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"Most schools do not have a scope and sequence for speaking. Most teachers have never attended a district workshop about how to teach speaking: RTI, yes; bully-proofing, yes; a new math program, yes; instructional rounds, yes; speaking, no. Teacher-preparation programs do not have a class devoted to teaching listening and speaking. Education conferences don't have sessions on how to teach speaking. Yes, some schools now pay lip-service to oral communication and are hip enough to claim to value presentation skills, but such stated priorities mean little without coherent instructional support."

Change in Education

Teacher Knows if You've Done the E-Reading

"At the American Press Institute (API), we put energy into helping news readers of any age understand and evaluate the news they encounter. In our work with youth and media, we generally recommend six basic questions that can be asked about the news you encounter: 1. Type: What kind of content is this - news, opinion, advertising or something else? 2. Source: Who and what are the sources cited, and why should I believe them? 3. Evidence: What's the evidence and how was it vetted? 4. Interpretation: Is the main point of the piece backed up by the evidence? 5. Completeness: What's missing? 6. Knowledge: Is there an issue here that I want to learn more about, and where can I do that? We are excited to partner with Newsela to offer a way for teachers to begin some of these thoughtful media literacy discussions with their students. Newsela has created an election Text Set that focuses squarely on media literacy. Every article in the set uses some of API's six questions as Annotations to encourage critical thinking - and teachers can use some, or all, of the six questions to guide classroom discussion."

"The key to getting kids to read deeply in any format is to have them engage with the text in meaningful ways. In the digital space, that means disrupting a pattern of skipping around, writing short chats and getting lost down the rabbit hole of the internet. It means teaching kids ways to break down a complex text, find key ideas, organize them and defend them. Practicing those skills in class can be time-consuming, but it also builds good digital reading habits that hopefully become second nature. "The goal in almost all the strategies is to slow the kids down so they are focusing on this text," Hess said. "Number two is to engage them in an active way with the text, and number three you want to encourage oral discourse. And number four you want them to do some reflection." Those steps should sound familiar to teachers because they are important for any kind of reading for comprehension and analysis. The trick for teachers is to learn how to transfer these processes into the digital space and push them even further."

""There are expectations on our kids to ... be a charismatic extrovert," says Kasevich. Even if it's unconsciously, she says, teachers tend to give more attention to the louder students. Kasevich admits she did it too: calling on the kids who raised their hands first. The two-day course started with reimagining class participation, which in some schools can count for a big portion of students' grades. Kasevich would prefer it be called classroom engagement. "Being present and connecting doesn't have to take place through lots of speech," she says. Why not try drawing, writing or working in pairs? Or, Kasevich suggests, have students walk around the room, writing ideas on tacked-up pieces of paper. They can respond to each other's ideas - like a sort of silent dialogue."

It's often hard to justify watching a two-hour film when there's so much else that has to be done. But, what about an eight-minute film? That's the average length of our Film Club features, and these short documentary films do much more than just entertain. They challenge assumptions and offer new perspectives. They tell stories that often remain hidden, and introduce us to people and places foreign to us. As with other short texts like stories, poems and articles, mini-documentary films can stimulate discussion, debate, thinking and writing. And, they can serve as a refreshing break from print media to help students explore curriculum themes and practice important literacy skills. Below, we present eight films we've featured in our Film Club series that have already captured students' and teachers' attention. In addition, we offer practical teaching ideas, along with responses from students and teachers, for how you can use these documentaries, or films like them, to teach close reading and critical thinking skills."

"Teachers are taking up the challenge to change that. NPR Ed put out a social media call asking how educators are teaching fake news and media literacy, and we got a lot of responses. Here's a sampling from around the country:"

"School 21, a public school in London has made "oracy" a primary focus of everything they do. From the earliest grades on up teachers support students to find their voice, express differing opinions politely, and challenge one another's thinking. These are skills called for in the Common Core, but can be hard to find in many classrooms because students haven't been taught how to make "turn and talks" truly effective. The Edutopia team visited School 21 and captured some amazing videos of students practicing their communication skills with support from teachers."

"Questions for teachers, parents and students, from an educational psychologist"

"In an education landscape that dramatically deemphasizes creative expression in favor of expository writing and prioritizes the analysis of non-literary texts, high school literature teachers have to negotiate between their preferences and the way the wind is blowing. That sometimes means sacrifice, and poetry is often the first head to roll. Yet poetry enables teachers to teach their students how to write, read, and understand any text. Poetry can give students a healthy outlet for surging emotions. Reading original poetry aloud in class can foster trust and empathy in the classroom community, while also emphasizing speaking and listening skills that are often neglected in high school literature classes."

"Working within an answers-based education system, and in a culture where questioning may be seen as a sign of weakness, teachers must go out of their way to create conditions conducive to inquiry. Here are some suggestions (based on input from question-friendly teachers, schools, programs, and organizations) on how to encourage more questioning in the classroom and hopefully, beyond it."

A newly released study by the Association of Literary Scholars, Critics, and Writers (ALSCW) strongly suggests that two factors-a fragmented English curriculum and a neglect of close reading-may explain why the reading skills of American high school students have shown little or no improvement in several decades despite substantial increases in funds for elementary and secondary education by federal and state governments. Three major findings: (1) The content of the literature and reading curriculum for students in standard or honors courses is no longer traditional or uniform in any consistent way.  (2) The works teachers assign generally do not increase in difficulty from grade 9 to grade 11. (3) Teachers do not favor close, analytical readings of assigned works. T 

This guide is written for teachers and students who are studying Harper Lee's novel To Kill a Mockingbird. The guide is written specifically for students in the UK, but I hope it may be helpful to users from other parts of the world. To Kill a Mockingbird is a set text for GCSE exams in English literature. It may also be studied for teacher-assessed coursework in English in Key Stages 3 and 4 (GCSE reading

"With all these new things coming down the pike for teachers, there is only one thing that suffers - and it's the most terrible observation to make -we have no time. If I had all the time I needed, here what I would do:"

NewsTrust has created a set of teacher guides that will help you teach your students the difference between good and bad journalism. These guides include interactive lesson plans for college and high school classes in journalism, civics, social studies, communications and more

A series of videos for teachers (and students) that teacher the basics of making quality videos

"Closely reading any text, whether written or visual, requires that students proceed more slowly and methodically, noticing details, making connections and asking questions. This takes practice. But it certainly helps when students want to read the text. We've selected 10 photos from The Times that we've used previously in our weekly "What's Going On in This Picture?" and that have already successfully caught students' and teachers' attention. These are some of our most popular images - ones that may make viewers say "huh?" on first glance, but that spark enough curiosity to make them want to dig deeper. Below, we offer ideas from students and teachers who have engaged with these images for ways to use them, or images like them, to teach close reading and visual thinking skills."

"In an education landscape that dramatically deemphasizes creative expression in favor of expository writing and prioritizes the analysis of non-literary texts, high school literature teachers have to negotiate between their preferences and the way the wind is blowing. That sometimes means sacrifice, and poetry is often the first head to roll. Yet poetry enables teachers to teach their students how to write, read, and understand any text. Poetry can give students a healthy outlet for surging emotions. Reading original poetry aloud in class can foster trust and empathy in the classroom community, while also emphasizing speaking and listening skills that are often neglected in high school literature classes."

"Morone, with the backing of the high school district's administration, has developed an "open classroom" curriculum for all of the sophomore honors English students where students are given independence to demonstrate they have mastered the same standards the school has been using for years. "We are using the same core texts, the same curriculum designed by the school and approved by the board of education - but the way we are approaching the curriculum is very different," Morone said. "The first word that has to be put out there about it is that it is non-linear." Dr. Barry Bachenheimer, the regional director of curriculum in the district, said Morone's class is part of a "larger idea" of allowing flexibility to foster learning in the Pascack Valley High School District - which includes the "Pascack Period," a weekly 88-minute period where students can study, work out or sign up for non-traditional classes taught by teachers and even students. "