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anonymous

Rand & Aesthetics 19 - 0 views

  • A certain type of confusion about the relationship between scientific discoveries and art, leads to a frequently asked question: Is photography an art? The answer is: No.
  • Beyond demonstrating her lack of specific knowledge about photography, this passage also shows the weakness of her theory of definitions. Much of Rand's argument against photography as art stems from her entirely arbitrary definition of art as "selective recreation."
  • There is no such thing as a right or wrong definitions: there are merely definitions excepted by most people and definitions accepted only by individuals or eccentric groups (e.g., Objectivist definitions).
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  • She tries to defend this point of view by emphasizing the importance of selecting only those concretes that are "abstract essentials."
  • On purely philosophical grounds, therefore, Rand's assertion that photography is not art is insupportable. Yet, curiously enough, it's not even consistent with Rand's own definition. Rand's belief that art photography involves only an insignificant bit of selectivity demonstrates her ignorance of that particular art. It also demonstrates the dangers of making dogmatic assertions about subjects you don't know much about.
  • Photography, she claims, is mostly a technique; but the same could be said of painting and sculpture. The main difference between painting and photography is the tools: one creates images with paint, brushes, and canvas, the other with a camera, lenses, and filters. Otherwise, they are merely two means of achieving the same end: creating two-dimensional images.
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    "Photography. Ayn Rand, to the bewilderment of photographers everywhere, denies that photography is an art" Par for the course, really.
anonymous

Rand & Aesthetics 17 - 0 views

  • In her haste to find a pretext for calling "modern" music non-art, Rand, in her carelessness, has once again presented a hollow argument. It may be annoying and even aesthetically viscious for avant-garde composers to introduce taped sounds of machine and street noises into their musical compositions. But that, in itself, doesn't render the musical portions of such compositions any less musical. Before one denounces a given aesthetic style, one at least has to take the trouble to understand that style. Otherwise, one comes off as prejudiced rather than insightful, as an aesthetic ignoramus rather than a knowledgable critic.
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    "Ayn Rand's most extended published take on "modern music" appears in her "Art and Cognition" essay. It features all the usual Randian intellectual vices: tendency toward over-generalization, vagueness, lack of specific examples, and condemnation via implicit suggestion and innuendo:"
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