access nel sistema universitario italiano al fine di diffondere i benefici che derivano dal ricorso a forme di editoria elettronica ad accesso aperto. Nel corso della cerimonia del 4 novembre hanno aderito alla Dichiarazione di Berlino le seguenti università (in ordine alfabetico per località): Bologna, Brescia, Calabria, Firenze, Foggia, Genova, Insubria, Lecce, Messina, Milano, Milano Bicocca, Milano Politecnico, Milano Vita-Salute San Raffaele, Modena, Molise, Napoli Federico II, Napoli L'Orientale, Napoli Partenope, Padova, Palermo, Parma, Piemonte Orientale, Roma LUMSA, Roma Tor Vergata, Roma III, Siena, Torino, Trieste, Trieste SISSA, Tuscia, Venezia IUAV, oltre all'Istituto Italiano di Medicina Sociale di Roma. (agg. 4.11.2004) "
Claude Almansi

Subtitles and Captions for Every Video on the Web - 1st post of the Amara blog, April 1... - 2 views

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    "Here's the problem: web video is beginning to rival television, but there isn't a good open resource for subtitling. Here's our mission: we're trying to make captioning, subtitling, and translating video publicly accessible in a way that's free and open, just like the Web. Our approach: Make a simple and ubiquitous way to request, create, and translate subtitles for any video Work with others to define open protocols so that whenever subtitles for a video exist, any website or video player will be able to retrieve them Create a community space for people who subtitle video, to encourage contributions and facilitate collaboration" Posted April 13, 2010 by amarasubs.
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    Se avessi lasciato l'intitolato basato sul tag "title", questo segnalibro sarebbe intitolato: "Subtitles and Captions for Every Video on the Web | Amara - Buy captions, video translations, transcriptions, and crowd subtitling". - con la parte prima del | il titolo del primo post del 13 aprile 2010 del blog di Amara (allora Universal Subtitles": "Sottotitoli tradotti e per sordi per ogni video online" - e con la seconda parte dopo l'|, che dà il titolo attuale del blogo, cioè "Amara - Compra sottotitoli, traduzioni di video, trascrizioni e sottotitolazione di massa" Quite a change...
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    I am currently investigating file formats for long-term preservation. Obviously they must be free of proprietary ownership and publicly accessible and avoid vendor-locking - even if the vendor is a non-profit organization. What I wonder: which conditions must a video file format fulfill to permit captioning / subtitling? Are there public and open standards of formats for captioning / subtitling? Where do I find them? Can they be enriched with metadata about the author of the subtitles?
Claude Almansi

Access Matters! Closed Caption Your Videos! - VEDO #NaNoWriMo 2014 Day 27 - YouTube 201... - 1 views

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    "Published on Nov 28, 2014 Thanksgiving ruined my productivity, but I wanted to tell you to closed caption your videos! Accessibility is important! The video I captioned in this video! https://www.youtube.com/watch?v=HXORJd5_dgQ Rikki Poynter's video - https://www.youtube.com/watch?v=WmTMiWGiP6Y Take the #SaferCommunityPledge - http://youcoalition.tumblr.com/pledge Tumblr Master Post of Dangerous YouTubers - http://unpleasantmyles.tumblr.com/post/79455706244/tom-milsom-hexachordal-heres-the-post-olga YouTube Speaks on twiter: http://twitter.com/YouTube_Speaks ... Help me by sharing on twitter & facebook or reblogging on tumblr! Please like my video and subscribe and comment! If nothing else, please tell me something that matters to you. If you'd like to transcribe my older videos, please let me know! Follow me on twitter - http://twitter.com/paulidin My comedy series about online dating messages in real life is OKC IRL - http://www.youtube.com/okcirl My dating advice series is It's Probably You - http://www.youtube.com/itsprobablyyou YouTube Wishlist: http://www.amazon.com/gp/registry/wishlist/CWIUEFZBG1CS/ Music: We Wish You A Merry Christmas by Rolask - https://soundcloud.com/rolask/we-wish-you-a-merry-christmas-6 Main Stem by US Army Blues Band - http://freemusicarchive.org/music/US_Army_Blues/ Also, I used a free FCP X plug-in from - http://blog.alex4d.com/2011/08/04/smooth-move-fpx-effect Shot with a Panasonic Lumix DMC-G6 http://www.amazon.com/gp/product/B00CFCTDD6?ie=UTF8&camp=213733&creative=393177&creativeASIN=B00CFCTDD6&linkCode=shr&tag=paulidincom-20&qid=1392247584&sr=8-1&keywords=dmc-g6 "
Claude Almansi

Opening remarks of the WBU at Marrakesh Diplomatic Conference on a WIPO Treaty for the... - 0 views

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    Opening Remarks WIPO DIP Com 18 June 2013 By: Maryanne Diamond on behalf of the WBU [World Blind Union] "...I urge you to play your part in making a difference in the lives of these millions of people, by agreeing a treaty that is simple, usable and meaningful. We cannot accept a treaty which has no substance, nor, can we accept a treaty full of bureaucratic and cumbersome requirements. We cannot accept a trophy treaty that will not work in practice. When considering your proposals, changes or amendments to the text, please stop and think about what that change will make on the ground to the people this treaty is about. You have received copies of our positions on the key issues in the current text of concern to us. * Commercial availability in articles D and E will ensure the treaty fails * The treaty must allow for distribution to individuals * The treaty must not allow TPMs to be a block to access to a book by blind people Please ask us if you're not sure what the impact of text you are considering will be on the ground. We are here for the entire conference. ..."
Claude Almansi

Filmmakers' group tries to reshape treaty that would benefit the blind - The Washington... - 1 views

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    "By Kimberly Kindy, Published: June 22 Hundreds of negotiators from around the world have descended on Morocco this week to finalize a treaty aimed at ensuring that millions of blind and vision-impaired people can get books in accessible formats like audio, Braille and large print. But the treaty, years in the making, could be in jeopardy because of unresolved differences between advocates for the blind and the Motion Picture Association of America, which says the accord could undermine protections important for filmmakers, publishers and other major industries."
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    Lungo pezzo seriamente documentato sulla proposta di un trattato OMPI che faciliti la condivisione tra paesi diversi di libri in formati accessibili ai ciechi - e sul lobbying accanito della MPAA e di altri grossi produttori di contenuti contro questo trattato. La corrispondenza e-mail tra i lobbyisti della MPAA e il rappresentante US all'OMPI citata verso la fine dell'articolo può essere scaricata da http://keionline.org/node/1759 . La traduzione italiana automatica dell'articolo con http://translate.google.com/ ha le sue pecche tipiche, però rende abbastanza il senso generale.
Claude Almansi

Sita Sings the Blues - YouTube - CaptionMax 2010-12-17 - 0 views

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    "Uploaded on Dec 17, 2010 by CaptionMax **This video is displayed with video description and closed captions.** Directed, written, produced, designed and animated by Nina Paley, 82 minutes, 2008. Accessibility provided by CaptionMax: Video description by Annie and Spanish captions by Eladio Canibano. To learn more about CaptionMax visit: www.captionmax.com. To learn more about Nina Paley visit www.sitasingstheblues.com. Sita is a goddess separated from her beloved Lord and husband Rama. Nina is an animator whose husband moves to India, then dumps her by email. Three hilarious shadow puppets narrate both ancient tragedy and modern comedy in this beautifully animated interpretation of the Indian epic Ramayana. Set to the 1920's jazz vocals of Annette Hanshaw, Sita Sings the Blues earns its tagline as "the Greatest Break-Up Story Ever Told." "
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    È un film stupendo di per sé. È molto interessante anche la "video description" (audio descrizione) per i non vedenti. Forse una possibile attività, non dico in L2, ma nella formazione linguistica in generale?
Claude Almansi

Amara's Wiki-subtitling Platform Adopted by the World's Leading Online Education Provid... - 0 views

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    ""Amara's captioning and translation services have helped Coursera deliver educational videos to hundreds of thousands of students around the world," said Andrew Ng, co-founder of Coursera. "This was key to making our content accessible to non-native speakers, and has allowed our content to be delivered in dozens of languages.""
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    Queste "pagine nascoste" del blog about di Amara sono strane: un pezzo di codice per embeddare un player con una trascrizione interattiva, comunicati stampa non datati, fra i quali questo: ora la cosa bizzarra è che è da un anno che Coursera ha smesso di usare Amara, e da 10 mesi che ha cancellato il suo team Amara. Il team di Khan Academy c'è ancora, ma è praticamente deserto.
Claude Almansi

One Planet, One Internet: A Call To the International Community to Fight Against Mass S... - 0 views

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    January 22, 2014 | By Katitza Rodriguez "We aren't going to let the NSA and its allies ruin the Internet. Inspired by the memory of Aaron Swartz, fueled by our victory against SOPA and ACTA, the global digital rights community are uniting to fight back. On February 11, on the Day We Fight Back, the world will demand an end to mass surveillance in every country, by every state, regardless of boundaries or politics. The SOPA and ACTA protests were successful because we all took part, as a community. As Aaron Swartz put it, everybody "made themselves the hero of their own story." We can set a date, but we need everyone, all the users of the Global Internet, to make this a movement. Here's part of our plan (but it's just the beginning). Last year, before Ed Snowden had spoken to the world, digital rights activists united on 13 Principles. The Principles spelled out just why mass surveillance was a violation of human rights, and gave sympathetic lawmakers and judges a list of fixes they could apply to the lawless Internet spooks. On the day we fight back, we want the world to sign onto those principles. We want politicians to pledge to uphold them. We want the world to see we care. Here's how you can join the effort: Send an email to rights (AT) eff.org confirming your interest in participating in this action and receiving updates. Let us know what you would like to do in your own country so we can send you more information and amplify your voice. Visit TheDayWeFightBack.org and Take Action. Join your fellow global citizens and, sign the 13 Necessary and Proportionate Principles here: https://en.necessaryandproportionate.org/take-action/EFF Use social media tools to announce your participation. Develop memes, tools, websites, and do whatever else you can to encourage others to participate. Be creative -- plan your own actions and pledge. Go to the streets. Promote the Principles in your own country. Then, let us know what your plan is, s
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    11 febbraio: giornata di azione contro la sorveglianza globale tipo PRISM della NSA. Vedi anche i 13 "Princìpi internazionali in materia di applicazione dei diritti umani alla sorveglianza delle comunicazioni" https://it.necessaryandproportionate.org/text . Tra i firmatari, in Italia: Agorà Digitale, Electronic Frontiers Italy - ALCEI, Hermes Center for Transparency and Digital Human Rights,
Claude Almansi

Helpout "Find out what it's like to get a Helpout!" by Helpouts Support - 1 views

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    "Are you curious about the Helpouts experience? Take a free test spin with a member of the Helpouts Team! You'll get a firsthand tour of the product and see just how easy it is to receive help over video chat. Schedule a time with one of our Helpouts Specialists, or see who is available now! Our team of knowledgeable specialists looks forward to showing you how it all works. If there is a long queue to join this Helpout, feel free to watch our intro video instead!"
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    La mia recenzione di questo "helpout sugli helpout": "Ronnie was very patient and gave very clear answers. As to whether people from other countries than Australia, Canada, Ireland, New Zealand, U.K., and the U.S. (see https://support.google.com/helpouts/answer/3164468?hl=en&ref_topic=14126 ) would be allowed to offer helpouts in future, he said this is planned. As to the difference between helpouts and hangouts, he explained that though helpouts are using the hangout platform, they are a different service. And when asked if helpout participants can use the live captioning app that can be used in hangouts (see https://hangout-captions.appspot.com/ ), he said no. When I asked why the "Introducing Helpouts by Google" https://www.youtube.com/watch?v=K-VFC9AQM1k video is uncaptioned, and the video embedded in the "Find out what it's like to get a Helpout!" https://helpouts.google.com/111421743141645456280/ls/b41c1faef6b76d0f page is not only uncaptioned, but also uncaptionable via e.g. streaming it to amara.org, because if you try to open it on youtube, you get to https://www.youtube.com/watch?v=picasacid , which says: "An error occurred during validation. This video does not exist. Sorry about that." he candidly said he couldn't answer and suggested using the feedback, which I'm doing. Same reply when I asked if Google planned to caption these videos. Sure, I would have preferred to get more hopeful answers to the questions about accessibility, but it was great to get candid ones, which can now be reported to the discussion lists of the Collaborative for Communication Access via Captioning - http://ccacaptioning.org/ . " No, è vero, Ronnie è stato bravissimo. Chissà quanti helpout si sarà sorbito quel giorno, e paffete arriva una che comincia a rompergli le scatole e il nuovo giocatolo Google, portandolo a riconoscere implicitamente che insomma, meglio gli hangout veri e propri..
Claude Almansi

Affrontare l'accessibilità - per un sito più accessibile in 30 giorni - Mark ... - 1 views

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    "Questo libro risponde a due domande. La prima è "Perchè dovrei rendere più accessibile il mio sito?" E se non avete un sito web, questo libro non è per voi. La seconda domanda è "Come posso rendere il mio sito più accessibile?" Se non siete convinti della vostra prima risposta, non sarete di certo interessati alla seconda. Ed ora, tuffiamoci nello studio. Potete prelevare 'Affrontare l'accessibilità' versione in italiano come HTML (328 KB, zip) come PDF (668 KB, zip) Potete leggere 'Affrontare l'accessibilità' Indice Tutti i suggerimenti nell'ordine in cui sono stati pubblicati. Raccomandato per una prima lettura Suggerimenti per protagonista I suggerimenti sono qui raggruppati per ognuno dei personaggi protagonisti Suggerimenti per disabilità I suggerimenti sono presentati per disabilità, sia fisica che tecnologica Suggerimenti per principi di progettazione Suggerimenti raggruppati per principi di progettazione consigliati dal W3C. Tutte le pagine web dovrebbero essere percepibili, funzionali, navigabili, comprensibili, e robuste Suggerimenti per tipo di browser Suggerimenti raggruppati per browser o per prodotti specifici di ausilio alla disabilità Suggerimenti per strumenti di pubblicazione Suggerimenti raggruppati per strumenti di pubblicazione.Ogni suggerimento, se utilizzabile, include specifiche istruzioni per ognuno degli strumenti di pubblicazione inserito nel libro. [NdT ovvero MovableType, Radio Userland, Manila, Greymatter, Blogger.]" Traduzione italiana di Roberto Scano e del team Webaccessibile.org .
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    Originale inglese ora in http://diveintoaccessibility.info/ , poiché Mark Pilgrim ha provato a cancellare - ogni sua traccia online nel 2011, compreso il sito originale diveintoaccessibility.org. Vedi http://meyerweb.com/eric/thoughts/2011/10/04/searching-for-mark-pilgrim/ . Interessante e necessaria l'impostazione "multiprospettiva" di Dive Into Accessibility / Affrontare l'accessibilità.
Claude Almansi

ginger's thoughts | Silvia [Pfeiffer]'s blog - 1 views

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    Silvia Pfeiffer fa ricerca su come sfruttare le potenzialità di HTML5 per rendere audio e video accessibili. Inoltre è bravissima nello spiegare questi temi tecnici in modo semplice.
Claude Almansi

Marrakesh Treaty to Facilitate Access to Published Works for Persons who are Blind, Vis... - 1 views

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    Ossia: Trattato di Marrakech per facilitare l'accesso alle opere pubblicate per le persone cieche, ipovedenti o con altre disabilità che impediscono l'uso dei testi stampati" Pagina del sito dell'OMPI dal quale il trattato può essere scaricato in inglese, francese, spagnolo, arabo, cinese e russo.
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    Qualcuno avrebbe un suggerimento per rendere "print-disabled" più snellamente? Definizioni: http://en.wiktionary.org/wiki/print-disabled http://www.readingrights.org/definition-print-disabled Nelle traduzioni ufficiali del trattato (nelle lingue che capisco), per "otherwise Print Disabled": FR ayant d'autres difficultés de lecture des textes imprimés ES con otras dificultades para acceder al texto impreso In http://www.unipd.it/ilbo/content/accesso-ai-libri-i-non-vedenti-miracolo-marrakech Antonella De Robbio usa: "che non hanno accesso alla cultura nei supporti a stampa e in video" - "in video" è interessante perché si riferisce a una bozza anteriore che avrebbe incluso anche i sordi tra i benificiari (via la sottotitolazione), ma che ha attratto l'ira di Hollywood , rischiando di far naufragare l'intero trattato.
Claude Almansi

For Teachers, Wired Classrooms Pose New Management Concerns - Liana Heitin, Edweek.org,... - 2 views

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    "By Liana Heitin (...) In a growing number of K-12 schools, the use of 1-to-1 computing devices-including iPads, laptops, and Chromebooks-is becoming a central part of instruction. For teachers making the digital leap, one of the greatest hurdles can be figuring out how to manage the tech-infused classroom. How do you keep kids, who suddenly have the Internet at their fingertips, on task? How do you ensure the devices are safe and well-maintained? And how do you compete with your most tech-savvy students? (...)"I think this is the new frontier frankly with classroom management. We've never confronted this," said Kyle Redford, a 5th grade teacher at Marin Country Day School in Corte Madera, Calif. "
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    Suggerimenti interessanti su come assicurarsi che gli allievi facciano quel che devono fare in classe con aggeggi web-connessi anziché lasciarsi trascinare da altre cose. Ma si tratta proprio di una "nuova frontiera" per gli insegnanti? In tempi pre-web, era lo stesso quando mandavi gli allievi a far ricerca in biblioteca, o gli facevi fare lavoro di gruppo sul prato della scuola, no?
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    Aggiungo solo questo: che se si va a scuola per lavorare in modalità 1-to-1, tanto valeva restarsene a casa, no? Va bene per brevi periodi di tempo e per scopi precisi, ma altrimenti la scuola è preziosa per comunicare con l'insegnante o lavorare a coppie o in gruppo. Socializzare e costruire la comunità, insomma.
Claude Almansi

Accesso aperto alla letteratura scientifica - Dichiarazione di Berlino 2003 - Wikisource - 0 views

  • Ciascun contributo ad accesso aperto deve soddisfare due requisiti:
  • il diritto d’accesso gratuito, irrevocabile ed universale e l’autorizzazione a riprodurlo, utilizzarlo, distribuirlo, trasmetterlo e mostrarlo pubblicamente e a produrre e distribuire lavori da esso derivati in ogni formato digitale per ogni scopo responsabile, soggetto all’attribuzione autentica della paternità intellettuale
    • Claude Almansi
       
      lavori da essi derivati -> niente ND in licenza CC
  • nclusa una copia della autorizzazione come sopra indicato
    • Claude Almansi
       
      importante, perché se l'opera viene disseminata, non basta l'indicazione delle autorizzazioni nella descrizione
  • ...2 more annotations...
  • nonché il diritto di riprodurne una quantità limitata di copie stampate per il proprio uso personale.
  • n almeno un archivio in linea che impieghi standard tecnici adeguati (come le definizioni degli Open Archives)
    • Claude Almansi
       
      Cfr. Rero Docs, Archive ouverte UniGE..
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    "Definizione di contributi ad accesso aperto Accreditare l'accesso aperto quale procedura meritevole richiede idealmente l'impegno attivo di ogni e ciascun produttore individuale di conoscenza scientifica e di ciascun depositario del patrimonio culturale. I contributi ad accesso aperto includono le pubblicazioni di risultati originali della ricerca scientifica, i dati grezzi e i metadati, le fonti, le rappresentazioni digitali grafiche e di immagini e i materiali multimediali scientifici. Ciascun contributo ad accesso aperto deve soddisfare due requisiti: ) L'autore(i) ed il detentore(i) dei diritti relativi a tale contributo garantiscono a tutti gli utilizzatori il diritto d'accesso gratuito, irrevocabile ed universale e l'autorizzazione a riprodurlo, utilizzarlo, distribuirlo, trasmetterlo e mostrarlo pubblicamente e a produrre e distribuire lavori da esso derivati in ogni formato digitale per ogni scopo responsabile, soggetto all'attribuzione autentica della paternità intellettuale (le pratiche della comunità scientifica manterranno i meccanismi in uso per imporre una corretta attribuzione ed un uso responsabile dei contributi resi pubblici come avviene attualmente), nonché il diritto di riprodurne una quantità limitata di copie stampate per il proprio uso personale. ) Una versione completa del contributo e di tutti i materiali che lo corredano, i 1 nclusa una copia della autorizzazione come sopra indicato, in un formato elettronico secondo uno standard appropriato, è depositata (e dunque pubblicata) i 1 n almeno un archivio in linea che impieghi standard tecnici adeguati (come le definizioni degli Open Archives) e che sia supportato e mantenuto da un'istituzione accademica, una società scientifica, un'agenzia governativa o ogni altra organizzazione riconosciuta che persegua gli obiettivi dell'accesso aperto, della distribuzione illimitata, dell'interoperabilità e dell'archiviazione a lungo termine."
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