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Mike Wesch

Anshe Chung - Wikipedia, the free encyclopedia - 0 views

  • In December 2006, while conducting an interview for CNET with Daniel Terdiman on her economic assets, the virtual studio in which the interview took place was bombarded by flying animated penises and copies of a photo of Graef modified to show her holding a giant penis in her arms. The griefers managed to disrupt the interview sufficiently that Chung was forced to move to another location and ultimately crashed the simulator entirely.[18] Video and images of the incident were posted to the "Second Life Safari" section of Something Awful, and the incident received international notice via blogs including Boing Boing and the online edition of the Sydney Morning Herald. Two weeks later, Anshe's husband, Guntram Graef, issued takedown notices under the DMCA, demanding that newspapers and websites remove photos and videos of the incident and claiming that they violated Graef's copyright in her avatar and other virtual creations. YouTube pulled the videos of the incident as a DMCA violation and banned the account of Second Life Safari, bringing objections from legal experts who considered the work "fair use".[19] A Linden Labs spokesperson suggested that the taking of videos and photos in Second Life should be governed by the same rules as in real life,[20] and an attorney for the Electronic Frontier Foundation compared it "to Armani attempting to restrict news photos of a car crash where one of the drivers was wearing an Armani suit."[21]
  • After news of these events and the legal objections spread across a number of sites including Slashdot, YouTube changed its rationale for removing copies of the video to terms of use violation, and in an interview Guntram Graef said that issuing the takedown notices had been a mistake. He referred to the images as 'pornographic material' and said The video and pictures are clearly defaming and constitute a sexual assault. He stated that he had originally tried to have the videos removed as a personal attack and infringement on rights, but later changed to a copyright claim when that didn't produce a response. When he realized the issues of censorship, he dropped the copyright claim.[19] In 2008 Russian opposition leader Gary Kasparov was attacked at a real public event with a flying penis helicopter and what appeared as a real life adaption of the flying penis attack on Anshe Chung. The Kasparov attack was ended within seconds by a guard who destroyed the flying penis aparatus. In contrast CNet and the company Millions of Us who were responsible for securing the event in Second Life had failed to remove the virtual objects for an extended period of time
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    In December 2006, while conducting an interview for CNET with Daniel Terdiman on her economic assets, the virtual studio in which the interview took place was bombarded by flying animated penises and copies of a photo of Graef modified to show her holding a giant penis in her arms. The griefers managed to disrupt the interview sufficiently that Chung was forced to move to another location and ultimately crashed the simulator entirely.[18] Video and images of the incident were posted to the "Second Life Safari" section of Something Awful, and the incident received international notice via blogs including Boing Boing and the online edition of the Sydney Morning Herald. Two weeks later, Anshe's husband, Guntram Graef, issued takedown notices under the DMCA, demanding that newspapers and websites remove photos and videos of the incident and claiming that they violated Graef's copyright in her avatar and other virtual creations. YouTube pulled the videos of the incident as a DMCA violation and banned the account of Second Life Safari, bringing objections from legal experts who considered the work "fair use".[19] A Linden Labs spokesperson suggested that the taking of videos and photos in Second Life should be governed by the same rules as in real life,[20] and an attorney for the Electronic Frontier Foundation compared it "to Armani attempting to restrict news photos of a car crash where one of the drivers was wearing an Armani suit."[21] After news of these events and the legal objections spread across a number of sites including Slashdot, YouTube changed its rationale for removing copies of the video to terms of use violation, and in an interview Guntram Graef said that issuing the takedown notices had been a mistake. He referred to the images as 'pornographic material' and said The video and pictures are clearly defaming and constitute a sexual assault. He stated that he had originally tried to have the videos removed as a personal attack and infringement on rights,
Bill Genereux

Copyright Term and the Public Domain in the United States - 0 views

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    This site clarifies US copyright law (if that is possible). Of particular interest is the 1923-1963 category where works would have passed into the public domain if the copyright was not renewed. The difficulty is in knowing if it was or not.
Mike Wesch

U.S. Copyright Office - Anticircumvention Rulemaking - 0 views

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    New rules on circumventing technological access controls for copyright fair use.
Natalie Pennington

Hitler parody videos latest copyright fight - CNN.com - 0 views

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    This made me think of "fair use" of videos; a whole bunch of NEW parodies popped up after the majority were taken down, which if you watch, include information about fair use, copyright, etc, and why YouTube/the film industry is "wrong" to take them down.
César E. Concepción-Acevedo

YouTomb - 0 views

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    YouTomb is a research project by MIT Free Culture that tracks videos taken down from YouTube for alleged copyright violation.
Teosholo g

Larry Lessig says the law is strangling creativity | Video on TED.com - 0 views

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    8min 14 min - take content down vs. copyright abolitionism
Jessica Rittenhouse

Unhappy Birthday - 0 views

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    Oh, boy, are we ALL in trouble!
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    A website dedicated to "preventing copyright infringement" of the "Happy Birthday to You" song - which is apparently owned by Time Warner.
Bill Genereux

Hitler, as "Downfall producer" orders a DMCA takedown on Vimeo - 0 views

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    The "Hitler as..." parodies are becoming cliche, but this is one to watch if you are interested in Copyright/Fair Use. Contains course language.
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    Includes a stinging rebuke of YouTube's takedown policies.
presentsavage

Lessig's talk at CERN - 8 views

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    Larry Lessig gives his latest presentation about copyright, gives some interesting examples of ways in which material isn't practically accessible. Debates the purpose of copyright (whether it does/should benefit authors or publishers). Promotes the dissemination of knowledge to the populace.
arunaraayala

Justin Bieber and Usher Cleared "Somebody to Love" Case| Locality News - 0 views

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    Pop sensation Justin Bieber and Usher within the clear when decide laid-off a replica case filed against them over the song 'Somebody to love.'
Mike Wesch

Smart Mobs: iBuyRight: mobile social/environmental info scanner - 0 views

  • NeoMedia Technologies patented the technology behind camera phone barcode scanning a decade ago and they are in current litigation with ScanBuy, who saw their copyright infringement charges against NeoMedia dissmissed last year. Currently NeoMedia's Patent Infringement counter-suit against ScanBuy remains pending and will undoubtably be upheld later this year. NeoMedia has thus far won copyright infringement cases brought against Virgin Entertainment, LScan, and AirClick.
Mike Wesch

Anonymous (group) - Wikipedia, the free encyclopedia - 0 views

  • In 06/09/1998, unknown coder, Amezou-shi (Mr Amezou) opened the first Japanese floating threat BBS and called it "Amezou". Mr Amezou is a nickname and his real identity is still unknown to this day. What is known in Japan as Nanashi Warudo and it's English offspring like 4chan are direct offspring of Amezou. Floating message system introduced a system where more popular thread was "bump"ed (ageru) and unpopular thread get eliminated eventually. This has made it easier to find popular threads as well as reducing the server load of the site. Since use of BBS was still limited to techies, much of discussion centred around underground IT topics such as Warez. However as the popularity of Amezou increase, the site come to suffer increasingly from shut down as well as antonymous vandalism, which made many threads unreadable. Several posting of violent threat against Mr Amezou caused eventual shut down of Amezou. Before the site was shut down, Mr Amezou made a plea to the community to create alternative site similar to Amezou. The community responded and many refuge sites was created using the same program. One of these message board was called "2 Channel" created by Hiroyuki (Hiroyuki Nishimura). Hiroyuki named his site 2Channel as the second channel of the first, i.e. Amezou. He recruited seasoned participants as Administrators to watch out for vandalism in each board, but aside from that, the thread remained essentially unmoderated and any kind of speech was permitted. One of the main innovation of Hiroyuki was to expand general interest section of message board. Previously, most of message board thread was dominated by tech topics, with only one board assigned to "General/Off topic". Hiroyuki instead created various board for non tech topic such as discussion board for current affairs. Due to unmoderated nature of the site, 2Chanel became free-for-all, no-holds-barred discussion boards for general topic.
  • All information is treated equally; only an accurate argument will work.
  • Otaku topic was called Futaba Channel, which eventually became floating thread type image board. The English version of Futaba channel became the dominant Anonymous image board in English known as 4chan.
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    The concept of anonymous originate in 90s. Japan was relatively late embracing IT. ISDN was just about to be introduced and the whole internet was largely of underground phenomenon especially in early 90s. Many information/data posted in internet involved hacking, warez, copyrighted material, pornography including child pornography, snuff, drugs, bombs, etc as well as no-hold-barred discussion which was also common sight in USENET in English Due to lax data protection law as well as the fact that most community generated site were owned by an individual, people were still reluctant to even create avatar account. More importantly, many of these site start as a secret retreat from the owner's real life, where s/he can be away from his job, his social standing, obligation, etc. Consequently, the owner of site often remained anonymous but with a designated nickname such as Kanrinin-san (Mr/Mrs Admin). Consequently, forum which requires registration never really took off in Japan. Later, these anonymous message board including USENET, which preceded it, came to be know collectively as "Nanashi Warudo" (The World of Anonymous, Nanashi=NoName=Anonymous), which in turn was mock of "Ayashii Warudo" "The World of Suspicious/Dubious". The armature anonymous message board had number limitation, most notably the limitation of server capacity. Due to higher cost of bandwidth in 90s, dominant form of community site was text based and did not allow transfer of image. Secondly, only form fund to run the site was from the owner's day job and meagre earning from (often pornographic) banner ad. Moreover, free and open nature of anonymous nature of the posting made any community message board prone to sudden increase in traffic which result in frequent shut down of any popular message board. Moreover, the simple queing of thread in the board made it difficult to find a target thread among the crowd of thread in the board. These restriction limited the appeal of the message board to te
David Toews

Confessions of an Aca/Fan: Critical Information Studies For a Participatory Culture (Part Two) - 0 views

  • we need to look at both agency and structure and so we need to end the theoretical conflict in favor of identifying shared goals
  • we need to develop strategies for decreasing the role of ignorance and fear in public debates about new media
  • The participation gap refers to these other social, cultural, and educational concerns which block full participation.
  • ...14 more annotations...
  • he new "hidden curriculum" is shaping who feels empowered and entitled to participate
  • the model of expressive citizenship suggested by the MacArthur Foundation's emphasis on New Media Literacies
  • we need
  • While schools and libraries may represent the best sites for overcoming the participation gap, they are often the most limited in their ability to access some of the key platforms -- from Flickr and YouTube to Ning and Wikipedia-- where these new cultural practices are emerging.
  • We need to continue to push for alternative platforms and practices which embrace and explore the potential of collective intelligence
  • As John McMurria has noted, the most visible content of many media-sharing sites tends to come from members of dominant groups
  • danah boyd and S. Craig Watkins are arguing that social networks act like gated communities, cementing existing social ties rather than broadening them
  • social divisions in the real world are being mapped onto cyberspace, reinforcing cultural segregation along class and race lines
  • the segregation of cyberspace may be difficult to overcome
  • While corporations are asserting a "crisis of copyright", seeking to police "digital "piracy," citizen groups are seeking to combat a "crisis of fair use" as the mechanisms of corporate copyright protection erode the ability of citizens to meaningfully quote from their culture.
  • the debates over "free labor" represent the most visible part of a larger effort of consumers and citizens to reassert some of their rights in the face of web 2.0 companies
  • In his recent book, Dream:Re-Imagining Progressive Politics in an Age of Fantasy, Stephen Duncombe makes the case for a new model of social change which is playful and utopian, channels what we know as consumers as well as what we know as citizens, and embraces a more widely accessible language for discussing public policy.
  • there is a need for critical theory which asks hard questions of emerging cultural practices
  • There is also a need for critical utopianism which explores the value of emerging models and proposes alternatives to current practices.
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    What follows might be described as a partial agenda for media reform from the perspective of participatory culture, one which looks at those factors which block the full achievement of my ideals of a more participatory society.
Bill Genereux

The Public Domain - 0 views

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    "introduces readers to the idea of the public domain and describes how it is being tragically eroded by our current copyright, patent, and trademark laws."
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