"Inoculating people from misinformation and tackling the "infodemic" are key to fighting the coronavirus. Tang, Taiwan's first transgender government minister and a self-described "civic hacker", has done this by fostering digital democracy: using technology to encourage civic participation and build consensus.
Tang has also quashed faked news by implementing a 2-2-2 "humour over rumour" strategy. A response to misinformation is provided within 20 minutes, in 200 words or fewer, alongside two fun images. Early in the pandemic, for example, people were panic-buying toilet paper because of a rumour that it was being used to manufacture face masks; supplies were running out. So, the Taiwanese premier, Su Tseng-chang, released a cartoon of him wiggling his bum, with a caption saying: "We only have one pair of buttocks." It sounds silly, but it went viral. humour can be far more effective than serious fact-checking."
"This is the dark, flamboyant humour beloved of the "stan" culture of pop superfans, and in this case, quite funny. But another attack on Jillian Mapes, Pitchfork's reviewer, was very serious: "Contact info both old and current was leaked, down to a photo of my home," she wrote on Twitter. "I've gotten too many emails saying some version of, 'you are an ugly fat bitch who is clearly jealous of Taylor, plz die' … It sucks to be scared of every person milling about outside or feel like you can't answer the phone." Her overwhelmingly positive review nevertheless tarnished the numerical perfection conferred by Metacritic, hence the attack."
"He's right to be annoyed - these tracks are a violation of an artist's creativity and personhood - and the fakes are noticeably more sophisticated than those from a few years ago, when Jay-Z was made to rap Shakespeare (this is the kind of humour beloved of AI dorks). The tech will continue to improve to the point where the differences become indistinguishable. Perhaps lazy artists will soon use AI to generate their latest album, not so much phoning it in as texting it. AI composes its music by regurgitating things it's been trained to listen to in vast song databases, and that's not so different than the way human-composed pop music is recombined from prior influences. Producers, engineers, lyricists and all the other people who work behind a star could be usurped or at least have their value driven down by cheap AI tools."