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Gary Edwards

XML Production Workflows? Start with the Web and XHTML - 0 views

quod.lib.umich.edu/...n-workflows-start-with-the-web

OpenWeb XML XHTML-CSS HTML5-CSS3-JavaScript IDML

shared by Gary Edwards on 07 Nov 13 - No Cached
  • Challenges: Some Ugly Truths The challenges of building—and living with—an XML workflow are clear enough. The return on investment is a long-term proposition. Regardless of the benefits XML may provide, the starting reality is that it represents a very different way of doing things than the one we are familiar with. The Word Processing and Desktop Publishing paradigm, based on the promise of onscreen, WYSIWYG layout, is so dominant as to be practically inescapable. It has proven really hard to get from here to there, no matter how attractive XML might be on paper. A considerable amount of organizational effort and labour must be expended up front in order to realize the benefits. This is why XML is often referred to as an “investment”: you sink a bunch of time and money up front, and realize the benefits—greater flexibility, multiple output options, searching and indexing, and general futureproofing—later, over the long haul. It is not a short-term return proposition. And, of course, the returns you are able to realize from your XML investment are commensurate with what you put in up front: fine-grained, semantically rich tagging is going to give you more potential for searchability and recombination than a looser, more general-purpose approach, but it sure costs more. For instance, the Text Encoding Initiative (TEI) is the grand example of pouring enormous amounts of energy into the up-front tagging, with a very open-ended set of possibilities down the line. TEI helpfully defines a level to which most of us do not have to aspire.[5] But understanding this on a theoretical level is only part of the challenge. There are many practical issues that must be addressed. Software and labour are two of the most critical. How do you get the content into XML in the first place? Unfortunately, despite two decades of people doing SGML and XML, this remains an ugly question.
  • Practical Challenges In 2009, there is still no truly likeable—let alone standard—editing and authoring software for XML. For many (myself included), the high-water mark here was Adobe’s FrameMaker, substantially developed by the late 1990s. With no substantial market for it, it is relegated today mostly to the tech writing industry, unavailable for the Mac, and just far enough afield from the kinds of tools we use today that its adoption represents a significant hurdle. And FrameMaker was the best of the breed; most of the other software in decent circulation are programmers’ tools—the sort of things that, as Michael Tamblyn pointed out, encourage editors to drink at their desks. The labour question represents a stumbling block as well. The skill-sets and mind-sets that effective XML editors need have limited overlap with those needed by literary and more traditional production editors. The need to think of documents as machine-readable databases is not something that comes naturally to folks steeped in literary culture. In combination with the sheer time and effort that rich tagging requires, many publishers simply outsource the tagging to India, drawing a division of labour that spans oceans, to put it mildly. Once you have XML content, then what do you do with it? How do you produce books from it? Presumably, you need to be able to produce print output as well as digital formats. But while the latter are new enough to be generally XML-friendly (e-book formats being largely XML based, for instance), there aren’t any straightforward, standard ways of moving XML content into the kind of print production environments we are used to seeing. This isn’t to say that there aren’t ways of getting print—even very high-quality print—output from XML, just that most of them involve replacing your prepress staff with Java programmers.
  • Why does this have to be so hard? It’s not that XML is new, or immature, or untested. Remember that the basics have been around, and in production, since the early 1980s at least. But we have to take account of a substantial and long-running cultural disconnect between traditional editorial and production processes (the ones most of us know intimately) and the ways computing people have approached things. Interestingly, this cultural divide looked rather different in the 1970s, when publishers were looking at how to move to digital typesetting. Back then, printers and software developers could speak the same language. But that was before the ascendancy of the Desktop Publishing paradigm, which computerized the publishing industry while at the same time isolating it culturally. Those of us who learned how to do things the Quark way or the Adobe way had little in common with people who programmed databases or document-management systems. Desktop publishing technology isolated us in a smooth, self-contained universe of toolbars, grid lines, and laser proofs. So, now that the reasons to get with this program, XML, loom large, how can we bridge this long-standing divide?
  • ...44 more annotations...
  • Using the Web as a Production Platform The answer, I think, is right in front of you. The bridge is the Web, a technology and platform that is fundamentally based on XML, and which many publishers are by now comfortably familiar with. Perhaps not entirely comfortably, but at least most publishers are already working with the Web; they already either know or have on staff people who understand it and can work with it. The foundation of our argument is this: rather than looking at jumping to XML in its full, industrial complexity, which seems to be what the O'Reilly-backed StartWithXML initiative[6] is suggesting, publishers instead leverage existing tools and technologies—starting with the Web—as a means of getting XML workflows in place. This means making small investments and working with known tools rather than spending tens of thousands of dollars on XML software and rarefied consultants. It means re-thinking how the existing pieces of the production toolchain fit together; re-thinking the existing roles of software components already in use. It means, fundamentally, taking the Web seriously as a content platform, rather than thinking of it as something you need to get content out to, somehow. If nothing else, the Web represents an opportunity to think about editorial and production from outside the shrink-wrapped Desktop Publishing paradigm.
  • Is the Web made of Real XML? At this point some predictable objections can be heard: wait a moment, the Web isn’t really made out of XML; the HTML that makes up most of the Web is at best the bastard child of SGML, and it is far too flaky/unstructured/underpowered to be taken seriously. We counter by arguing that although HTML on the Web exists in a staggering array of different incarnations, and that the majority of it is indeed an unstructured mess, this does not undermine the general principle that basic, ubiquitous Web technologies can make a solid platform for content management, editorial process, and production workflow.
  • With the advent of a published XML standard in the late 1990s came the W3C’s adoption of XHTML: the realization of the Web’s native content markup as a proper XML document type. Today, its acceptance is almost ubiquitous, even while the majority of actual content out there may not be strictly conforming. The more important point is that most contemporary Web software, from browsers to authoring tools to content management systems (from blogs to enterprise systems), are capable of working with clean, valid XHTML. Or, to put the argument the other way around, clean, valid XHTML content plays absolutely seamlessly with everything else on the Web.[7]
  • The objection which follows, then, will be that even if we grant that XHTML is a real XML document type, that it is underpowered for “serious” content because it is almost entirely presentation (formatting) oriented; it lacks any semantic depth. In XHTML, a paragraph is a paragraph is a paragraph, as opposed to a section or an epigraph or a summary.
  • n contrast, more “serious” XML document types like DocBook[8] or DITA-derived schemas[9] are capable of making semantic distinctions about content chunks at a fine level of granularity and with a high degree of specificity.
  • So there is an argument for recalling the 80:20 rule here. If XHTML can provide 80% of the value with just 20% of the investment, then what exactly is the business case for spending the other 80% to achieve that last 20% of value? We suspect the ratio is actually quite a bit steeper than 80:20 for most publishers.
  • Furthermore, just to get technical for a moment, XHTML is extensible in a fairly straightforward way, through the common “class” attribute on each element. Web developers have long leveraged this kind of extensibility in the elaboration of “microformats” for semantic-web applications.[10] There is no reason why publishers shouldn’t think to use XHTML’s simple extensibility in a similar way for their own ends.
  • XHTML, on the other hand, is supported by a vast array of quotidian software, starting with the ubiquitous Web browser. For this very reason, XHTML is in fact employed as a component part of several more specialized document types (ONIX and ePub among them).
  • Why re-invent a general-purpose prose representation when XHTML already does the job?
  • It is worth pausing for a moment to consider the role of XHTML in the ePub standard for ebook content. An ePub file is, anatomically, a simply disguised zip archive. Inside the zip archive are a few standard component parts: there are specialized files that declare metadata about the book, and about the format of the book. And then there is the book’s content, represented in XHTML. An ePub book is a Web page in a wrapper.
  • To sum up the general argument: the Web as it already exists presents incredible value to publishers, as a platform for doing XML content management with existing (and often free) tools, and without having to go blindly into the unknown. At this point, we can offer a few design guidelines: prefer existing and/or ubiquitous tools over specialized ones wherever possible; prefer free software over proprietary systems where possible; prefer simple tools controlled and coordinated by human beings over fully automated (and therefore complex) systems; play to our strengths: use Web software for storing and managing content, use layout software for layout, and keep editors and production people in charge of their own domains.
  • Putting the Pieces Together: A Prototype
  • At the SFU Master of Publishing Program, we have been chipping away at this general line of thinking for a few years. Over that time, Web content management systems have been getting more and more sophisticated, all the while getting more streamlined and easier to use. (NB: if you have a blog, you have a Web content management system.) The Web is beginning to be recognized as a writing and editing environment used by millions of people. And the ways in which content is represented, stored, and exchanged online have become increasingly robust and standardized.
  • The missing piece of the puzzle has been print production: how can we move content from its malleable, fluid form on line into the kind of high-quality print production environments we’ve come to expect after two decades of Desktop Publishing?
  • Anyone who has tried to print Web content knows that the existing methods leave much to be desired (hyphenation and justification, for starters). In the absence of decent tools for this, most publishers quite naturally think of producing the print content first, and then think about how to get material onto the Web for various purposes. So we tend to export from Word, or from Adobe, as something of an afterthought.
  • While this sort of works, it isn’t elegant, and it completely ignores the considerable advantages of Web-based content management.
  • Content managed online is stored in one central location, accessible simultaneously to everyone in your firm, available anywhere you have an Internet connection, and usually exists in a much more fluid format than Word files. If only we could manage the editorial flow online, and then go to print formats at the end, instead of the other way around. At SFU, we made several attempts to make this work by way of the supposed “XML import” capabilities of various Desktop Publishing tools, without much success.[12]
  • In the winter of 2009, Adobe solved this part of the problem for us with the introduction of its Creative Suite 4. What CS4 offers is the option of a complete XML representation of an InDesign document: what Adobe calls IDML (InDesign Markup Language).
  • The IDML file format is—like ePub—a simply disguised zip archive that, when unpacked, reveals a cluster of XML files that represent all the different facets of an InDesign document: layout spreads, master pages, defined styles, colours, and of course, the content.
  • IDML is a well thought-out XML standard that achieves two very different goals simultaneously: it preserves all of the information that InDesign needs to do what it does; and it is broken up in a way that makes it possible for mere mortals (or at least our Master of Publishing students) to work with it.
  • What this represented to us in concrete terms was the ability to take Web-based content and move it into InDesign in a straightforward way, thus bridging Web and print production environments using existing tools and skillsets, with a little added help from free software.
  • We would take clean XHTML content, transform it to IDML-marked content, and merge that with nicely designed templates in InDesign.
  • The result is an almost push-button publication workflow, which results in a nice, familiar InDesign document that fits straight into the way publishers actually do production.
  • Tracing the steps To begin with, we worked backwards, moving the book content back to clean XHTML.
  • The simplest method for this conversion—and if you want to create Web content, this is an excellent route—was to use Adobe’s “Export to Digital Editions” option, which creates an ePub file.
  • Recall that ePub is just XHTML in a wrapper, so within the ePub file was a relatively clean XHTML document. It was somewhat cleaner (that is, the XHTML tagging was simpler and less cluttered) than InDesign’s other Web-oriented exports, possibly because Digital Editions is a well understood target, compared with somebody’s website.
  • In order to achieve our target of clean XHTML, we needed to do some editing; the XHTML produced by InDesign’s “Digital Editions” export was presentation-oriented. For instance, bulleted list items were tagged as paragraphs, with a class attribute identifying them as list items. Using the search-and-replace function, we converted such structures to proper XHTML list and list-item elements. Our guiding principle was to make the XHTML as straightforward as possible, not dependent on any particular software to interpret it.
  • We broke the book’s content into individual chapter files; each chapter could then carry its own basic metadata, and the pages conveniently fit our Web content management system (which is actually just a wiki). We assembled a dynamically generated table of contents for the 12 chapters, and created a cover page. Essentially, the book was entirely Web-based at this point.
  • When the book chapters are viewed online, they are formatted via a CSS2 stylesheet that defines a main column for content as well as dedicating screen real estate for navigational elements. We then created a second template to render the content for exporting; this was essentially a bare-bones version of the book with no navigation and minimal styling. Pages (or even the entire book) can be exported (via the “Save As...” function in a Web browser) for use in either print production or ebook conversion. At this point, we required no skills beyond those of any decent Web designer.
  • Integrating with CS4 for Print Adobe’s IDML language defines elements specific to InDesign; there is nothing in the language that looks remotely like XHTML. So a mechanical transformation step is needed to convert the XHTML content into something InDesign can use. This is not as hard as it might seem.
  • Both XHTML and IDML are composed of straightforward, well-documented structures, and so transformation from one to the other is, as they say, “trivial.” We chose to use XSLT (Extensible Stylesheet Language Transforms) to do the work. XSLT is part of the overall XML specification, and thus is very well supported in a wide variety of tools. Our prototype used a scripting engine called xsltproc, a nearly ubiquitous piece of software that we found already installed as part of Mac OS X (contemporary Linux distributions also have this as a standard tool), though any XSLT processor would work.
  • In other words, we don’t need to buy InCopy, because we just replaced it with the Web. Our wiki is now plugged directly into our InDesign layout. It even automatically updates the InDesign document when the content changes. Credit is due at this point to Adobe: this integration is possible because of the open file format in the Creative Suite 4.
  • We wrote an XSLT transformation script[18] that converted the XHTML content from the Web into an InCopy ICML file. The script itself is less than 500 lines long, and was written and debugged over a period of about a week by amateurs (again, the people named at the start of this article). The script runs in a couple of seconds, and the resulting .icml file can then be “placed” directly into an InDesign template. The ICML file references an InDesign stylesheet, so the template file can be set up with a house-styled layout, master pages, and stylesheet definitions for paragraphs and character ranges.
  • The result is very simple and easy to use. Our demonstration requires that a production editor run the XSLT transformation script manually, but there is no reason why this couldn’t be built directly into the Web content management system so that exporting the content to print ran the transformation automatically. The resulting file would then be “placed” in InDesign and proofed.
  • It should be noted that the Book Publishing 1 proof-of-concept was artificially complex; we began with a book laid out in InDesign and ended up with a look-alike book laid out in InDesign. But next time—for instance, when we publish Book Publishing 2—we can begin the process with the content on the Web, and keep it there throughout the editorial process. The book’s content could potentially be written and edited entirely online, as Web content, and then automatically poured into an InDesign template at proof time. “Just in time,” as they say. This represents an entirely new way of thinking of book production. With a Web-first orientation, it makes little sense to think of the book as “in print” or “out of print”—the book is simply available, in the first place online; in the second place in derivative digital formats; and third, but really not much more difficult, in print-ready format, via the usual InDesign CS print production system publishers are already familiar with.
  • Creating Ebook Files Creating electronic versions from XHTML source is vastly simpler than trying to generate these out of the existing print process. The ePub version is extremely easy to generate; so is online marketing copy or excerpts for the Web, since the content begins life Web-native.
  • Since an ePub file is essentially XHTML content in a special wrapper, all that is required is that we properly “wrap” our XHTML content. Ideally, the content in an ePub file is broken into chapters (as ours was) and a table of contents file is generated in order to allow easy navigation within an ebook reader. We used Julian Smart’s free tool eCub[19] to simply and automatically generate the ePub wrapper and the table of contents. The only custom development we did was to create a CSS stylesheet for the ebook so that headings and paragraph indents looked the way we wanted. Starting with XHTML content, creating ePub is almost too easy.
  • Such a workflow—beginning with the Web and exporting to print—is surely more in line with the way we will do business in the 21st century, where the Web is the default platform for reaching audiences, developing content, and putting the pieces together. It is time, we suggest, for publishers to re-orient their operations and start with the Web.
  • Our project demonstrates that Web technologies are indeed good enough to use in an XML-oriented workflow; more specialized and expensive options are not necessarily required. For massive-scale enterprise publishing, this approach may not offer enough flexibility, and the challenge of adding and extracting extra semantic richness may prove more trouble than it's worth.
  • But for smaller firms who are looking at the straightforward benefits of XML-based processes—single source publishing, online content and workflow management, open and accessible archive formats, greater online discoverability—here is a way forward.
  • Rather than a public-facing website, our system relies on the Web as a content management platform—of course a public face could easily be added.
  • The final piece of our puzzle, the ability to integrate print production, was made possible by Adobe's release of InDesign with an open XML file format. Since the Web's XHTML is also XML, is can be easily and confidently transformed to the InDesign format.
  • today, we are able to put the process together using nothing but standard, relatively ubiquitous Web tools: the Web itself as an editing and content management environment, standard Web scripting tools for the conversion process, and the well-documented IDML file format to integrate the layout tool.
  • Using the Web as a Production Platform
  • Gary Edwards on 07 Nov 13
     
    I was looking for an answer to a problem Marbux had presented, and found this interesting article.  The issue was that of the upcoming conversion of the Note Case Pro (NCP) layout engine to the WebKit layout engine, and what to do about the NCP document format. My initial reaction was to encode the legacy NCP document format in XML, and run an XSLT to a universal pivot format like TEI-XML.  From there, the TEI-XML community would provide all the XSLT transformation routines for conversion to ODF, OOXML, XHTML, ePUB and HTML/CSS. Researching the problems one might encounter with this approach, I found this article.  Fascinating stuff. My take away is that TEI-XML would not be as effective a "universal pivot point" as XHTML.  Or perhaps, if NCP really wants to get aggressive; IDML - InDesign Markup Language. The important point though is that XHTML is a browser specific version of XML, and compatible with the Web Kit layout engine Miro wants to move NCP to. The concept of encoding an existing application-specific format in XML has been around since 1998, when XML was first introduced as a W3C standard, a "structured" subset of SGML. (HTML is also a subset of SGML). The multiplatform StarOffice productivity suite became "OpenOffice" when Sun purchased the company in 1998, and open sourced the code base. The OpenOffice developer team came out with a XML encoding of their existing document formats in 2000. The application specific encoding became an OASIS document format standard proposal in 2002 - also known as ODF. Microsoft followed OpenOffice with a XML encoding of their application-specific binary document formats, known as OOXML. Encoding the existing NCP format in XML, specifically targeting XHTML as a "universal pivot point", would put the NCP Outliner in the Web editor category, without breaking backwards compatibility. The trick is in the XSLT conversion process. But I think that is something much easier to handle then trying to
  • Gary Edwards on 07 Nov 13
     
    I was looking for an answer to a problem Marbux had presented, and found this interesting article.  The issue was that of the upcoming conversion of the Note Case Pro (NCP) layout engine to the WebKit layout engine, and what to do about the NCP document format. My initial reaction was to encode the legacy NCP document format in XML, and run an XSLT to a universal pivot format like TEI-XML.  From there, the TEI-XML community would provide all the XSLT transformation routines for conversion to ODF, OOXML, XHTML, ePUB and HTML/CSS. Researching the problems one might encounter with this approach, I found this article.  Fascinating stuff. My take away is that TEI-XML would not be as effective a "universal pivot point" as XHTML.  Or perhaps, if NCP really wants to get aggressive; IDML - InDesign Markup Language. The important point though is that XHTML is a browser specific version of XML, and compatible with the Web Kit layout engine Miro wants to move NCP to. The concept of encoding an existing application-specific format in XML has been around since 1998, when XML was first introduced as a W3C standard, a "structured" subset of SGML. (HTML is also a subset of SGML). The multiplatform StarOffice productivity suite became "OpenOffice" when Sun purchased the company in 1998, and open sourced the code base. The OpenOffice developer team came out with a XML encoding of their existing document formats in 2000. The application specific encoding became an OASIS document format standard proposal in 2002 - also known as ODF. Microsoft followed OpenOffice with a XML encoding of their application-specific binary document formats, known as OOXML. Encoding the existing NCP format in XML, specifically targeting XHTML as a "universal pivot point", would put the NCP Outliner in the Web editor category, without breaking backwards compatibility. The trick is in the XSLT conversion process. But I think that is something much easier to handle then trying to
Gonzalo San Gil, PhD.

Thanks for the Really Counter-Productive DMCA Complaints | TorrentFreak - 1 views

torrentfreak.com/ductive-dmca-complaints-150524

thanks dmca counter-productive complaints

shared by Gonzalo San Gil, PhD. on 25 May 15 - No Cached
  • Gonzalo San Gil, PhD. on 25 May 15
     
    " Andy on May 24, 2015 C: 0 Opinion While plenty of sites infringe copyright on a regular basis, this site is never one of them. However, that doesn't stop copyright holders from trying to disappear our pages from Google search. Sadly, the latest sorry efforts only attracted our attention to even bigger mistakes, such as the Web Sheriff trying to take down a movie's own Kickstarter page."
  • Gonzalo San Gil, PhD. on 25 May 15
     
    " Andy on May 24, 2015 C: 0 Opinion While plenty of sites infringe copyright on a regular basis, this site is never one of them. However, that doesn't stop copyright holders from trying to disappear our pages from Google search. Sadly, the latest sorry efforts only attracted our attention to even bigger mistakes, such as the Web Sheriff trying to take down a movie's own Kickstarter page."
Gary Edwards

ptsefton » OpenOffice.org is bad for the planet - 0 views

ptsefton.com/...eorg-is-bad-for-the-planet.htm

webkit odf ooxml html ptsefton

shared by Gary Edwards on 13 Mar 09 - Cached
  • Gary Edwards on 13 Mar 09
     
    ptsefton continues his rant that OpenOffice does not support the Open Web. He's been on this rant for so long, i'm wondering if he really thinks there's a chance the lords of ODF and the OpenOffice source code are listening? In this post he describes how useless it is to submit his findings and frustrations with OOo in a bug report. Pretty funny stuff even if you do end up joining the Michael Meeks trek along this trail of tears. Maybe there's another way?

    What would happen if pt moved from targeting the not so open OpenOffice, to target governments and enterprises trying to set future information system requirements?

    NY State is next up on this endless list. Most likely they will follow the lessons of exhaustive pilot studies conducted by Massachusetts, California, Belgium, Denmark and England, and end up mandating the use of both open standard "XML" formats, ODF and OOXML.

    The pilots concluded that there was a need for both XML formats; depending on the needs of different departments and workgroups. The pilot studies scream out a general rule of thumb; if your department has day-to-day business processes bound to MSOffice workgroups, then it makes sense to use MSOffice OOXML going forward. If there is no legacy MSOffice bound workgroup or workflow, it makes sense to move to OpenOffice ODF.

    One thing the pilots make clear is that it is prohibitively costly and disruptive to try to replace MSOffice bound workgroups.

    What NY State might consider is that the Web is going to be an important part of their informations systems future. What a surprise. Every pilot recognized and indeed, emphasized this fact. Yet, they fell short of the obvious conclusion; mandating that desktop applications provide native support for Open Web formats, protocols and interfaces!

    What's wrong with insisting that desktop applciations and office suites support the rapidly advancing HTML+ technologies as well as the applicat
Gonzalo San Gil, PhD.

Google Continues To Try To Appease Hollywood, Though It Is Unlikely To Ever Be Enough |... - 0 views

www.techdirt.com/...likely-to-ever-be-enough.shtml

google hollywood

shared by Gonzalo San Gil, PhD. on 18 Oct 14 - No Cached
  • Gonzalo San Gil, PhD. on 18 Oct 14
     
    "Google has come out with the latest version of its "How Google Fights Piracy" report (pdf link), going to great lengths to show how the company goes above and beyond what is required by law to try to drive people to authorized copies of content while also increasing opportunities for content creators to monetize their own content."
  • Gonzalo San Gil, PhD. on 18 Oct 14
     
    "Google has come out with the latest version of its "How Google Fights Piracy" report (pdf link), going to great lengths to show how the company goes above and beyond what is required by law to try to drive people to authorized copies of content while also increasing opportunities for content creators to monetize their own content."
Gonzalo San Gil, PhD.

Trying to install Gnormalize - FedoraForum.org - 0 views

forums.fedoraforum.org/showthread.php

gnormalize Linux audio sound music files volume bormalizaton

shared by Gonzalo San Gil, PhD. on 04 Apr 16 - No Cached
  • Gonzalo San Gil, PhD. on 04 Apr 16
     
    "Trying to install Gnormalize I am trying to install Gnormalize for my recently installed Fedora 22 and it does not work. My distribution is i686/32 bits and I have downloaded Gnormalize from rpmfind.net, rpm.pbone.net, rpmseek.com and a similar one, and the Install program says always that it has failed. "
Gonzalo San Gil, PhD.

Apple on trial: Company execs say DRM was forced on them by record labels | Ars Technic... - 1 views

arstechnica.com/...orced-on-them-by-record-labels

Apple DRM music label impossed ha! :D try its own cheat recording industry swindle people defends culture

shared by Gonzalo San Gil, PhD. on 10 Dec 14 - No Cached
Gonzalo San Gil, PhD.

German Regulator Rejects German Newspapers' Cynical Attempt To Demand Cash From Google ... - 0 views

www.techdirt.com/...pt-to-demand-cash-google.shtml

cynism press demanding cash from google propiedad intelectual Tasa Google AEDE nonsense sin sentido

shared by Gonzalo San Gil, PhD. on 27 Aug 14 - No Cached
  • Gonzalo San Gil, PhD. on 27 Aug 14
     
    "from the nice-try-but-no dept Back in June we wrote about the ridiculous and cynical attempt by a number of big German newspaper publishers, in the form of the industry group VG Media, to demand 11% of Google's gross worldwide revenue on any search that results in Google showing a snippet of their content. We noted the hypocrisy of these publishers seeking to do this while"
  • Gonzalo San Gil, PhD. on 27 Aug 14
     
    "from the nice-try-but-no dept Back in June we wrote about the ridiculous and cynical attempt by a number of big German newspaper publishers, in the form of the industry group VG Media, to demand 11% of Google's gross worldwide revenue on any search that results in Google showing a snippet of their content. We noted the hypocrisy of these publishers seeking to do this while"
  • Gonzalo San Gil, PhD. on 27 Aug 14
     
    "from the nice-try-but-no dept Back in June we wrote about the ridiculous and cynical attempt by a number of big German newspaper publishers, in the form of the industry group VG Media, to demand 11% of Google's gross worldwide revenue on any search that results in Google showing a snippet of their content. We noted the hypocrisy of these publishers seeking to do this while"
Gonzalo San Gil, PhD.

Mobile security: iOS 8 vs. Android 5 vs. BlackBerry vs. Windows Phone [# ! x BoS...]] - 0 views

www.infoworld.com/...ackberry-vs-windows-phone.html

mobile security ios android blackberry windows phone vs. move safe

shared by Gonzalo San Gil, PhD. on 04 Mar 15 - No Cached
  • Gonzalo San Gil, PhD. on 04 Mar 15
     
    "Apple's iPhone and iPad long ago pushed out the BlackBerry as the corporate standard for mobile devices, in all but the highest-security environments. Google -- whose Android platform reigns outside the corporate world -- is now trying to push out Apple, with a new effort called Android for Work."
  • Gonzalo San Gil, PhD. on 04 Mar 15
     
    "Apple's iPhone and iPad long ago pushed out the BlackBerry as the corporate standard for mobile devices, in all but the highest-security environments. Google -- whose Android platform reigns outside the corporate world -- is now trying to push out Apple, with a new effort called Android for Work."
  • Gonzalo San Gil, PhD. on 05 Mar 15
     
    "Apple's iPhone and iPad long ago pushed out the BlackBerry as the corporate standard for mobile devices, in all but the highest-security environments. Google -- whose Android platform reigns outside the corporate world -- is now trying to push out Apple, with a new effort called Android for Work."
Gary Edwards

With faster Chrome browser, Google offers an Android alternative - CNET - 0 views

www.cnet.com/...-offers-an-android-alternative

web-app-framework Chrome Android

shared by Gary Edwards on 27 Jun 14 - No Cached
  • Gary Edwards on 27 Jun 14
     
    "On mobile devices, the Web hasn't lived up to its promise of a universal programming foundation. Google is trying to change that." Android hogged the spotlight at Google I/O, but performance improvements in Google's Chrome browser show that the company hasn't given up on trying to advance its other programming foundation -- the Web. The mobile version of Chrome has become much more responsive since 2013, said Paul Irish, a developer advocate on the Chrome team, speaking at the San Francisco conference. "We've improved the speed of animation by 75 percent and of scrolling 35 percent," Irish told developers Thursday. "We're committed to getting you 60 frames per second on the mobile Web." That performance is crucial for persuading people to use Web sites rather than native apps for things like posting on social networks, reading news, and playing games. It's also key to getting programmers to take the Web path when so many today focus on native apps written directly for Google's Android operating system and Apple's iOS competitor. The 60 frames-per-second rate refers to how fast the screen redraws when elements are in motion, either during games or when people are doing things like swiping among pages and dragging icons. The 60fps threshold is the minimum that game developers strive for, and to achieve it with no distracting stutters, a device must calculate how to update its entire screen every 16.7 milliseconds. Google, whose Android operating system initially lagged Apple's rival iOS significantly in this domain of responsiveness, has made great strides in improving its OS and its apps. But the mobile Web hasn't kept pace, and that means programmers have been more likely to aim for native apps rather than Web-based apps that can run on any device. ............................ Good review focused on the growing threat that native "paltform specific" apps are replacing Web apps as the developer's best choice. Florian thinks that native apps will win
Gonzalo San Gil, PhD.

Is the Era of Free Streaming Music Coming to an End? | Pitchfork [# ! Note...] - 1 views

pitchfork.com/...reaming-music-coming-to-an-end

free streaming music coming end more problems troubled industry bad move

shared by Gonzalo San Gil, PhD. on 07 Jun 16 - No Cached
    • Gonzalo San Gil, PhD.
      Gonzalo San Gil, PhD. on 07 Jun 16
       
      # ! As if Music Industry hadn't enough problems already...
  • Gonzalo San Gil, PhD. on 07 Jun 16
     
    "With streaming services asserting their market dominance, the music industry must now try to convince an entire generation raised on free to start paying up-without scaring them off."
  • Gonzalo San Gil, PhD. on 07 Jun 16
     
    "With streaming services asserting their market dominance, the music industry must now try to convince an entire generation raised on free to start paying up-without scaring them off."
Paul Merrell

He Was a Hacker for the NSA and He Was Willing to Talk. I Was Willing to Listen. - 2 views

theintercept.com/...o-talk-i-was-willing-to-listen

surveillance state NSA-hacker-interview

shared by Paul Merrell on 03 Jul 16 - No Cached
  • he message arrived at night and consisted of three words: “Good evening sir!” The sender was a hacker who had written a series of provocative memos at the National Security Agency. His secret memos had explained — with an earthy use of slang and emojis that was unusual for an operative of the largest eavesdropping organization in the world — how the NSA breaks into the digital accounts of people who manage computer networks, and how it tries to unmask people who use Tor to browse the web anonymously. Outlining some of the NSA’s most sensitive activities, the memos were leaked by Edward Snowden, and I had written about a few of them for The Intercept. There is no Miss Manners for exchanging pleasantries with a man the government has trained to be the digital equivalent of a Navy SEAL. Though I had initiated the contact, I was wary of how he might respond. The hacker had publicly expressed a visceral dislike for Snowden and had accused The Intercept of jeopardizing lives by publishing classified information. One of his memos outlined the ways the NSA reroutes (or “shapes”) the internet traffic of entire countries, and another memo was titled “I Hunt Sysadmins.” I felt sure he could hack anyone’s computer, including mine. Good evening sir!
  • The sender was a hacker who had written a series of provocative memos at the National Security Agency. His secret memos had explained — with an earthy use of slang and emojis that was unusual for an operative of the largest eavesdropping organization in the world — how the NSA breaks into the digital accounts of people who manage computer networks, and how it tries to unmask people who use Tor to browse the web anonymously. Outlining some of the NSA’s most sensitive activities, the memos were leaked by Edward Snowden, and I had written about a few of them for The Intercept. There is no Miss Manners for exchanging pleasantries with a man the government has trained to be the digital equivalent of a Navy SEAL. Though I had initiated the contact, I was wary of how he might respond. The hacker had publicly expressed a visceral dislike for Snowden and had accused The Intercept of jeopardizing lives by publishing classified information. One of his memos outlined the ways the NSA reroutes (or “shapes”) the internet traffic of entire countries, and another memo was titled “I Hunt Sysadmins.” I felt sure he could hack anyone’s computer, including mine.
  • I got lucky with the hacker, because he recently left the agency for the cybersecurity industry; it would be his choice to talk, not the NSA’s. Fortunately, speaking out is his second nature.
  • ...7 more annotations...
  • He agreed to a video chat that turned into a three-hour discussion sprawling from the ethics of surveillance to the downsides of home improvements and the difficulty of securing your laptop.
  • In recent years, two developments have helped make hacking for the government a lot more attractive than hacking for yourself. First, the Department of Justice has cracked down on freelance hacking, whether it be altruistic or malignant. If the DOJ doesn’t like the way you hack, you are going to jail. Meanwhile, hackers have been warmly invited to deploy their transgressive impulses in service to the homeland, because the NSA and other federal agencies have turned themselves into licensed hives of breaking into other people’s computers. For many, it’s a techno sandbox of irresistible delights, according to Gabriella Coleman, a professor at McGill University who studies hackers. “The NSA is a very exciting place for hackers because you have unlimited resources, you have some of the best talent in the world, whether it’s cryptographers or mathematicians or hackers,” she said. “It is just too intellectually exciting not to go there.”
  • The Lamb’s memos on cool ways to hunt sysadmins triggered a strong reaction when I wrote about them in 2014 with my colleague Ryan Gallagher. The memos explained how the NSA tracks down the email and Facebook accounts of systems administrators who oversee computer networks. After plundering their accounts, the NSA can impersonate the admins to get into their computer networks and pilfer the data flowing through them. As the Lamb wrote, “sys admins generally are not my end target. My end target is the extremist/terrorist or government official that happens to be using the network … who better to target than the person that already has the ‘keys to the kingdom’?” Another of his NSA memos, “Network Shaping 101,” used Yemen as a theoretical case study for secretly redirecting the entirety of a country’s internet traffic to NSA servers.
  • “If I turn the tables on you,” I asked the Lamb, “and say, OK, you’re a target for all kinds of people for all kinds of reasons. How do you feel about being a target and that kind of justification being used to justify getting all of your credentials and the keys to your kingdom?” The Lamb smiled. “There is no real safe, sacred ground on the internet,” he replied. “Whatever you do on the internet is an attack surface of some sort and is just something that you live with. Any time that I do something on the internet, yeah, that is on the back of my mind. Anyone from a script kiddie to some random hacker to some other foreign intelligence service, each with their different capabilities — what could they be doing to me?”
  • “You know, the situation is what it is,” he said. “There are protocols that were designed years ago before anybody had any care about security, because when they were developed, nobody was foreseeing that they would be taken advantage of. … A lot of people on the internet seem to approach the problem [with the attitude of] ‘I’m just going to walk naked outside of my house and hope that nobody looks at me.’ From a security perspective, is that a good way to go about thinking? No, horrible … There are good ways to be more secure on the internet. But do most people use Tor? No. Do most people use Signal? No. Do most people use insecure things that most people can hack? Yes. Is that a bash against the intelligence community that people use stuff that’s easily exploitable? That’s a hard argument for me to make.”
  • I mentioned that lots of people, including Snowden, are now working on the problem of how to make the internet more secure, yet he seemed to do the opposite at the NSA by trying to find ways to track and identify people who use Tor and other anonymizers. Would he consider working on the other side of things? He wouldn’t rule it out, he said, but dismally suggested the game was over as far as having a liberating and safe internet, because our laptops and smartphones will betray us no matter what we do with them. “There’s the old adage that the only secure computer is one that is turned off, buried in a box ten feet underground, and never turned on,” he said. “From a user perspective, someone trying to find holes by day and then just live on the internet by night, there’s the expectation [that] if somebody wants to have access to your computer bad enough, they’re going to get it. Whether that’s an intelligence agency or a cybercrimes syndicate, whoever that is, it’s probably going to happen.”
  • There are precautions one can take, and I did that with the Lamb. When we had our video chat, I used a computer that had been wiped clean of everything except its operating system and essential applications. Afterward, it was wiped clean again. My concern was that the Lamb might use the session to obtain data from or about the computer I was using; there are a lot of things he might have tried, if he was in a scheming mood. At the end of our three hours together, I mentioned to him that I had taken these precautions—and he approved. “That’s fair,” he said. “I’m glad you have that appreciation. … From a perspective of a journalist who has access to classified information, it would be remiss to think you’re not a target of foreign intelligence services.” He was telling me the U.S. government should be the least of my worries. He was trying to help me. Documents published with this article: Tracking Targets Through Proxies & Anonymizers Network Shaping 101 Shaping Diagram I Hunt Sys Admins (first published in 2014)
Gonzalo San Gil, PhD.

10 Tips to Push Your Git Skills to the Next Level - 1 views

www.sitepoint.com/10-tips-git-next-level

tips push git skills next level tutorial

shared by Gonzalo San Gil, PhD. on 21 Jun 14 - No Cached
  • Gonzalo San Gil, PhD. on 21 Jun 14
     
    " Published June 17, 2014 Tweet Subscribe Recently we published a couple of tutorials to get you familiar with Git basics and using Git in a team environment. The commands that we discussed were about enough to help a developer survive in the Git world. In this post, we will try to explore how to manage your time effectively and make full use of the features that Git provides."
  • Gonzalo San Gil, PhD. on 21 Jun 14
     
    " Published June 17, 2014 Tweet Subscribe Recently we published a couple of tutorials to get you familiar with Git basics and using Git in a team environment. The commands that we discussed were about enough to help a developer survive in the Git world. In this post, we will try to explore how to manage your time effectively and make full use of the features that Git provides."
Gonzalo San Gil, PhD.

This Kid Made an App That Exposes Sellout Politicians | VICE United States - 0 views

www.vice.com/...pp-hannah-ewens-nick-rubin-201

app track poliiticians money politics technology

shared by Gonzalo San Gil, PhD. on 21 Jul 14 - No Cached
  • Gonzalo San Gil, PhD. on 21 Jul 14
     
    "With US politics swimming in so much corporate money that it's pretty much an oligarchy, it can be hard to keep track of which particular set of lobbyists is trying to milk more cash out of health care, fossil fuels, and other very important issues from one week to the next." [https://addons.mozilla.org/en-US/firefox/addon/greenhouse/]
  • Gonzalo San Gil, PhD. on 21 Jul 14
     
    "With US politics swimming in so much corporate money that it's pretty much an oligarchy, it can be hard to keep track of which particular set of lobbyists is trying to milk more cash out of health care, fossil fuels, and other very important issues from one week to the next." [https://addons.mozilla.org/en-US/firefox/addon/greenhouse/]
  • Paul Merrell on 22 Jul 14
     
    Also available for Chrome. https://chrome.google.com/webstore/detail/greenhouse/ifomhmgandipmpnelclcmbefppopfklc I've been using it for several weeks. Works great.
Gonzalo San Gil, PhD.

El Impacto de Internet en la Industria Discográfica [2005] [Tesis Doctoral] |... - 0 views

gonzalosangil.wordpress.com/...stria-discografica-v2-1-2005-2

Impacto v2.1 internet tesis doctoral Música industria discográfica cultura investigacion social backup salvaguarda copia de seguridad

shared by Gonzalo San Gil, PhD. on 13 Oct 14 - No Cached
  • Gonzalo San Gil, PhD. on 13 Oct 14
     
    "Posted by Gonzalo San Gil, PhD ⋅ 11/10/2014 ⋅ Leave a comment El Impacto de Internet en la Industria Discográfica [2005] [Tesis Doctoral] # Disappeared -after five years and close to 3000 (#Free) downloads from archive.org… " due to issues with the item's content." (?) (https://archive.org/details/ElImpactoDeInternetEnLaIndustriaDiscogrficaV2.1) … and with more than 10000 reads 'stolen' from Scribd due to "bot removal" (?) (https://www.scribd.com/doc/48406334/El-Impacto-de-Internet-en-la-Industria-Discografica-v2-1-2005) I try to share it here to see how it lasts… and how many Pe@ple can access to an original copylefted work untill the next 'issue'… "
  • Gonzalo San Gil, PhD. on 13 Oct 14
     
    "Posted by Gonzalo San Gil, PhD ⋅ 11/10/2014 ⋅ Leave a comment El Impacto de Internet en la Industria Discográfica [2005] [Tesis Doctoral] # Disappeared -after five years and close to 3000 (#Free) downloads from archive.org… " due to issues with the item's content." (?) (https://archive.org/details/ElImpactoDeInternetEnLaIndustriaDiscogrficaV2.1) … and with more than 10000 reads 'stolen' from Scribd due to "bot removal" (?) (https://www.scribd.com/doc/48406334/El-Impacto-de-Internet-en-la-Industria-Discografica-v2-1-2005) I try to share it here to see how it lasts… and how many Pe@ple can access to an original copylefted work untill the next 'issue'… "
Gonzalo San Gil, PhD.

Get into Docker - A Guide for Total Newbies | Voxxed - 1 views

www.voxxed.com/...cker-a-guide-for-total-newbies

Docker guide newbies tutorial containers virtualization networks Internet

shared by Gonzalo San Gil, PhD. on 18 May 15 - No Cached
  • Gonzalo San Gil, PhD. on 18 May 15
     
    "Have you heard about Docker? Most likely. If not, don't worry, I'll try to summarise it for you. Docker is probably one of the hottest technologies at the moment. It has the potential to revolutionise the way we build, deploy and distribute applications. At the same time, it's already having a huge impact in the development process. "
  • Gonzalo San Gil, PhD. on 18 May 15
     
    "Have you heard about Docker? Most likely. If not, don't worry, I'll try to summarise it for you. Docker is probably one of the hottest technologies at the moment. It has the potential to revolutionise the way we build, deploy and distribute applications. At the same time, it's already having a huge impact in the development process. "
Gonzalo San Gil, PhD.

Virtualization vs. Containers: What You Need to Know - Datamation - 1 views

www.datamation.com/...ers-what-you-need-to-know.html

virtualization containers know

shared by Gonzalo San Gil, PhD. on 25 Apr 15 - No Cached
  • Gonzalo San Gil, PhD. on 25 Apr 15
     
    "You have to try pretty hard not to hear about containers these days. They are the new "it" technology, garnering incredible buzz on Twitter and on various online publications. Since they are often discussed in conjunction with virtualization, there is the potential for confusion or comparison, when in fact they are complimentary."
  • Gonzalo San Gil, PhD. on 25 Apr 15
     
    "You have to try pretty hard not to hear about containers these days. They are the new "it" technology, garnering incredible buzz on Twitter and on various online publications. Since they are often discussed in conjunction with virtualization, there is the potential for confusion or comparison, when in fact they are complimentary."
Gonzalo San Gil, PhD.

Both Comcast And Verizon Agree To Pay Millions To Settle Overbilling Claims | Techdirt - 1 views

www.techdirt.com/...ettle-overbilling-claims.shtml

comcast verizon pay millions settle first steal then politics sucks swindling bribing citizens governments

shared by Gonzalo San Gil, PhD. on 31 Oct 14 - No Cached
  • Gonzalo San Gil, PhD. on 31 Oct 14
     
    "from the but-you-can-trust-them dept The big broadband players keep trying to tell us (and politicians and regulators) how good they are and how much we can trust them. Part of their whole pitch on killing net neutrality is that they'd never do anything to harm consumers." [ # ! First... # ! #citizens' #swindling; # ! then, #government #bribing... # ! #Unfair, anyhow we look at it. # ! :/]
  • Gonzalo San Gil, PhD. on 31 Oct 14
     
    "from the but-you-can-trust-them dept The big broadband players keep trying to tell us (and politicians and regulators) how good they are and how much we can trust them. Part of their whole pitch on killing net neutrality is that they'd never do anything to harm consumers."
Gonzalo San Gil, PhD.

Beginning Git and Github for Linux Users | Linux.com - 0 views

www.linux.com/...git-and-github-for-linux-users

beginning git github linux GNU_Linux CVS RCS revision control system version begin

shared by Gonzalo San Gil, PhD. on 22 Nov 14 - No Cached
  • Gonzalo San Gil, PhD. on 22 Nov 14
     
    "The Git distributed revision control system is a sweet step up from Subversion, CVS, Mercurial, and all those others we've tried and made do with. It's great for distributed development, when you have multiple contributors working on the same project, and it is excellent for safely trying out all kinds of crazy changes. We're going to use a free Github account for practice so we can jump right in and start doing stuff."
  • Gonzalo San Gil, PhD. on 22 Nov 14
     
    "The Git distributed revision control system is a sweet step up from Subversion, CVS, Mercurial, and all those others we've tried and made do with. It's great for distributed development, when you have multiple contributors working on the same project, and it is excellent for safely trying out all kinds of crazy changes. We're going to use a free Github account for practice so we can jump right in and start doing stuff."
Gonzalo San Gil, PhD.

New Year's Message: Change, Innovation And Optimism, Despite Challenges | Techdirt - 0 views

www.techdirt.com/...imism-despite-challenges.shtml

innovation challenges optimism despite politics laws

shared by Gonzalo San Gil, PhD. on 03 Jan 15 - No Cached
  • Gonzalo San Gil, PhD. on 03 Jan 15
     
    "so happy and optimistic despite constantly writing about negative things that were happening -- people trying to block innovation, politicians passing crazy laws, judges making bad rulings, etc. As I pointed out then, I actually found it rather easy to stay happy because I had seen how far we've come over the years since Techdirt began, way back in 1997. I had seen how much innovation had happened in spite of attempts to stop it. "
  • Gonzalo San Gil, PhD. on 03 Jan 15
     
    "so happy and optimistic despite constantly writing about negative things that were happening -- people trying to block innovation, politicians passing crazy laws, judges making bad rulings, etc. As I pointed out then, I actually found it rather easy to stay happy because I had seen how far we've come over the years since Techdirt began, way back in 1997. I had seen how much innovation had happened in spite of attempts to stop it. "
Gonzalo San Gil, PhD.

Music Group DMCA Notices Reveal Coffee Hatred | TorrentFreak - 0 views

torrentfreak.com/es-reveal-coffee-hatred-140825

music group dmca coffee hatred more ridiculous copyright policies

shared by Gonzalo San Gil, PhD. on 27 Aug 14 - No Cached
  • Gonzalo San Gil, PhD. on 27 Aug 14
     
    " Andy on August 25, 2014 C: 57 Breaking A German-based music group's month-long DMCA notice-sending spree has seen it trying to censor leading music stores and news outlets for no good reason. The outfit also took a bizarre dislike to the word "coffee" and issued takedowns against Walmart, Ikea, Fair Trade USA and Dunkin Donuts."
  • Gonzalo San Gil, PhD. on 27 Aug 14
     
    " Andy on August 25, 2014 C: 57 Breaking A German-based music group's month-long DMCA notice-sending spree has seen it trying to censor leading music stores and news outlets for no good reason. The outfit also took a bizarre dislike to the word "coffee" and issued takedowns against Walmart, Ikea, Fair Trade USA and Dunkin Donuts."
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