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"Contents 1 Studies 1.1 Evaluation of the effects of the HADOPI law 1.1.1 University of Delaware and Université de Rennes - 2014 - Graduated Response Policy and the Behavior of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law 1.1.2 M@rsouin - 2010 - Evaluation of the effects of the HADOPI law (FR) 1.2 People who share files are people who spend the more for culture 1.2.1 Munich School of Management and Copenhagen Business School - Piracy and Movie Revenues: Evidence from Megaupload 1.2.2 The American Assembly (Collumbia University) - Copy Culture in the USA and Germany 1.2.3 GFK (Society for Consumer Research) - Disappointed commissioner suppresses study showing pirates are cinema's best consumers 1.2.4 HADOPI - 2011 - January 2011 study on online cultural practices (FR) 1.2.5 University of Amsterdam - 2010 - Economic and cultural effects of unlawful file sharing 1.2.6 BBC - 2009 - "Pirates" spend more on music (FR) 1.2.7 IPSOS Germany - 2009 - Filesharers are better "consumers" of culture (FR) 1.2.8 Frank N. Magid Associates, Inc. - 2009 - P2P / Best consumers for Hollywood (EN) 1.2.9 Business School of Norway - 2009 - Those who share music spend ten times more money on music (NO) 1.2.10 Annelies Huygen, et al. (Dutch government investigation) - 2009 - Ups and downs - Economische en culturele gevolgen van file sharing voor muziek, film en games 1.2.11 M@rsouin - 2008 - P2P / buy more DVDs (FR) 1.2.12 Canadian Department of Industry - 2007 - P2P / achètent plus de musique (FR) 1.2.13 Felix Oberholzer-Gee (above) and Koleman Strumpf - 2004 -File sharing may boost CD sales 1.3 Economical effects of filesharing 1.3.1 University of Kansas School of Business - Using Markets to Measure the Impact of File Sharing o

"Contents 1 Studies 1.1 Evaluation of the effects of the HADOPI law 1.1.1 University of Delaware and Université de Rennes - 2014 - Graduated Response Policy and the Behavior of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law 1.1.2 M@rsouin - 2010 - Evaluation of the effects of the HADOPI law (FR) 1.2 People who share files are people who spend the more for culture 1.2.1 Munich School of Management and Copenhagen Business School - Piracy and Movie Revenues: Evidence from Megaupload 1.2.2 The American Assembly (Collumbia University) - Copy Culture in the USA and Germany 1.2.3 GFK (Society for Consumer Research) - Disappointed commissioner suppresses study showing pirates are cinema's best consumers 1.2.4 HADOPI - 2011 - January 2011 study on online cultural practices (FR) 1.2.5 University of Amsterdam - 2010 - Economic and cultural effects of unlawful file sharing 1.2.6 BBC - 2009 - "Pirates" spend more on music (FR) 1.2.7 IPSOS Germany - 2009 - Filesharers are better "consumers" of culture (FR) 1.2.8 Frank N. Magid Associates, Inc. - 2009 - P2P / Best consumers for Hollywood (EN) 1.2.9 Business School of Norway - 2009 - Those who share music spend ten times more money on music (NO) 1.2.10 Annelies Huygen, et al. (Dutch government investigation) - 2009 - Ups and downs - Economische en culturele gevolgen van file sharing voor muziek, film en games 1.2.11 M@rsouin - 2008 - P2P / buy more DVDs (FR) 1.2.12 Canadian Department of Industry - 2007 - P2P / achètent plus de musique (FR) 1.2.13 Felix Oberholzer-Gee (above) and Koleman Strumpf - 2004 -File sharing may boost CD sales 1.3 Economical effects of filesharing 1.3.1 University of Kansas School of Business - Using Markets to Measure the Impact of File Sharing o

"Data keeps debunking myths about Millennials and their music. Baby Boomers are famously self-important when it comes to the importance of their generation and the music it created. But a new study shows that the 55+ demographic actually listens to substantially less music than their 16-34 cohorts. In fact, Millennials - loosely defined as those born in the 80s, 90s, and early 2000s - listen to 75.1% more music on a daily basis, according to data shared this morning with Digital Music News."

"Data keeps debunking myths about Millennials and their music. Baby Boomers are famously self-important when it comes to the importance of their generation and the music it created. But a new study shows that the 55+ demographic actually listens to substantially less music than their 16-34 cohorts. In fact, Millennials - loosely defined as those born in the 80s, 90s, and early 2000s - listen to 75.1% more music on a daily basis, according to data shared this morning with Digital Music News."

"July 24, 2013 Jacqueline Rosokoff 7 Comments When it comes to choosing a digital music distributor to get your music on sites like iTunes, Amazon MP3 and Spotify, you want to feel confident in your choice. If music is important to you, you want to know who's handling your music assets, the quality of the service and the value you're getting for the distribution fees you're paying."

"July 24, 2013 Jacqueline Rosokoff 7 Comments When it comes to choosing a digital music distributor to get your music on sites like iTunes, Amazon MP3 and Spotify, you want to feel confident in your choice. If music is important to you, you want to know who's handling your music assets, the quality of the service and the value you're getting for the distribution fees you're paying."

"The Internet has been a blessing for the music industry. Although the RIAA and IFPI frequently complain about piracy, their own research shows that only 10% of all illegal downloads are considered to be a loss in sales. Meanwhile, piracy has shown them how to monetize music online, and turn it into profit. Every year, RIAA's global partner IFPI publishes a digital music report, which can be best described as a one sided view of the state of digital music consumption. For several years in a row the report has shown that the sales figures of digital music have gone up, but still, the industry continues to blame piracy for a loss in overall revenue. One of the key statistics that is hyped every year, is the piracy ratio of downloaded music. Just as last year, IFPI estimates that 95% of all downloads are illegal, without giving a proper source for this figure. Interestingly, those who take a closer look at the full report (pdf), will see that only 10% of the claimed illegal downloads are seen as a loss in sales."

" Ernesto on March 18, 2013 C: 372 New research published by the European Commission's Joint Research Centre shows that online piracy doesn't hurt digital music revenues. The researchers examined browsing habits from 16,000 Europeans and found that there's a positive link between online piracy and visits to legal music stores, irrespective of people's interest in music. The study concludes that the music industry should not see piracy as a growing concern."

" Ernesto on March 18, 2013 C: 372 New research published by the European Commission's Joint Research Centre shows that online piracy doesn't hurt digital music revenues. The researchers examined browsing habits from 16,000 Europeans and found that there's a positive link between online piracy and visits to legal music stores, irrespective of people's interest in music. The study concludes that the music industry should not see piracy as a growing concern."

"It's almost a rite of passage every artist goes through in the modern music industry. The moment he accepts that he will not be able to rely on music sales to sustain his career. That people are not buying music like they used to. And never will again."

"It's almost a rite of passage every artist goes through in the modern music industry. The moment he accepts that he will not be able to rely on music sales to sustain his career. That people are not buying music like they used to. And never will again."

"Yesterday, Digital Music News published a leaked Apple Music contract confirming that no royalties will be paid to rights owners during a three-month trial period. In response, highly-influential independent label organization A2IM offered this word if caution to its members."

"Yesterday, Digital Music News published a leaked Apple Music contract confirming that no royalties will be paid to rights owners during a three-month trial period. In response, highly-influential independent label organization A2IM offered this word if caution to its members."

"After a challenging decade for the music industry, growth will return. Based on growth in digital and growth in live music, overall spending on music will grow from US$49.9bn in 2012 to US$53.8bn in 2017, a CAGR of 2%. EMEA will remain the largest region by revenues, thanks to contributions by the UK, France and Germany, the three largest music territories in the region."

"In this article, I am going to focus on the hardware, software, and configuration issues that we need to resolve to set up a Linux-based music server as part of the home music system. Specifically, I'll look at the Raspberry Pi, Cubox-i, and Fit-PC as options for hosting your digital home music system. Some of the material in this article can equally be applied to my previous article on the Linux laptop as a high-quality music player"

"Last month, sources pointed Digital Music News to double-digit declines in music download sales, with drops potentially exceeding 20 percent year-on-year. But actual figures released early this morning show a sharper drop than imagined. According to Nielsen Soundscan first-half figures, music downloads dropped an astounding 23.9%, with total sales landed at 404.9 million."

OECD Working Party on the Information Economy (www.oecd.org/sti/digitalcontent) Work Plan on Digital Broadband Content OECD Recommendation on Public Sector Information OECD Policy Guidance for Digital Content The OECD's Working Party on the Information Economy (WPIE) is undertaking analysis of the digital delivery of content. This work recognises that the rapid development of high-quality "always on" broadband Internet services is transforming high-growth industries that provide or have the potential to provide digital content. Specifically, this work includes stocktaking studies in the following areas: scientific publishing, music, on-line computer games, mobile content, user-created content, digital content and the evolution of the film and video industries and public sector information and content.

" Ernesto on April 14, 2015 C: 0 Breaking Music industry group IFPI released its latest Digital Music Report today. Documenting the latest developments in the ongoing piracy battle, the report suggests that pirate site blockades are hugely effective. "

" Ernesto on April 14, 2015 C: 0 Breaking Music industry group IFPI released its latest Digital Music Report today. Documenting the latest developments in the ongoing piracy battle, the report suggests that pirate site blockades are hugely effective. "

"This past year has been very eventful one for the music industry. The major debates centered on royalties, the freemium model and the place of YouTube in the industry. This piece takes a look at the main digital challenges for the industry over the course of 2016."

"June 8th: Apple unveils Apple Music, while promoting an 'indie artist' that doesn't exist. The company confidently declares that Apple Music will reach 100 million paying subscribers."

# ! The Same Old Song from The Same Old Business. Music doesn't goes this way... Don't Blame Piracy. "... But in practice, most consumers' exposure to the world of new music is extremely limited. ..."

# ! The Same Old Song from The Same Old Business. Music doesn't goes this way... Don't Blame Piracy. "... But in practice, most consumers' exposure to the world of new music is extremely limited. ..."

"I originally did this report for Ari's Take. Everything is current and has been fact checked by every company. This is the most comprehensive and accurate digital distribution comparison piece on the web. Who is the best digital distributor? Read on… I sat down with reps at 8 different digital distribution companies"

[By Andrew Orlowski * Get more from this author Posted in Media, 25th October 2012 09:19 GMT Battle of Ideas 2012 I was an a panel at The Battle of Ideas conference on music at the weekend, and it went a bit beyond your usual digital music panel. There was a good turnout - considering there were six concurrent panels, all of them interesting. Everyone got to make a six-minute opening question. Here's mine, and the highlights of the rest of the panel. I've included all the audience questions and the best answers - not all questions were answered - for a reason. If you think the biggest problem with music is piracy, it isn't, and that becomes evident from the questions. Two of the panellists (Alan Miller and myself) address this in the closing remarks....]

" By Ernesto on May 25, 2016 C: 113 News New research published by the European Union Intellectual Property Office shows that piracy hurts both digital and physical music sales. In EU countries the total losses are roughly 5% of yearly revenues, which equals €170 million. In addition, piracy also triggers secondary losses for governments and the public sector. "

" By Ernesto on May 25, 2016 C: 113 News New research published by the European Union Intellectual Property Office shows that piracy hurts both digital and physical music sales. In EU countries the total losses are roughly 5% of yearly revenues, which equals €170 million. In addition, piracy also triggers secondary losses for governments and the public sector. "

"By guest blogger Taylor Lambert and Kevin Erickson In the age of on-demand streaming, it's common to hear people talk about music as "limitless"- something that flows forth endlessly like water. "

[By Carles Martinez+ on abril 15, 2015 @CarlesMp viniloEn el Digital Music Report presentado ayer por IFPI destaca el aumento del vinilo respecto 2013 con un 55 por ciento a nivel mundial, hasta representar unos ingresos de unos 350 millones de dólares. ]

[By Carles Martinez+ on abril 15, 2015 @CarlesMp viniloEn el Digital Music Report presentado ayer por IFPI destaca el aumento del vinilo respecto 2013 con un 55 por ciento a nivel mundial, hasta representar unos ingresos de unos 350 millones de dólares. ]