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Nele Noppe

Face fault - Wikipedia, the free encyclopedia - 0 views

  • face fault
  • meanings may differ depending on the usage by the artist or studio responsible for a work.
  • Facefault (spelled as one word): A character falling over (usually flat on their face or back, sometimes with their legs sticking up in the air as the only part of them visible on-screen) with a loud thud or crash from another character saying something anticlimactic or stupid.
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  • super deformed face, which normally includes the disappearance of the nose, the oversimplification of the eyes, and a mouth bearing a simple triangular shape showing either no teeth (red) or all teeth (white).
  • Giant sweat drop: May indicate a response to a stupid or insane action or spoken line. Less frequently indicated nervousness, especially when a character is asked a question (s)he doesn't want to answer.
  • Multiple smaller sweatdrops: May indicate nervousness or fear.
  • Nosebleeds: Indicates lust (based on a Japanese wives' tale that a boy would get a nosebleed if he stared at a pretty girl).
  • Blushing of the cheeks or a red, blue, or purple bar across the nose: Indicates embarrassment, love or sometimes even a sense of fear. Blushing is also commonly used to depict drunkenness. Pulsating crossed forehead veins: Indicates anger, rage or irritation. If viewed from behind, veins can be viewed through hair, no matter how thick. Large, shining eyes: Indicates "cute" excitement.
  • U-shaped closed eyes: When rightside-up, can often indicate calm, exasperation, shame, or irritation. When upside-down, it indicates joy, nervousness, or pride, but sometimes also indicates irritation. For some characters, especially in Pokemon, a character's pupil may form this shape instead of their whole eye, basically because they are normally incapable of blinking. The shape can also be overexaggerated depending on the level of their emotion.
  • Flames in eyes: Indicates immense passion, usually accompanied by scared characters in background Normal eyes replaced with circular white eyes (usually with a black outline): Indicates surprise, shock, vacancy, a lack of intelligence or an instance where the character is "struck dumb". It can also mean extreme pain (often featured in One Piece and Naruto). Little twinkling stars appear around the character's face. Usually indicates idealism, often about a girl. (Sometimes featured in Trigun.) Rivers of tears underneath the eyes indicate comedic anguish or discontent. Balls of tears have also been used for the same purpose, either with large balls hanging on a string below the eyes, or as small balls just below the tear ducts. Lumps of flesh growing humorously on a character's head if he/she has been hit in the head. Occasionally, when a character is hit in the head more than once, however many extra times the character was hit will appear as small lumps on top of the large one. Eyes shaped like half-moons with very tiny pupils: Indicates a devilish intent, usually accompanied by a toothy grin, a flash on the corner of one of the eyes and sometimes the flat side of the eyes will form a V. Indicates anger, usually the flat side of the eyes will form a V parallel to the eyebrows (if any). The character is totally uninterested in the situation, usually accompanied by a flat small line as their mouth or simply having no mouth at all.
  • The sudden appearance of vertical lines on the face, indicates embarrassment or speechlessness in response to some absurdity. Character does a The Scream pose, indicating fear or great anguish. Character turns into a cracked stone statue or a sand pillar (having part of the body being blown away), indicating great emotional shock. Character is frozen by ice can either indicate: Someone just said something out of extreme stupidity. One of the characters told a joke (usually an old pun) that is not funny anymore. Occasionally, it will mean that another character is singing badly. General area around a character starts to snow, sometimes building up on and around them. Someone has said something that is not funny. The character has been shunned or ignored (the joke here being that they have been treated coldly). Character turns much smaller and cartoonish, looking like a doll; this is called "super deformed". A body scaled as 4~5 times the height of the head indicates the situation is still similar to normal. A body scaled as about 3 times the height of the head indicates the situation is greatly comical. A body scaled as about 2 times the height of the head (the main body is equal to or smaller than the head), indicates the situation is only for comical effects. The character's upper face (from the eyes up) is blacked out. This shadow usually indicates serious sadness or shyness. It is sometimes used for character's in the background or for grunts, thugs and soilders to indicate a genaric extra.
  • Hair can be used for the same purpose and may be accompanied with the shadow. However, without the shadow, hair slightly covers the face but no eyes are visible behind it, where they should be. (Nodoka Miyazaki from Negima is commonly seen this way and is considered a hairstyle: On side views, only one eye is made out before the hair cover-up begins.) Hats or other head wear can be used for the same purpose and may be accompanied with the shadow. On rare occasuns, the eyes will be shown with the shadow, indicating a grim resolve. This is also seen in Pokemon with the team rocket grunts. Character becomes monochrome during states of extreme stress or shock. Character becomes a wavy paper doll and undulates, indicating shock or playful bliss. Character shakes their arms with their hands closed in fists, and they are shown as multiple flesh-colored balls with motion lines and no arms: Indicates irritation, impatience, confusion or loss of control, or occasionally, running away from something or someone. Many times this one is shown full-body, with the same effect happening for his or her legs. When the character hears something very interesting or shocking behind their back, their ear instantly becomes much bigger and moves. A variation of this one appears in Slam Dunk, in which lead character Hanamichi Sakuragi sometimes folds his ears closed when he does not want to hear what others are saying. Short vertical red lines appear or flash above the character's head before disappearing, indicating that something has caught the characters attention or understanding.
  • Thin vertical blue lines appear over the character's forehead or back of head, often accompanied with a dark blue "aura": Indicates that the character is ashamed, guilty, afraid or depressed. (Commonly occurring in Ouran High School Host Club) When a white cloud-like puff flies out of a character's mouth and disappears: Indicates a sigh of exasperation, grudging acceptance, relief, boredom, or disappointment. Character's head becomes giant as it screams their anger at somebody else. Two character's heads may take turns in alternating between a "giant head" and a normal head as they are having an argument, each taking turns yelling at each other. Jaw drops all the way down to the floor. Another version of this is when the jaw is detached from the head and falls downs as a separate object after dangling. This is usually accompanied by buggy eyes or occasionally, eyes falling out. Pupils disappear, indicating shock, anger, or a bad pun. They may also disappear in times of extreme pain. When eating some spicy food, a character's face turns entirely red. The character's lips might turn swollen and red and the character occasionally breathes fire.
  • Characters sometimes fly off into the distance and finally disappear as a star in the sky when defeated in a duel. This is a common running gag in the Pokémon series with Team Rocket, appearing also sometimes in Love Hina, and characters can be KO'd in this way in the Super Smash Bros. video game series. In-game, this is known as a "Star Finish" ("Star KO" in Melee). The character will knock another character into the air when something stupid is said. (Frequently seen in Ranma ½) Two rivals may glare at each other, and have lightning bolts cross the gap between their eyes. Spirals replacing the eyes indicate that the character is under hypnosis, using hypnosis, or subconsciously attracted towards something as though they were hypnotized. Alternatively, spiraled eyes could indicate that the character is unconscious, but usually after a more trivial or comedic fight rather than a major battle. These are also used if the character is dizzy. Spiraled eyes are often accompanied by a completely white, banana-shaped mouth with equally white drool dripping down one corner. (Frequently seen in Rurouni Kenshin) Hearts replacing the eyes while the character clasps their hands is a sign that the character is attracted to someone. The screen colors being inverted generally represents moments of unexpected pain, such when someone is shot or hit with a knife. This effect can also be used to express extreme shock. When mocking or imitating another character, a character's face can actually morph into the face of the indivdual that they are mocking/imitating. A large spherical bump of skin with black dots shows up on the head (through the hair, in this case) or another part of the body if it gets hit (the black dots representing skin pores). Sometimes a crossed patch may appear on top of it.
  • A large bubble coming out of the nose of the character indicates sleep (from boredom or exaustion for example). Female characters are almost never shown with nose bubbles Eyes in which the pupils and irises disappear could either indicate shock or depict a charicter who is blinded (usually the latter).
  • The background may change to suit the mood of the scene, usually disregarding the physical setting of the scene. For instance: Action scenes (more prominently those that focus in a single character) have for background a dynamic set of parallel lines, all of the same color hue and drawn in the direction the character is going to (if they are facing forward though, these lines are vertical). The background of a romantic scene or the introduction of a beautiful and attractive character may be a motif of flowers or a translucent scene with twinkling lights (sometimes also containing bubbles). A scene where one character is in a rage may have a distorted, jagged background showing flames. A sudden gust of wind (and/or a loud crow flying in the background in a very straight line; the sound of the crow is a pun on its sounding like a-ho which means stupid) accompanying a bad joke or embarrassment. (this is a running gag in Episode 101 of Naruto) An expression of disbelief is commonly accompanied by a single-color background with prominent vertical black lines at the top of the frame. A lone spotlight shining on a character comically dramatizes despair. (see Menchi from Excel Saga) A kyokujitsuki war flag appears behind the character when they feel extremely and unreasonably proud or determined, complete with them standing on a heroic pose. It usually has a trumpet sounding in triumph as background music. Alternatively, they might be standing near a sea with giant powerful waves. Hitodama appear floating near the character when they feel depressed or scares other characters with their dark attitude. Very anguished character falls down in a very dark void with other objects circling them.
Edward Wong

Naruto 566 - 0 views

Nele Noppe

Big Heroes on the Small Screen: Naruto and the Struggle Within - 2 views

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    POPULAR CULTURE IN COUNSELING, PSYCHOTHERAPY, AND PLAY-BASED INTERVENTIONS
Ariane Beldi

ICv2 - A Second Bad Year in a Row for Manga - 1 views

  • Manga readers lack the “collector mentality” of comic book fans and also tend to be both young and tech savvy.  The fact that manga is “long-form” entertainment, with many series running to dozens of volumes (Naruto Vol. 48 is due out in June), even taking into account the fact that manga is very attractively priced compared with traditional American graphic novels, it is very expensive to collect the entire series in paper. 
    • Ariane Beldi
       
      Well, I'm not sure that manga readers lack the "collector mentality", since serialization is at the very basis of manga, but as pointed out later in the paragraph, collecting the 100+ volumes of Naruto or buying the 20+ boxes of its anime adaptation is probably out of reach for the younger wallets. Basically, the industry has tried to milk people a bit too much by producing over-extended narratives. Moreover, they might have over-estimated people's capacity to follow the same hero over decades. Only very few narratives have been able to achieve this feat.
Manga_chronicle

Rock Lee, chronique - 0 views

Nele Noppe

A few thoughts about the state of manga publishing - 0 views

  • The strong showings by Fruits Basket, Kitchen Princess, and Vampire Knight are no mean feat, as none of these series have an anime adaptation airing on Cartoon Network—which, according to industry wisdom, is an essential pre-condition for turning a manga into a mega-hit.* Girls’ voracious, omnivorous reading habits have made hits of shojo and shonen titles alike, suggesting that the industry can survive the end of Naruto without a Black Friday crash—girls will always find a new series to champion, even if it doesn't air on Cartoon Network.
Nele Noppe

Haves and Have Nots in the Manga Industry - 0 views

  • And that’s really my thought; at this juncture in the manga publishing business here in the US, It’s really a battle between the Haves and Have-Nots. Large companies like Viz get dibs on the best series and titles like Bleach, Naruto, Death Note, and more. With business partnerships that create licensing choke holds and the ability to print large runs of books and keep collections in print, the Haves are squared away to weather any economic storm. The little guys may not be so lucky. Without blockbuster hits, or at least a moderately good showing on their books, publishers may have problems staying in business.
Nele Noppe

Comic Book Resources > Problems with the non-Japanese manga industry - 0 views

  • As I mentioned, people tend to forget that manga struggled for decades to get a foothold, but what really put manga over was anime. When anime - SAILOR MOON, DRAGONBALL Z and YU-GI-OH, mainly, with NARUTO firming up the rear - got regular spots on American TV, in syndication and on basic cable channels like Cartoon Network, they created fans, the fans sought out the manga, and because stores began giving manga its own section, it became easy to for those fans to check out other manga, word spread, sales rose, and "suddenly" manga was cool, and being read by lots of people, especially teenagers, who had never even thought of opening an American comic. That's what propelled manga. Prior to that, Viz and other manga publishers had followed the traditional route - dump their product in the American comics stream and hope for the best - and made only a little inroad. Manga's content hadn't changed, but the manga experience had. So any foreigners eyeing the American comics market, seeing manga's success, and figuring this means American comics readers are now hungry for foreign material are in for painful, especially financially painful, disappointment. (American publishers who make the same leap of faith will too.) All manga proves is that you can crack the American market, now that it's likely. And you'd better be in it for the long haul.
Nele Noppe

Opinion Prone: Digital Distribution of Manga - 0 views

  • digital manga...? I have mixed feelings about how well this will work out. Unlike anime, the format of reading a book doesn't translate as neatly as the format of watching a show on a screen. Manga sales haven't lagged as much as DVD sales partially because many people still prefer holding a physical book in their hands as opposed to reading on a computer screen (the other reason might be because they're cheaper).
  • I'm not sure if scanlations have as much an impact on manga sales as fansubs do on DVD sales though. Various experiments conducted by both fiction and nonfiction authors suggest that the availability of an e-book actually boosts real book sales.
  • The pricing model Digital Manga is using is kind of interesting. It's cheaper than buying the physical thing by more than 50%. The experiment I mentioned above had the people release their e-books free, which spurred their real book sales.
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  • I wonder if anyone will try to release digital manga by chapter shortly after release in Japan though. For long-running shounen series like Bleach and Naruto, it seems like it would be much easier than any attempt to release anime concurrently (though Crunchyroll and partners seem to be doing reasonably well). Viz already has the license. It doesn't take nearly as long to translate a chapter. It would be gold. Just figure out how to price a chapter.
  • The only issue would be that a chapter of manga is much easier to find online than an episode of anime, or at least, they're easier to access. No having to deal with torrents. You don't even have to download anything! Just pop over to Mangashare or Onemanga and you're set. Then again, if Viz did create a legal way for readers to have timely access to Japan's newest manga, I feel that many scanlators would hang up their work hats in good faith.
Nele Noppe

khyungbird: Where are the Shonen OEL Artists? - 0 views

  • the vast majority of "manga-influenced" and "OEL" comic artists in America today are influenced by shojo manga, far more than shonen manga.
  • The other editor felt that the reason was, this audience hasn't matured yet. Prior to Sailor Moon and the Tokyopop explosion (which was mostly buoyed by shojo manga and shonen romantic manga like Love Hina), the number of seriously manga-influenced artists in the U.S. was negligible. Since then, a whole generation of excellent artists has developed, mostly influenced by the things which manga did which American comics didn't do -- shojo and romantic material. This other editor felt that the future Naruto-and-Bleach-influenced artists simply weren't old enough yet.
Nele Noppe

Conference program and abstracts for Intercultural Crossovers, Transcultural Flows: Man... - 8 views

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    You'll be meeting some of the people I have been working with, like Prof. Jean-Marie Bouissou, Marco Pellitteri, Pascal Lefèvre and Jaqueline Berndt. And lucky you, you'll be able to meet Frederik Schodt! I wish I could attend it, but I think I'll be in the last rush for my dissertation, so I fear that it won't be possible! Do you know if there will be a conference proceeding?
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    I'm the most excited about meeting Ito Go myself -I'll probably sound like a total idiot face to face with Frederik Schodt ;) When did you work with Pascal and Jaqueline? I know them already. It's a shame you're not coming, though I suppose dissertation writing is an acceptable excuse. Yes, I'm quite sure there'll be proceedings, and maybe video as well. If there's reasonable wifi, I'll probably be tweeting *crosses fingers*
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