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"Claims that artificial intelligence will help solve the climate crisis are misguided, with the technology instead likely cause rising energy use and turbocharge the spread of climate disinformation, a coalition of environmental groups has warned. Advances in AI have been touted by big tech companies and the United Nations as a way to help ameliorate global heating, via tools that help track deforestation, identify pollution leaks and track extreme weather events. AI is already being used to predict droughts in Africa and to measure changes to melting icebergs."

"Instagram has been used to promote sexual violence and exploitation by people advertising themselves as "pimps", a Guardian investigation has found. For the past year, the Guardian has been tracking Instagram accounts hosting content that advocates such activity as well as those that encourage violence against the women under the control of a pimp - someone who makes money from selling others for sex. The accounts identified often use hashtags as well as code phrases commonly associated with sex work to make it easier for buyers to locate them."

"At Amazon, some warehouse and delivery drivers complain that AI-driven bots have fired them without any human intervention whatsoever. At some companies, surveillance apps track how much time workers spend in trips to the bathroom, with some workers protesting that the time limits are too strict."

"Musician Ashley Beauchamp, 30, was trying to track down a missing parcel but was having no joy in getting useful information from the chatbot. Fed up, he decided to have some fun instead and began to experiment to find out what the chatbot could do. Beauchamp said this was when the "chaos started". To begin with, he asked it to tell him a joke, but he soon progressed to getting the chatbot to write a poem criticising the company. With a few more prompts the chatbot also swore."

"No prominent developer of AI foundation models - a list including companies like OpenAI and Meta - is releasing sufficient information about their potential impact on society, determines a new report from Stanford HAI (Human-Centered Artificial Intelligence). Today, Stanford HAI released its Foundation Model Transparency Index, which tracked whether creators of the 10 most popular AI models disclose information about their work and how people use their systems. Among the models it tested, Meta's Llama 2 scored the highest, followed by BloomZ and then OpenAI's GPT-4. But none of them, it turned out, got particularly high marks."

"If you've been job hunting recently, chances are you've interacted with a resume robot, a nickname for an Applicant Tracking System, or ATS. In its most basic form, an ATS acts like an online assistant, helping hiring managers write job descriptions, scan resumes and schedule interviews. As artificial intelligence advances, employers are increasingly relying on a combination of predictive analytics, machine learning and complex algorithms to sort through candidates, evaluate their skills and estimate their performance. Today, it's not uncommon for applicants to be rejected by a robot before they're connected with an actual human in human resources. The job market is ripe for the explosion of AI recruitment tools. Hiring managers are coping with deflated HR budgets while confronting growing pools of applicants, a result of both the economic downturn and the post-pandemic expansion of remote work. As automated software makes pivotal decisions about our employment, usually without any oversight, it's posing fundamental questions about privacy, accountability and transparency."

"Employees use Hubstaff, one of the myriad monitoring tools that companies turned to as the Covid pandemic forced many to work remotely. Some, such as CleverControl and FlexiSPY offer webcam monitoring and audio recording. Mae says she often has dry eyes and a sore head at the end of the working day. "Tracking doesn't allow for thinking time or stepping away and coming back to work - it's very intense.""

"Musicians are therefore worried - about being made to perform material they otherwise wouldn't, or being usurped by a fantasy. "I can't help but think that I can be easily replaced," says Flora Rose, a singer-songwriter on TikTok. "I'm spending months crafting my debut EP, [and meanwhile] people can make tracks in one click." When it comes to the arts, AI tends to provoke horror or ridicule - as when an AI photograph won a major photography competition, or when ChatGPT declared young adult weepie The Fault in Our Stars "one of the best books of all time". In February, the lawyer behind a lawsuit on behalf of visual artists whose work was being used to generate AI art called any generative image "an infringing derivative work"."

"He's right to be annoyed - these tracks are a violation of an artist's creativity and personhood - and the fakes are noticeably more sophisticated than those from a few years ago, when Jay-Z was made to rap Shakespeare (this is the kind of humour beloved of AI dorks). The tech will continue to improve to the point where the differences become indistinguishable. Perhaps lazy artists will soon use AI to generate their latest album, not so much phoning it in as texting it. AI composes its music by regurgitating things it's been trained to listen to in vast song databases, and that's not so different than the way human-composed pop music is recombined from prior influences. Producers, engineers, lyricists and all the other people who work behind a star could be usurped or at least have their value driven down by cheap AI tools."

"The music industry is urging streaming platforms not to let artificial intelligence use copyrighted songs for training, in the latest of a run of arguments over intellectual property that threaten to derail the generative AI sector's explosive growth. In a letter to streamers including Spotify and Apple Music, the record label Universal Music Group expressed fears that AI labs would scrape millions of tracks to use as training data for their models and copycat versions of pop stars."

"According to the website Lexica, which tracks over 10 million images and prompts generated by Stable Diffusion, Rutkowski's name has been used as a prompt around 93,000 times. Some of the world's most famous artists, such as Michelangelo, Pablo Picasso, and Leonardo da Vinci, brought up around 2,000 prompts each or less. Rutkowski's name also features as a prompt thousands of times in the Discord of another text-to-image generator, Midjourney. Rutkowski was initially surprised but thought it might be a good way to reach new audiences. Then he tried searching for his name to see if a piece he had worked on had been published. The online search brought back work that had his name attached to it but wasn't his. "It's been just a month. What about in a year? I probably won't be able to find my work out there because [the internet] will be flooded with AI art," Rutkowski says. "That's concerning.""

"To create Discover Weekly, there are three main types of recommendation models that Spotify employs: Collaborative Filtering models (i.e. the ones that Last.fm originally used), which analyze both your behavior and others' behaviors. Natural Language Processing (NLP) models, which analyze text. Audio models, which analyze the raw audio tracks themselves."

"The software tracks how long a document is open, how the employee uses the document and logs the time as work. Weeks later, the company said an analysis "identified irregularities between her timesheets and the software usage logs". While Besse told the tribunal she found the program "difficult" and worried it didn't differentiate between work and personal use, the company demonstrated how TimeCamp automatically makes those distinctions, separating time logs for work from activities such as using the laptop to stream movies and television shows."

""Think about what information is going to be collected," she said. "And how comfortable you are with that information potentially flowing to just anybody … [Companies] are certainly sharing [user data] and they don't really have to tell you who they're sharing it with or why." Such items might include "smart devices" that track our behavior, such as sleep and fitness trackers, as well as popular self-discovery tools such as DNA testing kits. With the help of experts, we broke down the privacy implications of some of this season's latest offerings - so you can give the gift of privacy."

"According to these internal documents, SIAM is a computer system that works behind the scenes of Iranian cellular networks, providing its operators a broad menu of remote commands to alter, disrupt, and monitor how customers use their phones. The tools can slow their data connections to a crawl, break the encryption of phone calls, track the movements of individuals or large groups, and produce detailed metadata summaries of who spoke to whom, when, and where. Such a system could help the government invisibly quash the ongoing protests - or those of tomorrow - an expert who reviewed the SIAM documents told The Intercept."

"It would be a bit glib-and more than a little clichéd-to call this some kind of technological dystopia. Actually, dystopia wouldn't be right, exactly: Dystopian fiction is generally speculative, whereas all of these items and services are real. At the end of September, Amazon announced a suite of tech products in its move toward "ambient intelligence," which Amazon's hardware chief, Dave Limp, described as technology and devices that slip into the background but are "always there," collecting information and taking action against it. This intense devotion to tracking and quantifying all aspects of our waking and non-waking hours is nothing new-see the Apple Watch, the Fitbit, social media writ large, and the smartphone in your pocket-but Amazon has been unusually explicit about its plans. The Everything Store is becoming an Everything Tracker, collecting and leveraging large amounts of personal data related to entertainment, fitness, health, and, it claims, security. It's surveillance that millions of customers are opting in to."

"But in internet time 2009 was aeons ago. Now, intensive surveillance is available to anyone. And you don't have to be a tech wizard to do it. In mid-January this year, Kashmir Hill, a talented American tech reporter, used three bits of everyday consumer electronics - Apple AirTags, Tiles and a GPS tracker - to track her husband's every move. He agreed to this in principle, but didn't realise just how many devices she had planted on him. He found only two of the trackers: a Tile he felt in the breast pocket of his coat and an AirTag in his backpack when he was looking for something else. "It is impossible to find a device that makes no noise and gives no warning," he said when she showed him the ones he missed."

"In 2014, Facebook bought WhatsApp for $19b, and promised users that it wouldn't harvest their data and mix it with the surveillance troves it got from Facebook and Instagram. It lied. Years later, Facebook mixes data from all of its properties, mining it for data that ultimately helps advertisers, political campaigns and fraudsters find prospects for whatever they're peddling. Today, Facebook is in the process of acquiring Giphy, and while Giphy currently doesn't track users when they embed GIFs in messages, Facebook could start doing that anytime"

"The long-running issues of traceability, transparency and enforcement were colourfully illustrated in September 2017 when a group of investigators from the Basel Action Network (BAN) - a non-for-profit group that monitors compliance with the 1989 United Nations Basel Convention on the trade of hazardous wastes - attempted to learn where exactly Australia's e-waste was going. The group fitted 35 old CRT televisions, LED monitors and printers with GPS devices of a special make. Out of this sample the team quickly focused on the fate of three LCD screens dropped at Officeworks storefronts around the Brisbane metro area. Hayley Palmer, BAN's chief operating officer, was on the team that followed where they went afterwards. As the signals left the country, Palmer, her nine-month-old and a colleague tracked the monitors to a warehouse in Hong Kong and then on to an illegal dump-yard in a rural part of Thailand where they talked their way inside."