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"This free interactive cultural and learning app will be of interest to anyone interested in Tudor history, cultural research, e-learning, art history, or the town of Thetford. It was created by a joint team from the University of Leicester, Norfolk Museums and Archaeology Service, English Heritage, Oxford University and Yale Center for British Art. It stems from a 3-year project applying space science technology to art historical monuments."

Thousands of  painters, craftsmen, patrons of the arts perished during the mid 14th century. The heart of the cultural world was torn open.  The horrors of the black death pervaded all aspects of Medieval culture and especially art. The effects were lasting, bringing a somber darkness to visual art, literature, and music. The dreadful trauma of this era instigated the imaginations of writers and painters in worrying and unsettling ways for decades to follow. The insecurity of daily survival created a atmosphere of gloom and doom influencing artist to move away from optimistic themes and turn to images of Hell, Satan and the Grim Reaper. Many painters simply gave up art believing that it was hopeless to try and create beauty in a hellish world.

This interest stands in contrast, as Hatcher points out, to the view of the Black Death taken by historians at mid-century and it may be that the social and economic history of late medieval English society has emerged from the shadow of historians such as Postan and Levett, where the Black death was seen as a catalyst, not a prime mover. Colin Platt's King Death. The Black Death and its aftermath in latemedieval England is a work of synthesis which continues this trend. Written in a fairly chatty style (phrases such as 'Mickey Mouse numbers' and 'rich old ladies' abound) with a liberal sprinkling of modern marketing-speak ('shopping blight', 'customer base' and 'market spread', for example), it is a personal tour through a great deal of the recent secondary literature, largely generated by historians of town and countryside; the book also offers a brief survey of postplague art and architecture.

Art has been a medium through which people have not only documented, but also shaped history-both past and future. Periodically, individuals, groups, and societies have also drawn on or appropriated artistic forms of the past to make statements in and about the present. Art can commemorate existence, achievements, and failures, and it can be used to record and create communal as well as personal memories.

Art and Death in the Middle Ages

A Virtual Museum Featuring 47,204 Images of Art and History

essay and related art terms, objects, maps, etc., from the Metropolitan Museum of Art (New York)

an online art history reference "book"

"We got a kick out of this recent io9 post fact-checking 10 misconceptions about the Middle Ages. Drawing on a particularly awesome r/AskHistorians thread, the post untangles popular myths about the "Dark Ages," including that peasants were all the same (NOT), and that women never pursued a trade (FAKE). As manuscripts curators who spend our days studying the visual evidence of the Middle Ages (and our nights watching fantasy shows), we'd like to offer yet more visual ammo to debunk four of our favorite myths."

"Abstract: The Bayeux Tapestry is a complex visual history of the Norman Conquest of England. Its creation and the story it weaves were defined by its dichotomous authorship, its physical form as textile art and its analogous narrative imagery. An examination of each these aspects of the Tapestry allows us to move closer to identifying the purpose of the unknown author in creating a textile narrative of the Norman Conquest of England. It is argued that the Tapestry was created on the commission of Odo of Bayeux, however authorship resided with his designer and artisans, who wove a story that befitted their patron. In form and narrative, the Tapestry served the purpose of advancing the position Odo of Bayeux, and the Norman claims to England. Though the narrative is not without ambiguity, the message of the moral and political victory of the Norman elite over a perjurious usurper is a constant refrain throughout the Tapestry."

German Painting and Graphic Art 1350-1530

Art Through Time: A Global View examines themes connecting works of art created around the world in different eras. The thirteen-part series explores diverse cultural perspectives on shared human experiences.

The plague's influence on art is profound because of the infection's overall impact on many artists and their work. The historical imprint the illness left on Renaissance art is undeniable.

"There are, in other words, no perfect maps-just maps that (more-or-less) perfectly capture our understanding of the world at discrete moments in time. In his new book, A History of the World in 12 Maps, Brotton masterfully catalogs the maps that tell us most about pivotal periods in human history. I asked him to walk me through the 12 maps he selected (you can click on each map below to enlarge it)."

Bringing life to Muslim Heritage Discover 1000 years of missing history and explore the fascinating Muslim contribution to present day Science, Technology, Arts and Civilisation.

"The Year 1200: A Centennial Exhibition at The Metropolitan Museum of Art" catalogue to read online or download the pdf

In art, the changes were extreme. During the pre-plague times noble lords were shown in full health, in their best clothes and armor, holding their swords. Afterwards, half-decomposed bodies with parts of skeleton clearly visible were shown. The clothes draping the body were old dirty rags, and some sculptures showed worms and snails burrowing in the rotten flesh. Suffering became a favorite theme. 

The long term effects of the Black Death were devastating and far reaching. Agriculture, religion, economics and even social class were affected. Contemporary accounts shed light on how medieval Britain was irreversibly changed.

Timothy Graham's illustrated lecture on the history, art and symbolism of the Book of Kells, a medieval Celtic decorated gospel manuscript. Sponsored by Osher Lifelong Learning Institute, UNM Continuing Education. Watch the illustrated lecture on the Book of Kells Listen to the lecture

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