HSLU FED audience+

Im Schnitt nutzen deutsche Orchester und Museen lediglich zwei Social-Media-Tools bzw. Communities, um mit ihren Stakeholdern zu kommunizieren.

Bilder schreiben Geschichte, doch selten sind der Geschichte so oft die gleichen Bilder verschrieben worden wie 1989/90 in Deutschland. Die Atmosphäre vor dem Mauerfall, der Alltag entlang des "Zeitenwechsels", aber auch die Parallelität von Euphorie und Verunsicherung bilden den Kern von bedeutsamen Erfahrungen, die in der Bilderflut selten durchschienen. Dies war der Anlass, noch einmal neu über die Bilder dieser Umbruchszeit nachzudenken und den privaten Bildern Raum zu gebe

Seit vergangenem Jahr findet Social Media zunehmend Beachtung in der Kommunikation von Kultureinrichtungen. Diese Feststellung war Anlass im Zeitraum Februar bis Juni 2010 die Studie zum Thema "Das Social-Media-Engagement deutscher Museen und Orchester" durchzuführen.

Blogparade: Frage: wie kann ich den Chef von social media überzeugen #npoblogparade

Dr. Alexander Badenoch (Utrecht University, Netherlands). So what's the (European) story? Making sense of the digital heritage environment.

DeDoose researchers facing real challenges and finding real answers-so take a few minutes and see firsthand how Dedoose can benefit you and your work including: the steps of establishing your account, importing your resources and descriptors, building and perfecting your coding system, excerpting your texts, applying the relevant codes, exploring and interpreting your work, and, last but not least, exporting your final results in a form ready for use in your article or report.

Open Design Week Berlin

Radiosendung: Das traditionelle Feuilleton in der gedruckten Presse verliert laufend an Wirkungsmacht. Denn: Veranstaltungstipps kursieren heute bevorzugt in digitalen sozialen Netzwerken und per E-Mail. Das Internet selber ist immer häufiger Veranstaltungsort, oder wenigstens Übertragungsmedium von kulturellen Ereignissen.

Jetzt ist die Frage, was Wirkungsmacht meint. Ich dachte auch, dass das Feuilleton laufend an Bedeutung verliert, weil es häufig einfach abgeschafft wird.. Stimmt aber nicht, wie eine Studie in Deutschland zeigt. Es gab in den Tageszeitungen noch nie so viel Feuilleton wie heute.

The following strategy worksheets and guidelines were developed by Enterprise Technology and Local History Services at the Minnesota Historical Society (MHS) as templates for use by other history organizations. The guidelines were created both from experiences here at MHS and by glomming good ideas from the guidelines of others around the web.

The following strategy worksheets and guidelines were developed by Enterprise Technology and Local History Services at the Minnesota Historical Society (MHS) as templates for use by other history organizations. The guidelines were created both from experiences here at MHS and by glomming good ideas from the guidelines of others around the web.

ECHO's most recent web project is Learning from the People, a sub-site on WGBH's site Teachers' Domain. It draws on both Native and 'standard' (Euro-American) sources to examine two themes: traditional storytelling in the Native world, and Arctic climate change.  Museum and the Web 2008 : http://www.archimuse.com/mw2008/abstracts/prg_335001722.html

Based on the semantically-enriched data model, we have implemented three different components/tools in the CHIP demonstrator: Artwork Recommender, web-based virtual Tour Wizard and PDA-based Mobile Tour. (i) Artwork Recommender. a Web-based rating dialog for artworks/topics to build a user profile, based on semantics-driven recommendations. (ii) Tour Wizard. a Web-based tool using the user prole to generate (semi)automatically personalization virtual museum tours for each user. (iii) Mobile Tour. a PDA-based tool to map virtual tours into the physical museum space with constraints; to give guidance to users and to synchronize the user profile on the web and in the PDA. prsented at Museum and the Web 2008: http://www.archimuse.com/mw2008/abstracts/prg_335001703.html

vimu - das virtuelle Museum zeigt lebendige Geschichte der deutsch-dänischen Grenzregion von Hamburg bis Odense von 1830 bis heute. Wurde an der Museum and the Web Conference 2008 vorgestellt: http://www.archimuse.com/mw2008/abstracts/prg_335001678.html

On Saturday 29 April 2000 the V&A staged its first Day of Record, a proposed series of events cataloguing applied and decorative arts in relation to the body. Over 1500 tattooed people visited the Museum on that day to have their artworks photographed for inclusion in the V&A digital archive of tattoos. This site is the product of that day.

Wurde am Museum and the Web 2008 vorgestellt: http://www.archimuse.com/mw2008/abstracts/prg_335001856.html "The Universidad Nacional Autónoma de México (UNAM), as an active cultural promoter, implemented a virtual museum system in order to help and develop expression related to art, science and humanities. The UNAM's cultural heritage is, as in many other universities, a vast number of different kinds of objects, ranging from painting and sculpture to numismatics and architecture, from traditional art to modern multimedia-based exhibits to Scientific Collections. It is impossible to exhibit it all in a single place in an orderly fashion." http://www.archimuse.com/mw2008/abstracts/prg_335001856.html

Chris Alexander vom San Jose Museum of Art stellte 2008 ausserdem einen iphone guide prototyp vor: http://www.archimuse.com/mw2008/abstracts/prg_335001800.html

In 2002, the people of Ontario became the fortunate recipients of a time capsule vividly illustrating life in the province during the 1950s and 1960s when London television station CFPL generously donated 2,700 reels of news film to the Archives of Ontario. (das Projekt wurde 2008 an der Museum an the Web Conference vorgestellt: http://www.archimuse.com/mw2008/abstracts/prg_335001830.html

Ein Beispiel für neue Zielgruppen erreichen (s. Konferenzbeitrag Archimuse: http://www.archimuse.com/mw2008/abstracts/prg_335001837.html Our solution (in progress): - By creating many experiments across the widest range of existing social networking models we are making links with the local community who in turn show what the Gallery and the area is really about through their own images, ...- We always ensure we can back each experiment with adequate resources and talent to ensure a high quality result that does justice to the Gallery we represent.

On April 25, 2007 the Art Gallery of Ontario in Toronto launched a new online initiative called Collection X "This project, which has been in development for six years, represents a huge leap forward for the AGO not only because it makes works from the permanent collection available online but also because it makes it possible for the public to upload their own collections and to create exhibitions using the same application. As it has been conceived, Collection X is meant to function as an open-source museum that features public collections presented alongside collections created by the public." (museumsremixed.blogspot)

Folksonomy: What can folksonomies or collaborative tagging achieve?

ne of the core questions behind Web 2.0 and user participation (especially in the museum context) is this: what is the proper role and relationship of experts and amateur enthusiasts?