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Contents contributed and discussions participated by Satoko Ayabe

Satoko Ayabe

Hamlet: Entire Play - 16 views

  • twelve
    • Satoko Ayabe
       
      Motif - the dark, ominous night
  • mouse stirring
    • Satoko Ayabe
       
      Auditory imagery - mouse = very quiet --> shows how silent the night was (in a spooky way)
  • This bodes some strange eruption to our state.
    • Satoko Ayabe
       
      Diction - "eruption" connotes a big disaster/chaos
  • ...28 more annotations...
  • Stay! speak, speak! I charge thee, speak!
  • you tremble and look pale:
    • Satoko Ayabe
       
      Visual imagery - Horatio is terrified
  • Good now, sit down, and tell me, he that knows, Why this same strict and most observant watch So nightly toils the subject of the land, And why such daily cast of brazen cannon, And foreign mart for implements of war; Why such impress of shipwrights, whose sore task Does not divide the Sunday from the week; What might be toward, that this sweaty haste Doth make the night joint-labourer with the day: Who is't that can inform me?
    • Satoko Ayabe
       
      Repetition (of questions...why_____ ?) - to build suspense and emphasize that an unfortunate event is about to happen
  • our valiant Hamlet
  • Did squeak and gibber in the Roman streets: As stars with trains of fire and dews of blood, Disasters in the sun; and the moist star Upon whose influence Neptune's empire stands Was sick almost to doomsday with eclipse: And even the like precurse of fierce events, As harbingers preceding still the fates And prologue to the omen coming on, Have heaven and earth together demonstrated Unto our climatures and countrymen.-- But soft, behold! lo, where it comes again!
    • Satoko Ayabe
       
      Tone - ominous Repetition of omens/warnings given by nature - emphasizes future unfortunate events
  • Stay, illusion!
    • Satoko Ayabe
       
      Tone - Horatio isn't too friendly to the ghost, even if it's the king -- may demonstrate that he is still in disbelief/he is way too scared
  • Cock crows
    • Satoko Ayabe
       
      Symbolism - signifies dawn/morning
  • Speak to me: If there be any good thing to be done, That may to thee do ease and grace to me, Speak to me:
    • Satoko Ayabe
       
      Repetition - "Speak to me!" - desperate
  • For it is, as the air, invulnerable,
    • Satoko Ayabe
       
      Simile - the king is beyond their reach (except for Hamlet - the ghost talks normally with Hamlet later on)
  • The cock, that is the trumpet to the morn, Doth with his lofty and shrill-sounding throat Awake the god of day; and, at his warning, Whether in sea or fire, in earth or air, The extravagant and erring spirit hies To his confine: and of the truth herein This present object made probation
    • Satoko Ayabe
       
      Personification - day is portrayed as some powerful/heroic figure
  • malicious mockery
    • Satoko Ayabe
       
      Alliteration - kind of sounds silly - maybe to reflect that their attempt to communicate with the ghost was pointless
  • Saviour's birth is celebrated,
    • Satoko Ayabe
       
      Motif - Christianity
  • guilty thing Upon a fearful summons.
    • Satoko Ayabe
       
      Theme - guilt
  • Do you consent we shall acquaint him with it, As needful in our loves, fitting our duty?
    • Satoko Ayabe
       
      Tone - caring/gentle - demonstrates Horatio's loyalty towards Hamlet
  • With mirth in funeral and with dirge in marriage,
    • Satoko Ayabe
       
      Irony - a happy funeral? o___o
  • Now follows, that you know
    • Satoko Ayabe
       
      Tone - careless, not showing much grief
  • And now, Laertes, what's the news with you? You told us of some suit; what is't, Laertes? You cannot speak of reason to the Dane, And loose your voice: what wouldst thou beg, Laertes, That shall not be my offer, not thy asking? The head is not more native to the heart, The hand more instrumental to the mouth, Than is the throne of Denmark to thy father. What wouldst thou have, Laertes?
    • Satoko Ayabe
       
      Tone - way too generous/pretending to be nice. Suggests Claudius' manipulative nature
  • How is it that the clouds still hang on you?
    • Satoko Ayabe
       
      Symbolism - a dark cloud connotes grumpiness
  • ot so, my lord; I am too much i' the sun
    • Satoko Ayabe
       
      Tone - mocking, sarcastic - shows Hamlet hates Claudius
  • thy nighted colour off,
    • Satoko Ayabe
       
      Symbolism of night - dark, gloomy. Telling Hamlet to stop being so grumpy
  • dust:
    • Satoko Ayabe
       
      Symbolism - dust: empty, useless, lifeless
  • Seems, madam! nay it is; I know not 'seems.' 'Tis not alone my inky cloak, good mother, Nor customary suits of solemn black, Nor windy suspiration of forced breath, No, nor the fruitful river in the eye, Nor the dejected 'havior of the visage, Together with all forms, moods, shapes of grief, That can denote me truly: these indeed seem, For they are actions that a man might play: But I have that within which passeth show; These but the trappings and the suits of woe
    • Satoko Ayabe
       
      Tone - sarcastic and attention seeking
  • It shows a will most incorrect to heaven, A heart unfortified, a mind impatient, An understanding simple and unschool'd: For what we know must be and is as common As any the most vulgar thing to sense, Why should we in our peevish opposition Take it to heart? Fie! 'tis a fault to heaven, A fault against the dead, a fault to nature,
    • Satoko Ayabe
       
      Motif - heaven, god, religion
  • I shall in all my best obey you, madam.
    • Satoko Ayabe
       
      Tone - hidden anger + frustration
  • canon
    • Satoko Ayabe
       
      Symbolism - criticism/punishment
  • Frailty, thy name is woman!
    • Satoko Ayabe
       
      Symbolism - women = weak, disloyal
  • My father's brother, but no more like my father Than I to Hercules
    • Satoko Ayabe
       
      Simile - to show that Claudius is nothing near Hamlet's dad
  • O, most wicked speed, to post With such dexterity to incestuous sheets!
    • Satoko Ayabe
       
      Theme - loyalty (Hamlet) vs disloyalty (Claudius, Gertude)
Satoko Ayabe

No Fear Shakespeare: Hamlet: Act 1, Scene 1, Page 2 - 0 views

  • Horatio says ’tis but our fantasy And will not let belief take hold of him Touching this dreaded sight twice seen of us. Therefore I have entreated him along With us to watch the minutes of this night, That if again this apparition come He may approve our eyes and speak to it.
    • Satoko Ayabe
       
      Tone - worried, anxious. This suggests that Marcellus is fearful of the king's ghost. It again adds to the gloomy atmosphere
Satoko Ayabe

No Fear Shakespeare: Hamlet: Act 1, Scene 1 - 0 views

  • twelve
    • Satoko Ayabe
       
      Tone - ominous, gloomy. Twelve o'clock is when all the spooky things happen
  • mouse stirring
    • Satoko Ayabe
       
      Mouse stirring - a very very quiet sound. Shows how silent and spooky the setting is
Satoko Ayabe

No Fear Shakespeare: Hamlet: Act 1, Scene 1, Page 8 - 0 views

  • guilty thing Upon a fearful summons.
    • Satoko Ayabe
       
      Suggests the theme of guilt
  • The cock, that is the trumpet to the morn
    • Satoko Ayabe
       
      Rooster compared to trumpet - to show it is loud
  • Awake the god of day, and, at his warning, Whether in sea or fire, in earth or air, Th' extravagant and erring spirit hies To his confine, and of the truth herein This present object made probation.
    • Satoko Ayabe
       
      Personification of day - powerful (positive), a savior
  • ...2 more annotations...
  • Saviour’s birth is celebrated
    • Satoko Ayabe
       
      Motif -Christianity (Jesus Christ)
  • As needful in our loves, fitting our duty?
    • Satoko Ayabe
       
      Loving, caring tone - suggests Horatio's + Hamlet's friendship
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