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Gonzalo San Gil, PhD.

The value of open source is the open development process: Scott Wilson OSS Watch | opensource.com - 0 views

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    "Scott Wilson agrees that open source matters because of open code, but just as important is the process in which the code is made. open development of code is in the social nature of many programmers, hackers, documentors, and project managers. So, what is it about open development? "
Gonzalo San Gil, PhD.

Getting Started in Open Source Software | Linux.com - 0 views

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    "Open source software is everywhere, and chances are high that you'll be writing, deploying, or administering it when you enter the workforce. Hiring managers are looking for candidates with experience in Open source. Employers will often ask you for your GitHub username along with - or instead of - your resume. So, if you're all new to Open source, where should you get started?"
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    "Open source software is everywhere, and chances are high that you'll be writing, deploying, or administering it when you enter the workforce. Hiring managers are looking for candidates with experience in Open source. Employers will often ask you for your GitHub username along with - or instead of - your resume. So, if you're all new to Open source, where should you get started?"
Paul Merrell

Introducing the Open XML Format External File Converter for 2007 Microsoft Office System SP2 - 0 views

  • In other words, revising the Open XML Format converter interfaces by adding new functionality does not require any recompilation of existing clients. This guarantees backward compatibility as these converter interfaces are upgraded.
    • Paul Merrell
       
      But what does it do for forward compatibility? OOXML is a moving interoperabillity target.
  • In addition to allowing converters to override external file formats, the applications allow converters to override OpenDocument Format-related formats (such as .odt). For example, if you specify a converter to be the default converter for .odt, Word 2007 SP2 invokes the specified converter whenever a user tries to Open an .odt file from the Windows Shell instead of going through the native load path for Word 2007 SP2.
    • Paul Merrell
       
      How wonderful. Developers can bypass the forthcoming Microsoft native file support for ODF. Perhaps to convert Excel formulas to OpenForumla?
  • Open XML Format converters for Word 2007 SP2, Excel 2007 SP2, or PowerPoint 2007 SP2 are implemented as out-of-process COM servers. Out-of-process converters have the benefit of running in their own process space, which means issues or crashes within converters do not affect the application process space. In addition, out-of-process 32-bit converters can function on 64-bit operating systems in Microsoft Windows on Windows 64-bit (WoW64) mode without the need for converters to be compiled in 64-bit.
    • Paul Merrell
       
      Pretty lame excuses for not documenting the native file support APIs. I.e., the native file supoort APIs already throw "can't open file" error messages for problematic documents without crashing the app. The bit about not needing to recompile converters for 64-bit Windoze is a complete red herring. This is only a benefit if one requires conversion in an external process. It wouldn't be an issue if the native file support APIs were documented and their intermediate formats were the interop targets.
    • Paul Merrell
       
      I.e., one need not recompile the Office app if a supported native format is added. The OpenDocument Foundation and Sun plug-ins for MS Office proved that.
  • ...3 more annotations...
  • To begin developing a converter, you should familiarize yourself with the Open XML standard. For more information, see: Standard ECMA-376: Office Open XML File Formats.
    • Paul Merrell
       
      Note that they specify Ecma 376 rather than ISO/IEC:29500-2008 Office Open XML. So you get to rewrite your converters when Microsoft adds support for the official standard in the next major release of Office.
  • External files are imported into Word 2007 SP2, Excel 2007 SP2, or PowerPoint 2007 SP2 by converting the external file to Open XML Formats. External files are exported from Word 2007 SP2, Excel 2007 SP2, or PowerPoint by converting Open XML Formats to external files. The success of either the import or export conversion depends upon the accurate generation and interpretation of Open XML Formats by the converter.
    • Paul Merrell
       
      Note that this is a process external to the native file support APIs and their intermediate formats. The real APIs apparently will remain obfuscated. Thiis forces others to develop support for Ecma 376 rather than working directly with the native file support APIs. In other words, more incentives for others to target the moving target OOXML rather than the more stable intermediate formats.
  • Summary: Get the details about the interfaces that you need to use to create an Open XML Format External File Converter for the 2007 Microsoft Office system Service Pack 2 (SP2). (16 Printed Pages)
Gary Edwards

ES4 and the fight for the future of the Open Web - By Haavard - 0 views

  • Here, we have no better theory to explain why Microsoft is enthusiastic to spread C# onto the web via Silverlight, but not to give C# a run for its money in the open web standards by supporting ES4 in IE.The fact is, and we've heard this over late night truth-telling meetings between Mozilla principals and friends at Microsoft, that Microsoft does not think the web needs to change much. Or as one insider said to a Mozilla figure earlier this year: "we could improve the web standards, but what's in it for us?"
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    Microsoft opposes the stunning collection of EcmaScript standards improvements to JavaScript ES3 known as "ES4". Brendan Eich, author of JavaScript and lead Mozilla developer claims that Microsoft is stalling the advance of JavaScript to protect their proprietary advantages with Silverlight - WPF technologies. Opera developer "Haavard" asks the question, "Why would Microsoft do this?" Brendan Eich explains: Indeed Microsoft does not desire serious change to ES3, and we heard this inside TG1 in April. The words were (from my notes) more like this: "Microsoft does not think the web needs to change much". Except, of course, via Silverlight and WPF, which if not matched by evolution of the open web standards, will spread far and wide on the Web, as Flash already has. And that change to the Web is apparently just fine and dandy according to Microsoft. First, Microsoft does not think the Web needs to change much, but then they give us Silverlight and WPF? An amazing contradiction if I ever saw one. It is obvious that Microsoft wants to lock the Web to their proprietary technologies again. They want Silverlight, not some new open standard which further threatens their locked-in position. They will use dirty tricks - lies and deception - to convince people that they are in the right. Excellent discussion on how Microsoft participates in open standards groups to delay, stall and dumb down the open Web formats, protocols and interfaces their competitors use. With their applications and services, Microsoft offers users a Hobbsian choice; use the stalled, limited and dumbed down open Web standards, or, use rich, fully featured and advanced but proprietary Silverlight-WPF technologies. Some choice.
Gonzalo San Gil, PhD.

European Commission to update its open source policy | Joinup - 0 views

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    " Steps up efforts to contribute code upstream The European Commission wants to make it easier for its software developers to submit patches and add new functionalities to open source projects. Contributing to open source communities will be made central to the EC's new open source policy, expects Pierre Damas, Head of Sector at the Directorate General for IT (DIGIT)."
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    " Steps up efforts to contribute code upstream The European Commission wants to make it easier for its software developers to submit patches and add new functionalities to open source projects. Contributing to open source communities will be made central to the EC's new open source policy, expects Pierre Damas, Head of Sector at the Directorate General for IT (DIGIT)."
Gonzalo San Gil, PhD.

Open source programs to write screenplays | Opensource.com - 0 views

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    "While I was putting together slides for my lightning talk at Great Wide Open (happening March 16-17), Not that Weird: Open Source Tools for Creatives, I remembered that in the last half of 2015 we had a bit of a loss from our Open source creative toolbox. I think I was little"
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    "While I was putting together slides for my lightning talk at Great Wide Open (happening March 16-17), Not that Weird: Open Source Tools for Creatives, I remembered that in the last half of 2015 we had a bit of a loss from our Open source creative toolbox. I think I was little"
Gonzalo San Gil, PhD.

Is being open worth the effort? | A recap of the August 25 #openOrgChat | opensource.com - 0 views

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    "Becoming (or remaining) an open organization is challenging. This month, the open organization community at opensource.com discussed those challenges-and so much more-during our #openOrgChat on Twitter. If you missed it, check out the recap below as you prepare for our next chat."
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    "Becoming (or remaining) an open organization is challenging. This month, the open organization community at opensource.com discussed those challenges-and so much more-during our #openOrgChat on Twitter. If you missed it, check out the recap below as you prepare for our next chat."
Gonzalo San Gil, PhD.

Open source as a strategy in innovation | Opensource.com - 0 views

  • To business leaders, "open source" often sounds too altruistic—and altruism is in short supply on the average balance sheet. But using and contributing to open source makes hard-nosed business sense, particularly as a way of increasing innovation.
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    To business leaders, "open source" often sounds too altruistic-and altruism is in short supply on the average balance sheet. But using and contributing to open source makes hard-nosed business sense, particularly as a way of increasing innovation.
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    To business leaders, "open source" often sounds too altruistic-and altruism is in short supply on the average balance sheet. But using and contributing to open source makes hard-nosed business sense, particularly as a way of increasing innovation.
Gonzalo San Gil, PhD.

What we mean when we say 'open music' | opensource.com - 0 views

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    "Learning about Bolero's recent entry into the public domain made me think about the concept of "open music" in general. Where is it found? What characteristics define open music? And so I've let my favorite search engine help me do detective work to see what a hunt for open music turns up."
Gary Edwards

Apple's extensions: Good or bad for the open web? | Fyrdility - 0 views

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    Fyrdility asks the question; when it comes to the future of the Open Web, is Apple worse than Microsoft? He laments the fact that Apple pushes forward with innovations that have yet to be discussed by the great Web community. Yes, they faithfully submit these extensions and innovations back to the W3C as Open standards proposals, but there is no waiting around for discussion or judgement. Apple is on a mission.

    IMHO, what Apple and the WebKit community do is not that much different from the way GPL based Open source communities work, except that Apple works without the GPL guarantee. The WebKit innovations and extensions are similar to GPL forks in the shared source code; done in the Open, contributed back to the community, with the community responsible for interoperability going forward.

    There are good forks and there are not so good forks. But it's not always a technology-engineering discussion that drives interop. sometimes it's marketshare and user uptake that carry the day. And indeed, this is very much the case with Apple and the WebKit community. The edge of the Web belongs to WebKit and the iPhone. The "forks" to the Open Web source code are going to weigh heavy on concerns for interop with the greater Web.

    One thing Fyrdility fails to recognize is the importance of the ACiD3 test to future interop. Discussion is important, but nothing beats the leveling effect of broadly measuring innovation for interop - and doing so without crippling innovation.

    "......Apple is heavily involved in the W3C and WHATWG, where they help define specifications. They are also well-known for implementing many unofficial CSS extensions, which are subsequently submitted for standardization. However, Apple is also known for preventing its representatives from participating in panels such as the annual Browser Wars panels at SXSW, which expresses a much less cooperative position...."
Gonzalo San Gil, PhD.

How the rise of open source could improve software security - 0 views

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    "Openness by itself does not yield more secure code, but a new dependence on Open source by major software players could ensure more rigorous scrutiny"
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    "Openness by itself does not yield more secure code, but a new dependence on Open source by major software players could ensure more rigorous scrutiny"
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    "Openness by itself does not yield more secure code, but a new dependence on Open source by major software players could ensure more rigorous scrutiny"
Gonzalo San Gil, PhD.

How open source is changing the pace of software | opensource.com - 0 views

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    "When we talk about the innovation that communities bring to open source software, we often focus on how open source enables contributions and collaboration within communities. More contributors, collaborating with less friction." [# ! #improvement... # ! through #collaboration. # ! From The open Source #community to the Whole W@rld...]
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    "When we talk about the innovation that communities bring to open source software, we often focus on how open source enables contributions and collaboration within communities. More contributors, collaborating with less friction."
Gonzalo San Gil, PhD.

Open Content and Open Access | ifrOSS - 0 views

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    "A few years ago ‚Open Content', the application of the license model for free software to other works was still far away but today it seems to have established itself. The term 'Open Content' is not always used consistently. "
Gonzalo San Gil, PhD.

How Google Does Open Source - Datamation - 0 views

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    "TORONTO - Marc Merlin has been working as an engineer at Google since 2002 and has seen (and done) a lot of open source and Linux work during that time. Speaking at the LinuxCon North America event this week, Merlin provided a standing room only audience with an overview how Google uses and contributes to open source."
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    "TORONTO - Marc Merlin has been working as an engineer at Google since 2002 and has seen (and done) a lot of open source and Linux work during that time. Speaking at the LinuxCon North America event this week, Merlin provided a standing room only audience with an overview how Google uses and contributes to open source."
Gonzalo San Gil, PhD.

How Big Is Your Target? - Freedom Penguin - 0 views

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    "April 20, 2016 Jacob Roecker 0 Comment Opinion In his 2014 TED presentation Cory Doctorow compares an open system of development to the scientific method and credits the methods for bringing mankind out of the dark ages. Tim Berners-Lee has a very credible claim to patent the technology that runs the internet, but instead has championed for its open development. This open development has launched us forward into a brave new world. Nearly one third of all internet traffic rides on just one openly developed project. "
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    "April 20, 2016 Jacob Roecker 0 Comment Opinion In his 2014 TED presentation Cory Doctorow compares an open system of development to the scientific method and credits the methods for bringing mankind out of the dark ages. Tim Berners-Lee has a very credible claim to patent the technology that runs the internet, but instead has championed for its open development. This open development has launched us forward into a brave new world. Nearly one third of all internet traffic rides on just one openly developed project. "
Gonzalo San Gil, PhD.

ISOC members @IGF 2013 - 0 views

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    "ISOC members @IGF 2013 Each year, the Internet Governance Forum (IGF) provides all stakeholders a unique opportunity to discuss openly critical emerging Internet-related issues. This year's overarching IGF theme is: "Building Bridges" - Enhancing Multistakeholder Cooperation for Growth and Sustainable Development" As part of its engagement at the IGF, the Internet Society strongly supports the fundamentals of the open and sustainable Internet: -open Global standards for unleashed innovation; -open to Everyone: a freedom-enhancer for every Internet user; -open for Business and Economic progress; -open and Multistakeholder governance for transparent inclusion. Encouraging An Ongoing Dialogue Internet Society Members are actively engaged in the IGF. They also have a unique perspective on what is going on at the regional and local levels. "
Gonzalo San Gil, PhD.

Call for Papers | thinktwice.com | Creativity, Human Rights, Hacktivism [# Via FB's Francisco George x Arif Yıldırım] Deadline July 18th 2014 - 0 views

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    "Call for Papers CALL FOR SUBMISSIONS We are looking for session submissions from Pirates, NGOs and Academia to following tracks: (other topics are allowed as well) Creativity: copyrights, patents, collaboration, citizen journalism, media, DRM, open access, FOI, public licensing, policy reform, education, etc… Human Rights: security, data protection, surveillance, FOI, basic income, emigration, voting rights, drones, non-proliferation, dual use technology, encryption, anonymity, transparency, net neutrality, open data, egovernment, society, whistle blowing, political science, etc… Activism|Hacktivism: Future, innovation, liquid democracy, transhumanism, cyborgs, startups, vision, 3d-printing, crowdsourcing, big data, participation, pirate parties, artificial intelligence, globalization, space travel, social networks, freemanning, freehammond, hacktivism, activism, civil disobedience, hacker culture, cyberpunk, cypherpunk, wikileaks, surveillance, digital activism, etc..."
  • ...1 more comment...
  •  
    "Call for Papers CALL FOR SUBMISSIONS We are looking for session submissions from Pirates, NGOs and Academia to following tracks: (other topics are allowed as well) Creativity: copyrights, patents, collaboration, citizen journalism, media, DRM, open access, FOI, public licensing, policy reform, education, etc… Human Rights: security, data protection, surveillance, FOI, basic income, emigration, voting rights, drones, non-proliferation, dual use technology, encryption, anonymity, transparency, net neutrality, open data, egovernment, society, whistle blowing, political science, etc… Activism|Hacktivism: Future, innovation, liquid democracy, transhumanism, cyborgs, startups, vision, 3d-printing, crowdsourcing, big data, participation, pirate parties, artificial intelligence, globalization, space travel, social networks, freemanning, freehammond, hacktivism, activism, civil disobedience, hacker culture, cyberpunk, cypherpunk, wikileaks, surveillance, digital activism, etc..."
  •  
    "Call for Papers CALL FOR SUBMISSIONS We are looking for session submissions from Pirates, NGOs and Academia to following tracks: (other topics are allowed as well) Creativity: copyrights, patents, collaboration, citizen journalism, media, DRM, open access, FOI, public licensing, policy reform, education, etc… Human Rights: security, data protection, surveillance, FOI, basic income, emigration, voting rights, drones, non-proliferation, dual use technology, encryption, anonymity, transparency, net neutrality, open data, egovernment, society, whistle blowing, political science, etc… Activism|Hacktivism: Future, innovation, liquid democracy, transhumanism, cyborgs, startups, vision, 3d-printing, crowdsourcing, big data, participation, pirate parties, artificial intelligence, globalization, space travel, social networks, freemanning, freehammond, hacktivism, activism, civil disobedience, hacker culture, cyberpunk, cypherpunk, wikileaks, surveillance, digital activism, etc..."
  •  
    [# Via FB's Francisco George x Arif Yıldırım] Deadline July 18th 2014 "Call for Papers CALL FOR SUBMISSIONS We are looking for session submissions from Pirates, NGOs and Academia to following tracks: (other topics are allowed as well) Creativity: copyrights, patents, collaboration, citizen journalism, media, DRM, open access, FOI, public licensing, policy reform, education, etc… Human Rights: security, data protection, surveillance, FOI, basic income, emigration, voting rights, drones, non-proliferation, dual use technology, encryption, anonymity, transparency, net neutrality, open data, egovernment, society, whistle blowing, political science, etc… Activism|Hacktivism: Future, innovation, liquid democracy, transhumanism, cyborgs, startups, vision, 3d-printing, crowdsourcing, big data, participation, pirate parties, artificial intelligence, globalization, space travel, social networks, freemanning, freehammond, hacktivism, activism, civil disobedience, hacker culture, cyberpunk, cypherpunk, wikileaks, surveillance, digital activism, etc..."
Gary Edwards

XML Production Workflows? Start with the Web and XHTML - 0 views

  • Challenges: Some Ugly Truths The challenges of building—and living with—an XML workflow are clear enough. The return on investment is a long-term proposition. Regardless of the benefits XML may provide, the starting reality is that it represents a very different way of doing things than the one we are familiar with. The Word Processing and Desktop Publishing paradigm, based on the promise of onscreen, WYSIWYG layout, is so dominant as to be practically inescapable. It has proven really hard to get from here to there, no matter how attractive XML might be on paper. A considerable amount of organizational effort and labour must be expended up front in order to realize the benefits. This is why XML is often referred to as an “investment”: you sink a bunch of time and money up front, and realize the benefits—greater flexibility, multiple output options, searching and indexing, and general futureproofing—later, over the long haul. It is not a short-term return proposition. And, of course, the returns you are able to realize from your XML investment are commensurate with what you put in up front: fine-grained, semantically rich tagging is going to give you more potential for searchability and recombination than a looser, more general-purpose approach, but it sure costs more. For instance, the Text Encoding Initiative (TEI) is the grand example of pouring enormous amounts of energy into the up-front tagging, with a very open-ended set of possibilities down the line. TEI helpfully defines a level to which most of us do not have to aspire.[5] But understanding this on a theoretical level is only part of the challenge. There are many practical issues that must be addressed. Software and labour are two of the most critical. How do you get the content into XML in the first place? Unfortunately, despite two decades of people doing SGML and XML, this remains an ugly question.
  • Practical Challenges In 2009, there is still no truly likeable—let alone standard—editing and authoring software for XML. For many (myself included), the high-water mark here was Adobe’s FrameMaker, substantially developed by the late 1990s. With no substantial market for it, it is relegated today mostly to the tech writing industry, unavailable for the Mac, and just far enough afield from the kinds of tools we use today that its adoption represents a significant hurdle. And FrameMaker was the best of the breed; most of the other software in decent circulation are programmers’ tools—the sort of things that, as Michael Tamblyn pointed out, encourage editors to drink at their desks. The labour question represents a stumbling block as well. The skill-sets and mind-sets that effective XML editors need have limited overlap with those needed by literary and more traditional production editors. The need to think of documents as machine-readable databases is not something that comes naturally to folks steeped in literary culture. In combination with the sheer time and effort that rich tagging requires, many publishers simply outsource the tagging to India, drawing a division of labour that spans oceans, to put it mildly. Once you have XML content, then what do you do with it? How do you produce books from it? Presumably, you need to be able to produce print output as well as digital formats. But while the latter are new enough to be generally XML-friendly (e-book formats being largely XML based, for instance), there aren’t any straightforward, standard ways of moving XML content into the kind of print production environments we are used to seeing. This isn’t to say that there aren’t ways of getting print—even very high-quality print—output from XML, just that most of them involve replacing your prepress staff with Java programmers.
  • Why does this have to be so hard? It’s not that XML is new, or immature, or untested. Remember that the basics have been around, and in production, since the early 1980s at least. But we have to take account of a substantial and long-running cultural disconnect between traditional editorial and production processes (the ones most of us know intimately) and the ways computing people have approached things. Interestingly, this cultural divide looked rather different in the 1970s, when publishers were looking at how to move to digital typesetting. Back then, printers and software developers could speak the same language. But that was before the ascendancy of the Desktop Publishing paradigm, which computerized the publishing industry while at the same time isolating it culturally. Those of us who learned how to do things the Quark way or the Adobe way had little in common with people who programmed databases or document-management systems. Desktop publishing technology isolated us in a smooth, self-contained universe of toolbars, grid lines, and laser proofs. So, now that the reasons to get with this program, XML, loom large, how can we bridge this long-standing divide?
  • ...44 more annotations...
  • Using the Web as a Production Platform The answer, I think, is right in front of you. The bridge is the Web, a technology and platform that is fundamentally based on XML, and which many publishers are by now comfortably familiar with. Perhaps not entirely comfortably, but at least most publishers are already working with the Web; they already either know or have on staff people who understand it and can work with it. The foundation of our argument is this: rather than looking at jumping to XML in its full, industrial complexity, which seems to be what the O'Reilly-backed StartWithXML initiative[6] is suggesting, publishers instead leverage existing tools and technologies—starting with the Web—as a means of getting XML workflows in place. This means making small investments and working with known tools rather than spending tens of thousands of dollars on XML software and rarefied consultants. It means re-thinking how the existing pieces of the production toolchain fit together; re-thinking the existing roles of software components already in use. It means, fundamentally, taking the Web seriously as a content platform, rather than thinking of it as something you need to get content out to, somehow. If nothing else, the Web represents an opportunity to think about editorial and production from outside the shrink-wrapped Desktop Publishing paradigm.
  • Is the Web made of Real XML? At this point some predictable objections can be heard: wait a moment, the Web isn’t really made out of XML; the HTML that makes up most of the Web is at best the bastard child of SGML, and it is far too flaky/unstructured/underpowered to be taken seriously. We counter by arguing that although HTML on the Web exists in a staggering array of different incarnations, and that the majority of it is indeed an unstructured mess, this does not undermine the general principle that basic, ubiquitous Web technologies can make a solid platform for content management, editorial process, and production workflow.
  • With the advent of a published XML standard in the late 1990s came the W3C’s adoption of XHTML: the realization of the Web’s native content markup as a proper XML document type. Today, its acceptance is almost ubiquitous, even while the majority of actual content out there may not be strictly conforming. The more important point is that most contemporary Web software, from browsers to authoring tools to content management systems (from blogs to enterprise systems), are capable of working with clean, valid XHTML. Or, to put the argument the other way around, clean, valid XHTML content plays absolutely seamlessly with everything else on the Web.[7]
  • The objection which follows, then, will be that even if we grant that XHTML is a real XML document type, that it is underpowered for “serious” content because it is almost entirely presentation (formatting) oriented; it lacks any semantic depth. In XHTML, a paragraph is a paragraph is a paragraph, as opposed to a section or an epigraph or a summary.
  • n contrast, more “serious” XML document types like DocBook[8] or DITA-derived schemas[9] are capable of making semantic distinctions about content chunks at a fine level of granularity and with a high degree of specificity.
  • So there is an argument for recalling the 80:20 rule here. If XHTML can provide 80% of the value with just 20% of the investment, then what exactly is the business case for spending the other 80% to achieve that last 20% of value? We suspect the ratio is actually quite a bit steeper than 80:20 for most publishers.
  • Furthermore, just to get technical for a moment, XHTML is extensible in a fairly straightforward way, through the common “class” attribute on each element. Web developers have long leveraged this kind of extensibility in the elaboration of “microformats” for semantic-web applications.[10] There is no reason why publishers shouldn’t think to use XHTML’s simple extensibility in a similar way for their own ends.
  • XHTML, on the other hand, is supported by a vast array of quotidian software, starting with the ubiquitous Web browser. For this very reason, XHTML is in fact employed as a component part of several more specialized document types (ONIX and ePub among them).
  • Why re-invent a general-purpose prose representation when XHTML already does the job?
  • It is worth pausing for a moment to consider the role of XHTML in the ePub standard for ebook content. An ePub file is, anatomically, a simply disguised zip archive. Inside the zip archive are a few standard component parts: there are specialized files that declare metadata about the book, and about the format of the book. And then there is the book’s content, represented in XHTML. An ePub book is a Web page in a wrapper.
  • To sum up the general argument: the Web as it already exists presents incredible value to publishers, as a platform for doing XML content management with existing (and often free) tools, and without having to go blindly into the unknown. At this point, we can offer a few design guidelines: prefer existing and/or ubiquitous tools over specialized ones wherever possible; prefer free software over proprietary systems where possible; prefer simple tools controlled and coordinated by human beings over fully automated (and therefore complex) systems; play to our strengths: use Web software for storing and managing content, use layout software for layout, and keep editors and production people in charge of their own domains.
  • Putting the Pieces Together: A Prototype
  • At the SFU Master of Publishing Program, we have been chipping away at this general line of thinking for a few years. Over that time, Web content management systems have been getting more and more sophisticated, all the while getting more streamlined and easier to use. (NB: if you have a blog, you have a Web content management system.) The Web is beginning to be recognized as a writing and editing environment used by millions of people. And the ways in which content is represented, stored, and exchanged online have become increasingly robust and standardized.
  • The missing piece of the puzzle has been print production: how can we move content from its malleable, fluid form on line into the kind of high-quality print production environments we’ve come to expect after two decades of Desktop Publishing?
  • Anyone who has tried to print Web content knows that the existing methods leave much to be desired (hyphenation and justification, for starters). In the absence of decent tools for this, most publishers quite naturally think of producing the print content first, and then think about how to get material onto the Web for various purposes. So we tend to export from Word, or from Adobe, as something of an afterthought.
  • While this sort of works, it isn’t elegant, and it completely ignores the considerable advantages of Web-based content management.
  • Content managed online is stored in one central location, accessible simultaneously to everyone in your firm, available anywhere you have an Internet connection, and usually exists in a much more fluid format than Word files. If only we could manage the editorial flow online, and then go to print formats at the end, instead of the other way around. At SFU, we made several attempts to make this work by way of the supposed “XML import” capabilities of various Desktop Publishing tools, without much success.[12]
  • In the winter of 2009, Adobe solved this part of the problem for us with the introduction of its Creative Suite 4. What CS4 offers is the option of a complete XML representation of an InDesign document: what Adobe calls IDML (InDesign Markup Language).
  • The IDML file format is—like ePub—a simply disguised zip archive that, when unpacked, reveals a cluster of XML files that represent all the different facets of an InDesign document: layout spreads, master pages, defined styles, colours, and of course, the content.
  • IDML is a well thought-out XML standard that achieves two very different goals simultaneously: it preserves all of the information that InDesign needs to do what it does; and it is broken up in a way that makes it possible for mere mortals (or at least our Master of Publishing students) to work with it.
  • What this represented to us in concrete terms was the ability to take Web-based content and move it into InDesign in a straightforward way, thus bridging Web and print production environments using existing tools and skillsets, with a little added help from free software.
  • We would take clean XHTML content, transform it to IDML-marked content, and merge that with nicely designed templates in InDesign.
  • The result is an almost push-button publication workflow, which results in a nice, familiar InDesign document that fits straight into the way publishers actually do production.
  • Tracing the steps To begin with, we worked backwards, moving the book content back to clean XHTML.
  • The simplest method for this conversion—and if you want to create Web content, this is an excellent route—was to use Adobe’s “Export to Digital Editions” option, which creates an ePub file.
  • Recall that ePub is just XHTML in a wrapper, so within the ePub file was a relatively clean XHTML document. It was somewhat cleaner (that is, the XHTML tagging was simpler and less cluttered) than InDesign’s other Web-oriented exports, possibly because Digital Editions is a well understood target, compared with somebody’s website.
  • In order to achieve our target of clean XHTML, we needed to do some editing; the XHTML produced by InDesign’s “Digital Editions” export was presentation-oriented. For instance, bulleted list items were tagged as paragraphs, with a class attribute identifying them as list items. Using the search-and-replace function, we converted such structures to proper XHTML list and list-item elements. Our guiding principle was to make the XHTML as straightforward as possible, not dependent on any particular software to interpret it.
  • We broke the book’s content into individual chapter files; each chapter could then carry its own basic metadata, and the pages conveniently fit our Web content management system (which is actually just a wiki). We assembled a dynamically generated table of contents for the 12 chapters, and created a cover page. Essentially, the book was entirely Web-based at this point.
  • When the book chapters are viewed online, they are formatted via a CSS2 stylesheet that defines a main column for content as well as dedicating screen real estate for navigational elements. We then created a second template to render the content for exporting; this was essentially a bare-bones version of the book with no navigation and minimal styling. Pages (or even the entire book) can be exported (via the “Save As...” function in a Web browser) for use in either print production or ebook conversion. At this point, we required no skills beyond those of any decent Web designer.
  • Integrating with CS4 for Print Adobe’s IDML language defines elements specific to InDesign; there is nothing in the language that looks remotely like XHTML. So a mechanical transformation step is needed to convert the XHTML content into something InDesign can use. This is not as hard as it might seem.
  • Both XHTML and IDML are composed of straightforward, well-documented structures, and so transformation from one to the other is, as they say, “trivial.” We chose to use XSLT (Extensible Stylesheet Language Transforms) to do the work. XSLT is part of the overall XML specification, and thus is very well supported in a wide variety of tools. Our prototype used a scripting engine called xsltproc, a nearly ubiquitous piece of software that we found already installed as part of Mac OS X (contemporary Linux distributions also have this as a standard tool), though any XSLT processor would work.
  • In other words, we don’t need to buy InCopy, because we just replaced it with the Web. Our wiki is now plugged directly into our InDesign layout. It even automatically updates the InDesign document when the content changes. Credit is due at this point to Adobe: this integration is possible because of the open file format in the Creative Suite 4.
  • We wrote an XSLT transformation script[18] that converted the XHTML content from the Web into an InCopy ICML file. The script itself is less than 500 lines long, and was written and debugged over a period of about a week by amateurs (again, the people named at the start of this article). The script runs in a couple of seconds, and the resulting .icml file can then be “placed” directly into an InDesign template. The ICML file references an InDesign stylesheet, so the template file can be set up with a house-styled layout, master pages, and stylesheet definitions for paragraphs and character ranges.
  • The result is very simple and easy to use. Our demonstration requires that a production editor run the XSLT transformation script manually, but there is no reason why this couldn’t be built directly into the Web content management system so that exporting the content to print ran the transformation automatically. The resulting file would then be “placed” in InDesign and proofed.
  • It should be noted that the Book Publishing 1 proof-of-concept was artificially complex; we began with a book laid out in InDesign and ended up with a look-alike book laid out in InDesign. But next time—for instance, when we publish Book Publishing 2—we can begin the process with the content on the Web, and keep it there throughout the editorial process. The book’s content could potentially be written and edited entirely online, as Web content, and then automatically poured into an InDesign template at proof time. “Just in time,” as they say. This represents an entirely new way of thinking of book production. With a Web-first orientation, it makes little sense to think of the book as “in print” or “out of print”—the book is simply available, in the first place online; in the second place in derivative digital formats; and third, but really not much more difficult, in print-ready format, via the usual InDesign CS print production system publishers are already familiar with.
  • Creating Ebook Files Creating electronic versions from XHTML source is vastly simpler than trying to generate these out of the existing print process. The ePub version is extremely easy to generate; so is online marketing copy or excerpts for the Web, since the content begins life Web-native.
  • Since an ePub file is essentially XHTML content in a special wrapper, all that is required is that we properly “wrap” our XHTML content. Ideally, the content in an ePub file is broken into chapters (as ours was) and a table of contents file is generated in order to allow easy navigation within an ebook reader. We used Julian Smart’s free tool eCub[19] to simply and automatically generate the ePub wrapper and the table of contents. The only custom development we did was to create a CSS stylesheet for the ebook so that headings and paragraph indents looked the way we wanted. Starting with XHTML content, creating ePub is almost too easy.
  • Such a workflow—beginning with the Web and exporting to print—is surely more in line with the way we will do business in the 21st century, where the Web is the default platform for reaching audiences, developing content, and putting the pieces together. It is time, we suggest, for publishers to re-orient their operations and start with the Web.
  • Our project demonstrates that Web technologies are indeed good enough to use in an XML-oriented workflow; more specialized and expensive options are not necessarily required. For massive-scale enterprise publishing, this approach may not offer enough flexibility, and the challenge of adding and extracting extra semantic richness may prove more trouble than it's worth.
  • But for smaller firms who are looking at the straightforward benefits of XML-based processes—single source publishing, online content and workflow management, open and accessible archive formats, greater online discoverability—here is a way forward.
  • Rather than a public-facing website, our system relies on the Web as a content management platform—of course a public face could easily be added.
  • The final piece of our puzzle, the ability to integrate print production, was made possible by Adobe's release of InDesign with an open XML file format. Since the Web's XHTML is also XML, is can be easily and confidently transformed to the InDesign format.
  • today, we are able to put the process together using nothing but standard, relatively ubiquitous Web tools: the Web itself as an editing and content management environment, standard Web scripting tools for the conversion process, and the well-documented IDML file format to integrate the layout tool.
  • Using the Web as a Production Platform
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    I was looking for an answer to a problem Marbux had presented, and found this interesting article.  The issue was that of the upcoming conversion of the Note Case Pro (NCP) layout engine to the WebKit layout engine, and what to do about the NCP document format. My initial reaction was to encode the legacy NCP document format in XML, and run an XSLT to a universal pivot format like TEI-XML.  From there, the TEI-XML community would provide all the XSLT transformation routines for conversion to ODF, OOXML, XHTML, ePUB and HTML/CSS. Researching the problems one might encounter with this approach, I found this article.  Fascinating stuff. My take away is that TEI-XML would not be as effective a "universal pivot point" as XHTML.  Or perhaps, if NCP really wants to get aggressive; IDML - InDesign Markup Language. The important point though is that XHTML is a browser specific version of XML, and compatible with the Web Kit layout engine Miro wants to move NCP to. The concept of encoding an existing application-specific format in XML has been around since 1998, when XML was first introduced as a W3C standard, a "structured" subset of SGML. (HTML is also a subset of SGML). The multiplatform StarOffice productivity suite became "OpenOffice" when Sun purchased the company in 1998, and Open sourced the code base. The OpenOffice developer team came out with a XML encoding of their existing document formats in 2000. The application specific encoding became an OASIS document format standard proposal in 2002 - also known as ODF. Microsoft followed OpenOffice with a XML encoding of their application-specific binary document formats, known as OOXML. Encoding the existing NCP format in XML, specifically targeting XHTML as a "universal pivot point", would put the NCP Outliner in the Web editor category, without breaking backwards compatibility. The trick is in the XSLT conversion process. But I think that is something much easier to handle then trying to
  •  
    I was looking for an answer to a problem Marbux had presented, and found this interesting article.  The issue was that of the upcoming conversion of the Note Case Pro (NCP) layout engine to the WebKit layout engine, and what to do about the NCP document format. My initial reaction was to encode the legacy NCP document format in XML, and run an XSLT to a universal pivot format like TEI-XML.  From there, the TEI-XML community would provide all the XSLT transformation routines for conversion to ODF, OOXML, XHTML, ePUB and HTML/CSS. Researching the problems one might encounter with this approach, I found this article.  Fascinating stuff. My take away is that TEI-XML would not be as effective a "universal pivot point" as XHTML.  Or perhaps, if NCP really wants to get aggressive; IDML - InDesign Markup Language. The important point though is that XHTML is a browser specific version of XML, and compatible with the Web Kit layout engine Miro wants to move NCP to. The concept of encoding an existing application-specific format in XML has been around since 1998, when XML was first introduced as a W3C standard, a "structured" subset of SGML. (HTML is also a subset of SGML). The multiplatform StarOffice productivity suite became "OpenOffice" when Sun purchased the company in 1998, and Open sourced the code base. The OpenOffice developer team came out with a XML encoding of their existing document formats in 2000. The application specific encoding became an OASIS document format standard proposal in 2002 - also known as ODF. Microsoft followed OpenOffice with a XML encoding of their application-specific binary document formats, known as OOXML. Encoding the existing NCP format in XML, specifically targeting XHTML as a "universal pivot point", would put the NCP Outliner in the Web editor category, without breaking backwards compatibility. The trick is in the XSLT conversion process. But I think that is something much easier to handle then trying to
Gonzalo San Gil, PhD.

The impact of open cloud technologies on IT- The Inquirer - 0 views

  •  
    " Column Open source developments are at the heart of new cloud technologies, says Jim Zemlin By Jim Zemlin Fri May 29 2015, 12:00 Jim Zemlin NOWHERE are we seeing more Open source and collaborative development than in cloud computing."
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    " Column Open source developments are at the heart of new cloud technologies, says Jim Zemlin By Jim Zemlin Fri May 29 2015, 12:00 Jim Zemlin NOWHERE are we seeing more Open source and collaborative development than in cloud computing."
Paul Merrell

Cover Pages: Open Web Foundation Formed to Support Community Specification Development. - 0 views

  • The formation of the Open Web Foundation (OWF) was announced on July 24, 2008 at the OSCON 2008 Conference. OWF is "applying the Open source model of seeing a common pain point and trying to patch the system by creating an 'organizational library' that makes it easier to go through a collaborative specification process and come out of it with clean IPR, leading to faster implementation and adoption.
  • According to the OWF web site: "The Open Web Foundation is an independent non-profit dedicated to the development and protection of Open, non-proprietary specifications for web technologies. It is an attempt to create a home for community-driven specifications. Following the Open source model similar to the Apache Software Foundation, the foundation is aimed at building a lightweight framework to help communities deal with the legal requirements necessary to create successful and widely adopted specification. The foundation is trying to break the trend of creating separate foundations for each specification, coming out of the realization that we could come together and generalize our efforts... The Open Web Foundation is made up of individuals who believe that the Open web is built on technologies that are created in the Open by a diversity of contributors, and which free to be used and improved upon without restriction."
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