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Nele Noppe

British firm scores hit with manga Shakespeare - 0 views

  • The books have managed to interest a wide audience, with teachers integrating them into their curriculum.Seven works were released in 2007 as part of the "Manga Shakespeare" series -- "Romeo and Juliet", "Hamlet", "The Tempest", "Richard III", "A Midsummer Night's Dream", "Macbeth" and "Julius Caesar".Adaptations of "Othello" and the comedy "As You Like It" are due out in autumn of this year.The books have been a roaring success in Britain, where a new print-run was ordered after the first ran out in six months, while also flying off the shelf in Japan, said Metro Media marketing director Doug Wallace.
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    The books have managed to interest a wide audience, with teachers integrating them into their curriculum. Seven works were released in 2007 as part of the "Manga Shakespeare" series -- "Romeo and Juliet", "Hamlet", "The Tempest", "Richard III", "A Midsummer Night's Dream", "Macbeth" and "Julius Caesar". Adaptations of "Othello" and the comedy "As You Like It" are due out in autumn of this year. The books have been a roaring success in Britain, where a new print-run was ordered after the first ran out in six months, while also flying off the shelf in Japan, said Metro Media marketing director Doug Wallace.
Ariane Beldi

Transformative Works and Cultures - 1 views

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    "Transformative Works and Cultures (TWC) is an international, peer-reviewed journal published by the Organization for Transformative Works. TWC publishes articles about transformative works, broadly conceived; articles about media studies; and articles about the fan community. We invite papers in all areas, including fan fiction, fan vids, film, TV, anime, comic books, fan community, video games, and machinima. We encourage a variety of critical approaches, including feminism, gender studies, queer theory, postcolonial theory, audience theory, reader-response theory, literary criticism, film studies, and posthumanism. We also encourage authors to consider writing personal essays integrated with scholarship; hyperlinked articles; or other forms that test the limits of the genre of academic writing."
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    This online journal is opened to work on anime and manga fandom, so I thought this would be of interest to this group!
Nele Noppe

Seminar on Anime and Contemporary Japanese Society - 0 views

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    While anime is being watched on a global scale, there are significant differences in its contemporary reception. The gap between regular consumers and critical spectators, sometimes appearing in the form of Japanese audiences vs. foreign Japanologists, deserves special attention since it raises a number of questions, such as what sort of animated film is identified as anime; who relates anime to politics, history and society; what kind of meaning is at play in anime's performative images, and to what extent one can read "Japanese society", or even "culture", out of anime.
Nele Noppe

The Future Is Almost Now - 8/18/2008 - Publishers Weekly - 0 views

  • Publishers are taking a close look at a variety of models—from the Web and mobile phones to iTunes and the Sony Reader—for the digital delivery of comics.
  • Examples of digital comics date back to as early as 1985, and pirated comics have long been available to savvy Web users on underground BitTorrent sites. But publishers, for the most part, have ignored the whole issue of digital comics for years. But no longer.
  • But as publishers scatter in a variety of different digital directions, it's hard to know when—or whether—some kind of industry standard will emerge.
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  • Although Web comics have the distinct advantage of being native denizens of the Internet, they've also been much faster to capitalize on cross-media possibilities. While the Web model of distributing content for free has often been met with skepticism or even fear in the print industry, Web comics have used their free content to attract huge online audiences, and publishers are successfully monetizing them by collecting their free Web content in hardcovers and trade paperbacks.
  • Nowhere is that more true than in manga, or Japanese comics, which have become the most popular form of published sequential art in America. Manga is published overwhelmingly in the paperback book format and its success is largely driven by a younger audience that also happens to be more Web-savvy and less wedded to print than its forbears. As cell phone and smart phone technology in America finally catches up with what's available in Japan and Europe, some comics publishers have moved quickly into mobile phone distribution, a format that has proved enormously popular and lucrative for manga in its native land.
Nele Noppe

Occasional Superheroine: The Plain Janes Have Left The Building - 0 views

  • But Minx had the same vulture standing over it that I've seen time and time again -- that I saw with Virgin, that I saw with CrossGen, that I've seen with countless imprints and publishers that didn't quite know how to precisely target and capture its niche audience -- or even really knew who that audience was.
Nele Noppe

The Graphic Classroom: MACBETH: THE GRAPHIC NOVEL - 0 views

  • Sometimes you have those moments, the ones when you look at a product and wonder why you did not think of it first.
  • jaw dropping in its ingenuity, approach to comic literature, and classroom utility.
  • The illustrations are also very appealing as they are detailed, colorful, and representative of modern comics. The art does not play to the child, but caters to a wide audience, pulling no punches and showcasing the story conscientiously.
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  • Classical Comics kneaded the word “adaptation” in such a common sense way, I am befuddled that no one thought of it before. Other comic adaptations of classic literature make a choice: Replicate every word and every scene exactly as it was in the original text, or take liberties with the language and the storyline. Classical Comics, on the other hand, takes what should be the obvious choice – all of the above – and creates different versions of the story to suit both traditional purists and modern audiences. The result is a brilliant product in three volumes, perfect to suit the needs of many, while still maintaining the authenticity of the original text. It is brilliant.
  • Shakespeare was meant to be seen, not read.
Nele Noppe

Set Apart - 0 views

  • Exploring the Christian Faith through Japanese Animation
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    Not an academic book, but interesting from an audience studies perspective -a heavily Christian take on 'Haibane Renmei'.
Ariane Beldi

Special Issue CFP: Transnational Boys' Love Fan Studies (March 2013) - 2 views

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    "'BL' (Boys' Love), a genre of male homosexual narratives (consisting of manga, novels, animations, games, films, and so forth) written by and for women, has recently been acknowledged, by Japanese and non-Japanese scholars alike, as a significant component of Japanese popular culture. The aesthetic and style of Japanese BL have also been assumed, deployed and transformed by female fans transnationally. The current thrust of transnational BL practices raises a number of important issues relating to socio/cultural constructs of BL localization and globalization. Scholarly endeavors in relation to BL can be enriched by further research concerning the activities of transnational BL fans, fan communities, fandom, and the production of fan fiction. Most previous BL fan studies have remained circumscribed to Japan and North America. Therefore, in order to further develop transnational BL fan studies, we are seeking contributors who are engaged in the exploration of non-Japanese and non-North American contexts (e.g. Europe, the Asia-Pacific region, Africa, and others). Transnational BL fan studies may also be incorporated into the broader socio/political critical frameworks offered by studies in economics, gender/sexuality, race/class, and other areas. "
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    For those who are studying fandom and Boy's Love, this might be an opportunity to share your researches!
Ariane Beldi

AJISS-Commentary-A Growing Love for "Cool Japan" - 3 views

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    Japan may appear defensive on the economic and political fronts. Has the world lost interest in an aging Japan whose economy will fall to third largest? There is, however, a side of Japan that is the object of ever stronger and deeper affection around the globe: Japanese popular culture, particularly anime (Japanese animation) and manga.
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    True. In America, this seems to be growing. I see less and less of comic books and more manga novels, although manga is part of the Japanese culture. Not only that, but it seems manga is more.. I'm not sure what you can call it, but it has a different feel to it than a comic book, for obvious reasons. It's like comparing a cartoon to an anime. Although their qualitys are alike, they come from different culture and people, etc. Plus, most animes seem a bit more serious than cartoons, but that may be just the particullar shows I'm watching.. ~Z
Ariane Beldi

Wakanim.TV - Diffuseur légal et gratuit d'animation japonaise en vostfr ! - 2 views

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    est une plateforme communautaire ayant pour thématique les séries d'animation japonaises. Vous y trouverez un suivi de l'actualité au quotidien, des reportages, des articles, des interviews, ainsi que la diffusion légale de séries d'animation. Chaque semaine vous pourrez regarder des nouveaux épisodes de série inédites, cultes ou en simulcast.
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    This is a legal anime simulcast and webcast portal, with free access the first 2 months of the broadcast. Unfortunately, it is aimed at a French-speaking audience, so all subs are in French (but for those comfortable enough in Japanese, all the video have the original soundtrack).
Zero Time

The difference between Manga and American comic books - 0 views

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    "There is a big difference in art styles between Manga, which is more stylized (exaggerated) and American comics, which tend to be more "realistic". There are also quite a few serious differences between the two types of comics. Some of the differences, just to mention a few of them are the cost, creation, diverse audience and genres, presentation and even size...."
Nele Noppe

Fund animators, not adaptations - 0 views

  • we're looking at a definite trend of live-action anime adaptations, the first of which to hit screens being Dragonball Evolution, which also features white actors playing roles originally created, written, directed, animated, and performed by Japanese people.
  • According to Edward Said, one of the principles of Orientalism is a belief that Asia cannot speak for herself, and that the West must do it for her, constantly re-interpreting and clarifying the "mysteries of the Orient" for Western audiences, regurgitating the complexities of other cultures into an easily-digestible whole
  • There's an argument to be made that the purpose of live-action adaptations isn't to appeal to anime fans (although such adaptations doubtless intend on capitalizing on them), but rather to introduce mainstream viewers to anime via the otherwise-familiar milieu of flesh-and-blood cinema.
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  • But can such a move really benefit the anime industry? Is a live-action adaptation -- especially one that uses white actors in Japanese roles*** -- really a faithful homage to a beloved title?
Nele Noppe

Modern 'Bible Illuminated' Includes Celebrity Photos - 0 views

  • Another new version of the Bible, based on Japanese comics, gives the Scriptures a futuristic twist. Mecha Manga Bible Heroes, a line of comic books hitting stores in November, is meant to teach and entertain. “They have robots, advanced technology, and we’re using manga animation, which is the Japanese style of comics,” said Paul Castiglia, managing editor of the publisher JMG Comics. “In Mecha Manga, we’ve changed the setting, but the characters are the same. The names are the same. The themes and morals are the same,” Castiglia said. “We tried to adhere to the Bible as closely as possible.” The creators hope that the manga version of the Bible will pique the interest of a younger audience, so that they would read the standard editions of the Bible as well.
Nele Noppe

Okazu: An Open Letter To Publishers of Manga and Light Novels - 0 views

  • If the Japanese companies are dictating the number of books they think American companies can sell, then it’s time to grow a pair and *make* them understand that, without the barrage of advertising and the streams of distribution, their projections are as real as the worlds in their LNs.We’ve all been talking about the fansub/scanlation issue to death. LNs are not failing because of scanlations. They are failing because it is time for American companies to stop acting like beaten curs. Stop sticking your collective tails between your collective legs and state the facts as they are. The American buying audience is a few thousand strong - at best. Stop lying about it. Rework your projections and admit that you’re all working in a teeny-tiny grassroots industry. Then grow it for real, like every other company has to - through advertising, promotion and quality products. If fandom bitches that it's not good/fast/cheap/free enough, tell them to fork over money or stfu.
Nele Noppe

khyungbird: Where are the Shonen OEL Artists? - 0 views

  • the vast majority of "manga-influenced" and "OEL" comic artists in America today are influenced by shojo manga, far more than shonen manga.
  • The other editor felt that the reason was, this audience hasn't matured yet. Prior to Sailor Moon and the Tokyopop explosion (which was mostly buoyed by shojo manga and shonen romantic manga like Love Hina), the number of seriously manga-influenced artists in the U.S. was negligible. Since then, a whole generation of excellent artists has developed, mostly influenced by the things which manga did which American comics didn't do -- shojo and romantic material. This other editor felt that the future Naruto-and-Bleach-influenced artists simply weren't old enough yet.
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