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"Contents 1 Studies 1.1 Evaluation of the effects of the HADOPI law 1.1.1 University of Delaware and Université de Rennes - 2014 - Graduated Response Policy and the Behavior of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law 1.1.2 M@rsouin - 2010 - Evaluation of the effects of the HADOPI law (FR) 1.2 People who share files are people who spend the more for culture 1.2.1 Munich School of Management and Copenhagen Business School - Piracy and Movie Revenues: Evidence from Megaupload 1.2.2 The American Assembly (Collumbia University) - Copy Culture in the USA and Germany 1.2.3 GFK (Society for Consumer Research) - Disappointed commissioner suppresses study showing pirates are cinema's best consumers 1.2.4 HADOPI - 2011 - January 2011 study on online cultural practices (FR) 1.2.5 University of Amsterdam - 2010 - Economic and cultural effects of unlawful file sharing 1.2.6 BBC - 2009 - "Pirates" spend more on music (FR) 1.2.7 IPSOS Germany - 2009 - Filesharers are better "consumers" of culture (FR) 1.2.8 Frank N. Magid Associates, Inc. - 2009 - P2P / Best consumers for Hollywood (EN) 1.2.9 Business School of Norway - 2009 - Those who share music spend ten times more money on music (NO) 1.2.10 Annelies Huygen, et al. (Dutch government investigation) - 2009 - Ups and downs - Economische en culturele gevolgen van file sharing voor muziek, film en games 1.2.11 M@rsouin - 2008 - P2P / buy more DVDs (FR) 1.2.12 Canadian Department of Industry - 2007 - P2P / achètent plus de musique (FR) 1.2.13 Felix Oberholzer-Gee (above) and Koleman Strumpf - 2004 -File sharing may boost CD sales 1.3 Economical effects of filesharing 1.3.1 University of Kansas School of Business - Using Markets to Measure the Impact of File Sharing o

"Contents 1 Studies 1.1 Evaluation of the effects of the HADOPI law 1.1.1 University of Delaware and Université de Rennes - 2014 - Graduated Response Policy and the Behavior of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law 1.1.2 M@rsouin - 2010 - Evaluation of the effects of the HADOPI law (FR) 1.2 People who share files are people who spend the more for culture 1.2.1 Munich School of Management and Copenhagen Business School - Piracy and Movie Revenues: Evidence from Megaupload 1.2.2 The American Assembly (Collumbia University) - Copy Culture in the USA and Germany 1.2.3 GFK (Society for Consumer Research) - Disappointed commissioner suppresses study showing pirates are cinema's best consumers 1.2.4 HADOPI - 2011 - January 2011 study on online cultural practices (FR) 1.2.5 University of Amsterdam - 2010 - Economic and cultural effects of unlawful file sharing 1.2.6 BBC - 2009 - "Pirates" spend more on music (FR) 1.2.7 IPSOS Germany - 2009 - Filesharers are better "consumers" of culture (FR) 1.2.8 Frank N. Magid Associates, Inc. - 2009 - P2P / Best consumers for Hollywood (EN) 1.2.9 Business School of Norway - 2009 - Those who share music spend ten times more money on music (NO) 1.2.10 Annelies Huygen, et al. (Dutch government investigation) - 2009 - Ups and downs - Economische en culturele gevolgen van file sharing voor muziek, film en games 1.2.11 M@rsouin - 2008 - P2P / buy more DVDs (FR) 1.2.12 Canadian Department of Industry - 2007 - P2P / achètent plus de musique (FR) 1.2.13 Felix Oberholzer-Gee (above) and Koleman Strumpf - 2004 -File sharing may boost CD sales 1.3 Economical effects of filesharing 1.3.1 University of Kansas School of Business - Using Markets to Measure the Impact of File Sharing o

[ Andy on March 24, 2015 C: 0 Breaking In a response to the draft code tabled to deal with the Australian online-piracy problem, some of the world's largest music publishers have presented a set of draconian measures. ISPs should not only use technology to spy on their own customers, but also to proactively block access to infringing content and websites. ...]

this morning Opera unveiled a P2P based technology called Opera Unite that essentially turns every computer running the Opera browser into a full-fledged Web server. Opera Unite can be used to directly share documents, music, photos, videos, or run websites, or even chat rooms without third-party requirements. The company extended the collaborative technology to a platform that comes with a set of open APIs, encouraging developers to create their own applications (known as Opera Unite services) on top of it, directly linking personal computers together, no matter which OS they are running and without the need to download additional software. Networking above and beyond the OS. Catch the video on this page! Although it doesn't explain much by way of the underlying technology, it's really well done and very stylish. It's interesting the way they paint "the Servers" as threatening and evil.

Haven't yet explored to see what's beneath the marketing hype. And I'm less than excited about the Skype with its NSA tendrils being the vehicle of audio translations of human languages. But given the progress in: [i] automated translations of human texts; [ii] audio screenreaders; and [iii] voice-to-text transcription, this is one we saw coming. Slap the three technologies together and wait until processing power catches up to what's needed to produce a marketable experience. After all, the StarTrek scriptwriters saw this coming too.   Ray Kurzweil, now at Google, should get a lot of the pioneer credit here. His revolutionary optical character recognition algorithms soon found themselves redeployed in text-to-speech synthesis and speech recognition technology. From Wikipedia: "Kurzweil was the principal inventor of the first CCD flatbed scanner, the first omni-font optical character recognition, the first print-to-speech reading machine for the blind, the first commercial text-to-speech synthesizer, the first music synthesizer Kurzweil K250 capable of recreating the grand piano and other orchestral instruments, and the first commercially marketed large-vocabulary speech recognition." Not bad for a guy the same age as my younger brother. But Microsoft's announcement here may be more vaporware than hardware in production and lines of executable code. Microsoft has a long history of vaporware announcements to persuade potential customers to hold off on riding with the competition.  And the Softies undoubtedly know that Google's human language text translation capabilities are way out in front and that the voice to text and text to speech API methods have already found a comfortable home in Android and Chromebook. What does Microsoft have that's ready to ship if anything? I'll check it out tomorrow. 

[ay 30, 2015 Editor Charlie Leave a comment Go to comments [Editor Charlie sez: We're pleased to get a chance to repost this must read piece by industry veteran Jim McDermott who brings great insights into the Napster history and the flaws in the narrative that the tech press has so eagerly promoted. You can also read Chris's 2008 interview about Napster with Andrew Orlowski in The Register, The Music Wars from 30,000 Feet.] ...]

"This means that transferring files between devices is only possible if these support Apple's licensing scheme. That's actually a step backwards from the DRM-free music that's sold in most stores today." [* What 'Apple's licensing scheme' -closed source- can hide?]

"This means that transferring files between devices is only possible if these support Apple's licensing scheme. That's actually a step backwards from the DRM-free music that's sold in most stores today." [* What 'Apple's licensing scheme' -closed source- can hide?]

A business method software patent combining old elements that are all prior art, including DRM. Yech! "... a patent that makes it possible to license P2P sharing" really puts a spin on reality. If the methods were in the public domain, anyone could use them without a license. That's equivalent to to saying "a government-granted monopoly with the power but no responsibility to collect money from anyone who wants to invade the monopoly's protected rights" and presenting that fact as some sort of tremendous philanthropic act by Apple. On software patent claims as prior art and obvious, see my legal memo on that topic here. http://goo.gl/5X8Kg9

"an you imagine-someone in the music business is trying to buy their way into the charts. Shocking, I know. Totally unpredictable. Who could ever have anticipated that move?"

" By Andy on February 14, 2016 C: 17 News Last month we were alerted to a beautiful site that merged the smart looks and playlists of Spotify with the music of YouTube to make a very decent free streaming service. Little did we know that almost anyone can put together a similar platform in minutes, all for an initial outlay of just $38."

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March 17, 2014 Chris Castle

"If you read the New York Times Sunday Magazine (which probably means you're over 40 or live inside of the Acela corridor), you may have noticed a story last week titled "The Creative Apocalypse That Wasn't". This piece is another of these "Sky is Rising" type things bankrolled by the Computer & Communications Industry Association, aka Google. I'm not accusing the author of being on anyone's payroll (except perhaps the Times itself…more about that later), but I can't help noticing the similarities."

"The MIC Coalition members listed above are the new alliance of big business against artists and songwriters. The McCoalition (as I call them) is designed to intimidate creators. Why?"

"The MIC Coalition members listed above are the new alliance of big business against artists and songwriters. The McCoalition (as I call them) is designed to intimidate creators. Why?"

"You've no doubt heard that Google has rearranged the deck chairs to reorganize the company. The general idea is that Google is establishing a holding company titled "Alphabet"-please resist the urge to point out that Google now owns the alphabet. What underlies the restructuring is that Google has essentially succeeded in its initial business play to organize the world's information whether the world likes it or not."

"With the rise of different mobile platforms and content ecosystems over the past decade, the technology world is becoming increasingly fragmented. Fifteen years ago, there were only a handful of platforms that mattered -- Windows PCs, Macs, and perhaps Linux on the desktop, and primarily BlackBerry in the mobile space. Today, the number is far greater -- Windows (further divided into the pre- and post-Windows 8 offerings), OS X, Linux, Chrome OS, Android (in many varying incarnations), iOS, Windows Phone, BlackBerry, Amazon's Kindle and Fire products, to name the most common. Each of these platforms has become increasingly insular, making lock-in to a specific vendor, device, or OS much more common.  Featured Resource Presented by Citrix Systems 10 essential elements for a secure enterprise mobility strategy Best practices for protecting sensitive business information while making people productive from LEARN MORE Although it is possible to switch from an iPhone to Android, or from Windows to Mac, there is often a trade-off in making the switch. Apps, music, ebooks, and other content may need to be re-purchased. There will likely be some learning curve. The offerings in the new ecosystem -- apps or content -- may not match the experience to which we've become accustomed, and some may not be available at all.  Here's some guidance on how to switch platforms."

With great power comes great responsibility and with fast development of media technologies comes a wide variety of media formats. Each audio format has its own significant features: some maintain excellent quality, some offer compact size, some can be played … Continue reading →

With great power comes great responsibility and with fast development of media technologies comes a wide variety of media formats. Each audio format has its own significant features: some maintain excellent quality, some offer compact size, some can be played … Continue reading →

"The White Queen] "Why, sometimes I've believed as many as six impossible things before breakfast." Alice in Wonderland, by Lewis Carroll Google has released a self-study (How Google Fights Piracy). While hope springs eternal, the self-study falls quite short of both truth and reality. Let's see why. The Context Even if you discount the moral hazard involved with funding a study of yourself, the Google survey of Google's involvement with piracy is a breathtaking document. I would suggest that the self-study rests on a number of core principles for Google's business: 1. Nothing to See Here, Move Along: First and foremost is Google's deep and abiding desire"

[And three-quarters downloaded nothing in last quarter By John Oates * Get more from this author Posted in Music and Media, 29th September 2010 11:31 GMT A survey of previous NPD research has found US consumers not fully embracing the connected future so beloved of tech marketeers. Researchers found that for most US users a PC, with email and web browsing, is enough. Although some are using games consoles and smartphones to get online the vast majority are not. ...]